Behavioral interventions have shown promising neuroprotective effects, but the cascade of molecular, brain and behavioral changes involved in these benefits remains poorly understood. Projecte Moviment is a 12-week multi-domain, single-blind, proof-of-concept randomized controlled trial examining the cognitive effect and underlying mechanisms of an aerobic exercise, computerized cognitive training and a combined groups compared to a waitlist control group. Adherence was > 80% for 82/109 participants recruited. In this study we report intervention-related changes in plasma biomarkers and structural-MRI and how they (...) related to changes in physical activity and individual variables and their potential role as mediators in the cognitive changes. Our results show that although there were no significant changes in molecular biomarker concentrations in any intervention group, changes in ICAM-1 and SDF1-α were negatively associated with changes in physical activity outcomes in AE and COMB groups. Brain volume changes were found in the CCT showing a significant increase in precuneus volume. Sex moderated the brain volume change in the AE and COMB groups, suggesting that men may benefit more than women. Changes in molecular biomarkers and brain volumes did not significantly mediate the cognitive-related benefits found previously for any group. This study shows crucial initial molecular and brain volume changes related to lifestyle interventions at early stages and highlights the value of examining activity parameters, individual difference characteristics and using a multi-level analysis approach to address these questions. (shrink)

Talmy divided the world’s languages according to how they express movement. Spanish, a verb-framed language, purportedly constrains the use of motion verbs expressing the manner of movement (such as roll) to contexts in which no spatial boundary is crossed. Previous research suggests that this constraint sometimes does not apply. We report the first large-scale investigation of the constraint and its modulating factors (movement direction, verb type, entering/exiting, Ground size, the preposition used) across different Spanish-speaking communities. A task with open-ended description (...) of animated videos, a sentence interpretation task, and a rating task found that Spanish and Latin American speakers (n = 180 in total) often use manner verbs to describe boundary-crossing situations (especially entering a place), although this is modulated by the preposition following the verb (more with a than en). Better understanding of this constraint in verb-framed languages has applications in, for instance, L2 acquisition research. (shrink)

Reflections on Peirce’s theory of abduction have not been free of controversy, given the difficulty to determine clearly the nature and epistemic function of this inference. The article examines three ways of understanding the concept of abduction, developed by Peirce himself throughout his work. The main objective is to reconstruct the logical, methodological, and instinctive conception of this type of reasoning in order to establish the possibility of a theory of abduction.

RESUMEN El suicidio o el interfictium spinoziano es a simple vista una categoría marginal en el pensamiento de Spinoza. La vasta producción filosófica en torno a quien ha sido considerado como el filósofo de la "anomalía salvaje" o al mismo tiempo el pensador de los "afectos alegres" ignora, o en el mejor de los casos trata oblicuamente, las nociones de muerte y suicidio. La paradoja es total porque el rechazo hacia el pensamiento de la muerte contrasta con la profusa interpelación (...) a dicha categoría en su Ética. El propósito de este artículo es mostrar que la expresión negativa del suicidio, como pura imposibilidad y servidumbre respecto a causas externas es, sin embargo, menos literal y clara, cuando en su análisis se incorporan aquellos elementos centrales de su obra más emblemática. Libertad, Necesidad y Sustancia, entre otros, son conceptos que, desde el suicidio se tensionan mostrando los propios límites del orden geométrico esbozado por Spinoza. ABSTRACT Suicide or spinozian interfictium is at first sight a marginal category in Spinoza's thought. The vast philosophical production on who has been considered the philosopher of the "savage anomaly" or at the same time the "cheerful affects" thinker, ignores or, in the best-case scenario, obliquely addresses the notions of death and suicide. The paradox is complete because the rejection towards the thought of death contrasts with the profuse questioning of the aforesaid category in its Ethics. The goal of this article is to show that the negative expression of suicide, as pure impossibility and servitude with respect to external causes is however, less literal and clear when some central elements of its most emblematic work are incorporated in its analysis. Liberty, Need, and Substance, among others, are concepts that from suicide get tensioned showing the own limits of the geometric order insinuated by Spinoza. (shrink)

