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“Today I made the ascent of the highest mountain in this region, which for good reasons is called Ventosum, guided only by the desire to see the extraordinary altitude of the place”. Petrarch's ascent of the Mont Ventoux in 1336, or rather his account of it, established the mountain as a distinctive place for experiencing and understanding nature and self. Since then, the mountain has been sought out in increasing numbers by those pursuing spiritual elevation, bodily exertion, and/or scientific investigation. (...) |
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Attempts to justify the objectivity and universality of aesthetic judgment have traditionally rested on unsupported assumptions or mere assertion. This paper offers a fresh consideration of the problem of judgments of taste. It suggests that the problem of securing universal agreement is false and therefore insoluble since it imposes an inappropriate logical criterion on the extent of agreement, which is irrevocably empirical. The variability of judgments of taste actually forms a subject ripe for inquiry by sociologists, psychologists, historians and anthropologists, (...) |
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Awe seems to be a complex emotion or emotional construct characterized by a mix of positive (contentment, happiness), and negative affective components (fear and a sense of being smaller, humbler or insignificant). It is striking that the elicitors of awe correspond closely to what philosophical aesthetics, and especially Burke and Kant, have called “the sublime.” As a matter of fact, awe is almost absent from the philosophical agenda, while there are very few studies on the experience of the sublime as (...) |
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Conservation and restoration programs usually involve nostalgic claims about the past, along with calls to return to that past or recapture some aspect of it. Knowledge of history is essential for such programs, but the use of history is fraught with challenges. This essay examines the emergence, development, and use of the “ecological baseline” concept for three levels of biological organization. We argue that the baseline concept is problematic for establishing restoration targets. Yet historical knowledge—more broadly conceived to include both (...) |
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ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin'sBeaglediary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the (...) |
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This essay attempts something a little peculiar: a study of the genesis of a concept within discourses which did not, in fact, use the word. This is at least true of ???sustainability??? in English. The emergence of the German equivalent, Nachhaltigkeit , which might also be expressed by the idea of ???lasting-ness???, is, however, usually dated to the use of the word nachhalthende by Hanns Carl von Carlowitz in his Sylvicultura oeconomica of 1713, the first great forestry manual of the (...) |
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By the start of the twenty-first century, the notion of ‘the sublime’ had come to seem incoherent. In the last ten years or so considerable light has been shed by empirical psychologists on a related notion of ‘awe’, and a fruitful dialogue between aestheticians and empirical psychologists has ensued. It is the aim of this paper to synthesize these advances and to offer what I call a ‘two-tiered’ theory of the sublime that shows it to be a coherent aesthetic category. (...) |
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SummaryThis article surveys recent scholarship on the early history of British geology. It finds that many of the developments called for a decade ago by Dr Eyles and Dr Rappaport have not yet been realized. However, there has been progress in the broader understanding of geological ideas in their historical context, and a start has been made on the social history of the science. Some suggestions are offered as to a field of problems for the future, and a selective bibliography (...) No categories |
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Este artículo testa la generalizada aceptación experta que detecta en _Journal of Researches _de Darwin una influencia estilístico-ideológica proveniente de las obras de Humboldt. Para ello, dado que las descripciones de la naturaleza Humboldt y Darwin deberían contener implícita la concepción de la naturaleza de cada autor, se han analizado comparativamente pasajes dedicados al análisis descriptivo del influjo del paso del tiempo sobre el paisaje geológico en _Journal _y en _Ansichten der Natur _de Humboldt. Se demuestra así que la descripción (...) No categories |
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This paper argues against evolutionary accounts of aesthetics by defending the idea that our fundamental aesthetic categories have undergone great changes in the last two millennia, in particular, during an “artistic revolution” that lasted from 1680 to 1830. This revolution was made possible by the development of a number of technologies of art that created a separate cultural space for this new invention. The attempt to extend this revolution to include the aesthetic appreciation of the natural environment is aided by (...) |
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Addison's landscape discussion in the famous 1712 Spectator essay on the pleasures of the imagination has often been regarded as the beginning of modern aesthetics. To see how this is the case but not in the way of conventional interpretations, it is important to remember the then revolutionary idea of “beauty without order” which Sir William Temple first discussed via the asymmetrical Chinese gardening style and which Addison enthusiastically endorsed in his horticultural reform agenda. Much more than the notions of (...) |
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It is clear that natural entities can be preserved – they can be preserved because they can be harmed or destroyed, or in various other ways adversely affected. I argue that in light of the rise of scientism and other forms of philistinism, the political, religious, mythic, personal and historical meanings that people find in those entities can also be preserved. Against those who impugn disciplines such as fine arts, philosophy and sociology, I contend that this sort of preservation requires (...) No categories |
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ArgumentThe discovery of the Alps in the second half of the eighteenth century spawned an aesthetics of sublimity that enabled overwhelmed beholders of mountains to overcome their confusion symbolically by transforming initial speechlessness into pictures and words. When travelers ceased to be content with beholding mountains, however, and began climbing them, the sublime shudder turned into something else. In the snowy heights, all attempts to master symbolically the challenging landscape was thwarted by vertigo, somnolence, and fatigue. After 1850, physiologists intervened, (...) No categories |
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In perceptions of their landscapes the Latvians have denied the existence of the sublime, elevating rural and natural aspects as beautiful and good. While Latvian landscape aesthetics and ethics are based on the profound transformation of nature-landscape attitudes that occurred in Europe during the second half of the 18th century, when ideas of the beautiful, sublime, and the picturesque were debated, the existence of sublime characteristics within the borders of Latvia has not been recognized. In part the attitude derives from (...) |
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La parution d'un ouvrage entièrement consacré à la théorie kantienne du sublime mérite d'être saluée avec un certain enthousiasme, a fortiori lorsqu'il provient de la tradition anglo-saxonne, où la question du sublime est généralement considérée comme une «erreur» dont la théorie esthétique de Kant gagnerait à être expurgée. Paul Crowther remarque d'entrée de jeu que le regain d'intérêt pour l'esthétique de Kant qui s'est fait sentir dans le monde anglo-saxon depuis les années soixante-dix s'est concentré presque exclusivement sur les questions (...) |
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I offer the first sustained defence of the claim that ugliness is constituted by the disposition to disgust. I advance three main lines of argument in support of this thesis. First, ugliness and disgustingness tend to lie in the same kinds of things and properties (the argument from ostensions). Second, the thesis is better placed than all existing accounts to accommodate the following facts: ugliness is narrowly and systematically distributed in a heterogenous set of things, ugliness is sometimes enjoyed, and (...) |
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My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual space, identifies certain shifts in ontology which are relevant (...) |
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This paper focuses on the importance of wonder in human flourishing and is orientated towards the dynamics between the two, but with an emphasis on how the former is important for illuminating the latter. It begins with a preliminary sketch of both wonder and human flourishing and subsequently moves on to highlight three aspects of human flourishing: 1) ‘Individuality’, 2) ‘Relations’ and 3) ‘The political’, and why these play to wonderment. |
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