This remarkable history tells the story of the independent city-republic of Basel in the nineteenth century, and of four major thinkers who shaped its intellectual history: the historian Jacob Burckhardt, the philologist and anthropologist Johann Jacob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche. "Remarkable and exceptionally readable... There is wit, wisdom and an immense erudition on every page."—Jonathan Steinberg, Times Literary Supplement "Gossman's book, a product of many years of active contemplation, is a tour de force. (...) It is at once an intellectual history, a cultural history of Basel and Europe, and an important contribution to the study of nineteenth-century historiography. Written with a grace and elegance that many aspire to, few seldom achieve, this is model scholarship."—John R. Hinde, American Historical Review. (shrink)

Alongside his work as a professor of Greek Language and Literature at the University of Basel, Friedrich Nietzsche reflected on the value of classical studies in contemporary nineteenth-century society, starting with a self-analysis of his own classical training and position as a philologist and teacher. Contrary to his well-known aversion to classical philology, a science conceived as being an end in itself, aimed at mere erudite complacency, I highlight Nietzsche’s defence of the system of Classical studies, and of the (...) education of young people through the works of the ancient Greek and Roman period. Such an apology ‘redeems’, in a sense, the discipline, and justifies its role and continued relevance in our present-day society. (shrink)

A citizen of Basel wrote in 1908, “When the great and long-expected day has finally arrived, and at the stroke of four the signal is given for the entrance of His Majesty Carnival, the city becomes the theater of intense life and activity whose meaning and value only the natives of Basel can appreciate”. This opinion, according to which only “Baselers” understand the real meaning of their fêtes, is still quite widespread, and it is almost a sacrilege that (...) someone from the outside, such as I am, should try to explain the customs that give Basel its eminent place in folklore. (shrink)

Documentation on Nietzsche's teaching at the University in Basel.

Taking the example of the Basel carnival Fasnacht, the paper shows in what way ritual can maintain the impression of being traditional and unchanging, and yet be open to changes and innovations. As the basic conceptual framework we use the notion of liminality, which Victor Turner identified as the creative moment of ritual. In Fasnacht, this liminal dimension appears in two degrees. The carnival as such represents a reflexive liminal counterpart to the standard social structure, yet it is itself (...) also highly structured and bound by conservative traditional rules. As a reaction to this, there arises within Fasnacht a second-order liminality in the form of the so-called wild Fasnacht, which turns the official antistructural Fasnacht rules upside down once again, testing their validity. While the carnival structure offers a regulated opportunity for questioning everyday social behaviour, wild Fasnacht questions even this regulated manner of questioning as such, opening space for its reflection and modification. We use detailed examples to demonstrate how the subtle dialectics of structure and antistructure keeps the tradition of Basel’s Fasnacht alive and allows it to evolve without destroying its aura of traditionality. (shrink)

SUMMARYThis study is centred on events in 1580 surrounding a scandalous publication of Machiavelli’s The Prince by Pietro Perna in Basel. With the presentation of new documents the paper fully reconstructs the judicial case that followed its publication, raising new questions about the author of the infamous book Vindiciae contra tyrannos. However, this fascinating story will serve only as a starting point for the investigation of Machiavelli's late-sixteenth-century reception, providing insights into not only the political and religious but also (...) the scientific context of its publication. These fields, it will be argued, were thoroughly interrelated, all sharing similar epistemological premises. (shrink)

Cet article propose d’identifier le fragment anonyme du manuscrit Basel, UB, A.X.24, ff. 1‑73v avec les questionnes sur les Sentences de Nicholas Aston, connu grâce aux travaux pionniers de Zenon Kaluza. Une analyse des détails techniques de ce texte permet également d’avancer l’hypothèse que les Articuli d’Aston peuvent être lus comme des traces des principia. En annexe, nous éditons la liste des questions du manuscrit Basel, UB, A.X.24, ainsi qu’une concordance entre ce manuscrit et les autres témoins manuscrits (...) d’Aston, afin de démontrer que ce nouveau témoin contient la tradition la plus complète du texte d’Aston. (shrink)

Do abstract paintings still make sense and if so what do they mean? By reducing the paintings to simple square blots as by Cézanne, to lines as by van Gogh and color traces as by Monet their meaning is fundamentally questioned. But by interpreting these compositions as effective forces or rather affective stimuli a new and different meaning becomes apparent. Landscapes are no longer introduced but made real in the aesthetic experience. Therefore aesthetics or rather aisthetics (perception) can be defined (...) as a notion of experience and knowledge. Thus the notion of an image gets a new understanding: it can be described as an "energetic system". (shrink)