The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.

Dr Schaffer outlines the development of the mythological school of European Biblical criticism, especially its German origins and its reception in England, and studies the influence of this movement in the work of specific writers: Coleridge Hölderlin, Browning, and George Eliot. The 'higher criticism' treated sacred scripture as literature and as history, as the product of its time, and the highest expression of a developing group consciousness; it challenged current views on the authorship and dating of the Pentateuch and the (...) Gospels, on inspiration, prophecy, and canonicity, and formulated a new apologetics closely linked with the growth of Romantic aesthetics. The importance of this study is that it shows that readings of specific literary texts can intersect with general movements of thought and action through the scrutiny of a clearly defined intellectual discipline, here the higher criticism, which developed as a particular expression of the larger trends in the history of the period. Dr Shaffer throws light on individual works of literature, the formation between England and Germany, and the bases of European Romanticism. (shrink)

In this article, I aim to demonstrate that in Die Bedeutung der Tragödien Friedrich Hölderlin (1770-1843) takes distance from the Aristotelian interpretation of Tragedy. In this fragment, the poet suggests this literary genre should be understood on the bases of the notion of paradox and on how this concept relates to the tragic hero. In order to prove this, I first clarify what the German poet means when he proposes paradox as the easiest way to understand Tragedy. Second, I (...) highlight the correlations between the assertions of this text and Hölderlin’s former stances about Tragedy in the Grund zum Empedokles, the Anmerkungen zum Oedipus and the Anmerkungen zur Antigonä. Finally, I argue that the approach regarding paradox is evidence of the distance Hölderlin took from the Aristotelian definition of Tragedy as mimesis of an action. (shrink)

1. Two Approaches to the EarthIn several postwar texts, the earth increasingly receives attention from Carl Schmitt.1 In The Nomos of the Earth, the most important of these texts, he refers to Friedrich Hölderlin, a much earlier, very different author, who also considers the subject of the earth. Even though the positions of both are, ultimately, quite similar, they maintain significant terminological differences. Schmitt and Hölderlin both employ the word “nomos,” but in very different ways. Hölderlin regards “nomos” as (...) “law” in the sense of “positive” norm or “Gesez.”2 This use of “nomos” as “Gesez” differs from a second notion of law as the meaning operating at the basis of what Hölderlin calls the “sphere.” The sphere is a meaningful whole in which man originally exists. Law is here the very relations of the sphere as a meaningful whole. Hölderlin calls it the law in a “negative” sense.3 This second notion of law by Hölderlin (negative law or law as the meaning at the basis of the sphere) coincides precisely with the Schmittian idea of “nomos” as an “order of meaning [Sinnreich],”4 what he also calls the law in an “ontonomous and existential” sense.5 The first use of law as “nomos” or “Gesez” by Hölderlin coincides with Schmitt’s use of “Gesetz”: of law as “positive” law. (shrink)

Holderlin's essays and letters constitute essential documents for an understanding of the transitional period from neo-classical poetics to what can only be characterized as a unique and, in its frequently experimental structure, essentially modernist poetics. This book contains virtually all of Holderlin's theoretical writings translated for the first time. In spite of the great significance of Holderlin's ideas for contemporary critical thought, most of his highly important theoretical oeuvre has been unavailable to English readers until now. Here also are a (...) number of letters which chart the development of Holderlin's thought on issues that today remain fundamental to poetics and philosophy. The work's critical introduction discusses both the historical genesis of Holderlin's theoretical writings out of the enlightenment as well as their systematic interaction with post-Kantian Idealism. Through interpretations of three short fragments, Pfau indicates that it would be insufficient to consider Holderlin as the mere precursor of the great systematic philosophers of German Idealism--Fichte, Schelling, and Hegel. Instead, Holderlin's earliest theoretical fragments already mark a turn away from the rigorous systematicity that underlies the philosophical discourse of his contemporaries. Holderlin's theoretical writings may be the most seminal texts in the widely discussed interimplication of Idealistic philosophy and Romantic poetry and poetics. (shrink)

