Throughout the twentieth century, women's magazines in the United States have socialized their readers to the “proper” expression of love and anger in marriage. Our analysis of a random sample of marital advice articles from 1900 to 1979 examines this cultural convergence of gender, marriage, and emotion. A qualitative analysis identifies techniques for socializing readers to the emotional culture of marriage and shows a historical change toward equating love with self-fulfillment and advocating the expression of anger. A quantitative analysis (...) then specifies the timing of changes in emotion norms and showed an oscillation between modern and traditional norms that is related to waves of political liberation versus oppression. We discuss the relation between emotion norms and behavior and explore the effect of group conflict on the production of emotional culture. Emotion norms have become less rigid and more tolerant of diversity; but gender differences persist, and women are still responsible for maintaining intimate relationships. Historical trends in love and anger norms are nonlinear, not a continuous shift toward individualism, self-development, and free expression, as suggested by recent cultural theories. (shrink)

The aim of the article is to examine the representation of ageing in selected issues of the Polish women’s magazine Twój Styl. With reference to Wolf’s concept of the “beauty myth,” the article argues that ageing is presented as a threat to women’s psychological integrity. Although the theme of old age is rarely directly addressed in the magazines, its presence is implied in the advertised anti-age beauty products. Based on semiotic theory and Cognitive Metaphor Theory, the paper (...) demonstrates that the advertising of anti-ageing beauty products serves the function of controlling ageing female bodies, which are positioned outside of the mainstream concept of femininity. (shrink)

Stories and images of successful career women and support for women’s advancement in working life have become hallmarks of contemporary postfeminist media culture, and especially of women’s magazines such as Cosmopolitan. While in previous research these features have been seen as signs for a new, popular feminism, more recently they have also been connected to the growing hegemony of neoliberal governance, a mode of power that ultimately aims at the economization of the social and is fundamentally exercised (...) in and through discourse. The aim of this article is to investigate further the interconnectedness of these two phenomena, postfeminism and neoliberalism, in the domain of work, using the example of the German edition of Cosmopolitan. For a detailed and multilayered investigation the study draws on linguistically oriented discourse analysis, focusing on the operation of a ‘discourse of postfeminist self-management’. The examination shows how this discourse, while on the one hand evoking an ethos of feminist engagement, on the other seeks to guide readers to mould themselves into a version of the entrepreneurial self required by the neoliberalized world of work. (shrink)

This article uses a discourse analytic perspective to analyse sex and relationship advice in a best-selling women’s magazine. It identifies three different interpretative repertoires which together structure constructions of sexual relationships: the intimate entrepreneurship repertoire, organized around plans, goals and the scientific management of relationships; men-ology, in which women are instructed in how to learn to please men; and transforming the self, which calls on women to remodel their interior lives in order to construct a desirable subjectivity. The article (...) considers each repertoire in turn, and also looks at how they work together in order to privilege men and heterosexuality. Discussion focuses in particular on the postfeminist nature of the advice, in which pre-feminist, feminist and anti-feminist ideas are entangled in such a way as to make gender ideologies more pernicious and difficult to contest. (shrink)

Contrary to the accepted Cold War stereotypes about state socialist mass women’s organizations, we will show that Communist leaders were attentive to the construction of gender roles and used women’s magazines as a forum to discuss openly the changing ideals of masculinity and femininity. Through a discourse analysis of articles in Vlasta and Zhenata Dnes, our article will interrogate the categories of “man” and “woman” and their negotiation during the Communist era on the pages of official state (...) magazines. In the Bulgarian case, we will discuss key articles that explicitly dealt with the importance of fathers and fatherhood, as for the case of Czechoslovakia, we will examine a series of articles and letters in which women’s union leaders and ordinary citizens discuss women’s entry into the workforce that had previously been the purview of men. (shrink)

This book presents an analysis of masculinity construction in a large corpus of women’s magazines, adopting a feminist Critical Stylistic approach to reveal how men are talked about and ‘sold’ to women as part of a successful performance of hegemonic femininity. This novel approach identifies women’s magazines as sites of ‘lad culture’ that perpetuate ideologies more commonly associated with the ‘laddism’ of male-targeted media. It examines how stereotypical images of men as naturally aggressive and obsessed with (...) sex are promoted, as well as considering some of the ways in which women’s magazines contribute to the social construction of normative understandings of gender and sexuality more broadly. This engaging work will offer fresh insights to students and scholars of Discourse Analysis, Sociolinguistics, Corpus Linguistics, Stylistics, and Gender and Communication Studies. (shrink)

Osnovna intencija istrazivanja je da retrospektivno sagleda promene u konstruktu pozeljnog modela zenskih rodnih uloga u periodu 'razvijenog samoupravnog socijalizma' (1970-tih), periodu strukturne krize socijalizma (1980-tih) i postsocijalistickom periodu srpskog/jugoslovenskog drustva, onako kako je on konstruisan u zenskom casopisu 'Bazar'. Kroz osnovne postavke teorijskog okvira istrazivanja pokusacemo da koncipiramo i priblizimo se pretpostavljenom novom komunikacionom modelu koji ce biti u stanju da u istrazivanje inkorporira sve promene nastale u samom procesu komunikacije izmedju emitera i recipijenta i time doprinesemo boljem razumevanju (...) sadrzaja poruke. (shrink)

Comprising essays focusing on the representation of women's bodies in historical and contemporary cultures, this book compares the two different approaches to the body adopted by a soft-porn magazine, For Women, and Cosmopolitan.

