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  1. The Sleeping Beauty. [REVIEW]F. A. - 1956 - Review of Metaphysics 9 (3):518-518.
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  2. Stoppard’s Hapgood and the Drama of Politics and Science.Corey Abel - 2006 - Perspectives on Political Science 35 (3):143-148.
    This paper presents a detailed analysis of Stoppard's "Hapgood," in order present two related arguments. First, due to the modal differences between science and human conduct, the play must relegate science to a secondary role, in spite of the apparent primacy of science as the engine of the play's theme and plot. Second, while the drama hinges on its presentation of a fictive world very much patterned after the world of human conduct, drawing on love, friendship, patriotism, and more, it (...)
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  3. Love and Friendship in Utopia: Brave New World and 1984.Corey Abel - 2003 - In Eduardo Velasquez (ed.), Love and Friendship: Rethinking Politics and Affection in Modern Times.
    Contrary to many "political" interpretations, of "Brave New World" and "1984" this paper stresses that the evil of totalitarian government is not simply in the presence of great and arbitrary power, but in the particular ways that such power erodes love and friendship, the bases of social life. The crisis represented by the destruction of all possibility of love and friendship is placed in the context of Dostoevsky's meditations on "The Grand Inquisitor," and reflections by noted political theorists on the (...)
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  4. Honor in German Literature. George Fenwick Jones.Helen Adolf - 1961 - Speculum 36 (3):488-490.
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  5. A Glimpse on Islamic Teaching.Md Hussain Ahmed - 2014 - Pratidhwani the Echo (III):13-19.
    Islam' literally means submission but when the term is used in a religious context it means submission to Allah alone. Accordingly, a Muslim is one who submits to the Divine injunctions and does not deviate from them. "Al-Islam implies that you testify that there is no god but Allah and that Muhammad is the Messenger of Allah and you establish prayer, pay zakat, observe the fast of Ramadan, and perform pilgrimage to Holy Ka'ba at Mecca once in a lifetime if (...)
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  6. E. Zamyatin's novel "We" in russian classics.G. A. Akhmetova - 2013 - Liberal Arts in Russia 2 (1):57--64.
    The article dwells on the origin of the dystopian genre in the Russian classical literature of the 19th century in M. Saltykov-Shchedrin and F. Dostoevsky’s creative work. It is shown that a new genre created in the authors’ polemics of "The History of a Town" and "Legend of the Grand Inquisitor" with the utopian novel "What is to be done" by N. Chernyshevsky was finally completed in E. Zamyatin’s "We".
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  7. Investigative Poetry & Other Poems.Khurshid Alam (ed.) - 2014 - Createspace.
    The poems in this anthology are categorized in two sections Section I: Investigative Poetry and Section II: Other Poems. Section I includes the poems of investigative poetry genre. This genre is comparatively new and has been started by Charles Olson and Edward Sanders. The genre has high potentiality to wake people to historical truth. History has always been a subject distorted by the government authorities and people in power. Common people tend to know or believe what they are made familiar (...)
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  8. Brentano, Meinong and Husserl on Internal Time.Liliana Albertazzi - 1993 - Brentano Studien 3:89-110.
    Brentano's Descriptive Psychology marks a breakthrough into clarification of internal time, made possible by using his doctrine of intentionality (and modality) of consciousness. Husserl's version of descriptive psychology, a pure phenomenological psychology, according to its author tries to overcome Brentano's (naturalistic) description of internal experience by explicitly considering the intentional content of mental events, and the different categories of objects as objects of a possible consciousness. Husserl's investigations on internal time are an example of a quite specific sort of genetic (...)
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  9. Homer: The Odyssey.M. J. Alden & J. Griffin - 1989 - Journal of Hellenic Studies 109:210.
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  10. Disguise and Recognition in the Odyssey.M. J. Alden & S. Murnaghan - 1989 - Journal of Hellenic Studies 109:211.
    This book is a comprehensive study of the Odyssey's plot, which shows how the motifs of disguise and recognition are used to articulate the central values of Homeric society. The story of Odysseus' homecoming is discussed in relation to family dynamics, heroic competition, the social institutions of marriage and hospitality, gender relations, and the enduring power of song.
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  11. Formular Economy in Homer: The Poetics of the Breaches (Review).Maureen Alden - 2009 - Classical World: A Quarterly Journal on Antiquity 102 (4):513-514.
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  12. The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18.Jason Aleksander - forthcoming - Essays in Medieval Studies 30.
