(1996). Samuel Taylor Coleridge on nature and reason: With a response from William Whewell. The European Legacy: Vol. 1, Science and Religion in Modern Western Thought, pp. 1683-1693.

Situating Samuel Taylor Coleridge’s thought on historically actualized ideas with reference to a range of classical thinkers, this article examines his intriguing philosophical theory about how ideas become progressively actualized in history. This cultural growth can be understood as contemplation-in-action, although it occurs through mainly fumbling – or else overenthusiastic – human agents. I distinguish Coleridgean first-order, transcendent ideas (such as God, infinity, the good, the soul) from second-order, historical ones (such as church, state, the constitution). It (...) has been argued that Coleridge’s theory of ideas develops from Bacon’s inductive method for discovering laws of nature through experiment and natural law through common law. I further claim that Coleridge upholds the reality of “Forms” in science, and of rights in ethics and politics; that his later political thought is inherently more progressive than is generally admitted; and that his account differs from Schelling’s and Hegel’s respective theories by maintaining the transcendence of ideas above the immanence of their evolving historical actualizations. Coleridge’s philosophy is therefore, whether political or metaphysical, ultimately an ontological defence of the transcendence of ideas above the immanence of their progressive but imperfect actualization. (shrink)

After briefly summarizing the various events of Coleridge's life also as a writer, firstly we analyze the positive opinions of the philosopher-poet of Cambridge on Kant and Schelling, the less positive ones on Fichte, and the negative ones on Hegel. Within this historical and theoretical context, we describe the ideas of Coleridge on the three central faculties in the Kantian philosophy, i.e., on sense, on understanding and on reason. With a patient theoretical and philological reconstruction, we show Kant's (...) "heritage" in Coleridge's conceptions of sense and understanding, focusing the attention on the Treatise on Logic, with many quotations of some texts of the Kritik der reiner Vernunft. Concerning reason, it is shown that Plato has influenced his thoughts on theoretical reason, and Kant has influenced those on moral reason. However, Coleridge accuses Kant of not having understood, on the contrary of Petrarca, the most genuine meaning of the concept of love. (shrink)

[ https://plus.google.com/108060242686103906748/posts/cwvdB6mK3J6 ] The phenomenal description on own thoughts regard me to describe Coleridge, along with William Wordsworth, was instrumental in initiating a poetic revolution in the early nineteenth century which is known as the Romantic Movement. Coleridge invokes the Divine Spirit that blows upon the wild Harp of Time. Time is like the stringed musical instrument on which the Spirit produces sweet harmonious melodies. Coleridge is perhaps best known for his haunting ballad Rime of Ancient Mariner, (...) the dream-like Kubla Khan and the unfinished Christabel, but he wrote several other smaller poems, quite remarkable for their imaginative power. (Edited with own analysis)…[http://philpapers.org/profile/112741] http://www.academia.edu/18834746/LITERATURE_I_DO-_THE_ROMANTICS_AND_SUBJECTIVITY_SAMUEL_TAYLOR_COLER IDGE. (shrink)

Author of "Kubla Khan" and the epic "The Rime of the Ancient Mariner," Samuel Taylor Coleridge is remembered principally for his contributions as a romantic poet. This innovative reconsideration of Coleridge's thought and career not only demonstrates his importance as a philosopher but also recovers romanticism as both an aesthetic and a political movement. Pamela Edwards radically departs from classic theories of Coleridge's development and reads his writing within the framework of a constantly shifting political (...) and social landscape. Drawing on the ideology, rhetoric, and institutional theory at the turn of the late British Enlightenment, Edwards unearths the fundamental continuities in Coleridge's writing during the revolutionary period of 1794 to 1834, paying particular attention to the rhetoric of Coleridge's pamphlet and miscellaneous writings, the journalism of the Napoleonic years, his philosophical and ultimately political treatises within the contexts of his notebooks and letters, and his readings and intellectual friendships. What emerges is a clearer understanding of Coleridge's political philosophy and his contributions to the origins and ideology of British Liberalism. Coleridge's interest in history, nature, and law as inherently interconnected projects producing an ideal or scientific reading of society reveals a developed progressive social and cultural state theory anchored in individual conscience, moral autonomy, and a civic and participatory human agency. If the Statesman could understand and finally master this scientific view of the world, he would be able not only to adjust political and social institutions to comprehend the historical contingencies of the moment but to see through the problem of the moment to the dynamic of change itself. (shrink)