In 1963 the American journalist Betty Friedan published her book The Feminine Mystique, in which she identified, on the basis of an analysis of women's magazines and surveys of women, a paradox in the self- awareness of American women: in striving to achieve the ideal of femininity, they devote themselves zealously to serving the family, and at the same time they feel they are "different" human beings from men, who have access to the world at large. Friedan compared the (...) situation of the housewife with the situation of a prisoner in a concentration camp. In both, a person is deprived of self-identity, of self-respect, and of manifesting one's individuality and is isolated from the large world of ideas and events. Friedan's general conclusion was that the ideal of "femininity" that guides women is not a natural bent of their natures but an inhumane stereotype that is imposed by advertising, business, and government because it is useful to society. (shrink)

This article examines women's bodies in South Korea and the modes of Neo-Confucian governmentality at work within this consumer society. The concealed woman's body under Neo-Confucianism appears to have been supplanted by a liberated consumer body. This seems to represent a major shift in what the body means today. Nonetheless, the techniques of governmentality that controlled women's bodies under strict Neo-Confucian codes remain active in Korea's consumer society, so that despite the appearance of a striking shift in body presentation, the (...) methods of control remain remarkably similar. This article first examines the Neo-Confucian conception of the body, focusing on Neo-Confucian discourses on the female body and self, and the Neo-Confucian techniques of governmentality employed to control women's bodies. Next it observes how women live out the capitalist body in Korea's consumer society, using mostly journals, magazines and various women's views. Finally, it attempts to show how the new principles of consumer culture combine with Neo-Confucian techniques of governmentality to control women's bodies. (shrink)

L’article reconsidère le mouvement des femmes en Albanie dans l’entre-deux-guerres en partant de ses racines ottomanes et en l’examinant à travers la presse féministe de l’époque. En prenant en compte l’ensemble des activités des militantes protestantes formées par les Américains, les bureaucrates post-ottomans et les féministes de la région, j’interprète le mouvement des femmes comme un aspect de la modernité ottomane tardive et comme une initiative marquée par des circulations globales qui ont eu un impact dans la construction de la (...) nation dans l’entre-deux-guerres. En commençant par une synthèse des activités des protestants dans la période tardive ottomane, l’article interroge ensuite la relation entre la bureaucratie post-ottomane et le mouvement des femmes de l’entre-deux-guerres. Enfin, il se termine par l’étude du magazine familial Shqiptarja (La femme albanaise). Soutenu par l’État, le magazine montre l’émergence d’un féminisme local conscient des enjeux globaux. Le féminisme en Albanie dans ces années se révèle ainsi bien plus riche et complexe que dans les travaux nationalistes existant. L’Albanie apparaît comme un espace post-ottoman qui se modernise selon ses propres enjeux avec des féministes capables de s’approprier de manière sélective les messages venant de l’extérieur. (shrink)

Representations of breast cancer are examined in three popular women's periodicals targeting African American readers: Ebony, Essence, and Black Elegance. The researcher focuses specifically on representations that reflect certain ideas/ideals about the sharing and creating of information about the disease and related issues, such as health care and body image. Magazine selections are analyzed and critiqued according to the epistemological principles outlined by Patricia Hill Collins in Black Feminist Thought. The author calls for further research into how and why particular (...) social and cultural groups consume information about health and illness in particular ways. (shrink)

This article explores the impact of structural and technological change on women's employment in the UK television industry. It looks at the challenges faced by women in working in what has become since the mid-1980s a largely freelance industry where short-term contracts, informal recruitment procedures and long, unpredictable work schedules mean that women find it increasingly difficult to combine a career and family. Through case studies of individual careers, of a women's magazine programme for S4C Digital and a survey of (...) women's credits on a selection of the newer channels (Sky One, UK Living and Channel 5), it argues that technological advances in digital transmission and production will not improve working conditions and opportunities for women's participation in all areas of the industry if they continue to replicate existing practice. (shrink)

In 1963 the American journalist Betty Friedan published her book The Feminine Mystique, in which she identified, on the basis of an analysis of women's magazines and surveys of women, a paradox in the self- awareness of American women: in striving to achieve the ideal of femininity, they devote themselves zealously to serving the family, and at the same time they feel they are "different" human beings from men, who have access to the world at large. Friedan compared the (...) situation of the housewife with the situation of a prisoner in a concentration camp. In both, a person is deprived of self-identity, of self-respect, and of manifesting one's individuality and is isolated from the large world of ideas and events. Friedan's general conclusion was that the ideal of "femininity" that guides women is not a natural bent of their natures but an inhumane stereotype that is imposed by advertising, business, and government because it is useful to society. (shrink)

An advertiser develops visual associations of signs and symbols to create a product image that motivates consumers. Today is characterized by a solid consumer culture based on visual identity consumption that articulates and interacts with each consumer's daily actions, words, and visual perceptions. The frequent use of female role portrayals and physical attractiveness in advertising contributes to an increase in society's awareness of women. Some scholars have developed an ethical discussion out of the phenomenon of female role portrayals not matching (...) the public expectations because the portrayals are too narrowly defined and women are unfavorably depicted. But another group has studied the product-type match-up hypothesis, which emphasizes effectively employing attractive female endorsers that closely match the product type. The shift in female social status in Taiwan contributes to the importation of foreign ideas such as feminine values, rituals, and esthetics. Women in Taiwan have been introduced to a new feminism, a modified perception of appropriate personal appearance and behavior. This current research utilizes content analysis and in-depth interviews to explore contemporary female role portrayals in advertising. In addition, this article examines the relationship between the formation of contemporary physical attractiveness and visual consumption in advertising. The results reveal that most endorsers were celebrities, with fit bodies and pleasant expressions, portrayed as product users who offer personal experiences to deliver product knowledge. Conservation classical beauty was the most common depiction, while sexual expression was the least common. Finally, this article recommends that different types of beauty, posture, and appeal should be carefully selected to match domestic and foreign magazines' readers. (shrink)

