61 found
Order:
  1.  19
    The Story of Art.E. H. Gombrich - 1951 - Journal of Aesthetics and Art Criticism 9 (4):339-340.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   55 citations  
  2.  49
    Illusion in Nature and Art.R. L. Gregory & E. H. Gombrich - 1975 - Journal of Aesthetics and Art Criticism 34 (2):213-215.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   37 citations  
  3. Meditations on a Hobby Horse and Other Essays on the Theory of Art.E. H. Gombrich - 1963 - Phaidon Press.
    No categories
     
    Export citation  
     
    Bookmark   20 citations  
  4. Art, perception and reality.E. H. Gombrich, J. Hochberg & Black - 1975 - Revue Philosophique de la France Et de l'Etranger 165 (4):487-488.
     
    Export citation  
     
    Bookmark   30 citations  
  5. Moment and Movement in Art.E. H. Gombrich - 1964 - Journal of the Warburg and Courtauld Institutes 27 (1):293-306.
  6.  50
    The Sense of Order.E. H. Gombrich - 1980 - Journal of Philosophy 77 (3):179-181.
  7. Meditations on a Hobby Horse, or, the Roots of Artistic Form.E. H. Gombrich - 1973
     
    Export citation  
     
    Bookmark   5 citations  
  8.  47
    Concerning 'The Science of Art': Commentary on Ramachandran and Hirstein.E. H. Gombrich - 2000 - Journal of Consciousness Studies 7 (8-9):8-9.
    To the historian of art, it is evident that the two authors’ notion of ‘art’ is of very recent date, and not shared by everybody. They claim: ‘The purpose of art, surely, is not merely to depict or represent reality -- for that can be accomplished very easily with a camera -- but to enhance, transcend, or even to distort reality’ . They do not explain how one could photograph Paradise or Hell, the Creation of the World, the Passion of (...)
    Direct download  
     
    Export citation  
     
    Bookmark   6 citations  
  9. Icones Symbolicae: The Visual Image in Neo-Platonic Thought.E. H. Gombrich - 1948 - Journal of the Warburg and Courtauld Institutes 11 (1):163-192.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  10. The Preference for the Primitive Episodes in the History of Western Taste and Art.E. H. Gombrich - 2002
     
