Atrial natriuretic peptides appear to elicit their actions in some target tissues by binding to a novel cell‐surface transmembrane protein which possesses both peptide binding and guanylate cyclase activities. Ligand binding stimulates enzyme activity to produce increased intracellular concentrations of cyclic GMP which, in turn, mediates the cell's physiological response.

Corporations are facing a growing demand for the transparency of political contributions. In the United States, this demand has largely focused on the implementation of a mandatory disclosure law. It rests on the assumption that legal enforcement can make it easier to observe the ties between corporations and political parties. In this study, I challenge this assumption. I build my case by first developing a conceptual foundation of corporate political transparency. I argue that in the absence of economic benefits, legal (...) enforcement has a limited effect on CPT. Instead of encouraging transparency, mandatory disclosure can lead to the concealment of corporate political contributions. To develop a model of concealment, I borrow the characterizations of disguise from theatrical drama. Using the context of Indian firms, I show the limitation of mandatory disclosure and the efficacy of regulatory incentive. My study highlights the need for a broader debate on CPT to understand the relative implications of regulatory policies. (shrink)

In this study, the relationship between adolescents' perception of God, forgiveness inclination and anger was examined. For this purpose, it was determined whether the perception of God, forgiveness inclination, the trait anger and anger expression styles of the adolescents studying in different educational institutions differ according to demographic variables and the relationship between the adolescents' perception of God, forgiveness inclination and anger was determined. The sample of the study consists of 596 10th grade students studying in different types of high (...) schools in the city center of Ankara. The Demographic Information Form, The Forgiveness Inclination Scale, The God Perception Scale, The Trait Anger and Anger Expression Style Scale were used as data collection tools. The obtained data were analyzed with the unrelated samples t test when the scale scores of the two-category variables were normally distributed and with the Mann-Whitney U test when there was no normal distribution. For variables with more than two categories, the analysis of variance (ANOVA) was used in cases where the scale scores were normally distributed, and the Kruskal-Wallis H test was used in cases where the normal distribution could not be determined. As a result of the research, statistically significant differences were found in the scores of the sub-dimensions of the scales applied according to the demographic variables. In addition between the Forgiveness Inclination Scale distancing sub- dimension and trait anger, anger-out dimensions; It was determined that there was a positive, moderately statistically significant relationship between the forgiveness inclination scale revenge sub- dimension and trait anger, anger-in, anger-out dimensions. The findings were discussed in the light of the literature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 1-20 [Access article in PDF] A Pedagogy of Two Ways of Seeing:A Confrontation of "Word and Image" in My Name is Red 1 Feride Çiçekoglu The novel of Orhan Pamuk, My Name is Red, recently the center of controversy, not only in its homeland Turkey but in all the countries where it was translated, focuses on the debates around image-making in late (...) sixteenth-century Istanbul, then the Ottoman capital. It is also a contemporary tale. Its focus is not only the tradition of miniature painting during the Ottoman period in particular, but also the tradition of Western painting. Above all, My Name is Red is a detective and love story, starting with a murder and resolving the mystery at the end, like many other novels in this genre. What is unique is the role that the confrontation of different traditions of painting, Western and Islamic, and that between "word and image" play in the resolution of the love story and the solving of the mystery. The tradition of miniature painting, the illumination and illustration of narrative texts, which legitimized itself as the art of the book, may be interpreted as a way of dealing with the iconoclastic tradition of Islam. In this context, images are not seen as things-in-themselves but they are treated as "footnotes" even when the image seems to dominate the written word on the page. Image-making becomes an extension of the text, rather than an independent art. It serves the purposes of the words for a better understanding of the meaning, for a description of the aura of the narration, for the depiction of the images the reader of the story will paint in the mind's eye. Images, it has been said, do not represent real life; they are an externalization of the inner life. Thus, contrary to meaning and interpretation in Western art, the meaning in Islamic illumination is "inwards, converging on a private truth" rather than disclosing itself with an "outwards movement" 3Such a way of seeing is a totally different story than the discipline of art history traditionally allows: [End Page 1] the history of art, everywhere interlaced with the problems of representationalism, is in large part a commentary of the Western tradition upon itself, even if examples may be chosen from beyond its borders. Representationalism and its attendant problems are integral to the history of Western art, but not to the history of all art. 4Pamuk's novel provides a rich frame of reference for wandering in both traditions of image-making, Western and non-Western, which have seldom — if ever — been presented in the same framework. My Name is Red reconstructs two different ways of seeing in retrospect within the fictional atmosphere of late sixteenth-century Istanbul, weaving a rich panorama of the now lost tradition of Islamic illumination, faced by the "troubled notions of representation, naturalism, realism, and mimesis" due to the impact of Venetian painting. 5It is incidental that in the novel, the contradiction of traditions fails to liberate the imagery of the Ottoman miniatures from the pages of the books and from the yoke of the narrative text. Pamuk himself certainly does not wish to be seen or evaluated as writing from the viewpoint of "positivistrationality" from a teleological standpoint of "enlightenment." In his words, "I do not see it as: The miniaturists were going to be westernized if they were not prohibited by Islamic tradition." 6Pamuk is well aware of the fact that "Westernization of the West" isbased on the idea of the Renaissance as a "myth." 7 He finds it ironic that "this nineteenth-century myth of the Renaissance is still taken seriously by many people"; even more so in non-Western cultures, since "the West" itself is in a process of "de-Westernization" by demystifying the myth. 8 He cites Svetlana Alpers's The Art of Describing in this context, as a work which impressed and inspired him for... (shrink)