The present thesis takes its original impetus from the author's conviction that the German philosophy of the "Goethezeit" represents a peak of metaphysical insight and achievement comparable with the original flowering of European philosophical thought in the age of Plato and Aristotle. Until recently, it was fashionable to regard Kant and Hegel as the two 'giants' of this second flowering and to consign other philosophers, such as Fichte and Schelling, to the role of supporting figures. However, in recent years, the (...) pioneer efforts of such scholars as Walter Schulz, plus the interest shown by modern philosophers such as Martin Heidegger, have drawn attention to depths in the philosophy of Schelling which had been ignored by the leading exponents of Idealist philosophy, due to their sympathy for the ideas of Kant and/or Hegel. In addition, again due partly to the insights of Heidegger, there has developed a realisation among ever widening circles that Friedrich Holderlin was also one of these 'giants' of metaphysics. His strictly philosophical works are limited in number and in length. However, his contribution cannot be measured in terms of quantity: I would maintain, and have tried to show in the present work, that it was his original insight and inspiration which formed the basis for all of Schelling's work as of the late 1790's. In the process, I have followed Holderlin 's thought back to what I see as its roots: the ideas of the Presocratics, early Plato and Kant's third "Kritik'.'. (shrink)

This paper develops an account of the political theory of Friedrich Holderlin through an analysis of the concept of fate in his epistolary novel, Hyperion, or the Hermit in Greece. Contrary to a longstanding interpretive tradition which understands Hyperion as the culmination of an intellectual development over the 1790s in which Holderlin, disillusioned with the French Revolution, rejects politics in favour of poetic union with nature, the paper concludes that the political vision of Hyperion is inspired by the possibility (...) of overcoming this very conflict between nature and politics. Such a possibility arises unexpectedly in the encounter with fate at precisely that moment when all hope for the fulfilment of Hyperion's political ambitions has been lost. (shrink)

Friedrich Hölderlin argued that consciousness requires division and unity. Consciousness emerges through the fundamental distancing of the subject from its surroundings, without which the subject-object distinction would collapse and both objectivity and consciousness would be lost. Nevertheless, insofar as conscious knowledge is unitary, division demands a ground for unity. Hölderlin calls this ground ‘Being [Seyn].’ However, once Being is affirmed, the question of how it is accessed arises. Hölderlin’s scholars disagreed on this issue. This disagreement gave rise to two (...) camps: those who deny that Hölderlin accepts the idea of direct access to Being and believe that he proves Being through an act of reflection (Henrich); and those who argue that for Hölderlin, ‘Being’ is directly accessed. Those who hold the latter position can be further divided into those who conceive of this direct access as knowledge (Frank) and those who argue that this access does not have a cognoscitive character, but rather an aesthetic one (Waibel). This article considers these positions and shows that the direct apprehension of ‘Being’ is part of Hölderlin’s argument aimed at solving a fundamental problem; an argument that differs both from the postulate of access to Being as knowledge of transcendence and from the affirmation of a purely aesthetic mode of access. (shrink)

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Maurice Blanchot, in his essay on Hülderlin, calls our age “an empty time.” Martin Heidegger, paraphrasing Hülderlin's monumental elegy “Bread and Wine,” speaks of our “destitution.” In Hülderlin's language, we are experiencing the absence of the “gods who have fled.” The Western world, according to these authors, finds itself in a crisis of alienation: the old beliefs, values, and worldviews that used to anchor us in the world have been long rent asunder, and we cast about in vain for a (...) ground that isn't there. Yet, as Heidegger writes, our time is “no longer able even to experience its own…. (shrink)

El interés del artículo es doble: la poética de Hölderlin, particularmente su teoría de la tragedia, y una reflexión filosófica del autor, de corte kairológico, en un esfuerzo por apartarse de la filosofía de la historia. La concepción trágica del mundo es investigada en las versiones de Hölderlin sobre Hiperión y Empédocles; la dimensión histórica del trabajo poético es estudiada en sus traducciones del Edipo y la Antígona de Sófocles; la concepción trágica de la historia aparece en la interpretación del (...) poema Patmos. El autor centra su interés en la cuestión del tiempo, pero no en su generalidad conceptual, sino en su comprensión de acontecimiento como "tiempo justo". (shrink)

In “Being Judgement Possibility,” Hölderlin posits that the division between subject and object produced in conscious knowledge requires admitting a being as the ground of that knowledge’s unity. Commentators argue over the way to access such being according to Hölderlin. For Dieter Henrich, being is a presupposition recognized reflexively. Manfred Frank, by contrast, maintains that Hölderlin grants direct access to it in an “intellectual intuition.” This article addresses the respective interpretations of both authors. It shows that Frank’s interpretation is closer (...) to the textual evidence than Henrich’s interpretation. Frank’s interpretation also allows one to explain better the way in which the division between subject and object avoids leading to dispersal. Finally, this article considers the insufficiency of Frank’s interpretation so as to clarify an issue that he himself advances in the course of his argument: how the I manages to distinguish itself in the sphere of intuitable objects. (shrink)