Розкрито сутність поняття «рейтинг». Доведено значущість рейтингової оцінки для суб’єктів фінансового ринку, зокрема для страхових компаній, потенційних страхувальників, інвесторів та кредиторів.

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware. Bodei addresses issues such as fetishism, the memory of things, the emergence of department stores, consumerism, nostalgia for the past, the self-portraits of Rembrandt and Dutch still-lifes of the (...) seventeenth century. The more we are able to recover objects in their wealth of meanings and integrate them into our mental and emotional horizons, he argues, the broader and deeper our world becomes. (shrink)

Delusion is an exceptional test case for the principal categories of common sense and philosophical thought such as ‘reason’, ‘truth’ and ‘reality’. Via an engagement with the legacy of Freud and the most remarkable results of 20th-century psychiatry, the author’s aim is to analyse the paradoxical forms of delusion and to shed light on the logics that underlie and orient its specific modalities of temporalization, conceptualization and argumentation.

"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine's mind in a richly evocative, impeccably reliable, elegantly readable (...) presentation of one of the most impressive achievements in Western thought--Augustine's Confessions." --Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell University. (shrink)

This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937-2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is 'live' -- a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual (...) logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself. (shrink)

Hegel continues to be credited with the discovery of a "master-slave dialectic". Critics, however, have established that there was no "master-slave dialectic" but rather a Knecht, that is, servant or footman, with the latter a member of an abstract relationship of Herrschaft-Knechtschaft, which is central to Hegel's idea of the journey from dependence to independence. This "primitive scene" sets up a cycle for the whole paradigm, which is a reformulation of the victory over animal life and its appetites, and a (...) reformulation of the birth of nations. Hegel followed Aristotle here; those who risked their own life are given recognition as masters and those who chose to preserve it at the cost of their freedom, are servants. (shrink)

From Machiavelli and Guicciardini to Gracián and Richelieu, secrecy is a defining element in the politics of reasons of state, in the art of simulation and dissimulation. These techniques were considered instrumental in order to procure the very survival of the state in situations of permanent emergency. From politics as a secret art centered on the prince’s cabinet, we move gradually along an historical and theoretical path. From English liberalism that places the parliament at the center of politics and the (...) French Enlightenment that exalted the capacity of reason to enlighten the mind and help humankind to leave the state of minority, we move toward democracy as public knowledge, as a ‘house of glass', exposed to the scrutiny and control of public opinion. It is nonetheless clear that neither the proto-liberal parliament nor the subsequent parliamentary democracies will ever become the ‘houses of glass' that democratic ideologies champion. This is true in the recent decades in which populism and demobilization of masses are changing the essence of democracy. (shrink)

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware. The meaning of "thing" is richer than that of "object," which is something that is manipulated with indifference or according to impersonal technical procedures. Things also differ from merchandise, objects (...) that can be sold or exchanged or seen as status symbols. Things, in the philosophical sense, are nodes of relationships with the life of others, chains of continuity among generations, bridges that connect individual and collective histories, junctions between human civilizations and nature. Things incite us to listen to reality, to make them part of ourselves, giving fresh life to an otherwise suffocating interiority. Things also reveal the hidden aspect of a "subject" in its most secret and least explored side. Things are the repositories of ideas, emotions, and symbols whose meaning we often do not understand. In an unexpected but coherent journey that includes the visions of classic philosophers from Aristotle to Husserl and from Hegel to Heidegger, along with the analysis of works of art, Bodei addresses issues such as fetishism, the memory of things, the emergence of department stores, consumerism, nostalgia for the past, the self-portraits of Rembrandt and Dutch still-lifes of the seventeenth century. The more we are able to recover objects in their wealth of meanings and integrate them into our mental and emotional horizons, he argues, the broader and deeper our world becomes. (shrink)