A case study was conducted to explore teachers? current technology use in elementary schools in Ankara, the capital of Turkey. The data were collected through a survey, and participants included 1030 classroom teachers across eight districts. The present study results revealed that significant challenges remain with regard to technology use in the classroom, even in the capital of Turkey, where teachers have advantages in terms of technology access and use compared to rural areas. The participant teachers used technologies most frequently (...) for lesson preparation activities, rather than for delivering instruction. Although the teachers felt that school principals and colleagues were usually supportive of technology use in lessons, they complained about insufficient professional development activities and incentives. Representing a snapshot of teachers? technology use in elementary school settings, this study sheds light on essential factors that should be considered in any technology integration process in schools. The study findings offer valuable insight for policy-makers and school leaders on how to support the technology integration process and allocate money for technology initiatives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 1-20 [Access article in PDF] A Pedagogy of Two Ways of Seeing:A Confrontation of "Word and Image" in My Name is Red 1 Feride Çiçekoglu The novel of Orhan Pamuk, My Name is Red, recently the center of controversy, not only in its homeland Turkey but in all the countries where it was translated, focuses on the debates around image-making in late (...) sixteenth-century Istanbul, then the Ottoman capital. It is also a contemporary tale. Its focus is not only the tradition of miniature painting during the Ottoman period in particular, but also the tradition of Western painting. Above all, My Name is Red is a detective and love story, starting with a murder and resolving the mystery at the end, like many other novels in this genre. What is unique is the role that the confrontation of different traditions of painting, Western and Islamic, and that between "word and image" play in the resolution of the love story and the solving of the mystery. The tradition of miniature painting, the illumination and illustration of narrative texts, which legitimized itself as the art of the book, may be interpreted as a way of dealing with the iconoclastic tradition of Islam. In this context, images are not seen as things-in-themselves but they are treated as "footnotes" even when the image seems to dominate the written word on the page. Image-making becomes an extension of the text, rather than an independent art. It serves the purposes of the words for a better understanding of the meaning, for a description of the aura of the narration, for the depiction of the images the reader of the story will paint in the mind's eye. Images, it has been said, do not represent real life; they are an externalization of the inner life. Thus, contrary to meaning and interpretation in Western art, the meaning in Islamic illumination is "inwards, converging on a private truth" rather than disclosing itself with an "outwards movement" 3Such a way of seeing is a totally different story than the discipline of art history traditionally allows: [End Page 1] the history of art, everywhere interlaced with the problems of representationalism, is in large part a commentary of the Western tradition upon itself, even if examples may be chosen from beyond its borders. Representationalism and its attendant problems are integral to the history of Western art, but not to the history of all art. 4Pamuk's novel provides a rich frame of reference for wandering in both traditions of image-making, Western and non-Western, which have seldom — if ever — been presented in the same framework. My Name is Red reconstructs two different ways of seeing in retrospect within the fictional atmosphere of late sixteenth-century Istanbul, weaving a rich panorama of the now lost tradition of Islamic illumination, faced by the "troubled notions of representation, naturalism, realism, and mimesis" due to the impact of Venetian painting. 5It is incidental that in the novel, the contradiction of traditions fails to liberate the imagery of the Ottoman miniatures from the pages of the books and from the yoke of the narrative text. Pamuk himself certainly does not wish to be seen or evaluated as writing from the viewpoint of "positivistrationality" from a teleological standpoint of "enlightenment." In his words, "I do not see it as: The miniaturists were going to be westernized if they were not prohibited by Islamic tradition." 6Pamuk is well aware of the fact that "Westernization of the West" isbased on the idea of the Renaissance as a "myth." 7 He finds it ironic that "this nineteenth-century myth of the Renaissance is still taken seriously by many people"; even more so in non-Western cultures, since "the West" itself is in a process of "de-Westernization" by demystifying the myth. 8 He cites Svetlana Alpers's The Art of Describing in this context, as a work which impressed and inspired him for... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 124-137 [Access article in PDF] Difference, Visual Narration, and "Point of View" in My Name is Red Feride Çiçekoglu This paper focuses on the difference between Eastern and Western ways of visual narration, taking as its frame of reference the novel My Name is Red, by Turkish author Orhan Pamuk, winner of the 2003 International IMPAC Dublin Literary Award, announced on May (...) 19, 2003 at Dublin Castle. 