    Export citation  
     
    Bookmark   3 citations  
  11. Botticelli's Mythologies: A Study in the Neoplatonic Symbolism of His Circle.E. H. Gombrich - 1945 - Journal of the Warburg and Courtauld Institutes 8 (1):7-60.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  12.  23
    "They Were All Human Beings: So Much Is Plain": Reflections on Cultural Relativism in the Humanities.E. H. Gombrich - 1987 - Critical Inquiry 13 (4):686-699.
    In the fourth section of Goethe’s Zahme Xenien we find the quatrain from which I have taken the theme of such an old and new controversy, which, as I hope, concerns both Germanic studies and the other humanities: “What was it that kept you from us so apart?” I always read Plutarch again and again. “And what was the lesson he did impart?” “They were all human beings—so much is plain.”1 In the very years when Goethe wrote these lines, that (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  13.  34
    Art, Perception, and Reality. [REVIEW]A. F. W., J. Hochberg & E. H. Gombrich - 1973 - Review of Metaphysics 26 (3):525-526.
    This book contains three essays: "The Mask and the Face: The Perception of Physiognomic Likeness in Life and Art" by Gombrich, the renowned art historian and critic; "The Representation of Things and People" by psychologist, Julian Hochberg; and "How Do Pictures Represent" by philosopher, Max Black. The book is based upon lectures delivered in the Johns Hopkins 1970 Thalheimer Lectures, where, taking off from the question "how there can be an underlying identity in the manifold and changing facial expression of (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  14.  40
    The Museum: Past, Present and Future.E. H. Gombrich - 1977 - Critical Inquiry 3 (3):449-470.
    I hope you will agree, however, that the purpose of the museum should ultimately be to teach the difference between pencils and works of art. What I have called the shrine was set up and visited by people who thought that they knew this difference. You approached the exhibits with an almost religious awe, an awe which certainly was sometimes misplaced but which secured concentration. Our egalitarian age wants to take the awe out of the museum. It should be a (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  15. Archaeologists or Pharisees? Reflections on a Painting by Maarten Van Heemskerck.E. H. Gombrich - 1991 - Journal of the Warburg and Courtauld Institutes 54 (1):253-256.
  16. Additional Thoughts on Perspective.E. H. Gombrich - 1993 - Journal of Aesthetics and Art Criticism 51 (1):69.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  17.  31
    Standards of Truth: The Arrested Image and the Moving Eye.E. H. Gombrich - 1980 - Critical Inquiry 7 (2):237-273.
    I have stressed here and elsewhere that perspective cannot and need not claim to represent the world "as we see it." The perceptual constancies which make us underrate the degree of objective diminutions with distance, it turns out, constitute only one of the factors refuting this claim. The selectivity of vision can now be seen to be another. There are many ways of "seeing the world," but obviously the claim would have to relate to the "snapshot vision" of the stationary (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  18. An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella's Elogia Illustrium Artificum of 1606.E. H. Gombrich - 1987 - Journal of the Warburg and Courtauld Institutes 50 (1):224-232.
  19. Bosch's "Garden of Earthly Delights": A Progress Report.E. H. Gombrich - 1969 - Journal of the Warburg and Courtauld Institutes 32 (1):162-170.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  20. Blurred Images and the Unvarnished Truth.E. H. Gombrich - 1962 - British Journal of Aesthetics 2 (2):170-179.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  21. The Earliest Description of Bosch's Garden of Delight.E. H. Gombrich - 1967 - Journal of the Warburg and Courtauld Institutes 30 (1):403-406.
  22. Truth and Stereotype: An Illusion Theory of Representation.E. H. Gombrich - 1992 - In Philip Alperson (ed.), The Philosophy of the Visual Arts. Oxford University Press. pp. 72--87.
     
    Export citation  
     
    Bookmark  
  23.  71
    Evolution in the Arts.E. H. Gombrich - 1964 - British Journal of Aesthetics 4 (3):263-270.
  24.  73
    The Repentance of Judas in Piero Della Francesca's 'Flagellation of Christ'.E. H. Gombrich - 1959 - Journal of the Warburg and Courtauld Institutes 22 (1/2):172.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  25.  40
    Caricature.E. H. Gombrich & E. Kris - 1942 - Journal of Aesthetics and Art Criticism 2 (6):76-77.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  26.  71
    An Interpretation of Mantegna's 'Parnassus'.E. H. Gombrich - 1963 - Journal of the Warburg and Courtauld Institutes 26 (1/2):196-198.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  27.  1
    A Little History of the World.E. H. Gombrich & Clifford Harper - 2008 - Yale University Press.
    E. H. Gombrich’s bestselling history of the world for young readers tells the story of mankind from the Stone Age to the atomic bomb, focusing not on small detail but on the sweep of human experience, the extent of human achievement, and the depth of its frailty. The product of a generous and humane sensibility, this timeless account makes intelligible the full span of human history. In forty concise chapters, Gombrich tells the story of man from the stone age to (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  28.  1
    Ideals & Idols: Essays on Values in History and in Art.E. H. Gombrich - 1994 - Phaidon Press.
    A collection of essays on values and their place in humanity.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  29. In Memory of George Boas.E. H. Gombrich - 1981 - Journal of the History of Ideas 42 (2):335.
     
    Export citation  
     
    Bookmark  
  30. Symposium: Art and the Language of the Emotions.E. H. Gombrich & Ruth Saw - 1962 - Aristotelian Society Supplementary Volume 36:215-246.
    No categories
     
    Export citation  
     
    Bookmark  
  31. The Essential Gombrich Selected Writings on Art and Culture.E. H. Gombrich & Richard Woodfield - 1996
     
    Export citation  
     
    Bookmark  
  32. The Open Society and its Enemies Remembering its Publication Fifty Years Ago.E. H. Gombrich - 1995 - Lse Centre for the Philosophy of the Natural and Social Sciences.
     
