Results for 'Schüller Schüller'

34 found
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  1.  77
    Immanuel Kant and the aesthetics of music.Herbert M. Schueller - 1955 - Journal of Aesthetics and Art Criticism 14 (2):218-247.
  2.  12
    Asthetik der Filmmusik.Herbert M. Schueller - 1966 - Journal of Aesthetics and Art Criticism 24 (4):605-606.
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  3.  11
    Form and Style in the Arts.Herbert M. Schueller - 1971 - Journal of Aesthetics and Art Criticism 29 (3):410-412.
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  4.  14
    Considering the complexities of virtual student mobility as an approach to inclusive internationalisation in the post-pandemic period.Jessica Schueller & Betül Bulut Şahin - forthcoming - Perspectives: Policy and Practice in Higher Education:1-9.
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  5.  10
    Hegel: On the ArtsThe Philosophy of Fine Art.Herbert M. Schueller & Henry Paolucci - 1979 - Journal of Aesthetics and Art Criticism 38 (2):200.
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  6.  19
    Nathanael West. A Collection of Critical EssaysKunst- und Dichtungstheorien zwischen Auflarung und Klassik.H. M. Schueller, Jay Martin & Armand Nivelle - 1972 - Journal of Aesthetics and Art Criticism 30 (4):569.
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  7.  16
    Questions about MusicPoetics of Music in the Form of Six Lessons.Herbert M. Schueller, Roger Sessions & Igor Stravinsky - 1971 - Journal of Aesthetics and Art Criticism 29 (4):551.
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  8.  12
    The House of LifeAn Illustrated History of Furnishing from the Renaissance to the Twentieth Century.Herbert M. Schueller, Mario Praz, Angus Davidson & William Weaver - 1965 - Journal of Aesthetics and Art Criticism 24 (2):317.
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  9.  63
    The Idea of Music: An Introduction to Musical Aesthetics in Antiquity and the Middle Ages.Herbert M. Schueller - unknown
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  10.  16
    The Use and Decorum of Music as Described in British Literature, 1700 to 1780.Herbert M. Schueller - 1952 - Journal of the History of Ideas 13 (1):73.
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  11.  18
    Digital Mental Health Deserves Investment but the Questions Are Which Interventions and Where?Justine Bautista & Stephen M. Schueller - 2022 - American Journal of Bioethics Neuroscience 13 (3):191-193.
    After nearly three decades of scientific research, digital mental health (DMH) is having its moment. Millions of dollars of venture capital funding are entering this space (Shah and Berry 2021; Wan...
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  12.  15
    An Analysis of Poetic Thinking.Max Rieser & Herbert Schueller - 1971 - Journal of Aesthetics and Art Criticism 29 (4):554-557.
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  13. Romanticism reconsidered.Herbert M. Schueller - 1962 - Journal of Aesthetics and Art Criticism 20 (4):359-368.
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  14. A Free-Trade Area.Richard Schueller - forthcoming - Social Research: An International Quarterly.
     
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  15.  27
    Correspondences between music and the sister arts, according to 18th century aesthetic theory.Herbert M. Schueller - 1953 - Journal of Aesthetics and Art Criticism 11 (4):334-359.
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  16.  5
    Editorial.Herbert M. Schueller - 1976 - Journal of Aesthetics and Art Criticism 34 (3):243-247.
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  17.  27
    Friedrich Kainz as aesthetician.Herbert M. Schueller - 1961 - Journal of Aesthetics and Art Criticism 20 (1):25-36.
  18. Foreign trade policies of the united states and soviet russia.Richard Schueller - forthcoming - Social Research: An International Quarterly.
     
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  19.  17
    [Introduction].Herbert M. Schueller - 1972 - Journal of Aesthetics and Art Criticism 30 (4):435.
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  20.  49
    Schelling's theory of the metaphysics of music.Herbert M. Schueller - 1957 - Journal of Aesthetics and Art Criticism 15 (4):461-476.
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  21. Trieste.Richard Schueller - forthcoming - Social Research: An International Quarterly.
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  22.  48
    The aesthetic implications of avant-garde music.Herbert M. Schueller - 1977 - Journal of Aesthetics and Art Criticism 35 (4):397-410.
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  23.  31
    The aesthetic writing of Thomas Munro.Herbert M. Schueller - 1973 - Journal of Aesthetics and Art Criticism 31 (4):433-439.
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  24. The ito charter.Richard Schueller - forthcoming - Social Research: An International Quarterly.
     