1This book is particularly important in terms of visual narration because it highlights the critical concept of "point of view" (POV). In his now internationally renowned novel, Pamuk's anachronistically created characters confront each other on ways of seeing and visual narration in the context of sixteenth-century Istanbul, when it was the capital of the Ottoman Empire. The visual narratives of miniature painting are elaborated in comparison with the contemporary Renaissance art, unfolding the differences in the depiction of faces, in particular. Style in visual narration is treated in the novel as a reflection of seeing and imaging the faces in their uniqueness and iscontrasted with the tradition of Islamic book illumination where all faces appear to be the same. Western concerns with individuality and the uniqueness of the POV as revealed in one-point-perspective, suggests it is an indispensable aspect of style. In that sense, My Name is Red highlights portraiture in the visual arts as a reflection of character in visual narration; reflecting both the subject and the artist whose individuality is represented in the style of painting. Pamuk's novel, constructed as a symphony of many different voices, is well-suited in its form to its subject matter since it elaborates the concept of POV in fictional narrative structure. Through his characters, Pamuk's readers enter a world where Renaissance perspectivism — a dominance of vision — confronts the ultimate vision of blindness, presented in the novel as the self-imposed fate of the miniaturists at the peak of their careers. The worry about point of view is thus contrasted with its opposite — the absence of vision as supreme achievement within the Islamic-Turkic tradition. [End Page 124]This essay discusses issues of portraiture and character, movement and time, and story and space with reference to the narrative structure in fiction film. It aims to contribute to the discussion on POV in visual narration, dealing with the narrative structure of film as a continuation and interaction of different traditions in East and West. "Point of View" Revisited As a key concept in the narrative structure of both film and literary fiction, POV has been controversial. As a technical term in film practice, however, it is defined rather clearly: POV is a camera concept which describes what is seen by the camera. Where one puts the camera and what the camera sees defines the frame and the image. When one wants to tell a story with a sequence of images, one has to consider how one will use the camera, both for the whole sequence and for each image. From whose point of view, or from which different points of view will the story be told? Will it originate with a omniscient point of view or with the point of view of one of the characters, diving into the story from the inside? Will the camera be placed at the top of the room, on a crane, or under the table from where a child can see only the legs of the grown-ups? One has to make a series of technical and artisticdecisions relevant to the policy of points of view from which to narrate. This is similar to a comic strip, except that in visual narration with a camera, the frames follow one another in time rather than in space, creating the illusion that the images are moving when projected.We take this premise so much for granted in an age flooded withimages — seeing almost as a camera ourselves — that we tend to overlook the fact that once there were other ways of seeing and narrating. Narratives... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 124-137 [Access article in PDF] Difference, Visual Narration, and "Point of View" in My Name is Red Feride Çiçekoglu This paper focuses on the difference between Eastern and Western ways of visual narration, taking as its frame of reference the novel My Name is Red, by Turkish author Orhan Pamuk, winner of the 2003 International IMPAC Dublin Literary Award, announced on May (...) 19, 2003 at Dublin Castle. 1This book is particularly important in terms of visual narration because it highlights the critical concept of "point of view" (POV). In his now internationally renowned novel, Pamuk's anachronistically created characters confront each other on ways of seeing and visual narration in the context of sixteenth-century Istanbul, when it was the capital of the Ottoman Empire. The visual narratives of miniature painting are elaborated in comparison with the contemporary Renaissance art, unfolding the differences in the depiction of faces, in particular. Style in visual narration is treated in the novel as a reflection of seeing and imaging the faces in their uniqueness and iscontrasted with the tradition of Islamic book illumination where all faces appear to be the same. Western concerns with individuality and the uniqueness of the POV as revealed in one-point-perspective, suggests it is an indispensable aspect of style. In that sense, My Name is Red highlights portraiture in the visual arts as a reflection of character in visual narration; reflecting both the subject and the artist whose individuality is represented in the style of painting. Pamuk's novel, constructed as a symphony of many different voices, is well-suited in its form to its subject matter since it elaborates the concept of POV in fictional narrative structure. Through his characters, Pamuk's readers enter a world where Renaissance perspectivism — a dominance of vision — confronts the ultimate vision of blindness, presented in the novel as the self-imposed fate of the miniaturists at the peak of their careers. The worry about point of view is thus contrasted with its opposite — the absence of vision as supreme achievement within the Islamic-Turkic tradition. [End Page 124]This essay discusses issues of portraiture and character, movement and time, and story and space with reference to the narrative structure in fiction film. It aims to contribute to the discussion on POV in visual narration, dealing with the narrative structure of film as a continuation and interaction of different traditions in East and West. "Point of View" Revisited As a key concept in the narrative structure of both film and literary fiction, POV has been controversial. As a technical term in film practice, however, it is defined rather clearly: POV is a camera concept which describes what is seen by the camera. Where one puts the camera and what the camera sees defines the frame and the image. When one wants to tell a story with a sequence of images, one has to consider how one will use the camera, both for the whole sequence and for each image. From whose point of view, or from which different points of view will the story be told? Will it originate with a omniscient point of view or with the point of view of one of the characters, diving into the story from the inside? Will the camera be placed at the top of the room, on a crane, or under the table from where a child can see only the legs of the grown-ups? One has to make a series of technical and artisticdecisions relevant to the policy of points of view from which to narrate. This is similar to a comic strip, except that in visual narration with a camera, the frames follow one another in time rather than in space, creating the illusion that the images are moving when projected.We take this premise so much for granted in an age flooded withimages — seeing almost as a camera ourselves — that we tend to overlook the fact that once there were other ways of seeing and narrating. Narratives... (shrink)