El presente artículo pretende indagar en algunos tópicos relativos a las ideas de Marx y a las de Horkheimer presentes en la obra Teología de lo político de Clodovis Boff. En este análisis se observa una referencia explícita a la ideas del padre del marxismo donde Boff se acompaña con Marx, va más allá de Marx e incluso va contra Marx. Por otro lado, es posible identificar tres afinidades electivas que permiten suponer que la interpretación que Boff realiza del marxismo (...) deviene del padre de la teoría crítica, Max Horkheimer. The article below investigates topics related to Marx's and Horhkheimer's ideas as exposed in Theology of the Political by Clodovis Boff. The analysis shows a direct reference from Boff to the father of Marxism's ideas, going along, beyond and even against Marx. On the other hand, it is possible to identify three elective affinities that make us believe that his interpretation of Marx has its origin in the father of Critical Theory's ideas, Max Horkheimer. (shrink)

This essay offers a general interpretation of Benedetto Croce’s aesthetics as a theory of knowledge. It takes its title from Croce’s famous work in the 1931, Le Due Scienze Mondane; l’Estetica e l’Economica, in which Croce describes the process of development of modern aesthetics as the affirmation of a logica dei sensi ; a definition developed from the “poetic logic” in Vico’s Scienza Nuova. The essay starts with a comparison with Gilles Deleuze’s logic of sense, or thought of the surface, (...) to propose the argument that Croce can be acknowledged as one of the authors of the Nietzschean reversal of Platonism. This argument is supported by the anti-metaphysical character of Croce’s thought, who has always pursued the aim of overcoming cognitive dualism to give new dignity to the sense in all of its complexity and, by consequence, to the world. Aesthetics, in Croce’s solution, possesses two philosophical meanings: because its better epistemological definition – particularly in the connection between intuition and expression – provides advantages in other fields of philosophy; in addition, aesthetics is the initial form of spiritual life. (shrink)

Socially responsible human resource management (SR‐HRM) is becoming increasingly important for academics and managers. The interface between HRM and corporate social responsibility (CSR) is the subject of analysis in this article. It adopts a contextual perspective to analyze whether the institutional context influences the implementation of socially responsible HRM (SR‐HRM). Considering the differences in the national institutional contexts across Europe, this study explores the different models of SR‐HRM in that region. The research is focused on a sample of 153 companies (...) headquartered in Germany, Spain, Sweden, and the United Kingdom. The findings evidence the influence exerted by the national institutional context on the implementation of SR‐HRM. Differences among country clusters suggest the existence of different models of SR‐HRM in Europe. However, these models do not correspond to the blocks on HRM or on CSR identified by the literature but instead provide a novel categorization. (shrink)

Como é sabido, comida e eros são duas fontes de prazer, indissociavelmente ligadas. Não é uma coincidência que o termo ‘apetite’ denota tanto a sensação que acompanha a necessidade de se alimentar, como, em geral, a tendência natural para satisfazer os desejos físicos e especialmente sexuais. Os prazeres do paladar, bem como os sexuais, estão em grande parte relacionados com multissensorialidade que os perpassa. São, portanto, experiências totalizantes, prazeres difusos que satisfazem todos os nossos sentidos, contribuindo de modo nada trivial (...) à obtenção da vida feliz para a qual temos uma vocação inata. Os sentidos mais “carnais”, em especial o gosto – o sentido mais sinestésico – juntamente ao olfato, são os mais envolvidos na mesa assim como na cama. Funções essenciais para a sobrevivência dos indivíduos e para a preservação de todas as espécies animais, comer e se reproduzir foram transformadas pelo animal humano em duas atividades espécie-específicas: o erotismo e a gastronomia. E, portanto, em fontes de prazer longe de ser instintivo, no qual também a linguagem desempenha um papel considerável. As saborosas descrições de um prato são parte integrante da sua apreciação e do prazer que derivamos do seu consumo e da sua partilha, exatamente como o são as palavras sussurradas durante uma festa de amor. Cientes da dificuldade imposta por um tema sobre o qual se disse e se escreveu de tudo, neste artigo tentaremos descrever o papel dos sentidos “carnais”, e do gosto em particular, nas duas experiências mais sensuais e totalizantes que definem a “boa vida” para a qual estamos naturalmente inclinados. Palavras-chave: Gosto. Comida. Prazer. Eros. Multisensorialidade. (shrink)