  13. Notes on Horace's Lyric Poetry.Alexander Alexander - 1942 - Classical World: A Quarterly Journal on Antiquity 36:162-164.
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  14. Laclos and the Dark Side of the Enlightenment.Derek Allan - manuscript
    The conventional view that all Enlightenment thinkers believed that the fruits of Reason could only be beneficial is not necessarily accurate. Laclos, whose celebrated novel "Les Liaisons dangereueses" was published in 1782, provides a perspective on the world of Reason that does not square with that view. Working at the level of individual psychology, Reason in Laclos's novel divides the world into the strong and the weak – more specifically, the astute and the naive. It defines human worth in terms (...)
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  15. Literature and the Passing of Time: Reflecting on the Temporal Nature of Art.Derek Allan - manuscript
    The paper explores the much-neglected but crucial topic of the capacity of art to transcend time.
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  16. Why Art is Never Representation - Even When It Represents.Derek Allan - manuscript
    The question of whether or not art is essentially a representation of reality has long been a bone of contention among philosophers of art – especially in the major branch of that discipline called the analytic philosophy of art, or analytic aesthetics. This paper argues that art - visual art, literature or music - is never essentially representation. The argument is based on the thinking of André Malraux in "The Voices of Silence".
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  17. Malraux, l’art et le temps : Un défi à l’esthétique traditionnelle.Derek Allan - 2018 - In Évelyne Lantonnet (ed.), Malraux et le temps, La Revue des lettres modernes. Série: André Malraux, n° 14,. Paris: Garnier. pp. 99-111.
    One of the most remarkable contributions that André Malraux made to the theory of art is his explanation of the relationship between art and time: his argument that art transcends time through a process of metamorphosis. This proposition, which replaces the traditional belief that art resists time because it is eternal or immortal, poses a major challenge to traditional aesthetics. This article examines the notion of metamorphosis and the challenge it represents.
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  18. The Power of an Idea: Raskolnikov in 'Crime and Punishment'.Derek Allan - 2016 - Literary Imagination (2016).
    Rodion Raskolnikov, the central figure in Dostoyevsky’s Crime and Punishment, is one of the best-known characters in the world of the novel but one who continues to pose major interpretive problems. Why exactly does he murder the old pawnbroker and her sister? Why, throughout the novel, does he continue to believe that he has committed no crime? And why, despite this belief, does he suffer a form of psychological breakdown and eventually give himself up to the police? This article, which (...)
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  19. Vanquishing Temporal Distance: Malraux, Art and Metamorphosis.Derek Allan - 2016 - Australian Journal of French Studies 53 (1-2):136-148.
    How does art – literature, visual art, or music – endure over time? What special power does it possess that enables it to “transcend” time – to overcome temporal distance and speak to us not just as evidence of times gone by, but as a living presence? The Renaissance, which discovered this transcendent power of art in the classical sculpture and literature it admired so strongly, concluded that great art is impervious to time – “timeless”, “immortal”, “eternal” – a belief (...)
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  20. The End of The Road.Sean Allen-Hermanson - 2017 - European Journal of American Studies 12 (2).
    -/- The closing paragraph of Cormac McCarthy’s The Road hums with mystery. Some find it suggestive of renewal, though only vaguely. Others contend that it does little to ameliorate the novel’s pessimism. Still others find it offers both lamentation and hopefulness, while some pass it over in silence. As an admirer with a taste for puzzle solving, here I offer a new interpretation revealing a surprisingly optimistic denouement.
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  21. The Inorganic Community. Hypotheses on Literary Communism in Novalis, Benjamin and Blanchot.Emmanuel Alloa - 2012 - Boundary2. An International Journal of Literature and Culture 39 (3):75-95.
    If literary avant-garde journals and their communities have been, in the twentieth century, a space for creating, if not sustaining, major political utopias, it should help explain why this “literary communism,” as Jean-Luc Nancy called it, is not a weakened or substitutional form of politics. No myth without narration, no implementation without an instrumentation, no organic unity without a political organ voicing its claim, in short: no organicity without an organon. But can there be a (literary) community that does not (...)
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  22. O cronotopo bakhtiniano do romance biográfico: da Antiguidade à contemporaneidade.Pauliane Amaral & Rauer Ribeiro Rodrigues - 2015 - Bakhtiniana 10 (3):111-129.