The primary objective of this research is to establish the extent to which small and medium-sized businesses in the Ha’il region benefit from a significant competitive advantage brought about by an entrepreneurial mindset. To achieve these objectives, the study used a questionnaire to collect data. A total of 220 SMEs in the Ha’il region were surveyed. The participants completed an online self-administered survey and used the PLS-SEM technique. The researchers found a robust link between differentiation advantage and higher levels of (...) innovativeness, proactiveness, risk-taking, competitive aggression, and autonomy. In addition, the outcomes of the survey reveal that a greater cost advantage is substantially associated with vastly greater innovativeness, proactiveness, risk-taking, and competitive aggression overall. However, cost advantage is not strongly correlated with autonomy. These findings are significant because they shed new light on how competitive advantages are formed through the entrepreneurial orientation of entrepreneurs in the Ha’il region. This is a significant theoretical contribution to the literature on entrepreneurial orientation, specifically in the context of SMEs. The findings may also be valuable in supporting SMEs in being successful by enhancing their competitiveness, as SMEs are key contributors to the development and growth of the economy. (shrink)

One of the exciting developments in political theory in the last decades is that the boundaries of the discipline gradually but vigorously expanded beyond “the West,” as evident in the rise of work that is often labeled “comparative.” Basic to this shift is the recognition that various thinkers, ideas, and contexts—usually marked as “non-Western”—have been peripheral to, and remain marginalized in, the discipline of political theory. However, the discipline’s framing of the “comparative” as the study of “non-Western political thought” tends (...) to take for granted the boundary between “West” and “non-West.” The primacy of this assumed correspondence between “comparative” and “non-Western” is most visible and problematic in the ongoing institutionalization of the “comparative turn.” I understand comparative political theory as an immanent critique of political theory: the discipline presents itself as global, but in practice it is too often confined to studying a few places, histories, and bodies of knowledge. The “comparative” calls for political theorists to more reliably study politics and power anywhere. To take “comparative” to mean the study of equivalent, coherent forms of “non-Western” otherness is to elide the historicity of “the Western” and the ways in which it has been made in relation to non-Europeans. (shrink)

Verse 4:34 of the Qur'an has historically been interpreted to give husbands authority over their wives. Even today, such as in a recent case in the United Arab Emirates, Islamic courts have held that the husband has some leeway in "disciplining" wives who act in a rebellious manner to their husbands. This article challenges this interpretation through a comprehensive legal analysis, taking into account the context under which the verse came about, including the societal norms and conditions of the time; (...) the Prophet Muhammad’s profound views against violence towards women; the values of marriage emphasized in the Qur’an; the Qur’an’s incremental approach to improving social behavior and practice; and the higher objectives of Islamic law. (shrink)

Peace is a universal ideal, but its political life is a great paradox: "peace" is the opposite of war, but it also enables war. If peace is the elimination of war, then what does it mean to wage war for the sake of peace? What does peace mean when some say that they are committed to it but that their enemies do not value it? Why is it that associating peace with other ideals, like justice, friendship, security, and law, does (...) little to distance peace from war? Although political theory has dealt extensively with most major concepts that today define "the political" it has paid relatively scant critical attention to peace, the very concept that is often said to be the major aim and ideal of humanity. In War for Peace, Murad Idris looks at the ways that peace has been treated across the writings of ten thinkers from ancient and modern political thought, from Plato to Immanuel Kant and Sayyid Qutb, to produce an original and striking account of what peace means and how it works. Idris argues that peace is parasitical in that the addition of other ideals into peace, such as law, security, and friendship, reduces it to consensus and actually facilitates war; it is provincial in that its universalized content reflects particularistic desires and fears, constructions of difference, and hierarchies within humanity; and it is polemical, in that its idealization is not only the product of antagonisms, but also enables hostility. War for Peace uncovers the basis of peace's moralities and the political functions of its idealizations, historically and into the present. This bold and ambitious book confronts readers with the impurity of peace as an ideal, and the pressing need to think beyond universal peace. (shrink)

The article is devoted to the nature of science. To what extent are science and mathematics affected by the society in which they are developed? Philosophy of science has accepted the social influence on science, but limits it only to the context of discovery (a "locational" approach). An opposite "attributive" approach states that any part of science may be so influenced. L. Graham is sure that even the mathematical equations at the core of fundamental physical theories may display social attributes. (...) He has used the investigations of the famous Soviet physicist V. Fock on the General Theory of Relativity which were under the influence of Marxism. The Goal of the article is to demonstrate: 1) Why Soviet science is not an appropriate subject-matter for testing the thesis of social constructivism, 2) That differnt levels of science and different stages in the development of science undergo social influences in different degrees ranging from very significant and unavoidable to absolutely trivial and easy eliminated. (shrink)

