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Maria Elisabeth Reicher
Aachen University of Technology
  1.  25
    Einführung in die philosophische Ästhetik.Maria Elisabeth Reicher - 2015 - Darmstadt: Wissenschaftliche Buchgesellschaft.
    Dieses Buch ist eine bewusst systematisch orientierte Einführung in die grundlegendsten Fragen der philosophischen Ästhetik. Es richtet sich in erster Linie an Studierende der Philosophie, aber auch an interessierte Laien und Vertreter/innen anderer Disziplinen. Zusammenfassungen, Übungsaufgaben und Literaturhinweise am Ende jedes Kapitels machen es auch für das Selbststudium geeignet. Aus dem Inhalt: I. Was ist philosophische Ästhetik? – Auf der Suche nach einer Definition der philosophischen Ästhetik – Die Gegenstände der philosophischen Ästhetik – Die Fragen der philosophischen Ästhetik – Die (...)
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  2.  37
    Actualist Meaning Objectivism.Maria Elisabeth Reicher - 2013 - Proceedings of the European Society of Aesthetics.
    ABSTRACT. In this paper, I defend a strong version of actual intentionalism. First, I argue against meaning subjectivism, conventionalism and contextualism. Second, I discuss what I take to be the most important rival to actual intentionalism, namely hypothetical intentionalism. I argue that, although hypothetical intentionalism might be acceptable as a definition of the concept of utterance meaning, it does not provide an acceptable answer to the question of what determines an utterance’s meaning. Third, I deal with the most serious objection (...)
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  3.  75
    States of Affairs.Maria Elisabeth Reicher (ed.) - 2009 - Heusenstamm: Ontos.
    States of affairs raise, among others, the following questions: What kind of entity are they (if there are any)? Are they contingent, causally efficacious, spatio-temporal and perceivable entities, or are they abstract objects? What are their constituents and their identity conditions? What are the functions that states of affairs are able to fulfil in a viable theory, and which problems and prima facie counterintuitive consequences arise out of an ontological commitment to them? Are there merely possible (non-actual, non-obtaining) states of (...)
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  4.  38
    What Is It to Compose a Musical Work?Maria Elisabeth Reicher - 2000 - Grazer Philosophische Studien 58 (1):203-221.
    The paper deals with the question whether musical works are created or discovered. In the preliminaries some ontological presuppositions concerning the nature of a musical work setting the stage for the whole debate and the Creationist and Platonist views are discussed. The psychological concepts of creation and discovery are distinguished from their ontological counterparts and it turns out that only the ontological ones are relevant in this context and that the Creationist arguments fail to prove the point in question. Finally (...)
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  5.  13
    Referenz, Quantifikation und ontologische Festlegung.Maria Elisabeth Reicher - 2005 - Heusenstamm: Ontos.
    Jeder wissenschaftlichen Theorie und jedem alltäglichen Weltbild liegen "ontologische Festlegungen" zugrunde, also Annahmen betreffend die Existenz bestimmter Gegenstände. Manchmal widersprechen implizite Existenzannahmen expliziten Überzeugungen und sind in diesem Sinne unerwünscht. Unerwünschte ontologische Festlegungen werfen unter anderem die folgenden Fragen auf: Nach welchen Kriterien kann entschieden werden, worauf jemand ontologisch festgelegt ist? Gibt es so etwas wie ein "ontologisch neutrales" Sprechen? Gibt es verschiedene "Weisen des Seins"? Wie können unerwünschte Festlegungen (etwa auf abstrakte, fiktive oder vergangene Gegenstände) vermieden werden? Welche Rolle (...)
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  6.  19
    "Die Logik des Nichtseienden" (Besprechung von Dale Jacquettes Meinongian Logic: The Semantics of Existence and Nonexistence, Berlin: De Gruyter, 1996). [REVIEW]Maria Elisabeth Reicher - 1998 - Grazer Philosophische Studien 54 (1):165-196.
    This article is a critical review of Dale Jacquette's "Meinongian Logic. The Semantics of Existence and Nonexistence" (Berlin: de Gruyter, 1996). Every consistent Meinongian semantics contains either a distinction of two kinds of properties – "nuclear" and "extranuclear" ones – (Terence Parsons) or a modes of predication distinction (William Rapaport, Edward N. Zalta, and others). Jacquette claims that the former is conceptually prior to the latter and that only the former rids Meinong's theory of objects of some paradoxes. I argue (...)
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  7.  5
    Die Logik des Nichtseienden (Review of Dale Jacquette's "Meinongian Logic: The Semantics of Existence and Nonexistence", Berlin: de Gruyter, 1996). [REVIEW]Maria Elisabeth Reicher - 1998 - Grazer Philosophische Studien 54 (1):165-196.
    This article is a critical review of Dale Jacquette's "Meinongian Logic. The Semantics of Existence and Nonexistence" (Berlin: de Gruyter, 1996). Every consistent Meinongian semantics contains either a distinction of two kinds of properties – "nuclear" and "extranuclear" ones – (Terence Parsons) or a modes of predication distinction (William Rapaport, Edward N. Zalta, and others). Jacquette claims that the former is conceptually prior to the latter and that only the former rids Meinong's theory of objects of some paradoxes. I argue (...)
