This article presents a research on the occurrences of Pithanon in Galen’s On Doctrines of Hippocrates and Plato (PHP). Galen writes PHP to critique doctors, Peripatetics, and stoics about the powers that govern man. He considers his criticism to be justifiable because they have come to the wrong conclusions because of the wrong selection of premises. According to him, his opponents' conclusions are based on persuasive, mistaken, ambiguous or false assumptions. Pithanon is a key word he uses to identify one (...) of the premises that is applied by the stoics in order to prove their thesis about the hegemonikon. (shrink)

In the de Officiis we have, save for the latter Philippics, the great orator's last contribution to literature. The last, sad, troubled years of his busy life could not be given to his profession; and he turned his never-resting thoughts to the second love of his student days and made Greek philosophy a possibility for Roman readers. The senate had been abolished; the courts had been closed. His occupation was gone; but Cicero could not surrender himself to idleness. In those (...) days of distraction (46-43 b.c.) he produced for publication almost as much as in all his years of active life.The liberators had been able to remove the tyrant, but they could not restore the republic. Cicero's own life was in danger from the fury of mad Antony and he left Rome about the end of March, 44 b.c. He dared not even stop permanently in any one of his various country estates, but, wretched, wandered from one of his villas to another nearly all the summer and autumn through. He would not suffer himself to become a prey to his overwhelming sorrow at the death of the republic and the final crushing of the hopes that had risen with Caesar's downfall, but worked at the highest tension on his philosophical studies. (shrink)

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Excerpt from De Finibus Bonorum Et Malorum: Libri Quinque About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We (...) do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

What role did poetry, music, song, and dance play in the social and political life of the ancient Greek city? How did philosophy respond to, position itself against, and articulate its own ambitions in relation to the poetic tradition? How did ancient philosophers theorize and envision alternatives to fourth-century Athenian democracy? The City and the Stage poses such questions in a study of the Laws, Plato's last, longest, and unfinished philosophical dialogue. Reading the Laws in its literary, historical, and philosophical (...) contexts, this book offers a new interpretation of Plato's final dialogue with the Greek poetic tradition and an exploration of the dialectic between philosophy and mimetic art. Although Plato is often thought hostile to poetry and famously banishes mimetic art from the ideal city of the Republic, The City and the Stage shows that in his final work Plato made a striking about-face, proposing to rehabilitate Athenian performance culture and envisaging a city, Magnesia, in which poetry, music, song, and dance are instrumental in the cultivation of philosophical virtues. Plato's views of the performative properties of music, dance, and poetic language, and the psychological underpinnings of aesthetic experience receive systematic treatment in this book for the first time. The social role of literary criticism, the power of genres to influence a society and lead to specific kinds of constitutions, performance as a mechanism of gender construction, and the position of women in ancient Greek performance culture are central themes throughout this study. A wide-ranging examination of ancient Greek philosophy and fourth-century intellectual culture, The City and the Stage will be of significance to anyone interested in ancient Greek literature, performance, and Platonic philosophy in its historical contexts. (shrink)

The third and fourth books of Cicero's Tusculan Disputations deal with the nature and management of human emotion: first grief, then the emotions in general. In lively and accessible style, Cicero presents the insights of Greek philosophers on the subject, reporting the views of Epicureans and Peripatetics and giving a detailed account of the Stoic position, which he himself favors for its close reasoning and moral earnestness. Both the specialist and the general reader will be fascinated by the Stoics' analysis (...) of the causes of grief, their classification of emotions by genus and species, their lists of oddly named character flaws, and by the philosophical debate that develops over the utility of anger in politics and war. Margaret Graver's elegant and idiomatic translation makes Cicero's work accessible not just to classicists but to anyone interested in ancient philosophy and psychotherapy or in the philosophy of emotion. The accompanying commentary explains the philosophical concepts discussed in the text and supplies many helpful parallels from Greek sources. (shrink)

