El proyecto mexicano de educación profesional antropológica tuvo un proceso formativo crucial a finales del gobierno posrevolucionario presidido por Lázaro Cárdenas del Río (1934-1940), pues estaba enmarcado por el programa político denominado Educación Socialista. Dicho programa dio cobijo a la fundación del Instituto Politécnico Nacional que tuvo en sus inicios un Departamento de Antropología, el cual fue transferido al Instituto Nacional de Antropología e Historia (INAH) en 1942, recibiendo el nombre de Escuela Nacional de Antropología (ENA). Aunque estos movimientos institucionales (...) parecieran solo reacomodos administrativos, dentro de ellos se modelaron interesantes perspectivas de trabajo antropológico e histórico, las cuales posicionaron a sus estudiantes en puestos clave de instituciones científicas, artísticas y gubernamentales que resultan elementales para la comprensión de las inquietudes y debates de la academia americana en las disciplinas antropo-históricas para las décadas venideras. Bajo tal contexto, este artículo identifica la potencialidad del proceso de formación académica y científica en la ENA a través de indicios contenidos en la documentación docente de Robert H. Barlow, profesor viajero estadounidense que, después de ser estudiante temporal, laboró en esta escuela entre 1945 y 1951. Consideramos sus registros como parte de un archivo vital, disperso en varias instituciones, que nos permiten rastrear algunos detalles sobre las personas que se encontraron en sus aulas durante este proceso de formación institucional de la ENA, contextualizándoles dentro del proyecto estatal de la profesionalización disciplinar, pero también en los inquietantes silencios que rodean las dispersas memorias andantes de este profesor migrante. (shrink)

In the face of seemingly new truth-related political phenomena, Hannah Arendt’s theory of truth in politics has recently seen a flare of renewed attention. Central to her theory is the distinction between rational and factual truths, and the claim that the latter, unlike the former, belongs to the political. The coherence of this claim, however, has been the object of much discussion and criticism. This article intervenes in the debate by foregrounding her conception of factual truth as “the outcome of (...) action” and advancing that this is best understood as an “extended” conception, one that includes in its compass a future-regarding concern for the facts yet-to-be. In so doing it contributes to clarify why it can be said that Arendt does not—like her critics have maintained—exclude truth from the realm of politics, but that in fact it brings to light truth’s most political dimension. (shrink)

This paper explores the dialogue between Collingwood and Guido de Ruggiero on art and art criticism. The sense of identity of these two activities, it will be argued, can be understood only if one considers the criticism of living art: The art of one who also creates, who through a critical process transforms an outline into a work of art. Thus understood a work of art belongs to the life of the spirit, if considered from the dimension of becoming. Only (...) by reliving the past can it be transformed, yet this requires an understanding of the map of human experience. This is what constitutes specular phenomenology, a phenomenology reflected in the mirror of art and scientific analysis. (shrink)

Este artículo aborda la relevancia de algunos de los principales aspectos de Ortega y Gasset y plantea los puntos de vista teóricos de su pensamiento en conexión con los estudios interculturales que es tán afectando tan dramáticamente hoy en día. Ortega señala la necesidad de una visión integradora de las culturas donde la humanidad pueda cosechar relaciones de confianza con respecto a su cultura y la de los demás, con respeto y comprensión de la diversidad. Aunque tal condición de obertura (...) denota el “estatus” que pertenece a la estructura de la existencia humana; sin embargo, no determina de ninguna manera la naturaleza y la disposición buena o mala, positiva o negativa, pacifista o conflictiva de esta relación misma. La construcción real de un mundo que el espacio de una apertura hace po- sible es una tarea factual e inherente y exquisitamente humana. (shrink)

Despite the transformation it introduced in theories of democratic representation, the so-called ‘constructivist turn’ left unchallenged the epistemology that had characterised traditional accounts: the questions at stake in current debates on representation are still mostly elicited by a ‘passive’ image of representation as ultimately the phenomenon of being represented by others. Nowhere has the focus explicitly been placed on the experience of representing others. This article proposes a recalibration of current constructivist accounts of representation by introducing what I term the (...) representative standpoint, an epistemological perspective which discloses neglected aspects of the nature and the value of democratic representation. In particular, I suggest that from the representative standpoint, we are able to configure representation as the periodic motion between two spaces: the square, where the representative meets with their constituents, and the circle, where the representative meets with the representatives of other constituencies. The essence of democratic representation lies precisely in the constant moving back and forth between these two spaces. I finally suggest that, configured in these terms, representation may be acknowledged and valued also for providing liberal democracies with an in-built device for a kind of civic education, the beneficiaries of which are the representatives themselves. (shrink)

Music and its treatment occupy a substantially reduced space within the articulated, plentiful array of Ortega y Gasset’s philosophical writings. References are limited to the articles Musicalia e Apatía artística published in 1921 in the review “El Sol”, and his 1925 essay, La deshumanización del arte. There are, moreover, some more or less explicit references to music in Gasset’s other writings. This notwithstanding, Ortega’s reflections are of interest for reasons which are implicit within his thought’s configuration. Foremostly, Gasset’s reflections on (...) music concern a clarification of the dynamics linking life with the different constitutive forms of a cultural landscape. (shrink)