Normal 0 14 false false false MicrosoftInternetExplorer4 SINTESI Un pregiudizo tramandato per secoli dalla cultura filosofico-scientifica dominante ha avvalorato una gerarchia dei sensi centrata sul primato cognitivo della vista e dell’udito, relegando il gusto al rango di senso ‘minore’, di senso carnale e distante dalla conoscenza. Ma portare qualcosa alla bocca e capirne il sapore è un’attività che per gli animali umani oltrepassa il bisogno fisiologico, configurandosi come un’esperienza multisensoriale ma anche cognitiva, emotiva, culturale, estetica e persino linguistica. Recuperare il (...) valore intellettuale e culturale del gusto vuol dire restituire dignità a una componente importante della nostra conoscenza sensibile, riconoscendo il contributo che ciascun dispositivo sensoriale sa apportare alla conoscenza della realtà con un accento suo proprio, pur entro un’ineliminabile ‘concertazione’ sinestetica. Espressione di un atto ‘estremo’ di conoscenza incarnata, il gusto è dopotutto l’unico senso a esigere l’introduzione di frammenti di mondo dentro di noi, l’unico che ci consente di assimilare totalmente l’oggetto esterno (la cosa gustata) fino a farlo diventare parte di noi. Un’esperienza così esclusiva e intima – in cui sia il soggetto gustante sia l’oggetto gustato risultano trasformati – non può pertanto non suscitare una riflessione sul gusto come intelligenza del corpo e come strumento per meglio comprendere quel complesso intreccio di mente e di corpo, di ragione e di passione, di vincoli biologici e di attrezzature culturali che è l’animale umano. Partendo da queste premesse proveremo a spiegare brevemente cosa vuol dire ‘saper gustare’ e in che senso quest’attività contribuisce a qualificare la nostra umanità. (shrink)

O objetivo deste ensaio é refletir sobre o significado da expressão “arte do paladar”, enfocando os aspectos da nossa história evolutiva – uma história contemporaneamente biológica e cultural – os quais fizeram de nós os únicos “macacos” capazes de cozinhar o alimento, de produzi-lo de modo sistemático, de escolhê-lo em meio a uma vasta gama de alimentos, com base em diferentes critérios, de atribuir-lhe um valor simbólico e de celebrálo através da linguagem; razões pelas quais o homem pode reivindicar plenamente (...) a invenção dos sabores. Resultado de um longo processo de elaboração da natureza, a arte do paladar é, portanto, o resultado de todos os processos pelos quais transformamos um dos atos mais naturais, isto é, o ato de comer, em um artificial, cultural e intelectual, aplicando um conhecimento, um saber prático, para conceber, imaginar e elaborar novos objetos alimentares, novas sensações para o paladar, novas possibilidades de interação social. Palavras-chave: Arte de alimentos. Sabor. Cozinhar. Culinária. Linguagem. (shrink)

Tra il gusto, il cibo e il piacere esiste un legame complesso che oltrepassa le necessità legate alla sopravvivenza, contribuendo al raggiungimento di quella felicità che è il fine ultimo cui tende l’uomo. Fonte di nutrimento, per il corpo come per la mente, e nel contempo di godimento, l’atto di gustare il cibo soddisfa tutti i sensi, accende la nostra vita emotiva, stimola la nostra mente, promuove la socialità, gratifica il nostro senso estetico e sinestetico, sollecita la conversazione, crea talvolta (...) godibili dipendenze, arricchendosi di significati diversi. Partendo da queste premesse, questo saggio, attingendo da fonti diverse, si propone di restituire al poliedrico piacere di gustare il suo vero valore, esplorandone le molteplici declinazioni, gli innumerevoli modi che ci siamo inventati per prolungare questo piacere, alla ricerca di gratificazioni del palato alternative a quelle offerte dalla natura. Un tema filosoficamente e antropologicamente interessante, specialmente per chi intende praticare una filosofia incarnata, fondata cioè sul corpo vivente e sensiente. Parole chiave: Piacere del gusto. Passione. Gustare. Emozioni. Avanguardia culinaria. Spettacolarizzazione del cibo. Food porn. (shrink)