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  25.  23
    The pleasures of music: Speculation in british music criticism, 1750-1800.Herbert M. Schueller - 1950 - Journal of Aesthetics and Art Criticism 8 (3):155-171.
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  26.  20
    German Aesthetic and Literary Crtiticism, Vol. 1: Winckelmann, Lessing, Hamann, Herder, Schiller and GoetheGerman Aesthetic and Literary Crtiticism, Vol. 2: Kant, Fichte, Schelling, Schopenhauer, HegelGerman Aesthetic and Literary Crtiticism, Vol. 3: The Romantic Ironists and Goethe. [REVIEW]Herbert M. Schueller, H. B. Nisbet, David Simpson & Kathleen Wheeler - 1987 - Journal of Aesthetics and Art Criticism 45 (3):301.
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  27.  8
    Herbert M. Schueller, The Idea of Music: An Introduction to Musical Aesthetics in Antiquity and the Middle Ages.Lydia Goehr - 1989 - Journal of Aesthetics and Art Criticism 47 (2):188-190.
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  28. "The Idea of Music: An Introduction to Musical Aesthetics in Antiquity and the Middle Ages": Herbert M. Schueller. [REVIEW]John Caldwell - 1990 - British Journal of Aesthetics 30 (2):186.
     
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  29. "Aesthetic Inquiry": Monroe C. Beardsley and Herbert H. Schueller. [REVIEW]Harold Osborne - 1967 - British Journal of Aesthetics 7 (4):395.
     
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  30. Beardsley, Monroe C. and Herbert M. Schueller, edd., Aesthetic Inquiry: Essays on Art Criticism and Philosophy of Art.Allan Shields - 1967 - Journal of Value Inquiry 1 (3/4):270.
     
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  31.  24
    The solar model in Joseph Ibn Joseph Ibn nahmias'I would like to thank Bernard R. Goldstein of the university of pittsburgh and George Saliba of columbia university for bringing this manuscript to my attention in 1992. I presented part of this paper at the 2002 history of science society conference in milwaukee, wi, and thank Jamil Ragep of the university of oklahoma for thoughtful comments. I would also like to acknowledge the time and care taken by the Anonymous referees at arabic sciences and philosophy. Discussions with Albert and Laura Schueller and David Guichard of the Whitman college department of mathematics were also beneficial. Any shortcomings in this article are my responsibility. Light of the world: The solar model in light of the world. [REVIEW]Robert G. Morrison - 2005 - Arabic Sciences and Philosophy 15 (1):57-108.
    In an influential article, A. I. Sabra identified an intellectual trend from twelfth and thirteenth-century Andalusia which he described as the ‘‘Andalusian revolt against Ptolemaic astronomy.” Philosophers such as Ibn Rushd , Ibn Tufayl , and Maimonides objected to Ptolemy’s theories on philosophic grounds, not because of shortcomings in the theories' predictive accuracy. Sabra showed how al-Bitrūjī's Kitāb al-Hay'a attempted to account for observed planetary motions in a way that met the philosophic standards of those philosophers and others. In Nūr (...)
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  32.  2
    Object and Intention in Moral Judgments According to Aquinas.John Finnis - 1991 - The Thomist 55 (1):1-27.
    In lieu of an abstract, here is a brief excerpt of the content:OBJECT AND INTENTION IN MORAL JUDGMENTS ACCORDING TO AQUINAS JOHN FINNIS U'flkueTBity Oollege Unwersity of Oa:ford INTENTION IS OF END, choice is of means. A human aict ~s specified by (and s? is co.rrect:ly describe~ in terms of) its end. A human act IS specified by (and so Is correctly described in terms of) its object. An a:ct which is bad by reason of its object cannot be justified (...)
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  33.  10
    The face beautiful: the magazine Votre Beauté and the French cosmetics industry in the 1930s.Alexie Geers - 2014 - Clio 40:249-269.
    À partir des années 1930, émerge en France une nouvelle forme de presse destinée aux femmes où apparaît la thématique de la beauté. L’idée de beauté, qui était liée principalement au vêtement ou à la nature est redessinée par la ligne éditoriale de ces nouveaux périodiques qui la définissent désormais par les soins du corps. La plus ancienne de ces publications, Votre Beauté, est créée par Eugène Schueller, fondateur de L’Oréal. Cet article porte sur la manière dont est élaborée cette (...)
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  34. Aesthetics: The Science. [REVIEW]H. K. - 1963 - Review of Metaphysics 17 (1):146-146.
    In spite of, or perhaps because of the wealth of material found in this book, it makes a rather arid impression. One wishes for more structure and a clearer statement of the author's own position. Kainz professes to "have patterned his aesthetics on the philosophical personalism of William Stern"; but other influences, such as that of phenomenology and Gestalt psychology, are also prominent. The great variety of views mentioned and discussed gives this book considerable value as a bibliographical guide to (...)
     
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