The article deals with the views of the Fathers of the Church on relations between husband and wife between the end of the first century and the end of the third century, an age that is less studied in this respect, even though it offers good documentation concerning the subject. Four themes are considered: 1. adultery and separation; 2. the conjugal debt; 3. the division of tasks between husband and wife; 4. the faith life of the couple. Different opinions and (...) often original points of view are presented in regard to the lawfulness of the second marriage, the culpability of adultery, the value of sexuality in the marriage and the wife’s subordination to her husband. (shrink)

La volonté prend sa source dans la raison et elle compose avec elle pour donner l'acte libre. Elle n'est ni la raison, ni sans la raison. Elle s'en distingue en tant que faculté affective, capacité d'aimer. Comme la raison, elle est capable de dominer sur les passions. Mais elle doit le faire avec tact, par une répétition patiente que l'on appelle vertu. Rousseau, Hume, Schopenhauer et Nietzsche ont écrit l'histoire moderne du détachement de la volonté par rapport à la raison. (...) Ils ont fait de la volonté une passion, sinon un instinct. Cette aventure débouche sur une crise de l'affectivité, caractérisée par l'irrationalisme. La position très équilibrée de Thomas d'Aquin permet de mieux comprendre la nature spirituelle de la volonté et d'éclairer les enjeux des ruptures produites par les philosophes modernes. (shrink)

The aim of this study is twofold. Firstly, it intends to highlight the value of constructivist insights for religious studies by showing that various forms of approach to issues related to religion are mere constructs. In contrast to this viewpoint, the discipline of religious studies had traditionally sought a higher degree of objectivity in the scientific reflection of religious topics, but that has been a fraught path. Secondly, the example it refers to is worthy in itself. The reception of Judaism (...) in contemporary China is not only an under-investigated topic endowed with a great potential to reveal to what extent the Chinese ordinary man as well as the academic succeed to understand Western thought and to differentiate among the varied cultural traditions generally subsumed by them under the notion Western, but it also shows that the constructivist approaches preserve their validity in non-European contexts as well. Judaism’s reception in contemporary China will be pursued on four different levels: popular literature, fake books, articles in the Christian Chinese media and academic productions. The four categories of texts represent four different degrees of comprehension of the object of study, primarily offering information about the worldviews of the authors of the texts. The process of reception of thought is regarded as a form of encounter where the active part is striving to get out of its own mindset and move towards the other. (shrink)

The Clementine Recognitions and Clementine Homilies, both of which evolved between the second and the fourth centuries after Christ, are treated all too frequently as material for historians, not for critics. A book on the ancient novel is sufficiently erudite if the author shows that he has read them; the Homilies are omitted in a volume of translations under the title of Collected Ancient Greek Novels. It might be said that this is as it should be, since the Homilies are (...) largely what their title advertises, and even the Recognitions contain much that is extrinsic to the plot. By itself this threadbare plot holds little to engage us, and it is disposed of in a few pages in the works of Hägg and Perry. My object is to show that this neglect is undeserved. (shrink)

O presente texto tem como preocupação discutir a concepção de clemência que Sêneca desenvolve no Tratado sobre a clemência. A obra foi destinada a Nero com a finalidade de orientá-lo a utilizar essa virtude em seu exercício de poder. Por meio da prudência política que dela derivaria, o Imperador seria capaz de harmonizar suas ações com a sociedade romana. As reflexões realizadas ao longo do trabalho levam à compreensão de que a clemência, em Sêneca, seria um modelo de sabedoria a (...) ser aplicado pelo príncipe em suas ações políticas. Assumindo esse princípio fundamental de um bom governo e tornando-o um exemplo moral e ético, ele disseminaria essa prática por todos, selando a lealdade do povo para com seu governante. Ao mesmo tempo, de maneira velada, Sêneca procurava desviar Nero de uma tendência tirânica, cujos indícios já estariam se manifestando. (shrink)

Las arquillas de marfil de época califal que se conservan en el Instituto de Valencia de Don Juan y en la iglesia de Santa María de Fitero se labraron para el mismo personaje de la corte de al-akam II, tal y como se evidencia de la dedicatoria escrita con grafía cúfica. Varios especialistas interpretaron el pasaje en cuestión de distintas maneras, siendo las lecturas que acabaron por gozar de mayor crédito la de E. Lévi-Provençal —quien identificó el personaje con Ṣubḥ, (...) concubina de al-Ḥakam II y madre de Hiﬞsām II— y la de J. Ferrandis y E. Kühnel —quienes leyeron en la dedicatoria «para la queridísima Wallāda», aunque sin identificar al personaje.No obstante, el estudio filológico de la inscripción en la base de la interpretación de Manuel Ocaña Jiménez, junto al testimonio de las fuentes históricas confirman la hipótesis de que los objetos suntuarios en realidad se hicieron para la hermana uterina de al-Ḥakam II, Wallāda. (shrink)