Há longo tempo considerado um dos sentidos menores e mais fracos nos animais humanos, o olfato na realidade assume na nossa modalidade de existência uma função bem menos marginal, antes central, nos comportamentos socio-emocionais, na evocação das memórias e na comunicação não verbal, e não último na nossa vida quotidiana, especialmente pelo seu papel na percepção do sabor dos alimentos. Graças aos progressos que a pesquisa alcançou nas últimas décadas, a ponto de justificar entre outras coisas o nascimento de uma (...) nova área científica chamada neurogastronomia, o olfato, e especialmente o olfato retronasal, se configura como uma das nossas habilidades mais espécie-específicas, à qual devemos, inclusive, uma das maiores alegrias da vida: o prazer consciente de saborear e de apreciar alimentos e bebidas. Partindo deste tema, o objetivo deste ensaio è, portanto, mostrar em que medida uma experiência radicada no corpo, como a percepção do sabor, remonte às características espécie-específicas desenvolvidas pelo olfato humano no curso da evolução, configurando-se como uma forma complexa de cognição encarnada, cujas possibilidades dependem tanto da estrutura biológica, quanto do uso efetivo que fazemos deste extraordinário dispositivo corpóreo. _Palavras-chave:_ odores, olfato retronasal, percep;ção do sabor, gosto, neurogastronomia, anosmia, ageusia. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.3 (2001) 523-541 [Access article in PDF] Antiquarianism, the History of Objects, and the History of Art before Winckelmann Thomas DaCosta Kaufmann [Figures] To the Memory of Franklin LeVan Baumer. In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth century has (...) not yet been thoroughly challenged. This is the claim made by Johann Joachim Winckelmann in the foreword to the Geschichte der Kunst des Altertums, originally published in 1764, that he had created a new history of art which was distinct from a history of artists and also different from what had previously been written about antiquities (Altertümer): The history of the art of antiquity, which I have undertaken to write, is no mere account of the chronological order and change of art, but I take the word history in the wider sense, that it has in the Greek language, and my intention is to offer an attempt at a system.... But the essence of art is in every part the most eminent aim, in which the history of artists has little influence, and this [sort of history of artists], which has been compiled by others, is therefore not to be sought here... those who have treated antiquities, examine either only such where erudition was to be applied, or, if they speak of art, this happens in part with common eulogies, or their judgment is built on peculiar, false grounds. 1 [End Page 523]Wolf Lepenies once described this claim as one of the many foundational myths of the Enlightenment and presented instead some parallels between the writing of art history and natural history in the eighteenth century. 2 As interest in the historiography of art has revived, publications have continued to pour forth on Winckelmann. 3 Yet the critique suggested by Lepenies has largely not been followed. Winckelmann's claim to originality remains a starting or major turning point for most accounts of the history of the discipline of art history. 4 [End Page 524]It may be that Winckelmann's claim has remained largely unchallenged because his differentiation of his accomplishment from that of Gelehrsamkeit in particular coincides with and helps to support another distinction made at his time, that between "philosophy," or criticism, and erudition, the latter being at best necessary but inferior. 5 This distinction, which was fostered by the philosophes and their counterparts in other countries, has been frequently heard in scholarly debates, and it is echoed in current discussions where empirical scholarship is disparaged in favor of what is often now called Theory. 6 Thus while in the twentieth century the Enlightenment came in for heavy going starting with at least the critique of Max Horkheimer and Theodor W. Adorno, 7 this is one Enlightenment opinion which, despite the rise of critical theory among other trends in recent scholarship, has gained in fashion, especially in the English-speaking world.But the contrast between philosophy, or critique, and erudition makes a distinction that is ultimately untenable, even if it is also one that has continued to dominate many views of the history of eighteenth-century scholarship. The case at hand suggests that supposed innovations of the eighteenth century in the historiography of art, as in many other fields of study, are much more bound up with late humanism and encyclopedism than their promulgators might have wished to admit. Scholars of a number of disciplines have begun to revise interpretations of the role of the so-called antiquarians of the sixteenth to eighteenth centuries--those who dealt with Altertümer. 8 Some recent studies of the historiography of art have pointed to some connections between the antiquarian tradition and that of the historiography of art. 9 These approaches, however, have primarily dealt with Italian and French writers and, moreover, have left Winckelmann's position largely untouched. 10 Winckelmann's situation in the [End Page 525] broader European historical and geographical context also remains... (shrink)

