Gravestones and inscription stones, which are among the oldest indicators of the phenomenon of death engraved in the public memory with images and rituals, are the ancient interpreters of the consciousness of death, which is the redemption of human beings as conscious beings. The phenomenon of death or dying, which was domesticated through a natural spirituality in antiquity, and a monotheistic religiosity in the Middle Ages, loses its spirituality by becoming profaned in the hands of consumer culture and is brutalized (...) today in terms of lifestyle by being cut off from existence in positivist paradigm in epistemological terms. The study deals with the secular perception of death and the individual and social crises caused by this perception in the context of tradition and modernity. The purpose of the study is to draw attention to the spread of natural and materialist assumptions in the perception of death and the strengthening of the profane elements in mourning ceremonies and to make sense of the traces left by this process in the individual and society. It is seen in the study that the efforts to cover up and intimidate the deceased and the subject of loss bring existential crises, alienation, and violence against oneself or others. On the other hand, it is also understood that it is not a coincidence that the traces of the culture of reconciliation built between death and life by the traditional perception of death in the countryside as an alternative perception faced. The study has been conducted with the document analysis design method, which is a qualitative research type. The approaches to the phenomenon of death have been subjected to a chronological literature reading in the study, and the diagnoses of the 21st century attitudes of the death perception, which were reached by going back to early days, were tested in historical and semiotics terms with the films Making Ships from Watermelon Shell (2004) and Shattered (2021), which were chosen to represent two different paradigms as documentary data. The study is important in that it examined the changing perception of death and the culture of mourning in detail and created a current topography and contributes to the studies of the sociology of death, which is still a fresh field. (shrink)

La 4e de couverture indique : ""Ce qui se passe, se produit ou arrive et qui présente une certaine importance pour les hommes " : pareille définition, en raison de son manque de rigueur scientifique, ne saurait satisfaire l'auteur de cet ouvrage. Le grand événement y est présenté comme une notion susceptible de faire l'objet d'une approche authentiquement épistémologique. Rejetée du système scientifique de façon tapageuse, hâtive et passionnelle durant la majeure partie du XXe siècle par contagion disciplinaire en dépit (...) du réel tourmenté de cette période, la notion de grand événement a été réhabilitée à la faveur de Mai 1968 et des récentes découvertes des sciences dites exactes, mais avec une certaine méfiance voire une certaine honte et sans que l'on en ait tiré toutes les conséquences. L'auteur se prononce en faveur d'une prise en considération affirmée et effective de cette notion intrinsèquement révolutionnaire qui apparaît, à plus d'un titre, comme le trublion de l'ordre scientifique établi. Il se risque même à préconiser la création d'une science transversale dont le grand événement constituerait l'objet. Son approche se situe à la croisée des recherches sur le travail de mémoire et sur le retour du présent qui animent la réflexion de ce changement de siècle et de millénaire. Cette provocation épistémologique interpellera tous ceux qui, à un titre ou à un autre, ont été ou sont confrontés aux grands événements : historiens, journalistes, politologues, diplomates, juristes... acteurs et spectateurs.". (shrink)

Résumé Un fils d’opposant syrien de longue date raconte comment on suit depuis la France par les réseaux, ce qui est devenu peu à peu une guerre civile, à laquelle seul le rapport de forces des armes apportera un point final.

Personal reflections on the author's life, religion, and the current state of the world.

Analytical study of an ideal life for a woman in Islam with special reference to modern science.

Philosophy, Islamic; Shiites; early works to 1800.

Islamic ethics. ; Christian ethics. ; Ethics, Comparative.

On the ethics and character of Prophet Muḥammad d. 632.

This paper, therefore, ploughs the furrow of postcolonial history, memory and the poetic imagination deploying the poetry of the Nigerian poet Joe Ushie.In particular, the paper negotiates the Rwandan genocide as a tragic foreground of the imperial process through its indulgent, artificial fixing of boundaries to accomplish its empire-building project in Africa. But beyond the colonial mediation in, and onslaught on, the cultures of others, the paper argues that African societies have also been complicit in their agonistic and violent history (...) as the Rwandan genocide amply demonstrates. The paper concludes that a martial culture reminiscent of Civan, the warmonger, which manifests itself in private and especially public domains will only entrench intolerance, ethnocentrism, communal wars and violent death on the continent. (shrink)