This article studies the politics and ethics in Ibn Ṭufayl’s twelfth-century allegory, Risālat Ḥayy ibn Yaqẓān. I discuss this allegory alongside Ibn Sīnā’s own Ḥayy ibn Yaqẓān and Absāl and Salāmān, first, to show that their representations of politics are not reducible to epistemology, and second, to argue that Ibn Ṭufayl inverts the political principles depicted in Ibn Sīnā’s two tales. The paper focuses on how the characters in each allegory interact with one another, and it reconstructs the neglected politics (...) and ethics of the allegories’ seemingly minor characters. I argue that in Ibn Tufayl’s descriptions of Ḥayy’s failure to convert the neighboring islanders, the islanders consistently act in accordance with three political ideals: association, hospitality, and friendship. The islanders’ reactions to Ḥayy’s arrival and to his attempts to ‘educate’ them show each of these ideals broken down into an antinomy. Ibn Tufayl’s critique of these political ideals turns on their internal potential for self-subversion. (shrink)

İslam hukukun temel ilkelerinin yazımında ve beyanında usûlcülerin yöntemleri farklıdır. Şîrâzî, fıkıh usûlünde birçok kitap telif etmiş, şöhreti yayılmış bir usûlcüdür. Bu çalışmada Şîrâzî’nin ve onun en önemli kitaplarından olan “el-Luma’ fî usûli’l-fıkh”ın tanıtımı yapılacak ardından yönteminin en belirleyici özellikleri ve kitabının içeriğini sunma yaklaşımı açıklanacaktır. Böylece uygulamalı bir şekilde mensup olduğu fıkhî ekolün ayırt edici özelliklerinin tesbiti yapılacaktır. Araştırmanın neticesinde Şîrâzî’nin mütekellim metodunu takip ettiği sonucuna varılmıştır. Eserinde fıkıh usûlünün bir dizi teriminin tanıtımına ve usûl kaidelerinin beyanına yer vermesi, (...) onları farklı kanıtlarla doğrulaması ve kaleme alması metodunun belirleyici özelliklerindendir. Şîrâzî, akli, nakli ve dilin delaleti olmak üzere farklı deliller kullanır. Selefin araştırdıkları konuları nakledip kapsamlı bir incelemeyle tartışmalı konuları aktarır. Furu’u fıkıh konularına veciz bir şekilde, sadece temel kaideleri açıklaması ve örnek olması açısından değinir. Eserinde fıkıh usûlü konularına ayrıntılı bir şekilde yer verir ancak kelamî konulara yer vermez. Şîrâzî’nin görüşlerinin kesin delillerle desteklenmesi fikrî bağımsızlığına işarettir. O, araştırmasında tarafsız ve bağımsızdır. Herhangi bir mezhep taassubu düşüncesi yoktur. İhtilaflı meselelerde muhaliflerin delillerini zikretmemesinden ötürü eleştirilmiştir. Eseri bazı meseleler hariç fıkıh usûlünün bütün konularını şamildir. Alanında faydalı ve ulemanın istifade ettiği bir eserdir. (shrink)

O artigo apresenta uma visão panorâmica dos documentos da Conferência dos Bispos latino-americanos, realizada em Medellín, no ano de 1968. Inicialmente, distingue o Medellín histórico do Medellín simbólico. A seguir, recorda como Assembleia foi bem preparada e se realizou de forma participativa. Então, demonstra a relação de continuidade com o Vaticano II. De outro lado, Medellín não foi uma mera aplicação do Concílio, mas sim uma recepção criativa. No núcleo do artigo, demonstra-se como o método VER-JULGAR-AGIR foi utilizado nos vários (...) documentos de Medellín, alocados em três eixos: promoção humana, evangelização e crescimento da fé, Igreja visível e suas estruturas. Por fim, ele se detém em dois documentos: Pobreza na Igreja e Liturgia. Encerra-se com algumas conclusões abertas, de caráter pastoral. (shrink)

Massimiliano Tomba's Insurgent Universality locates an “alternative legacy of modernity” in how revolutionary movements across three centuries and four continents interpreted and claimed different pasts, concepts, and alternatives for themselves. These movements, from the Communards to the Zapatistas to the Russian Revolutionaries, engaged in democratic experiments in self-government, radical equality, and collective possession. In this forum, Tomba's interlocutors offer reflections and questions about the position of the critical historian, universality, and colonialism. Tomba's response explains the stakes of his project with (...) two further examples of his historiographic practice. (shrink)

In recent decades, the trope that classical Muslim thinkers anticipated or influenced modern European thought has provided an easy endorsement of their contemporary relevance. This article studies how Arab editors and intellectuals, from 1882 to 1947, understood the twelfth-century Andalusian philosopher Ibn Ṭufayl, and Arabo-Islamic philosophy generally. This modern generation of Arab scholars also attached significance to classical Arabic texts as precursors to modern European thought. They invited readers to retrospectively identify with Ibn Ṭufayl and his treatise, Ḥayy ibn Yaqẓān. (...) Comparisons of Ibn Ṭufayl to European thinkers, and re-presentations of Ḥayy ibn Yaqẓān as the precedent or genesis of European thought, facilitated these editors’ global imaginaries, anti-colonial projects and political fantasies. This article tracks these projects and fantasies through the afterlife of Ḥayy ibn Yaqẓān from early printings and generalist surveys to later editions and studies, as Ibn Ṭufayl’s significance became sutured into his imagined importance for Europe, and for going beyond Europe. (shrink)

On Averroes, 1126-1198; papers presented at a symposium, Cairo, 1994.