    We retrieve Bakhtin's reflections on Forms of Time and the Chronotope in the Novel present in The Dialogic Imagination: Four Essays by M. M. Bakhtin in order to verify the variations of the 'Ancient Biography and Autobiography Chronotope' in contemporary autobiography novel. We thus analyze the chronotope in the autobiography novels A Moveable Feast, by Ernest Hemingway, and Chá das cinco com o vampire [Afternoon Tea with the Vampire], by the Brazilian writer Miguel Sanches Neto. Our reading of Bakhtin's notion (...)
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  23. Xenophon's Cyropaedia: Style, Genre and Literary Technique.J. K. Anderson, D. Gera & Xenophon - 1995 - Journal of Hellenic Studies 115:198.
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  24. The Character of Xenophon's HellenicaXenophon's Imperial Fiction: On the Education of Cyrus.J. K. Anderson, V. Gray & J. Tatum - 1990 - Journal of Hellenic Studies 110:223.
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  25. The Satiric Voice: Program, Form and Meaning in Persius and Juvenal by William Thomas Wehrle. [REVIEW]William Anderson - 1994 - Classical World: A Quarterly Journal on Antiquity 87:332-332.
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  26. Montiglio Love and Providence. Recognition in the Ancient Novel. Pp. X + 256. New York: Oxford University Press, 2013. Cased, £45, US$74. ISBN: 978-0-19-991604-7. [REVIEW]Rosa Andújar - 2014 - The Classical Review 64 (1):87-89.
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  27. Rieu, E. V., Tr., Apollonius, The Voyage of Argo. [REVIEW]Anton Anton - 1959 - Classical World: A Quarterly Journal on Antiquity 53:58.
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  28. La stanza di Emily. [REVIEW]Chiocchi Antonio - 2017 - Zigzagando - Letteratura E Dintorni 2:1-30.
    La poesia e la poetica di Emily Dickinson che giungono a noi come voce del tempo.
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  29. Per una po-etica del linguaggio.Chiocchi Antonio - 2017 - Zigzagando - Letteratura E Dintorni:1-35.
    Da Platone e Socrate a Emily Dickinson fino alla filosofia analitica di Wittigenstein Da Wittgenstein a Maria Zambrano fino a Iris Murdoch e Cora Diamond.
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  30. Il dolore del mondo.Chiocchi Antonio - 2016 - Biella, Italy: Zigzagando, Letteratura e dintorni.
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  31. La casa che non c'è.Chiocchi Antonio - 1996 - Avellino, Italia: Associazione culturale Relazioni.
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  32. Image and Idea in Fifth-Century Greece: Art and Literature After the Persian WarsArt and Cult Under the Tyrants in Athens.K. W. Arafat, E. D. Francis, M. Vickers & H. A. Shapiro - 1992 - Journal of Hellenic Studies 112:217.
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  33. The Framing of Socrates: The Literary Interpretation of Xenophon's Memorabilia, by Vivienne J. Gray.A. M. Archie - 2003 - Ancient Philosophy 23 (2):424.
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  34. "La temprana formación literaria del joven José Gaos en Valencia (1915-1919)".Hector Arevalo - 2016 - Quaderns de Filosofia i Ciència:11-16.
    This paper studies in detail about the early years of José Gaos (1900- 1969) and his education in philosophy and literature. Therefore, we know that their studies (academic or not) were not purely “philosophical” in 1915. Literature and philosophy played in Gaos an equally important role. The first real encounter with philosophy happens before he comes to Valencia in 1915; but in this year Gaos also receives a strong education, in aesthetic and literary, through press and philosophical journals, and especially (...)
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  35. Harvey, P., The Oxford Companion to Classical Literature. [REVIEW]D' Arms - 1938 - Classical World: A Quarterly Journal on Antiquity 31:193-194.
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  36. Homer and Spontaneous Generation.Armstrong Armstrong - 1943 - Classical World: A Quarterly Journal on Antiquity 37:53.
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  37. Sohrab and Rustum, Homeric Reminiscences in, F. L. Clark.Matthew Arnold - 1923 - Classical World: A Quarterly Journal on Antiquity 17:3-7.
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  38. The Tortoise and the Mirror: Erinna "PSI" 1090.Marylin B. Arthur - 1980 - Classical World: A Quarterly Journal on Antiquity 74 (2):53.
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  39. The Heart of Achilles: Characterization and Personal Ethics in the Iliad by Graham Zanker. [REVIEW]Leona Ascher - 1996 - Classical World: A Quarterly Journal on Antiquity 89:513-513.
