45 found
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  1.  14
    The Cruel Sons of Cain: Herta Müller's the Land of Green Plums 1.Sascha Talmor - 1999 - The European Legacy 4 (5):88-97.
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  2.  17
    Bjartur of Summerhouses - An Icelandic Sisyphus.Sascha Talmor - 2000 - The European Legacy 5 (1):87-100.
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  3.  30
    The Life and Passion of Artemisia1.Sascha Talmor - 2004 - The European Legacy 9 (2):213-230.
    When reading Susan Vreeland's novel The Passion of Artemisia, we find ourselves in seventeenth century Renaissance Italy and the social life of Artemisia d'Orazio Gentileschi, a woman painter who was raped, tortured by the Inquisition and due to her fine and original paintings, was the first woman painter to become a member of the famous Accademia del Disegno. In sum, she struggled for her personal and artistic liberation long before anyone in Europe had heard about feminism. Moreover, Artemisia is a (...)
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  4.  35
    Ali and Nino - A Treasure From Azerbaijan.Sascha Talmor - 2001 - The European Legacy 6 (6):793-811.
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  5.  20
    The Undiscovered Country.Sascha Talmor - 2001 - The European Legacy 6 (3):363-374.
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  6.  20
    Eliot's Poetics.Sascha Talmor - 1978 - Philosophical Studies 26:111-125.
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  7.  18
    Speak, Memory: Andreï Makine's Le Testament Français.Sascha Talmor - 1996 - The European Legacy 1 (7):2094-2109.
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  8.  20
    Halldór Kiljan Laxness, The Bell of Iceland.Sascha Talmor - 2002 - The European Legacy 7 (5):621-640.
  9.  3
    Albert Camus's Last Book—Le Premier Homme.Sascha Talmor - 1995 - History of European Ideas 21 (5):675-687.
  10.  16
    Look Back in Anger.Sascha Talmor - 2002 - The European Legacy 7 (3):395-397.
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  11.  16
    Madame.Sascha Talmor - 2005 - The European Legacy 10 (3):197-210.
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  12.  1
    The Bridge on the Drina.Sascha Talmor - 1995 - History of European Ideas 21 (2):247-260.
  13.  15
    One Last Look.Sascha Talmor - 2005 - The European Legacy 10 (6):621-631.
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  14.  19
    Preface. Ezra & Sascha Talmor - 1996 - The European Legacy 1 (2):5-6.
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  15.  14
    Europe Ends at Travnik: Ivo Andrić's Bosnian Chronicle.Sascha Talmor - 1998 - The European Legacy 3 (1):84-99.
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  16.  14
    The Enchanted Garden.Sascha Talmor - 2004 - The European Legacy 9 (6):799-816.
    In his beautiful and haunting novel The Garden of the Finzi‐Continis, Giorgio Bassani, the well known Jewish Italian writer, records the calm, happy life of the Jewish community of Ferrara, in north Italy, in the 1920s and 1930s, the growth of Fascism and the response of the Jewish and non‐Jewish Italians to it. The main characters are the wealthy, aristocratic family of the Finzi‐Continis and their friends and their response to the changing political climate in their town. It is also (...)
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  17.  16
    Sorrowful Eyes.Sascha Talmor - 2000 - The European Legacy 5 (5):717-724.
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  18.  15
    The Diving Bell and the Butterfly.Sascha Talmor - 1998 - The European Legacy 3 (2):89-96.
    The Diving Bell and the Butterfly. By Jean‐Dominique Bauby, trans. by Jeremy Leggatt 139 pp. £9.99 cloth.
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  19.  14
    Embers.Sascha Talmor - 2003 - The European Legacy 8 (2):189-204.
    This short novel by the writer S´ndor M´rai, regarded by many as the finest Hungarian writer of our time, was published in 1942 but became known in the West only many years later and was finally translated into English in 2002. Its central subject is the importance and value of friendship between men and love between men and women, involving the three central characters, Henrik, Konrad and Krisztina. The men, who had been friends since their early youth, meet again 41 (...)
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  20.  22
    Scepticism and Belief in the Supernatural.Sascha Talmor - 1980 - Heythrop Journal 21 (2):137–152.
    THE OBJECT OF THIS ARTICLE IS TO SHOW THAT SCEPTICISM IS NOT ALWAYS USED TO CHALLENGE BELIEFS: IT IS SOMETIMES USED TO "FOSTER" CERTAIN BELIEFS. GLANVILL’S SCEPTICISM REGARDING OUR KNOWLEDGE OF NATURAL CAUSES IS BASED ON THE WEAKNESS AND LIMITATIONS OF HUMAN UNDERSTANDING. BUT THIS ALLOWS HIM TO ARGUE FOR THE EQUAL POSSIBILITY OF BOTH NATURAL AND NON-NATURAL CAUSES, AND THUS OPENS THE DOOR TO BELIEF IN THE SUPERNATURAL. HUME, HOWEVER, WHOSE SCEPTICISM IS ALSO BASED ON THE LIMITATIONS OF THE (...)