À partir des années 1930, émerge en France une nouvelle forme de presse destinée aux femmes où apparaît la thématique de la beauté. L’idée de beauté, qui était liée principalement au vêtement ou à la nature est redessinée par la ligne éditoriale de ces nouveaux périodiques qui la définissent désormais par les soins du corps. La plus ancienne de ces publications, Votre Beauté, est créée par Eugène Schueller, fondateur de L’Oréal. Cet article porte sur la manière dont est élaborée cette (...) nouvelle définition de la beauté, à la fois dans le contenu éditorial et dans les publicités de ce magazine. (shrink)

This investigation explores how contemporary motherhood is constituted in postindustrial consumer culture through a content and textual analysis of Shape Fit Pregnancy. Using all available issues of the magazine from its inception in 1997 to 2003, the authors first underscore a key tension surrounding pregnant women’s bodies within health and fitness discourse: That the pregnant form is presented as maternally successful yet aesthetically problematic. Second, the authors reveal how contemporary mothers are defined as newly responsible for a second shift (...) of household labor and child care and a new third shift of bodily labor and fitness practices. The analysis examines the way in which the second and third shift are constituted as mutually dependent and reinforcing. Last, the discussion analyzes how this particular fitness text draws on empowerment discourse derived from feminist gains of access to the public sphere while paradoxically inscribing women to the privatized realm of bodily practices, domesticity, and family values. (shrink)

The magazine Renquan appeared in five issues between August and December 1925. The purpose of the magazine was to make people aware of the idea of human rights and to advocate a society based on respect for human rights. The magazine's editors regarded human rights as applicable to all countries and as characteristics of civilized and just societies. They argued that human rights were needed in order for individuals to be persons , and held that without them humans would be (...) reduced to the level of beasts. Human rights were based on our needs to preserve our lives and develop our personalities and intellects; they included economic, political, and educational rights. Human rights applied to all human beings: While the subjects of women's rights were women, setting them in contrast to men; and the subjects of people's rights were the common people, setting them in opposition to rulers, aristocrats, bureaucrats, and warlords; the subjects of human rights were all human beings. Human rights were opposed only to the minority who tried to suppress the rights of the majority. (shrink)

Contemporary yoga is popularly represented in various media by a fit, white woman. Yoga Journal is a magazine recognized by many as an industry cornerstone and an institution in and of itself. It represents the distinctive face of yoga. By analyzing the visual and textual content of the Yoga Journal magazine covers, from its first issue in 1975 to issue 313, we describe the produced and consumed portrait of yoga. By focusing on the cover themes, together with the objects and (...) persons depicted, we recognize three phases of development that have contributed to the understanding of the changing image of yoga in the media. While, in the initial phase, yoga was represented as a mystical and mysterious spiritual discipline that originated in the Orientalized East, in the later phase, it was depicted first as a global and universal phenomenon and then as a mainstream everyday fitness regime. Yoga’s depiction in the last phase is compatible with the scholarly representation of contemporary yoga as posture and body centered, but not with its earlier depictions. We found that in its mature phase, the yoga body, which is criticized for its lack of inclusiveness, emerged to become omnipresent. We conclude that the newly formed face of yoga is problematic, both for its female readers, who are encouraged to conform to a unique body type, and also for the yoga community, which encounters an appearance-based restriction of access. (shrink)

Despite the invaluable role that women play in the peacebuilding process, statistics still show this as a male-dominated field. Since media narratives have the power to frame reality providing the public with preferred lenses to understand it, this study asks, How do media narratives frame the role of Afghan women in conflict resolution? To address this question, we combine Frame Theory (Entman, R. M. (1993). Framing: Toward clarification of a fractured paradigm. Journal of Communication, 43(4), 51–58) and Critical Discourse Analysis (...) (van Dijk, T. A. (2015). Critical discourse analysis. In D. Tannen, H. E. Hamilton, & D. Schiffrin (Eds.), The handbook of discourse analysis (pp. 466–485). Wiley Blackwell) to explore media narratives before and after the Taliban came into power in August 2021. The samples include 32 articles published between 2018 and 2022 on different sources ranging from traditional news outlets to magazines, newsrooms, intergovernmental organizations, and think tanks. Findings show that media narratives perpetuate unfair gendered expectations, failing to effectively render the irreplaceable role of women in peacebuilding. Frames confirm the double bind of hegemonic femininity (Schneiker, A. (2021). The UN and women's marginalization in peace negotiations. International Affairs, 97(4), 1165–1182) as women are subject to different expectations – the exception presents them as courageous, yet the norm frames them as being too vulnerable and without a voice. (shrink)

Feminism is all about demanding equality and learning to love yourself. But not too much - men hate that! From the writers of Reductress, the subversive, satirical women's magazine read by over 2.5 million visitors a month, comes HOW TO WIN AT FEMINISM: The Definitive Guide to Having It All--And Then Some! This ultimate guide to winning feminism--filled with four-color illustrations, bold graphics, and hilarious photos--teaches readers how to battle the patriarchy better than everybody else. From the herstory of feminism (...) to how to apologize for having it all, readers will learn how to be a feminist at work and at home with tips that include: How to Do More with 33 Cents Less How to Be Sex-Positive Even When You're Bloated How to Love Your Body Even Though Hers Is Better The 9 Circles of Hell for Women Who Don't Help Other Women Designer Handbags to Hold All Your Feminism How to Get Catcalled For Your Personality HOW TO WIN AT FEMINISM is a fresh take on women's rights through the lens of the funniest women in comedy today. With this book as your wo-manual, you'll shatter that glass ceiling once and for all (but you'll still need to clean up the mess). (shrink)