O presente artigo constitui, antes de mais, uma exposição da tentativa feita por Maurice Merleau-Ponty de sistematização de um método psicológico convergente com algumas das principais metas estabelecidas pela Fenomenologia de inspiração husserliana. Constatando de que modo o autor da Fenomenologia da Percepção considera os diversos âmbitos da cultura, a começar pela arte e pela psicanálise, como indicadores da decadência do cartesianismo, o artigo analisa o estatuto da ciência justamente como uma das esferas culturais das quais é possível extrair categorias (...) que exprimam de forma mais precisa e rigorosa o real, mostrando-se de que modo as investigações científicas são indispensáveis para uma identificação dos temas a serem filosoficamente tratados, pois os dados obtidos por tais pesquisas são imprescindíveis para o trabalho filosófico enquanto tal Neste sentido, o autor propõe uma relação entre Filosofia e Ciência que não é mais uma relação de hierarquização, tal como defendia Husserl, mas sim uma de complementaridade, tal como defendia Bergson. Com efeito, postulando-se a não necessidade de fragmentar o real para que se legitime um tal acordo, ou seja, dado que a cisão entre o espiritual e o material não pode mais ser mantida, o artigo sublinha a absoluta necessidade de que Filosofia e Ciência se encontrem. Por outras palavras, a integração entre ambas não depende de que uma e outra se refiram à mesma, e justa, metade da realidade, mas tão-somente que cada uma delas remeta para a mesma camada fenomenal, seja para descrever cientificamente os organismos em seu contacto com o meio seja para expor filosoficamente a nova ontologia ali contida. Em suma, o artigo mostra até que ponto, apesar de realizar a intenção bergsoniana de integrar explicação quantitativa e descrição qualitativa e assimilar a crítica de Husserl ao objectivismo, o método fenomenoló-gico não esgota a tarefa ontológica da filosofia. /// The present article analyzes de attempt made by Maurice Merleau-Ponty in order to systematize a psychological method convergent with some of the main goals established by the phenomenological movement issued from HusserL Taking into account the way in which the author of the Phenomenology of Perception considers the different realms of the cultural sphere, beginning with art and psychoanalysis, as special indicators of cartesianisms decadence, the article analyses the statute of science inasmuch as it is one of the cultural spheres from which it is possible to extract the categories that express in a more precise and rigorous way the real, whereby it is shown in what way scientific research is indispensable for an identification of the themes to be treated philosophically. In this sense, the author proposes a relation between Philosophy and Science that is no more one of hierarchysation, as defended by Husserl, but one of complementarity, such as defended by Bergson. By postulating that there is no longer a necessity for a fragmentation of the real so that such an accord between Philosophy and Science could be reached, and this precisely since there is no longer a way of maintaining a division between the spiritual and the material, the article underlines the necessity that Philosophy and Science must come together. In other words, the integration between the Wo no longer depends of the fact that one and the other refer to the same portion of the real, but only of the capacity that each one of them has of referring to the same set of phenomena, being that in order to achieve a scientific description of organisms in contact with the environment or being that in order to advance a philosophical exploration of the new ontology in it contained. Above all, the article shows the measure in which, regardless of the fact that the methodological approach of phenomenology realizes the bergsonian intention of an integration of quantitative explanation and qualitative description, it. cannot properly be said that such method exhausts the ontological task of Philosophy. (shrink)

Anthropology as Counter-Science. A Merleau-Pontyan approachThe author tries to show that the conception of the anthropology as counter-science, presented by Foucault (inspired by Lévi-Strauss), is limited to dissolve some naïve representations of subjectivity, and that the critical potential of this notion could be extended to the current theoretical conceptions (section 1). The author holds that the limited notion of contra-science can be found in the very Lévi-Strauss’ works, and this is made clear by comparison with Edmund Husserl’s works (sections 2-3). (...) After that, the author tries to develop a larger notion of counter-science, based on Merleau-Ponty’s criticisms to Lévi-Strauss (section 4). The author uses the subject of acupuncture’s efficacy as an example of this larger notion of counter-science.L’antropologia come contro-scienza. Un approccio merleau-pontyanoIntendiamo mostrare come la concezione dell’antropologia in quanto contro-scienza presentata da Foucault (ispirata dalle opere di Lévi-Strauss) si limiti a smontare alcune rappresentazioni ingenue della soggettività, e che il potenziale critico di questa nozione potrebbe invece essere esteso alle concezioni teoriche in vigore (sezione 1). Sosteniamo che questa nozione limitata di contro-scienza può essere trovata nell’opera di Lévi-Strauss stesso, cosa che emerge con chiarezza nel confronto con alcuni testi di Edmund Husserl (sezioni 2-3). Cerchiamo quindi di sviluppare una più ampia nozione di controscienza antropologica, che si basa sulle posizioni critiche di Merleau-Ponty riguardo a Lévi-Strauss (sezione 4). Il tema dell’efficacitá dell’agopuntura è utilizato come esempio di questa nozione ampliata di contro-scienza. (shrink)