    Export citation  
     
    Bookmark  
  33. Auge Macht Bild, Ohr Macht Klang, Hirn Macht Welt.Franz Kreuzer, Herbert von Karajan, E. H. Gombrich & Hellmuth Petsche - 1983
    No categories
     
    Export citation  
     
    Bookmark  
  34. Sight & Insight Essays on Art and Culture in Honour of E.H. Gombrich at 85.John Onians & E. H. Gombrich - 1994
    No categories
     
    Export citation  
     
    Bookmark  
  35.  60
    Aby Warburg: His Aims and Methods: An Anniversary Lecture.E. H. Gombrich - 1999 - Journal of the Warburg and Courtauld Institutes 62 (1):268-282.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  36.  61
    Apollonio di Giovanni: A Florentine Cassone Workshop Seen Through the Eyes of a Humanist Poet.E. H. Gombrich - 1955 - Journal of the Warburg and Courtauld Institutes 18 (1/2):16-34.
  37.  57
    Così Fan Tutte (Procris Included).E. H. Gombrich - 1954 - Journal of the Warburg and Courtauld Institutes 17 (3/4):372-374.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  38.  51
    The Sala Dei Venti in the Palazzo Del Te.E. H. Gombrich - 1950 - Journal of the Warburg and Courtauld Institutes 13 (3/4):189-201.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  39.  40
    Vasari's Lives and Cicero's Brutus.E. H. Gombrich - 1960 - Journal of the Warburg and Courtauld Institutes 23 (3/4):309-311.
  40.  33
    A Classical Topos in the Introduction to Alberti's Della Pittura.E. H. Gombrich - 1957 - Journal of the Warburg and Courtauld Institutes 20 (1/2):173.
  41.  32
    Beroaldus on Francia.Michael Baxandall & E. H. Gombrich - 1962 - Journal of the Warburg and Courtauld Institutes 25 (1/2):113-115.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  42.  39
    Shadows and EnlightenmentShadows: The Depiction of Cast Shadows in Western Art.David Carrier, Michael Baxandall & E. H. Gombrich - 1996 - Journal of Aesthetics and Art Criticism 54 (2):200.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  43.  28
    A Classical 'Rake's Progress'.E. H. Gombrich - 1952 - Journal of the Warburg and Courtauld Institutes 15 (3/4):254-256.
  44.  9
    Art as Image and IdeaThe Story of Art.Ernest Mundt, Edmund Burke Feldman & E. H. Gombrich - 1968 - Journal of Aesthetic Education 2 (4):142.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  45.  16
    Symposium: Art and the Language of the Emotions.E. H. Gombrich & Ruth Saw - 1962 - Aristotelian Society Supplementary Volume 36:215 - 246.
    Direct download  
     
    Export citation  
     
    Bookmark  
  46.  17
    The Debate on Primitivism in Ancient Rhetoric.E. H. Gombrich - 1966 - Journal of the Warburg and Courtauld Institutes 29 (1):24-38.
  47.  65
    Renaissance and Golden Age.E. H. Gombrich - 1961 - Journal of the Warburg and Courtauld Institutes 24 (3/4):306-309.
  48. Personal Recollections of the Publication of the Open Society.E. H. Gombrich - 1999 - In I. C. Jarvie & Sandra Pralong (eds.), Popper's Open Society After Fifty Years: The Continuing Relevance of Karl Popper. Routledge.
  49.  8
    The Heritage of Apelles.E. H. Gombrich - 1977 - Journal of Aesthetics and Art Criticism 35 (3):378-379.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  50.  30
    Canons and Values in the Visual Arts: A Correspondence.E. H. Gombrich & Quentin Bell - 1976 - Critical Inquiry 2 (3):395-410.
    [E.H. Gombrich wrote on May 13, 1975:] . . . I recently was invited to talk about "Art" at the Institution for Education of our University. There was a well-intentioned teacher there who put forward the view that we had no right whatever to influence the likes and dislikes of our pupils because every generation had a different outlook and we could not possibly tell what theirs would be. It is the same extreme relativism, which has invaded our art schools (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
1 — 50 / 61