In this article, I will view realist and non-realist accounts of scientific models within the larger context of the cultural significance of scientific knowledge. I begin by looking at the historical context and origins of the problem of scientific realism, and claim that it is originally of cultural and not only philosophical, significance. The cultural significance of debates on the epistemological status of scientific models is then related to the question of ‘intelligibility’ and how science, through models, can give us (...) knowledge of the world by presenting us with an ‘intelligible account/picture of the world’, thus fulfilling its cultural-epistemic role. Realists typically assert that science can perform this role, while non-realists deny this. The various strategies adopted by realists and non-realists in making good their respective claims, is then traced to their cultural motivations. Finally I discuss the cultural implications of adopting realist or non-realist views of models through a discussion of the views of Rorty, Gellner, Van Fraassen and Clifford Hooker on the cultural significance of scientific knowledge.Keywords: Models; Intelligibility; Scientific realism; Culture. (shrink)

This article examines the socio-political context surrounding theMalayan Insurgency and how it shaped the outcome of counterinsurgency operations in the Malayan peninsular. It will put forwardthe idea that the success of British COIN in Malaya was primarily due tothe structure of Malayan society that was inhospitable towards a communistinsurrection by analysing the significance of race relations, religion, cultureand the impact of diaspora towards the changing social landscape of Malaya.

This review supplements William Bain’s Political Theology of International Order by sketching out two historical threads that are inseparable from the histories of European thought and order that occupy the book. There are gestures toward both strands along the margins of Bain’s account, in a few observations and footnotes. They also have important implications for the place of political theological difference in this story and for the status of colonialism, hierarchy, and resistance. First, I expand on some of the book’s (...) references to non-Christians and discuss the place of Islamic theology. Second, reflecting on Luther in relation to Muslim empires and adapting Bain’s acknowledgment of Grotius’s justifications for colonialism, I highlight the significance of hierarchy, enmity, and violence for a number of the thinkers mentioned, especially what their political theologies authorize in relation to non-Christians. These two sets of observations can help us imagine a complementary story less about international order than about the politics of proselytization and colonization. It also raises questions about the work that political theology as an analytic can do, especially when we globalize political theory and international political thought. I conclude by pondering the place of resistance in relation to imposed order and immanent order. (shrink)

Digital piracy is costly to creative economies across the world. Studies indicate that anti-piracy messages can cause people to pirate more rather than less, suggesting the presence of psychological reactance. A gender gap in piracy behavior and attitudes towards piracy has been reported in the literature. By contrast, gender differences in message reactance and the moderating impact of attitudes have not been explored. This paper uses evolutionary psychology as a theoretical framework to examine whether messages based on real-world anti-piracy campaigns (...) cause reactance and whether this effect is explained by gender and pre-existing attitudes. An experiment compares one prosocial and two threatening messages against a control group to analyze changes in piracy intention from past behavior for digital TV/film. Results indicate that the prosocial message has no significant effect, whereas the threatening messages have significantly opposing effects on men and women. One threatening message influences women to reduce their piracy intentions by over 50% and men to increase it by 18%. We find that gender effects are moderated by pre-existing attitudes, as men and women who report the most favorable attitudes towards piracy tend to demonstrate the most polarized changes in piracy intentions. The practical implications of the results are that men and women process threatening messages differently, therefore behavioral change messages should be carefully targeted to each gender. Explicitly, threatening messages may be effective on women, but may have the reverse effect on men with strong favorable attitudes towards the target behavior. (shrink)

Current organizations are underpinned by utilitarian ethics of Modernity. Pure economic motive driven organizations detach themselves from larger societal interest. Rising number of corporate scandals and intraorganizational income inequalities are breeding similar trends in society at large. Current organizations base their competitive advantage on resources and capabilities which boils down to economic supremacy at all cost whether it is named I/o or RBV of the firm. This theoretical article posits Ethics-based Trust as the main competency and capability for attaining sustained (...) competitive advantage. It in no way condemns utility view of the firms but treats it as a natural yet secondary outcome of genuine ethicality of the firm. Cultivating an ethical culture in the firm through identifying antecedents, organizational practices, and the outcomes where profitability is an automatic but secondary outcome under the supremacy of ethics is detailed in the multilevel model presented in this article. The main call of this article is to posit ethics and morality over and above short-term profits so that organizations fulfill their trustee role for society through enacting socio-humanistic theories within organizations. A brief analysis of the proposed ethical theory of firm is undertaken in light of the “schooling” notion in the contemporary organization theory literature. (shrink)