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  21.  6
    The Vanity of Dogmatizing: The Three ‘Versions’ : By Joseph Glanvill, with a Critical Introduction by Stephen Medcalf. . The Harvester Press: Hove, Sussex. 1970. Pp. 1v+467. £15.50. [REVIEW]Sascha Talmor - 1981 - History of European Ideas 1 (2):175-183.
  22. Locke and Glanvill: A Comparison.Sascha Talmor - 1978 - The Locke Newsletter 9:101-120.
  23.  12
    ‘Ideas’ as the New Criterion of Truth.Sascha Talmor & Ezra Talmor - 1980 - History of European Ideas 1 (1):67-83.
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  24.  14
    Bullough's 'Psychical Distance' and Its Critics.Sascha Talmor - 1976 - Philosophical Studies 25:212-227.
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  25.  7
    The Vanity of Dogmatizing: The Three ‘Versions’.Sascha Talmor - 1981 - History of European Ideas 1 (2):175-183.
  26.  6
    History of European Ideas 1978–1988.Ezra Talmor & Sascha Talmor - 1988 - History of European Ideas 9 (3):257-259.
  27.  6
    In Memorium.Sascha Talmor - 2004 - The European Legacy 9 (4):437.
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  28.  16
    The Aesthetic Judgment and its Criteria of Value.Sascha Talmor - 1969 - Mind 78 (309):102-115.
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  29.  2
    The Scientific Method in Literary Criticism.Sascha Talmor - 1974 - Proceedings of the XVth World Congress of Philosophy 4:269-273.
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  30.  4
    Of Dreams and Nightmares.Sascha Talmor - 1992 - History of European Ideas 14 (3):419-426.
  31.  4
    An Englishman in Latin America—The War of Don Emmanuel's Nether partsBy Louis De Bernières.Sascha Talmor - 1993 - History of European Ideas 17 (1):73-84.
  32.  4
    Images of Science: Scientific Practice and the Public.Sascha Talmor - 1991 - History of European Ideas 13 (6):825-829.
  33.  3
    A Forgotten People.Sascha Talmor - 1993 - History of European Ideas 17 (6):775-784.
  34.  3
    The Concert: Mao's Panopticon.Sascha Talmor - 1990 - History of European Ideas 12 (6):843-851.
  35.  3
    Europenan Nationalism.Ezra Talmor & Sascha Talmor - 1992 - History of European Ideas 15 (1-3):ix-ix.
  36.  2
    Le Fou du Tzar—A Nail in the Body of the Empire.Sascha Talmor - 1995 - History of European Ideas 21 (4):535-549.
  37.  2
    Sept Cavaliers.Sascha Talmor - 1994 - History of European Ideas 18 (4):541-552.
    Sept cavaliers quittèrent la Ville au crépuscule, face au soleil couchant, par la porte de l'ouest qui n'etait plus guardée. Tête haute, sans se cacher, au contraire de tous ceux qui avaient abandonné la Ville, car ils ne fuyaient pas, ils ne trahissaient rien, espéraient moins encore et se gardaient d'imaginer. Ainsi étaient-ils armés, le coeur et l'âme désencombrés scintillant froidement comme du cristal, pour le voyage qui les attendait. Sur l'ordre du margrave héréditaire, simplement, ils allaient, ils s'étaient mis (...)
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  38.  2
    Historical Individualism.Sascha Talmor - 1986 - History of European Ideas 7 (6):661-667.
  39.  1
    Bullough’s ‘Psychical Distance’ and Its Critics.Sascha Talmor - 1976 - Philosophical Studies 25:212-227.
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  40.  1
    Eliot’s Poetics.Sascha Talmor - 1978 - Philosophical Studies 26:111-125.
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  41.  1
    Addendum.Sascha Talmor - 1991 - History of European Ideas 13 (3):313-313.
  42.  1
    Natural Religion 1986.Sascha Talmor - 1988 - History of European Ideas 9 (1):71-74.
  43.  1
    Preface.Ezra Talmor & Sascha Talmor - 1992 - History of European Ideas 14 (1):1-3.
  44.  1
    Peasant Fires: The Drummer of Niklashausen.Sascha Talmor - 1993 - History of European Ideas 17 (4):517-522.
  45. Scepticism and Belief in the Supernatural.Sascha Talmor - 1980 - Heythrop Journal 21 (2):137-152.
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