Anthropology as Counter-Science. A Merleau-Pontyan approachThe author tries to show that the conception of the anthropology as counter-science, presented by Foucault (inspired by Lévi-Strauss), is limited to dissolve some naïve representations of subjectivity, and that the critical potential of this notion could be extended to the current theoretical conceptions (section 1). The author holds that the limited notion of contra-science can be found in the very Lévi-Strauss’ works, and this is made clear by comparison with Edmund Husserl’s works (sections 2-3). (...) After that, the author tries to develop a larger notion of counter-science, based on Merleau-Ponty’s criticisms to Lévi-Strauss (section 4). The author uses the subject of acupuncture’s efficacy as an example of this larger notion of counter-science.L’antropologia come contro-scienza. Un approccio merleau-pontyanoIntendiamo mostrare come la concezione dell’antropologia in quanto contro-scienza presentata da Foucault (ispirata dalle opere di Lévi-Strauss) si limiti a smontare alcune rappresentazioni ingenue della soggettività, e che il potenziale critico di questa nozione potrebbe invece essere esteso alle concezioni teoriche in vigore (sezione 1). Sosteniamo che questa nozione limitata di contro-scienza può essere trovata nell’opera di Lévi-Strauss stesso, cosa che emerge con chiarezza nel confronto con alcuni testi di Edmund Husserl (sezioni 2-3). Cerchiamo quindi di sviluppare una più ampia nozione di controscienza antropologica, che si basa sulle posizioni critiche di Merleau-Ponty riguardo a Lévi-Strauss (sezione 4). Il tema dell’efficacitá dell’agopuntura è utilizato come esempio di questa nozione ampliata di contro-scienza. (shrink)

Neste texto, retomamos a avaliação de Michel Haar segundo a qual o projeto ontológico de Merleau-Ponty redundaria em uma metafísica. A fim de tornar tal avaliação mais severa, propomos um outro critério, de inspiração kantiana, conforme o qual a obra de Merleau-Ponty também poderia ser classificada como metafísica. Em seguida, expomos as estratégias filosóficas de Merleau-Ponty com base nas quais julgamos que conforme nenhum desses dois critérios MerleauPonty constitui um discurso metafísico.

This text intends to value the dimension of the passivity theme in some of the Merleau-Ponty's works. Beginning with the Husserl's analysis, the text follows the merleau-pontyan's reflexion about the meaning spontaneous organization in the body's life and in the exercise of speeching.Neste texto, tenta-se avaliar a dimensão do tema da passividade em algumas obras de Merleau-Ponty. Parte-se da análise de Husserl e acompanha-se a reflexão merleau-pontyana sobre a organização espontânea do sentido na vida do corpo e no exercício da (...) fala. (shrink)

Neste texto, tenta-se avaliar a dimensão do tema da passividade em algumas obras de Merleau-Ponty. Parte-se da análise de Husserl e acompanha-se a reflexão merleau-pontyana sobre a organização espontânea do sentido na vida do corpo e no exercício da fala.

Neste artigo, acompanha-se a formulação do projeto filosófico de Merleau-Ponty em suas primeiras obras, frisando a necessária reforma da fenomenologia husserliana para que os temas existenciais pudessem ser contemplados pela investigação. Porém, uma vez centrada a feno-menologia nas vivências particulares, surge o problema da validade geral das suas teses, cuja resolução pede a extensão da necessidade até a experiência concreta.In this article, I discuss the formulation of Merleau-Ponty’s philosophical project in his early writings and stress the necessary reform of the (...) husserlian phenomenology in order to embrace existential themes. However, once the phenomenology is centered in the particularly experiences, the problem of the general validity of its thesis arises, and the solution requires the expansion of the necessity to the concrete experience. (shrink)