This is the first of five double volumes which will make Coleridge's notebooks readily available, in most cases for the first time. The material is arranged chronologically: part 1 contains the text for the years 1794-1804; part 2, extensive and helpful notes as well as indices of persons, publications, and places. A subject index of the whole is planned. These early notebooks are extremely uneven and shed more light on Coleridge as man and poet than on his philosophic (...) interests; his notes on Kant, locateable in the index, are an exception.--R. P. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Critical Essays on Samuel Taylor ColeridgeWilliam E. CainCritical Essays on Samuel Taylor Coleridge, edited by Leonard Orr; vi & 194 pp. New York: Twayne, 1994, $42.00.“Coleridge, as you doubtless hear, is gone,” wrote Thomas Carlyle, August 12, 1834, to Ralph Waldo Emerson: “How great a Possibility, how small a realized Result.” There is now a huge Coleridge industry in the academy, (...) engaged in producing editions of his writings and examinations of his literary career. Yet Carlyle’s judgment continues to carry weight with many nonspecialist readers, who know Coleridge only as Wordsworth’s estimable friend and as the author of a handful of superb lyrics and radiant critical speculations in the Biographia Literaria (1817). These texts are indeed rich and suggestive: readers wish that there were more like them and that Coleridge’s achievement had somehow been greater, more monumental, like Wordsworth’s. Coleridge’s “misfortune,” concluded Carlyle’s friend, John Sterling, in January 1842, “was to appear at a time when there was a man’s work to do—and he did it not.”But the wish that Coleridge had been more than he was is misplaced, in large measure for the reason that it neglects the vast amount of significant work that he did accomplish—not only in poetry and criticism, but in philosophy, political journalism, social theory, and other disciplines and areas of thought. Experts in Romanticism know this work (or, at least, know of it), yet it has not [End Page 151] been excerpted in anthologies, contextualized and explained for students, or brought forward for analysis, beyond the circle of avid Coleridgeans, to extend and complicate the commonplaces about this writer that still enjoy wide circulation.In this respect, Leonard Orr, editor of Critical Essays on Samuel Taylor Coleridge, perhaps has missed an opportunity. His collection is valuable as far as it goes; it reprints eight excellent essays along with two new ones, and Orr’s own concise, informed Introduction, with footnotes packed with bibliography, provides a lucid overview of Coleridge studies. But the focus is strangely limited, the conception of the writer’s career is dated and conventional, and the selection of essays is too restricted.One is grateful for this collection’s strengths even as one regrets its gaps and omissions. John Beer gives a good account of the Coleridge/Wordsworth relationship; Stuart Peterfreund nicely shows how “Coleridge’s failed political vision of European history” is redeemed “as part of his critical vision of the imagination”; James C. McKusick, Paul Magnuson, Andrew M. Cooper, James Engell, and Anne K. Mellor explore Coleridge’s poetry—though oddly there is no essay devoted primarily to “The Rime of the Ancient Mariner”; and Kathleen M. Wheeler, Lawrence Buell, and Jerome Christensen form a helpful unit of pieces on the Biographia Literaria. But readers will not find here anything more than brief mentions of, for example, Coleridge’s writings for The Watchman and The Friend, his striking interpretations of Shakespeare, Aids to Reflection, letters, notebooks, two Lay Sermons, and On the Constitution of the Church and State.This failure to supply broader, more innovative coverage is puzzling, given that the general aim of the series in which Orr’s book appears (Critical Essays on British Literature, gen. ed. Zack Bowen) is “to develop a new overall perspective on its particular subject.” Even more, Orr himself says in his Introduction that scholarship of the past two decades has prompted us to be “less likely to ignore the prose works beyond the Biographia” and has drawn attention to Coleridge’s marginalia and notebooks. Orr displays a sharp sense of the new Coleridge, yet has designed his book in a way that reflects the old one and that will tend for many readers simply to reinforce Carlyle’s adverse judgment.William E. CainWellesley CollegeCopyright © 1995 The Johns Hopkins University Press... (shrink)