In this essay a selection of images of women Olympians who have opted to pose nude in calendars, in Playboy magazine and in mainstream men's magazines is critically analysed. It is argued that when women athletes pose nude, their talent and incredible skill are trivialised because they are sexually objectified. Based on Nussbaum's theory of objectification, a continuum is developed to analyse the said images. The analysis highlights theories of sexualisation, heteronormative culture, and homophobia which are entangled within the (...) apparent justifications for posing nude. These are rejected in favour of the objectification critique. (shrink)

An advertiser develops visual associations of signs and symbols to create a product image that motivates consumers. Today is characterized by a solid consumer culture based on visual identity consumption that articulates and interacts with each consumer's daily actions, words, and visual perceptions. The frequent use of female role portrayals and physical attractiveness in advertising contributes to an increase in society's awareness of women. Some scholars have developed an ethical discussion out of the phenomenon of female role portrayals not matching (...) the public expectations because the portrayals are too narrowly defined and women are unfavorably depicted. But another group has studied the product-type match-up hypothesis, which emphasizes effectively employing attractive female endorsers that closely match the product type. The shift in female social status in Taiwan contributes to the importation of foreign ideas such as feminine values, rituals, and esthetics. Women in Taiwan have been introduced to a new feminism, a modified perception of appropriate personal appearance and behavior. This current research utilizes content analysis and in-depth interviews to explore contemporary female role portrayals in advertising. In addition, this article examines the relationship between the formation of contemporary physical attractiveness and visual consumption in advertising. The results reveal that most endorsers were celebrities, with fit bodies and pleasant expressions, portrayed as product users who offer personal experiences to deliver product knowledge. Conservation classical beauty was the most common depiction, while sexual expression was the least common. Finally, this article recommends that different types of beauty, posture, and appeal should be carefully selected to match domestic and foreign magazines' readers. (shrink)

How do adolescent girls envision the world of work and their potential place in it? This article considers teen magazines as a possible source for girls’ perceptions about the work world, including their own career futures. The author explores the occupational landscape embedded with in Seventeen magazinein 1992 in both quantitative and qualitative terms. The labor market in Seventeen-land is heavily skewed toward professional occupations, particularly in the entertainment industry. A close reading of the text reveals four primary messages (...) about the world of work: Entertainment careers are a viable and prestigious option, men are the norm as workers, men hold the power, and fashion modeling is the pinnacle of “women’s work. ” The author argues that Seventeen may be promulgating a distinct set of what Collins called “controlling images” directed at predominantly white girls. The findings suggest gender researchers should attend to the connection between the mass media and girl culture. They also underscore the importance of teaching media literacy. (shrink)

This article describes political discourse on domestic violence that obscures men's violence while placing the burden of responsibility on women. This perspective, which the author calls patriarchal resistance, challenges a feminist construction of the problem. Using a qualitative analysis of men's and political magazines, the author describes two main discursive strategies used in the resistance discourse: degendering the problem and gendering the blame. These strategies play a central role in resisting any attempts to situate social problems within a partiarchal (...) framework. It is argued that this is a political countermovement to the feminist constructions of domestic violence as opposed to a serious concern about women's violence and male victims. Three major implications this resistance discourse has are the normalization of intimate violence, the diversion of attention from men's responsibility and cultural and structural factors that foster violence, and the distortion of women's violence. (shrink)