O artigo faz uma síntese das discussões a respeito da relação entre consciência planetária, sustentabilidade e religião , a partir dos últimos congressos e publicações da SOTER, de eventos recentes de Teologia e Ciências da Religião e da Cúpula dos Povos (2012). Realiza um nivelamento conceitual dos termos envolvidos na questão. Caracteriza “consciência planetária”, a partir da Carta da Terra. Apresenta um panorama acerca do tema “sustentabilidade”, mostrando as principais diferenças e os pontos comuns das principais correntes. Responde a dúvidas, (...) questionamentos e objeções, tais como: se é apropriado designar o ser humano como Filho da Terra; em que sentido a Terra pode ser designada como mãe; liames entre globalização e planetarização; como se relacionam “ecologia” e “consciência planetária”. Delineia quais as tarefas da educação no atual contexto. Por fim, condensa os desafios e perspectivas das religiões em relação à evolução da consciência planetária, na Carta das religiões sobre o cuidado da Terra, da Cúpula dos Povos . Palavras-chave: Consciência planetária. Ecoteologia. Sustentabilidade. Religião e cidadania.This article summarizes the discussions on the relationship between planetary consciousness, sustainability and religion, taking into accounts the recent conferences and publications of SOTER, recent events of Theology, Sciences of Religion and the People's Summit (2012). The text also performs a flatness of conceptual terms involved in the issue. For this purpose, the article characterizes planetary consciousness from the Earth Charter, an overview of the topic sustainability and showing the main differences and commonalities of the major currents. It also answers to some questions and objections such as: a) is it appropriate to designate the human being as the Son of Earth? b) In what way should the earth be designated as a mother? c) What are the bonds between globalization and planetarization? d) How "ecology" and "planetary consciousness" are related? Finally, the article outlines the tasks of education in the current context and summarizes the challenges and prospects of religion in relation to the evolution of planetary consciousness in the Charter of religions regarding the care of Earth. Keywords: Planetary consciousness. Ecotheology. Sustainability. Religion and citizenship. (shrink)

İnsan hürriyyeti mefhumunun asırdan asıra değişen bir manası vardır. Bu mesele,selef ulemanın yanında cebir ve ihtiyar konusu olarak biliniyordu. Daha sonraları bu mesele genişleyerek tesyîrve tahyîr meselesi olarak isimlendirilmiştir. Modern çağda ise âlimler bu konuyu insan hürriyeti ismi altında ele almışlardır. Her fırkanın kendine has bir görüşü vardır. Varoluşçuluk felsefecileri de hürriyet hakkında konuşmuşlardır ve hatta şunu da söylemişlerdir: “Hürriyet, insanın maddi vücudiyetinin cevheridir.” Bu araştırmada bizzat bu düşünce münakaşa edilecektir. Bunu münakaşa etmeden önce de varoluşçuluk ve varoluşçuların ne olduğunu, (...) en önemli düşüncelerini bilmek gerekir. Bu konudan sonra da Şeyh Muhammed Said Ramazan el-Bûtî’nin onlara olan cevabı ve en önemli düşüncelerine olan eleştirisi ele alınmaktadır. Ta ki sonuç kısmına ulaşana kadar: Hürriyet, insanın maddi vücudiyetinin cevheri midir yoksa değil mi? (shrink)

In the year 1842, Thomas Cole (1801-1848) painted a set of four oil paintings entitled THE VOYAGE OF LIFE. As the title indicates, the artist likened life to a voyage. This voyage begins with man emerging as a child from a dark cave into the river of life in a spring setting. As this voyage through the river of life continues, man is seen passing through the stages of youth, manhood, & then finally old age. Likewise, the setting of nature (...) is seen correspondingly passing through the stages of summer, autumn, & then finally winter. Any voyage must have a starting point, destination & duration. Also any voyage is a continuation of some sort of existence, & there is a continuity of existence after the voyage is complete. What is this voyage? Why does it have to exist? What existed before this voyage? What will happen after the destination is reached? Why is it short for some, long for others? Why is it easier for some, harder for others? Daheshism deals with these issues & many others. Daheshism is a revolution in the human approach to philosophy, life & religion. It is a new garment for the body of traditional thought & belief. The aim of Daheshism is to provide a universal belief that encompasses all other beliefs. It accomplishes synthesis rather than fragmentation of religious beliefs & expansion rather than contraction of philosophical thought. To order: P.O. Box 16680-8680, Alexandria, VA 22302. Telephone: 703-845-8223, FAX 703-845-8224 or Baker & Taylor Books. (shrink)