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  40. The Iliad: Action as Poetry by Paolo Vivante. [REVIEW]Leona Ascher - 1992 - Classical World: A Quarterly Journal on Antiquity 85:721-721.
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  41. Multilevel Poetry Translation as a Problem-Solving Task.Pedro Ata & Joao Queiroz - 2016 - Cognitive Semiotics 9 (2):139-147.
    Poems are treated by translators as hierarchical multilevel systems. Here we propose the notion of “multilevel poetry translation” to characterize such cases of poetry translation in terms of selection and rebuilding of a multilevel system of constraints across languages. Different levels of a poem correspond to different sets of components that asymmetrically constrain each other (e. g., grammar, lexicon, syntactic construction, prosody, rhythm, typography, etc.). This perspective allows a poem to be approached as a thinking-tool: an “experimental lab” which submits (...)
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  42. Three Roses: Romantic Artists and the Middle Ages.Claire Post Bachmuth - 1992 - Dissertation, University of California, Santa Barbara
    The aesthetic community marked the disappearance of artistic and natural beauty from modern Britain. Christian values were superseded by the creed of "devil take the hindmost." Appalled by the moral and physical bleakness of their time, sensitive Victorians looked back to an era of love and beauty triumphant. From small evidence and deep longing romantics saw ethical and artistic Elysium in the middle ages. ;Writers on the arts compared contemporary evil with the excellence of the golden age. These contrasts pervade (...)
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  43. Bakhtin on Shakespeare (Excerpt From “Additions and Changes to Rabelais”).Mikhail Bakhtin - 2014 - PMLA 129 (3):522-537.
    This is the English translation (with a brief introduction and relatively detailed commentary) of a long excerpt from Mikhail Bakhtin's notes titled "Additions and changes to Rabelais", written in the mid-1940s with reworking his then unpublished manuscript on François Rabelais in mind. This excerpt is most notable for being the only extant text in which Bakhtin discusses and analyses Shakespear's tragedies at relative length—a discussion interesting not only as a reading of Shakespeare, but also as an unusual and revealing example (...)
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  44. Phoebe Phoebe.Paul Bali - manuscript
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  45. Dante and the Medieval Other World. [REVIEW]Teodolinda Barolini - 1992 - Speculum 67 (3):728-729.
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  46. Peer Review — An Insult to the Reader and to Society: Milton's View.Steven James Bartlett - 2017 - Willamette University Faculty Research Website.
    Pre-publication certification through peer review stands in need of philosophical examination. In this paper, philosopher-psychologist Steven James Bartlett recalls the arguments marshalled four hundred years ago by English poet John Milton against restraint of publication by the "gatekeepers of publication," AKA today's peer reviewers.
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  47. W kręgu prozy i dramatu : przekłady Witolda Hulewicza utworów Maxa Broda, Tomasza Manna i Henryka Kleista.Irena Bartoszewska - 2000 - Acta Universitatis Lodziensis 2:147-155.
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  48. Im Zeichen einer literarischen Freundschaft. Witold Hulewicz - Rainer Maria Rilke.Irena Bartoszewska - 1997 - Acta Universitatis Lodziensis 1:77-87.
    Mit dem Werk des österreichischen Dichters kam Witold Hulewicz ziemlich früh in Berührung. Fasziniert von dessen Dichtkunst, nahm er mit Rilke Briefkontakte auf. Die Korrespondenz belebte sich wesentlich, als Hulewicz an den ersten Üb ertragungen ins Polnische arbeitete. Im vorliegenden Artikel bemüht sich die Autorin nicht nur die freundschaftlichen Kontakte darzustellen, sondern auf die Rolle Hulewiczs als Übersetzer und Verbreiter des Rilkschen Werkes in Polen hinzu weisen.
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  49. Dante As Philosopher at the Boundary of Reason.Christine O'Connell Baur - 2002 - Proceedings of the American Catholic Philosophical Association 76:193-210.
    In this paper I argue that the interpretation of a text by a reader involves a dialectical process that simultaneously perfects both reader and text. The issue of the dialectical relation between text and reader is beautifully embodied in Dante’s Commedia, a text that includes both an account of its subject matter as it develops (in the story of the pilgrim), as well as an account of its own coming-to-be as an interpreted, meaningful account (in the narrative of the poet). (...)
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  50. Brentano Und Kleist Vor Friedrichs Mönch Am Meer: Aspekte Eines Umbruchs in Der..Christian Begemann - 1990 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 64 (1):54-95.
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1 — 50 / 535