While research shows that there are familiar forms of doing masculinity involving distancing from femininity/women or from subordinated/marginalized masculinities/men, there is less emphasis on the fact that the content of these masculine performances varies depending on the specific cultural norms and ideologies present in an organization. The author relies on a comparative case study using in-depth interviews and participant observation in the accounting departments at a heterosexual men’s pornographic magazine and at a feminist magazine to examine how organizational culture shapes (...) the ways that men do masculinity at work. Both accounting departments support a general pattern of doing masculinity referred to as the business professional attitude, but men also utilize unique strategies of doing masculinity depending on the degree to which masculinity is “safe” or “embattled” at their workplace. The author concludes by discussing the consequences of these strategies for men’s and women’s work relationships. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Christ's Male Sexuality and Acting In Persona Christi:A New Argument in Favor of the All-Male PriesthoodPaul Gondreau"One must be allowed to think about and discuss the issues.... [And on the issue of women's ordination] the discussion is still with us, it is still alive, and cannot be stifled [ersticken] by a paper [ein Papier]." So declares Archbishop Stefan Hesse of Hamburg, Germany, in the summer of 2020, where "a (...) paper" refers to an apostolic letter, Pope St. John Paul II's 1994 Ordinatio Sacerdotalis, which definitively rules out the admissibility of women to priestly ordination.1 No doubt the archbishop was drawing inspiration from Cardinal Archbishop Reinhard Marx of Munich and Freising, who a month earlier had opined that arguments against women's ordination were becoming increasingly "weaker" (schwächer).2 In his capacity as president of the German bishops' conference, Bishop Georg Bätzing [End Page 805] of Limburg also pronounced on the issue in even more unabated terms; after insisting in June of the same year that Catholics can "continue to talk about the issue of women's ordination," he went further in an interview with the German magazine Herder Korrespondenz six months later: "There are well-developed arguments in theology in favor of opening up the sacramental ministry to women," he asserted, after declaring his desire for "change" (Veränderung), a change that he opined could begin with ordaining women as deacons before ordaining them as priests and bishops.3 Two years later, Bätzing remained adamant, going so far as to declare to speak in the name of the faith of the entire Church on this issue: "The sensus fidelium, that is, the sense of the faithful," he stated, "has moved on" (geht weiter).4 Since the deposit of faith, of which the sensus fidelium is expressive, does not and cannot "move on," that is, change, Bätzing's appeal to the sensus fidelium marks a curious—if also audacious—move, to say the least.It appears we are destined ever "to think about and discuss" the issue of women's ordination, no matter if the Holy Father himself, in the person of the John Paul II, should seek to quell this discussion in the strongest and most authoritative of terms: "In order that all doubt be removed regarding [this] matter," writes the Polish Pontiff, "I declare that the Church has no authority whatsoever to confer priestly ordination on women and that this judgment is to be definitively held by all the Church's faithful" (Ordinatio Sacerdotalis §4).As regards John Paul II's assertion that his judgment is to be "definitively held" by all Catholics, it is worth recalling that, even if one high-ranking German churchman (Hesse) might esteem Ordinatio Sacerdotalis as [End Page 806] tantamount to ein Papier das erstickt, "a paper that stifles," another, Joseph Ratzinger (in his role as cardinal prefect of the Congregation for the Doctrine of the Faith [CDF], before becoming Pope Benedict XVI), holds up John Paul II's apostolic letter as expressive of the infallible teaching of the Church's ordinary magisterium and as "belonging to the deposit of faith." As such, the letter requires all Catholics, asserts Ratzinger, to offer their "definitive assent" to the Holy Father's pronouncement.5John Paul II and Ratzinger may as well have been talking to the wind. If Archbishop Hesse and his disparaging attitude—dismissing a papal apostolic letter as a paper that "stifles"—serves to indicate what "definitive assent" looks like, and if Bishop Bätzing can find that the deposit of faith (represented by the sensus fidelium), particularly as it concerns women's ordination, is able to "move on," it is no wonder that we find the issue "still alive." And recall Hesse and Bätzing hardly stand alone among German prelates in their willingness to ignore Ordinatio Sacerdotalis, as Cardinal Marx and the much touted German "synodal way" show (the archbishop of Luxembourg, Cardinal Jean-Claude Hollerich, could also be added to the list).6 Further, when Hesse asserts, "one must be allowed to think about and discuss [women's ordination]," there is little doubt that, for him and those... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:720 Feminist Studies 42, no. 3. © 2016 by Feminist Studies, Inc. Julie R. Enszer “She Who Shouts Gets Heard!”: Counting and Accounting for Women Writers in Literary Grants and Norton Anthologies In 1979, the Coordinating Council of Literary Magazines (CCLM), a New York-based nonprofit that supported literary magazines through technical assistance and grant-making, announced a new program: CCLM editor fellowships.1 Editor fellowships came with a $5,000 (...) grant. Members of the literary community nominated editors to CCLM for the award. Adrienne Rich nominated Ellen Marie Bissert, editor of the feminist journal 13th Moon, and Mab Segrest, editor of Feminary: A Feminist Journal for the South Emphasizing the Lesbian Vision, for the editor fellowships. In 1979, the inaugural year of the prize, among the ten winners, not one was a woman. Bissert was one of three honorable mentions. Bissert rejected the distinction with a public letter to Maureen Owen, the only woman on the CCLM board of directors. Bissert deplored “the sexism inherent in the panelists’ decisions.”2 Several feminist publications reprinted Bissert’s letter while “the male small press gave it scant 1. The work of CCLM continues today, although now the organization is called the Council for Literary Magazines and Presses (CLMP). Under the leadership of Jeffrey Lependorf, the nonprofit organization continues to be a vital advocate for small magazines and publishers. 2. Open letter from Ellen Marie Bissert to Maureen Owen, June 28, 1980, CCLM Editors’ Grant 1980 folder, box 6, 13th Moon records, New York Public Library, Rare Books and Manuscripts Division (hereafter, CCLM folder). Julie R. Enszer 721 coverage.”3 As a result of Bissert’s objections, CCLM released the application statistics: 225 people were nominated, forty (18%) were women, and fifteen (7%) were non-white men. Of the 124 people who completed the applications, twenty-three (19%) were women and eleven (9%) were nonwhite men. There were thirty-three semifinalists, five (15%) women and four (12%) non-white men. These numbers shocked and outraged Bissert and other feminists. Adrienne Rich wrote to Maureen Owen, “I am appalled by the blatant sexism evidenced in the Council’s decision to fund ten male editors.”4 The attention that Bissert brought to the grant process resulted in a special meeting of the CCLM board to “discuss the controversy” and the awards.5 The next year, the CCLM editor fellowships went to five journals run by women and five run by men; one of the winners of the $5,000 award in 1980 was the editorial collective of Conditions, a magazine of writing by women with an emphasis on writing by lesbians.6 In a letter to readers of Conditions, the three editors, Elly Bulkin, Jan Clausen, and Rima Shore, noted that the “feminist protest following the announcement of the 1979 awards no doubt had an impact on the decision-making process” and that the award “represents the only substantial payment we have received, or seem likely to receive, for our editorial work, and we were greatly encouraged by it.”7 Maureen Owen acknowledged the importance of Bissert’s protests saying it “strengthened my position on the board at CCLM and the position of women editors and writers in general. She who shouts, get heard!”8 In 1979, Bissert, Rich, and other feminists demonstrated the importance of shouting about the inclusion of women in systems of literary appraisal; they recognized the important economic consequences of grants for feminist publishers and feminist authors. Thirty years later, in 2009, Cate Marvin and Erin Belieu founded VIDA: Women in Literary Arts to promote “conversations regarding the critical reception 3. Open letter from Bissert to Owen. 4. Rich to Owen, August 7, 1979, CCLM folder. 5. Open letter from Bissert to Owen. 6. Press release, June 11, 1980, CCLM folder. 7. Elly Bulkin, Jan Clausen, and Rima Shore, Conditions 7, unnumbered front matter. 8. Postcard from Owen to Bissert, undated, CCLM folder. 722 Julie R. Enszer of women’s creative writing in our current culture.”9 Each February or March since 2010, VIDA releases “the count”: a compilation of the gender breakdown of prizes, reviews, and literary journals in the United States. VIDA’s numbers demonstrate bias toward men in... (shrink)