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  8.  8
    Computer-Generated Music, Authorship, and Work Identity.Maria Elisabeth Reicher - 2015 - Grazer Philosophische Studien 91:107-130.
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  9.  20
    Amie L. Thomas Son, Fiction and Metaphysics. Cambridge: Cambridge University Press 1999, Pp. 187. Isbn: 0-521-64080-6. £35.00.Maria Elisabeth Reicher - 1999 - Grazer Philosophische Studien 57 (1):325-344.
    The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as literary works exist. (...)
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  10.  10
    7. Ontologie fiktiver Gegenstände.Maria Elisabeth Reicher - 2014 - In Tilmann Köppe & Tobias Klauk (eds.), Fiktionalität: Ein Interdisziplinäres Handbuch. Berlin–Boston: De Gruyter. pp. 159-189.
    In diesem Beitrag wird zunächst erläutert, worin das ontologische Problem fiktiver Gegenstände besteht. Dies geschieht, indem zwei Typen von Paradoxien vorgestellt werden. In Abschnitt 2 werden die wichtigsten antirealistischen Theorien fiktiver Gegenstände übersichtlich dargestellt, und es wird erläutert, auf welche Weise Vertreter dieser Theorien die eingangs entwickelten Paradoxien aufzulösen versuchen. In Abschnitt 3 werden Einwände gegen diese antirealistischen Theorien formuliert. In Abschnitt 4 werden die wichtigsten realistischen Theorien fiktiver Gegenstände übersichtlich dargestellt, und es wird gezeigt, wie man mit Hilfe dieser (...)
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  11.  7
    Amie L. Thomas Son, Fiction and Metaphysics. Cambridge: Cambridge University Press 1999, Pp. 187. Isbn: 0-521-64080-6. £35.00. [REVIEW]Maria Elisabeth Reicher - 1999 - Grazer Philosophische Studien 57 (1):325-344.
    The aim of this book is to investigate the nature and ontological status of fictional characters on the one hand (i. e., entities like Sherlock Holmes, Hamlet, or Anna Karenina) and literary works on the other. The overall question is: What kinds of objects are fictional characters and literary works, and how are they related to our everyday world? Thomasson advocates a realist, non-reductionist theory of fictitious objects whose main principles are: Fictional characters exist – just as literary works exist. (...)
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  12. Experience and Analysis. Papers of the 27th International Wittgenstein Symposium. August, 8 – 14, 2004, Kirchberg Am Wechsel (= Beiträge der Österreichischen Ludwig Wittgenstein Gesellschaft 12, Kirchberg Am Wechsel: Österreichische Ludwig Wittgenstein Gesellschaft, 2004).Johann Christian Marek & Maria Elisabeth Reicher - 2004 - Kirchberg am Wechsel, Österreich: Austrian Ludwig Wittgenstein Society.
     
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  13.  33
    Experience and Analysis: Papers of the 27th International Wittgenstein Symposium: August 8-14, 2004, Kirchberg Am Wechsel, Vol. XII. Marek, Johann Christian & Maria Elisabeth Reicher (eds.) - 2004 - niederosterreichkultur.
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  14. Ehrenfels and Brentano.Maria Elisabeth Reicher - 2017 - In Uriah Kriegel (ed.), The Routledge Handbook of Franz Brentano and the Brentano School. London and New York: Routledge. pp. 283-292.
    Christian von Ehrenfels (1859–1932) was a student of Franz Brentano and Alexius Meinong. The topic of this paper is Ehrenfels’ relation to Brentano, in particular Brentano’s influence on his philosophical work. After a sketch of Ehrenfels’ most important contributions to philosophy (which belong to the fields of philosophical psychology and value theory), I present those passages within Ehrenfels’ work in which he explicitly deals with Brentano. These concern, in particular, Brentano’s theory of love and hate as well as his theory (...)
     
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  15. Gibt es Gegenstände, die nicht existieren?Maria Reicher & Maria Elisabeth Reicher - 2000 - Metaphysica 1 (2):135–162.
    Those who are – in the tradition of Meinong – willing to accept the claim that there are objects that do not exist usually argue that the ontological commitment to nonexistent objects allows to resolve a variety of problems of reference and intentionality, such as: the problem of singular negative existential statements, the problem of discourse on past and future objects, the problem of discourse on fictitious objects, the problem of counterfactual existentials, the problem of allegedly necessary truths on nonexistent (...)
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  16.  16
    Werk und Autorschaft. Eine Ontologie der Kunst.Maria Elisabeth Reicher - 2019 - Paderborn: Mentis.
    In this book, a general type ontology of works is defended and developed in detail. A wide concept of “work” is used here, such that “work” roughly corresponds to “artefact”. Though the focus is on works of art, the theory is meant to be applicable, in principle, to works of science and technology and to everyday items of all sorts as well. Among others, the following questions are discussed: To what ontological category or categories do works belong? Is there a (...)
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