El propósito de este artículo es el de justificar una interpretación genuinamente hegeliana de la dimensión religiosa en el pensamiento de Hegel, particularmente a partir de la Fenomenología del espíritu. Tanto la izquierda como la derecha hegeliana desarrollaron un carácter unívoco, o bien reduciendo el concepto hegeliano de lo divino a la razón natural o histórica, o bien pasando por alto que la concepción hegeliana de una divinidad inmanente resultaba incompatible con el cristianismo ortodoxo. Analizaremos en detalle los capítulos de (...) la Fenomenología del espíritu que se centran en la Ilustración, en los cuales el autor se desmarca de forma más clara de lo que podría ser una religiosidad puramente deísta. Finalmente, la propuesta de Hegel consistirá en un modelo orgánico de estado, dentro del cual la religión sería aceptada como parte de la misma substancia ética que fundamenta las leyes de cada comunidad. (shrink)

In recent decades, neurosciences have reached considerable goals in understanding mental processes and human behavior, overcoming the classic separations between mind and body, reason and passion, penetrating the maze of our cognitive and emotional life to explain their rootedness in the body and the their interactions with the environment. And if until not many years ago psychological and neuroscientific research neglected the study of emotional life to focus only on cognitive functions tout court, today there is even a dedicated sector (...) called affective Neuroscience. By broadly reconstructing the general panorama of neuroscience, and of the affective ones in particular, this essay focuses on the contribution that research on mirror neurons has made to understanding the mechanisms of intersubjectivity and above all that component of social cognition that is empathy. The goal is to understand how we recognize the emotions of others and to explain what the human ability to interpret the actions and intentions of others as if they were ours, to know better how we work and how we relate to others. Research on mirror neurons, within an embodied perspective, shows how the brain is an organ linked to a body that acts, moves and feels in its unceasing interaction with the world. Keywords: Neuroscience. Affective Neurosciences. Emotions. Empathy. Mirror neurons. Embodied cognition. (shrink)

There is a device used particularly in Orthodox Christian theology known as apophatic theology. In this God is spoken of only in 'negating concepts' to emphasize the inability of language to adequately describe the nature of deity. My question is whether there is any way in which this concept, used as it is to underline the 'otherness' of a transcendental god, can be applied to a thealogy of Goddess. This'way of negation' figures prominently in mystical theology, where it is often (...) associated with the 'way of union'. Historically, many mystics believed in the possibility of a true union with God achieved through a vision of divine light. This light leads us towards Sophia, or Wisdom, arguably an ancient goddess predating the Jewish Yhwh. Thus theology and thealogy can be reconciled in this concept of light traced back to its pagan beginnings and apophasty can be applied to an 'intransitive' goddess such as Nisaba-Nidaba. (shrink)

What can we define as evil in the twenty-first century? Paganism had no devil figure, only trickster gods. It was monotheism that personified evil as Satan, although by the mid-twentieth century, Satanism was recognised as an alternative religion with its own churches. Can we point at individuals whose intentions were not diabolical, but the outcome of which had a negative impact? Perhaps such changes can be attributed to an ideology or the rise of science? Or perhaps evil occurs when too (...) many people close their eyes to what is happening around them, while goodness is taking responsibility for the world in which we live? (shrink)

We conjecture that the existence of some fast-growing functions implies in a simple way the existence of some inaccessible cardinals. This note expands some previous work by the second author.

In this article, I trace my story from Jewish ‘war baby’ to thealogian embracing Goddess talk; a search for spirituality, as well as for roots. I explore, in particular, Asherah, whom I accept as the Hebrew Goddess, and I share some of the insights of academics who illuminated my path. I also touch on the latest DNA evidence for the origins of Ashkenazi Jewry and my own search for identity.

In this article, I seek to find a way to reconcile two seemingly irreconcilable concepts. In traditional theology, darkness usually represents something bad, if not downright evil. For the thealogian, however, darkness is an aspect of the Goddess, one that needs to be embraced to achieve whole- ness. I therefore seek a common source in pre-patriarchal texts to suggest a way forward towards acknowledging the wisdom of the Dark Goddess and its value to a world riven by duality.