This article explores how the Slovenian women's lifestyle magazine Naša žena (Our Woman) helped the Yugoslavian socialist project construct and shape the ideal socialist woman, and argues that she became the crucial ally in implementing socialist ideas in the everyday lives of Slovenians. The article shows how texts on food preparation and consumption, as well as those touching on household management and family care, published in Naša žena from 1960 to 1991 played an important part in the ‘civilising’ process that (...) shaped behaviour, directed cultural and social practices, influenced social relations and constructed women's identities during socialism. We show how food-related texts (articles, recipes, columns, advertisements and advertorials) were never far removed from the larger political and economic socialist realities. In fact, they bore witness to changes in living standards and told stories about gender regimes, socialist ideologies and fantasies. These texts belong to a corpus of social transcripts that guide collective understandings of what it means to select, prepare, cook and eat food; what constitutes good cooking and eating; and who is responsible for preparing meals. Despite official socialist feminist rhetoric about freeing women from backward patriarchal arrangements, this article shows that texts offering food-related advice in socialist Yugoslavia contained explicit instructions for the ‘correct’ performance of the social roles of women, legitimising women's roles as worker, mother, wife and housekeeper. Above all, a woman was to be an ‘engineer’ of the private domain whose goals were to feed her family and keep the nation healthy and hence productive, and to modernise her kitchen in support of the technological and economic development of Yugoslavia. (shrink)

This history of philosophy is a history of men. Or at least, that’s how it has been told over the past several hundred years. But, over the last few decades, we’ve begun to see more and more recognition of women philosophers and the huge impact that they have had on the course of our discipline. There have always been philosophers who happened to be women. Hypatia of Alexandria was known by her contemporaries simply as The Philosopher, and hundreds of young (...) men travelled from throughout the region to attend her public lectures. Philosophers who happen to be women, then, are nothing new. But our failure to recognise them as full contributors to the subject makes them appear to us as something of a surprise. A result of this is that women are often remembered as women first: they are seen more as women than they’re seen as philosophers. (shrink)

"Golf day 2005 @ federal golf club, red hill." Ethos: Official Publication of the Law Society of the Australian Capital Territory, (196), pp. 7.

Sexual violence against women is an issue of urgency that arises in all cultures locally, nationally, globally and transnationally. This problem has broad dimensions in both the public and private domains, both cases that are reported or not reported to law enforcement. Factually, the trend of this problem has been identified as increasing every year in Maluku, Indonesia. Therefore, the church requires serious attention to prevention and systematic treatment to overcome it. This sensitivity and awareness are a manifestation of the (...) church’s sense of calling and responsibility for the restoration of human dignity. The pastoral sermon service model is the church’s strategic approach to handling this problem. This research aimed to develop a model of pastoral sermons for victims of sexual violence against women in Maluku. This research focused on identifying and exploring the tragic experiences and impacts of sexual violence against women. Furthermore, a cross-cultural pastoral model was created for victims of violence.Contribution: This article provided a new perspective from the post-modern homiletics to approach social issues. This new homiletical approach to dealing with the problem of women’s sexual violence is one of the main focuses of ‘Women’s Theological Studies’ in HTS. (shrink)

This comprehensive and important volume includes contributions by activists, journalists, lawyers and scholars from twenty-one countries. The essays map the directions the movement for women's rights is taking--and will take in the coming decades--and the concomittant transformation of prevailing notions of rights and issues. They address topics such as the rapes in former Yugoslavia and efforts to see that a War Crimes Tribunal responds; domestic violence; trafficking of women into the sex trade; the persecution of lesbians; female genital mutilation; and (...) reproductive rights. (shrink)

In the mid-1990s, fairtrade-organic registration data showed that only 9 % of Oaxaca, Mexico’s organic coffee ‘farm operators’ were women; by 2013 the female farmer rate had increased to 42 %. Our research investigates the impact of this significant increase in women’s coffee association participation among 210 members of two coffee producer associations in Oaxaca, Mexico. We find that female coffee organization members report high levels of household decision-making power and they are more likely than their male counterparts to (...) report control over their coffee income. These significant advances in women’s agency within the household are offset by the fact that the women experience significant time poverty as they engage in coffee production while bearing a disproportionate share of domestic labor obligations. The women coffee producers view organizational labor as a third burden on their time, after their reproductive and productive labor. The time poverty they experience limits their ability to fully participate in coffee organizational governance and consequently there are few women leaders at all levels of the coffee producer businesses. This is problematic because it limits women’s ability to fully benefit from organizational membership: when women fully participate in governance they gain valuable business and leadership skills and producer associations with active female members may also be more likely to develop and maintain programs and policies that enhance gender equity. Our findings indicate that targeted agricultural development programs to improve gender equity among agricultural smallholders should involve creative ways to ease women’s labor burdens and reduce their time poverty in order to facilitate full organizational participation. The research findings fill a gap in existing studies of agricultural global value chains (GVCs) by demonstrating how the certified coffee GVC depends on women’s under and un-paid labor not only within the household but also within producer organizations. (shrink)