O presente artigo, depois de apresentar brevemente alguns dos aspectos mais salientes da vida de Samuel Taylor Coleridge, incluindo a sua vida como escritor, propõese analisar as opiniões positivas do filósofopoeta de Cambridge sobre Kant e Schelling, as menos positivas sobre Fichte, e as negativas sobre Hegel. Dentro deste contexto histórico e teorético, o autor descreve as ideias de Coleridge acerca das três faculdades tal como nos aparecem na filosofia kantiana, ou seja, sobre a sensibilidade, sobre (...) o intelecto e sobre a razão. Graças a uma paciente reconstrução do carácter teorético e filológico, o artigo mostra a herança de Kant no que diz respeito às concepções coleridgianas de sentido e compreensão, centrando a atenção sobre o Treatise on Logic e com amplas referências, também textuais, a algumas passagens da Kritik der reinen Vernunft. No que diz respeito à razão, mostrase o influxo de Platão sobre a razão teórica e o de Kant sobre a razão moral, ainda que Coleridge, como bom filósofo e poeta romântico, acuse Kant de não ter compreendido, ao contrário do que se passa com Petrarca, o significado mais genuíno do conceito de amor. (shrink)

This book, written in 1957, arises from the encounter of two men: the American poet Samuel Hazo and the French philosopher Jacques Maritain. They met on September 12, 1956, at Maritain's home in Princeton, New Jersey. Hazo sought to engage Maritain's diffuse writings in aesthetics by bringing them into conversation with the great voices of the English literary tradition, especially Samuel Taylor Coleridge, Gerard Manley Hopkins, and John Keats. Hazo was also striving to understand and articulate (...) his own experience of the creative process. Then at the beginning of his writing life, he would later emerge as a leading voice in American poetry. He is the author of more than thirty collections, the winner of many awards, the founder of the International Poetry Forum, and a National Book Award finalist. The World within the Word is the only book about Jacques Maritain for which Maritain himself wrote a foreword. (shrink)

Winner of the 1989 Whitbread Prize for Book of the Year, this is the first volume of Holmes's seminal two-part examination of Samuel Taylor Coleridge, one of Britain's greatest poets.

Interweaving past and present texts, The Challenge of Coleridge engages the British Romantic poet, critic, and philosopher Samuel Taylor Coleridge in a "conversation" (in Hans-Georg Gadamer's sense) with philosophical thinkers today who ...

Schon unter rein historischem Aspekt muß es verwundern, daß die deutsche philosophische Forschung das Werk des englischen Dichters, Literaturkritikers und Philosophen Samuel Taylor Coleridge (1772-1834) nahezu aus den Augen verlor: Der Begründer der englischen Romantik und scharfe Kritiker des Empirismus seiner Landsleute stand in unmittelbarem Dialog mit den literarischen und philosophischen Exponenten des deutschen Idealismus und vertrat in seinem literarischen und essayistischen Werk eine unmittelbar aus der Auseinandersetzung mit Kant, Fichte und insbesondere Schelling hervorgegangene phil...

The paper suggests that Samuel Taylor Coleridge’s arguments against sympathy after the French Revolution, Walter Benjamin’s claims against empathy following the traumatic shock of Modernity and the First World War, and Hannah Arendt’s critical take on compassion. after the Holocaust are similar responses to singular historical crises. Reconsidering Arendt’s On Revolution (1963) and its evocation of Hermann Melville’s novella Billy Budd (1891), I show first that the novella bears the traces of an essay by Samuel (...) class='Hi'>Taylor Coleridge, “The Appeal to Law” (1809). Then, drawing on Walter Benjamin’s writings on trauma in Illuminations (1968, edited by Arendt), I discuss the political importance Arendt attaches to the proper way of telling a story, at a time when “the communicability of experience is decreasing” (Benjamin, Illuminations, 86). Through the analysis of Benjamin’s “The Storyteller” and Arendt’s “heartless” report on the Eichmann trial (1963), I equally show that, according to Arendt, testimonies must be narrated, or rather performed, in a dispassionate, dry, and compact manner so that they can be historically and politically relevant. (shrink)