L’auteur essaie de montrer que le paradigme anthropologique de l’incarnation, présenté par Thomas Csordas sous l’inspiration de Merleau-Ponty, entre autres, ne trouve pas de soutien dans la Phénoménologie de la perception, mais dans les textes intermédiaires de Merleau-Ponty . En plus, l’auteur propose que l’idée de perception informée culturellement, contenue dans ces textes, permet d’assouplir l’opposition entre conceptualistes et non-conceptualistes dans le débat contemporain sur la perception .The author tries to show that the anthropological paradigm of embodiment, put forward by (...) Thomas Csordas, who drew his inspiration from Merleau-Ponty among others, is not supported by Phenomenology of Perception but by the intermediate texts from Merleau-Ponty . In addition, the author proposes that the idea of culturally informed perception, comprised in such texts, allows us to minimize the opposition between conceptualists and non conceptualists in the contemporary debate on perception. (shrink)

resumo Neste artigo, pre t e ndemos mostrar como a concepção de Merleau- Po nty acerca das relações ent re sujeito perceptivo e mu ndo muda no decorrer de sua obra. Em seu livro Fenomenologia da Percepção, public a do em 1945, Merleau- Ponty atribui a tal sujeito a capacida de de assimilar ade q ua da mente o ser do mu ndo. No ent a nto, no início dos ano s cinqüenta, seu estudo da obra do psicólogo Kurt Koffka (...) explicita alguns resultados incompatíveis com a atribuição de tal capacida de ao sujeito. Por fim, em O Visível e o Invisível , Merleau-Ponty reconhece que as capacidades de assimilação perceptiva do ser do mundo possuem limitações. palavras-chave percepção; mundo percebido; mundo geográfico; fé perceptiva; ser. (shrink)

In this article are discussed some problems raised by T. S. Rukmani regarding the Yogasūtra. According to Rukmani, yoga is not a coherent logical system. After stating the general goals of the yoga system, interpretations of some passages of the Yogasūtra are formulated, and the defense is given that one must at least acknowledge the necessity of more exegetical investigation before judging the logical incoherence of the text. Finally, the problematic doctrine of living liberation in Yogasūtra is exposed.

We are in the midst of an unprecedented, human-caused, environmental crisis.

Als Gegner der Politik Caesars ausgeschlossen vom politischen Tagesgeschaft, schreibt Marcus Tullius Cicero (106 43 v. Chr.) sich selbst und seinem Freund Atticus zum Trost diese beiden Dialoge uber Alter (Cato maior de senectute) und Freundschaft (Laelius de amicitia). Er legt die Gedanken, die ihn selbst bewegen, in den Mund bewunderter Personlichkeiten Roms. Die Texte gelten als Hohepunkte seines philosophischen Gesamtwerks nicht zuletzt ihrer vollendeten Sprache wegen.".

Nach dem Vorbild Platons fasste Cicero den Plan, seiner Schrift "De re publica" eine Abhandlung ber die Gesetze folgen zu lassen. Der Dialog "De legibus" wird von Marcus Cicero, Atticus und Quintus Cicero, dem Bruder des Politikers, in heiter-entspannter Atmosph re auf seinem Landgut in Arpinum gef hrt. Es handelt sich um drei B cher ber rechtsphilosophische Grundfragen, die in einer kommentierenden Darstellung der Sakralgesetzgebung und des Zivilrechts veranschaulicht werden. Die 52/52 v. Chr. entstandene Schrift beweist Ciceros F higkeit, (...) ein schwieriges und auf den ersten Blick spr des Thema faszinierend darzustellen. Das gilt auch f r die "Paradoxa Stoicorum", die Cicero Anfang 46 v. Chr. verfasst und seinem Freund Brutus gewidmet hat. Mit Hilfe geschichtlicher und biographischer Beispiele ist es dem Autor gelungen, seine Leser auf anregende Weise f r die Dogmen der stoischen Ethik zu interessieren. (shrink)

cicero, als der unbestrittene Meister der romischen Beredsamkeit in Theorie und Praxis, hat sich in mehreren Werken mit der Theorie der Rhetorik befasst. In seinen "Partitiones oratoriae" stellt er die Rhetorik als System dar. Der literarischen Form nach handelt es sich um einen Dialog oder einen Katechismus in Frage und Antwort: Sohn Marcus darf seinen Vater im Urlaub anhand einer griechischen Vorlage examinieren. Uber die Datierung des Werks besteht keine Ubereinstimmung: Einiges spricht fur seine Entstehung im Jahre 56 v. (...) Chr., vieles dafur, dass es erst zehn Jahre spater niedergeschrieben wurde. Das straff gegliederte Werk gibt einen ausgezeichneten Einblick in die vielfaltigen Anforderungen, denen ein Redner gerecht werden musste und auch heute noch genugen muss.". (shrink)

Em que pese uma tradição já consolidada dos estudos discursivos na América Latina, com posição destacada nos programas de pós-graduação da área de Linguística e um pulsante calendário de eventos an...