This paper proposes a new way of measuring progress in international politics, an approach that focuses on the symbolic and ideological work of international organizations. Although such a strategy is not entirely new to the study of International Relations, it has not been a common, accessible way of assessing how well international organizations work to effect change. The more famous methods have been legalistic—investigations of how international organizations have created new international law in the issue-areas under investigation1—and bureaucratic—studies of how (...) international organizations create machinery to deal with the problems2. But in a world where domestic and international discourse is more mediated than ever before by television, radio, the Internet, newspapers, and other means of mass communication, the argument here is that propaganda is a third arena that must be taken into account when exploring the work of international organizations. The international organization in question here is the United Nations, and the issue-area examined is gender equality, a topic that is also variously described as “women's rights,” “women's issues”, or the “women's movement”. The paper explains first why the topic of the UN and women's rights is important, I then examine the propaganda role of the UN in the struggle for gender equality, and the paper concludes with a critical analysis of the UN's propaganda work in relation to this issue. (shrink)

ObjectiveThis study aimed to analyze the influence and measurement of the relationship and interaction between the elderly lifestyles after the appearance of the SARS-CoV-2 variant and the factors analyzed comprised life satisfaction levels, social relationships, and daily-life activities.MethodsThe study population was ≥ 65 in Castile-La Mancha. The research design was quantitative and arose from primary data collected via an ad hoc survey carried out through the Computer Assisted Telephone Interview system by randomly stratified sampling. The sample size was made up (...) of 1,065 cases, and the participants were selected through a random sampling stratified by gender quotas, age, province, and habitat size.ResultsThe results obtained revealed two main lifestyles, from which a notable behavioral change in personal relationships led to infer toward alternative lifestyles.ConclusionNotwithstanding the variation in lifestyles of the elderly after the pandemic, certain relationships remained unaltered. Thus, from the analyzed variables, relatives and friends relationships were scarcely influenced by the supervened incident. (shrink)

A partir del siglo XX se ha dado un cambio de paradigma en el proceso de enseñanza-aprendizaje con el apoyo de las nuevas tecnologías se añade a la creación de empresa la denominación de Spin Off que permite explotar la investigación y el conocimiento –práctico de los estudiantes. Su creación se basa en el proceso de constitución deSociedades por Acciones Simplificadas (SAS) y un modelo paralelista de doble entrada (conocimiento/práctica) para el desarrollo académico de Contabilidad financieraavanzada. Los estudiantes responden a (...) esta iniciativa con empoderamiento de lasobligaciones asignadas tanto a nivel operativo, de aplicación contable y fiscal. (shrink)

This essay, part of a special issue on the Warburg Institute and Library, offers personal recollections of scholars whom the author encountered there as a student in the early 1970s, including E. H. Gombrich, Otto Kurz, Michael Baxandall, Frances Yates, D. P. Walker, A. I. Sabra, Michael Podro, Michael Screech, Arnaldo Momigliano, and Nikolaus Pevsner. The author's focus is on differences between the milieu of the Kulturwissenschaftliche Bibliothek Warburg, as it had been in Hamburg, and the ethos of the Warburg (...) Institute in London. The key document for establishing this contrast is an anonymous review — by Edgar Wind — attacking Gombrich's biography of Aby Warburg, which was published in 1970. Wind found the new Warburg circle “Lilliputian” in comparison with the old Hamburg circle, to which he had belonged. This essay disputes Wind's finding, based on its author's own experience, as well as on his sympathy with the reasoned empirical approach of Gombrich, Baxandall, and others at the London Warburg to issues that Aby Warburg had raised when the Library was in Germany. (shrink)

En este artículo discuto la relevancia que tiene el autorrespeto en la teoría de la justicia de Rawls. Para alcanzar dicho objetivo, en primer lugar examino las nociones de valor moral y mérito y su vinculación con el autorrespeto como forma de autovaloración. En segundo lugar, especifico las bases que sustentan el autorrespeto al interior de su teoría. Finalmente, discuto la función que tiene el autorrespeto en la justificación de los principios de la justicia como equidad.

En este artículo discuto la importancia que tiene para la teoría de la justicia de Rawls el desarrollo del sentido de la justicia como condición para la estabilidad social. Para cumplir con dicho objetivo analizo la interpretación que Rawls ofrece de nuestra psicología moral con la finalidad de evaluar su rol en la aceptación de los principios de justicia, así como las razones para fundar dicha estabilidad en determinados sentimientos morales. El análisis anterior me permitirá concluir que la búsqueda de (...) bases naturales para fundar los sentimientos morales constituye para Rawls una vía alternativa tanto al deductivismo moral, así como a cualquier forma de fundamentación metafísica de los principios que guían nuestras prácticas sociales. (shrink)