As a young man, Samuel Taylor Coleridge lived in an age of great social change. The political upheavals in America and France, the industrial revolution, and the explosion in humanity's knowledge of the natural order all had a profound effect on Coleridge and radical intellectuals like him. This book examines Coleridge's ideas on science and society in the critical years 1794 to 1796, setting them within the moral, political, and scientific context of the time. Wylie (...) shows how the complex poem, Religious Musings, became a vehicle for these ideas and how they were then developed in the poetry of Coleridge's later years. (shrink)

A través del análisis de un fragmento escrito probablemente en torno a 1818, intento mostrar en este artículo cómo el descubrimiento del origen de la prosa significó un hito relevante en el pensamiento de Samuel Taylor Coleridge acerca de la distinción entre verso y prosa. Esta marca se fundó en sus estudios de los presocráticos y coincidió con su teoría estética enraizada en el pensamiento de Plotino. Intento poner en evidencia, entonces, cómo una discusión estilística adquirió un (...) alcance filosófico e incluso teológico. (shrink)

The biblical image of Wisdom as the power who “orders all things well” in nature and in human life can be read in the light of contemporary information theory. Some current scientific speculation offers an interpretation of reality as a vast information‐processing system, in which informational situations are continuously transformed through algorithmic operations. This interpretation finds a metaphysical counterpart in the distinction between “nature natured” and “nature naturing” in the philosophical theology of Samuel Taylor Coleridge. This confluence (...) of religious, metaphysical, and scientific imagery suggests a picture of the world in which the processes of “nature naturing,”“human humaning,” and “God Godding” inform and recur in each other. (shrink)

Claude Welch, the distinguished historian of nineteenth‐century religious thought, once declared that Samuel Taylor Coleridge ‘may be seen as the real turning point into the theology of the nineteenth century’ and that he ‘was as important for British and American thought as were Schleiermacher and Hegel’.2 Still, Coleridge remains largely marginalized in the annals of church history and theology despite his unwavering prominence throughout much of the nineteenth century. Perhaps it should come as no surprise, then, (...) that Coleridge's posthumously published Confessions of an Inquiring Spirit , with its rejection of the verbal infallibility of Scripture and elevation of the importance of the individual in rightly discerning the truths of the Christian faith, has often been misread as an attestation of the primacy of the individual subject over the biblical text. It has been treated alternately as a document that signals the emergence of German higher criticism in England,3 a Romantic appeal to the fundamental importance of the subjective in religion,4 and an early form of reader‐oriented literary criticism.5 In this article I suggest that the attention devoted to Coleridge's denial of the verbal inspiration of Scripture, epitomized by the phrase that biblical inspiration is constituted by ‘whatever finds me’, has overshadowed his equally significant attention to the authority of church tradition in that same document. More specifically, rather than arguing for subjectivism in biblical interpretation, Coleridge equally emphasizes the objective sources of revelation expressed in Scripture and the church traditions handed over from the apostles. Rather than proposing a model of biblical inspiration that is wholly individualistic, Coleridge maintains a vision of Christianity that affirms the vitality of both the authority of the church and that of the believer. Thus, Coleridge's theological contribution to religious history is not that of an aberrant, absent‐minded poet, but rather that of a central participant engaged in an ongoing and pivotal debate in the history of England: the relationship between Scripture and church traditions.In order to draw out this important, though neglected, strand of thought in those ‘Letters on the Scriptures’, the name by which the Confessions is sometimes identified,6 I begin by briefly clarifying the nature of the idea of tradition both in relation to Coleridge and English theology in the nineteenth century. I then summarize the argument of the Confessions as a whole and turn more particularly to those sections of the Confessions that suggest the role Coleridge assigns to church tradition in relation to Scripture. Finally, after assessing the authority of the church in relationship to the divine Word, I turn to Coleridge's earlier works and his notes on the Works of William Chillingworth in order to demonstrate that his views on the respective authority of both the individual and the church were consistently held since near the time of his conversion to Trinitarian Christianity. I conclude that Coleridge's conception of the relationship between Scripture and church traditions calls for a reevaluation of his place in the history of religious thought in England. (shrink)