The growing presence of women in the legal profession and the prominence of law as a site of feminist social change make the complex interrelationship between the media, feminism, and the law a critical concern across disciplines. Drawing on legal theory, cultural studies, journalism, political science, sociology, and communications, this book presents a collection of essays that explore how the media represents and constructs gender, law, and feminism. Arranged thematically, these twenty-three articles are the work of distinguished academics and activists. (...) The collection begins with a section on "Portrayals of Feminism in the Media", which provides historical background on the media's treatment of feminist issues. The anthology proceeds with sections entitled "Feminism, Law, and Popular Culture"; "Essentializing Gender"; and "Media Images of Violence". Giving fresh and provocative treatments to such complex and topical subjects as hate radio, Anita Hill, popular women's magazines, and the portrayal of women in film and television, Feminism, Media, and the Law is required reading for anyone interested in feminism and its relationship to the media. (shrink)

In 1991 Nancy Floyd bought her first handgun. Soon she was participating in Ladies Day at her local shooting range and reading Women & Guns magazine. In 1993 she began interviewing and photographing women who were fellow gun owners. In 1997 she started researching "gun women" from the past to see how they were represented in the popular imagination. Now she has brought her work together in a book, filled with remarkable photographs and candid first-person stories, accompanied by an eye-opening (...) illustrated history of female gun ownership in America. Sympathetic but unsentimental, Floyd presents gun-toting women young and old, including an eleven-year-old girl competing in her first gun competition, a woman whose grandmother was killed by an intruder, and a war veteran who experienced firefights while stationed in Iraq. Whatever you might think about gun-toting women before you open this book, your preconceptions are sure to be shattered by the end.--From publisher description. (shrink)

For a long time, female endorsers in advertising have been doing product information promotion in the market. However, with more and more highly educated women participating in the labor force, the conception of feminist depictions in advertising have become a perplexing issue. The traditional female role portrayals or stereotypes of the past are not able to totally reflect the expectations, behavior, attitudes, and beliefs of contemporary women. The author collected print ads as data from three types of the highest circulation (...) magazines: foreign women’s magazines, domestic women’s magazines, and domestic management magazines subscribed to in Taiwan to investigate what were the favorite feminine patterns and feminist depictions in a traditionally masculine society. The results showed classical beauty and girl-next-door images were “acceptable” gender-role behavior exposed highly in domestic magazines, which might contribute to conservative Confucian beliefs. On the other hand, being trendy was a significantly high preference for contemporary feminist depictions in foreign women's magazines; it might be considered as being due to the increased educational level of women and female labor participation rate in the work place as well as upgrading of social status. (shrink)

This essay aims to clarify the value of developing systematic studies of ignorance as a component of any robust theory of knowledge. The author employs feminist efforts to recover and create knowledge of women's bodies in the contemporary women's health movement as a case study for cataloging different types of ignorance and shedding light on the nature of their production. She also helps us understand the ways resistance movements can be a helpful site for understanding how to identify, critique, and (...) transform ignorance. (shrink)

“Look Great Naked!” “Sexy Legs Now!” “Score a Perfect 10 Body!” These invitations appear regularly on the covers of glossy fitness magazines, always beside a photograph of a too-perfect-not-to-be-airbrushed, generally scantily clad, young woman. Are they really invitations or are they imperatives? What should we make of the apparently presumed connection between fitness and sex? These are the questions that drive this article, in which we distinguish between fitness and sport and provide a feminist account of fitness to set (...) the stage for analysis of the conflict between norms of femininity and heteronormativity in sport and in the fitness industry. We examine the medicalization of fitness to show that women’s... (shrink)