En este trabajo abordamos la cuestión de la inflación tropológica a partir de los trabajos de Hans Kellner y el debate suscitado a partir de ellos con Wallace Martin. Se trata de la proyección indefinida de los tropos desde el lenguaje hacia dominios que lo exceden, tales como la conciencia o un periodo histórico. Nuestro objetivo es revisitar los problemas que acarrea la inestabilidad y la proliferación tropológica con el fin de evaluar el estatus de la solución aportada por la (...) tropología tetrádica contemporánea. Sostenemos que la tesis de la base figurativa del lenguaje siempre debe dar cuenta de la inestabilidad que introducen los tropos en los intercambios lingüísticos. En este sentido, la tétrada tropológica debe ser evaluada a partir de su productividad heurística, de lo que permite o no hacer con el lenguaje, y no como la versión correcta o definitiva de la clasificación de los tropos. Finalmente, todo esto supone el rechazo de la clásica oposición entre lógica y retórica o tropología como una manera de estabilizar el significado. Para ello, dividimos este trabajo en tres apartados: en el primero presentamos las características de la cuestión de la inflación tropológica y lo ejemplificamos con los trabajos de R. Jakobson y H. White; en el segundo, analizamos algunos problemas implicados en la tesis de la base figurativa del lenguaje que da lugar a la inflación tropológica, especialmente el problema de la inestabilidad del significado; en el tercero, presentamos dos objeciones realizadas por Wallace Martin a los trabajos de Kellner con el fin de ilustrar algunas de las dificultades que acarrea este problema. ARK: ark:/s18537960/pmr1iax/5. (shrink)

In this dissertation, I examine the origins and nature of Mach's philosophy, or rather theory, of science. I show how it relates to, and is informed by, his own works in physiology, psychophysics, physics, and the history and psychology of science. I argue that Mach's theory of science grew out of his concern to provide a single, unified--albeit coherent--perspective on both the life and physical sciences. Corresponding to this conceptual unification of perspectives in the different branches of knowledge, lies Mach's (...) belief in the unity of the so-called 'organic' and 'inorganic' worlds. I demonstrate how Mach grappled with these issues, tracing the evolutionary development of his thought, which vacillates between the two poles of the physical and the psychological, culminating in his neutral monism. My main findings, which differ from previous accounts of Mach, consist in the following: Mach can be considered as a precursor of Logical Positivism only in the sense that they both reject metaphysics, and believe that the world can be constructed out of simple entities. However, significant differences can be discerned between Mach and the Logical Positivists, viz.: Mach's emphasis on history and psychology--rather than logic--in understanding the nature of scientific knowledge, Mach is not a scientific realist, and he asserts the primacy of sensations over physical objects. Mach's notion of "philosophy", and hence of "philosophy of science", differs in character from contemporary mainstream philosophy of science which is based on analytic philosophy. For Mach, philosophy is not first philosophy and its function is not to provide justification or foundation for science. In this sense Mach anticipates the naturalization of epistemology and the philosophy of science. ;Finally, I show how his reaction towards atomism can be understood within this broader context of his attempt to provide a unified view of knowledge. I defend Mach's stand on atomism on the grounds that his objection is not so much against the development of the atomic theory, but against a realist construal of the atom and the mechanistic-reductionistic world-view implied by it. (shrink)

People often deny having meant what the audience understood. Such denials occur in both interpersonal and institutional contexts, such as in political discourse, the interpretation of laws and the perception of lies. In practice, denials have a wide range of possible effects on the audience, such as conversational repair, reinterpretation of the original utterance, moral judgements about the speaker, and rejection of the denial. When are these different reactions triggered? What factors make denials credible? There are surprisingly few experimental studies (...) directly targeting such questions. Here, we present two pre-registered experiments focusing on (i) the speaker’s incentives to mislead their audience, and (ii) the impact of speaker denials on audiences’ moral and epistemic assessments of what has been said. We find that the extent to which speakers are judged responsible for the audience’s interpretations is modulated by their (the speakers’) incentives to mislead, but not by denials themselves. We also find that people are more willing than we expected to revise their interpretation of the speaker’s utterance when they learn that the ascribed meaning is false, regardless of whether the speaker is known to have had incentives to deceive their audience. In general, these findings are consistent with the idea that communicators are held responsible for the cognitive effects they trigger in their audience; rather than being responsible for, more narrowly, only the effects of what was “literally” said. In light of our findings, we present a new, cognitive analysis of how audiences react to denials, drawing in particular on the Relevance Theory approach to communication. We distinguish in particular: (a) the spontaneous and intuitive re-interpretation of the original utterance in light of a denial; (b) the attribution of responsibility to the speaker for the cognitive effects of what is communicated; and (c) the reflective attribution of a particular intention to the speaker, which include argumentative considerations, higher-order deniability, and reputational concerns. Existing experimental work, including our own, aims mostly at (a) and (b), and does not adequately control for (c). Deeper understanding of what can be credibly denied will be hindered unless and until this methodological problem is resolved. (shrink)

Innovation is considered to be a dominant cause for sustainable business success. Knowledge management and intellectual capital are powerful tools to promote innovation in the organization. Therefore, this study aims to explore the influence of knowledge management process and intellectual capital on innovation with the mediating effect of entrepreneurial orientation and moderating role of leader education level. Data were collected from a sample of 393 IT firms listed in the Pakistan Software Houses Association and applied a partial least squares structural (...) educational modeling technique. The results show that the knowledge management process and intellectual capital have a positive effect on innovation. Moreover, the study confirms that entrepreneurial orientation partially mediates the relationship between knowledge management and intellectual capital on innovation. Furthermore, the moderation effect of a leader’s education was confirmed for the knowledge management-innovation relationship whereas, the moderation effect of the leader’s education on intellectual capital and innovation relationship was insignificant. Recommendations for practitioners and future research directions were also discussed. (shrink)