If you just can't decide what to wear, this enlightening guide will lead you through the diverse and sometimes contradictory aspects of fashion in a series of lively, entertaining and thoughtful essays from prominent philosophers and writers. A unique and enlightening insight into the underlying philosophy behind the power of fashion Contributions address issues in fashion from a variety of viewpoints, including aesthetics, the nature of fashion and fashionability, ethics, gender and identity politics, and design Includes a foreword by Jennifer (...) Baumgardner, feminist author, activist and cultural critic, editor of Ms magazine and regular contributor to major women's magazines including Glamour and Marie-Claire. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:108 Feminist Studies 46, no. 1. © 2020 by Feminist Studies, Inc. Ellyn Weiss Anna U. Davis: An Introduction Anna U. Davis is a Swedish American mixed-media artist who was born in Lund, Sweden, and currently resides in Washington, DC. Her work draws frequently on the challenges she has faced living in the United States, particularly those related to her gender and racial position. Her husband, who spent most (...) of his childhood in the same Swedish town as Davis, was born to an African American man and a white Swedish woman. When Anna, who is also white, was pregnant with her own son, now in his early twenties, she began drawing what she terms “Frocasians,” people who are neither black nor white and who cannot claim automatic acceptance from either group. As her work explores, the outsider status of Frocasions both presents opportunity and exacerbates insecurity. Davis’s Swedish roots are central to her brand of feminism. She remembers growing up in an environment where notions of gender justice were firmly embedded in the legal framework and norms of the community. Her struggles with inadequate childcare and family leave as a young mother in the United States, then, form a strong undercurrent shaping her critical perspective. Davis also narrates growing up in a household that was emotionally unstable and sometimes difficult to navigate. As an outgrowth of these varied struggles, her art both values and aims to project strength. Davis’s graphic skills anchor her work; she always starts with detailed pieces in black and white. These pieces are then sometimes All images shown in this art essay courtesy of Anna U. Davis. Anna U. Davis, The Modern Plague, 2012. Acrylic, ink pen, and paper collage on canvas, 30 × 26 inches. CLOCKWISE FROM TOP LEFT Anna U. Davis, Bull’s-eye, 2009. Acrylic and paper collage on canvas, 38 × 4 inches. Anna U. Davis, The Edge of Transit, 2008. Acrylic and paper collage on canvas, 12 × 10 inches. Anna U. Davis, Houseman, 2018. Acrylic and ink pen on cut-out birch plywood, 46 × 3 inches. Anna U. Davis, Black Velvet, 201. Inkjet print, 60 × 80 inches. Anna U. Davis, Black Velvet, 201. Inkjet print, 60 × 80 inches. CLOCKWISE FROM TOP LEFT Anna U. Davis, Drop Dead Gorgeous, 2008. Acrylic and paper collage on canvas, 48 × 96 inches. Anna U. Davis, Delivered Agenda, 2009. Acrylic and paper collage on canvas, 20 × 20 inches. Anna U. Davis, Anonymous Was the Woman, 2014. Acrylic and paper collage on canvas, 12 × 10 inches. NEXT PAGE Anna U. Davis, Dr. Jekyll & Mrs. Hyde, 201. Acrylic, ink pen, and paper collage on canvas, 2 × 96 inches. LEFT TO RIGHT Anna U. Davis, Equilibrium, 201. Acrylic, ink pen, and paper collage on canvas, 40 × 40 inches. Anna U. Davis, Second Class, 201. Acrylic, ink pen, and paper collage on canvas, 2 × 96 inches. CLOCKWISE FROM LEFT Anna U. Davis, Shark-cuteri, 2016. Acrylic, ink pen, and paper collage on canvas, 2 × 96 inches. Anna U. Davis, Face-it (part ), 2009. Acrylic and paper collage on canvas, 18 × 24 inches. Anna U. Davis, Love, 201. Acrylic, ink pen, and paper collage on canvas, 2 × 96 inches. CENTER Anna U. Davis, Last Call, 2019. Acrylic, ink pen, and paper collage on canvas, 10 × 10 inches. NEXT PAGE Anna U. Davis, Tripping, 201. Acrylic, ink pen, and paper collage on canvas, 2 × 96 inches. LEFT TO RIGHT Anna U. Davis, The Anonymous Celebrity, 2009. Acrylic and paper collage on canvas, 8 × 44 inches. Anna U. Davis, Tug of War, 2019. Acrylic, ink pen, and paper collage on raw linen, 41 × 31 inches. Anna U. Davis, Undertaker, 2009. Acrylic and paper collage on canvas, 4 × 2 inches. Anna U. Davis, Lena, 2009. Acrylic and paper collage on canvas, 32 × 32 inches. Ellyn Weiss 125 enlarged, either remaining in black and white, becoming the underpinning of a collage, or more recently, turning into a sculptural wall relief. The color in her pieces is typically derived from the brilliant tones of glossy illustrations in so-called “women’s magazines,” which she cuts up for collaging. The content is also influenced by the articles and advertisements in such magazines. Implicit in some of Davis’s... (shrink)

Imagining super rich women in the real and fictional world has long been a struggle. Those few depictions that do exist are scattered across time periods and literary genres, reflecting the legal restrictions that, at different points in time, would not allow women to accumulate assets independent of the patriarchal forces in their lives. The scarcity of extremely wealthy women in literature and film is confirmed by Forbes magazine’s list of the fifteen richest fictional characters that features forty different fictional (...) men and only nine women, with never more than two female characters nominated in a single year. This article explores the depiction of three exceptionally wealthy women: Cruella de Vil in The Hundred and One Dalmatians (1956) by Dodie Smith, Miss Havisham in Great Expectations (1861) by Charles Dickens, and the figure of the stepmother in various adaptations of “Cinderella.” I demonstrate how the protagonists’ wealth allows them to manipulate others and disconnect themselves from patriarchal and societal expectations. Further, I argue that these affluent antagonists are “rogued” by their respective narratives, highlighting their perceived anti-feminine and emasculating behaviour resulting in a mode of narration that greedily gazes at and shames their appearances and supposed unattractiveness. While this genealogy of rich rogues reiterates the narrow scope of imagining wealthy women on the page and on the screen, there are moments in the narratives that disrupt stereotypical depictions of these wealthy characters who defy the labels imposed on them. (shrink)

Although women are the centre of African society, not much scholarly attention has been given to these conduits of human development in the Methodist Church in Zimbabwe. The stories of individual women have never formed part of Methodist historiography, ecclesiology, or theology. Methodist scholars exercised this pigeonholing even though women contribute to the life and mission of the church in a formidable way. Moreover, the ministers’ wives who are the leaders of the women’s movement that has the majority of (...) church membership in the Methodist Church in Zimbabwe have also not received scholarly attention despite how they have dedicated their lives to supporting their husband’s ministry. As a result, lay members of the women’s movement would not be expected to be celebrated as most Methodist scholars are male ministers who have never celebrated the work of their wives. This article was motivated by the appointment of Mrs. Sipiwe Chisvo, an ordinary member of the Women’s Fellowship from the low-density suburb of Chitungwiza, Zimbabwe to be the first black President of the World Federation of the Methodist and Uniting Church Women in 2022. Chisvo actively participated in the Methodist Church in Zimbabwe’s interventions in response to the COVID-19 pandemic and presumably, this contributed towards her visibility and recognition in the international arena.Contribution: Although African women often remain in the peripheries of culture, Sipiwe Chisvo is an example of a religious African woman who gave hope to the hopeless people during COVID-19 and this role contributed immensely to her appointment as the president of the World Federation of the Methodist and Uniting Church Women. With this identity, Chisvo represents selfless services rendered by African women to communities during pandemics and these services do not go unnoticed. (shrink)