Au cours d’une phase exploratoire, les rongeurs esquissent une forme qui oriente leur attention au contexte et assure un codage sensori-moteur des relations entre divers lieux caractéristiques selon un modèle qui s’apparente à la carte cognitive de Tolman. Selon nous, la perspective neuro-éthologique gagne en portée explicative par son articulation à la conception ruyérienne du comportement animal en soulignant le rôle de l’intégration de conduites guidées par des réponses instinctives dans l’élaboration de la cognition spatiale. Nous pouvons ainsi confronter les (...) descriptions de la neuro-éthologie à la conception ruyérienne de l’instinct « toujours thématique ». (shrink)

: Françoise Dastur describes her efforts to practice history of philosophy in a (paradoxically) non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

Françoise Dastur describes her efforts to practice history of philosophy in a (paradoxically) non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

Françoise Dastur describes her efforts to practice history of philosophy in a non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

Françoise Dastur describes her efforts to practice history of philosophy in a non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

L’article procède à un cheminement en quatre étapes : la première traite de la question de la mesure économique des productions nanométriques, dans une dynamique de filière et de convergence multidisciplinaire, champ d’étude de la méso-économie ; la seconde fait référence aux origines de l’approche mercantiliste de l’économie et à ses conséquences sur l’économie politique des matériaux avancés, procédés et services du domaine des nanotechnologies et matériaux avancés manufacturés ; la troisième étape recherchera les points d’appui sur lesquels l’économie politique (...) fait porter ses efforts pour développer la production et les échanges induits par les nanosciences et techniques en s’appuyant sur deux exemples ; la quatrième et dernière étape examine les barrières réelles au développement économique induit par les nanotechnologies, telles que les conflits d’intérêts entre acteurs autour de la question de la traçabilité les ont progressivement révélées dans les dialogues entre parties prenantes. (shrink)

Open peer commentary on the article “A First-Person Analysis Using Third Person-Data as a Generative Method: A Case Study of Surprise in Depression” by Natalie Depraz, Maria Gyemant & Thomas Desmidt. Upshot: Given the claims of Natalie Depraz regarding what she called in 2004 the “practical turn of phenomenology,” I ask the authors how they conceive the research they presented in their 2017 article, particularly regarding transcendental phenomenology.

Verges' manifesto argues that feminists should no longer be accomplices of capitalism, racism, colonialism and imperialism: it is time to fight the system that created the boss, built the prisons and polices women's bodies. The author grapples with the central issues in feminist debates today: from Eurocentrism and whiteness, to power, inclusion and exclusion. Delving into feminist and anti-racist histories, Verges also assesses contemporary activism, movements and struggles, including #MeToo and the Women's Strike. Centering anticolonialism and anti-racism within an intersectional (...) Marxist feminism, the book puts forward an urgent demand to free ourselves from the capitalist, imperialist forces that oppress us. --From publisher description. (shrink)

Début 1871, Helmholtz donne une conférence à Heidelberg, devant un public de non spécialistes, sur « la genèse du système planétaire », dont le sujet sera ce qu’il appelle la théorie de Kant-Laplace. Plutôt que de commencer par expliquer ce qu’il faut entendre par cette dernière, Helmholtz expose devant ses auditeurs la représentation que l’on se fait désormais de la formation des corps célestes et de leur devenir probable, en s’appuyant sur les progrès des connaissances, la découverte de nouvelles lois, (...) l’usage d’instruments de plus en plus perfectionnés. C’est ainsi que la validité de l’hypothèse de Kant et de Laplace se trouve confirmée a posteriori et leur audace légitimée. Aussi, la démarche adoptée par Helmholtz relativise-t-elle implicitement, et peut-être à son insu, la rigueur postulée de la bonne méthode scientifique. La cosmogonie esquissée par Helmholtz ressemble à un spectacle bien étudié dont les auditeurs sont les spectateurs, les savants, les acteurs, et la science épurée, l’enjeu. L’analyse de ce texte a donc pour objectif principal d’identifier et de rappeler les éléments contextuels qui lui confèrent son épaisseur, depuis la guerre franco-prussienne jusqu’aux tensions idéologiques, philosophiques, scientifiques qui en sont l’arrière-plan. (shrink)

Mill’s defence of individual liberty rests on a conception of historical determinism that is crucial for his liberalism, but is generally misunderstood. The aim of the paper is to explore Mill’s complex view both of the historicity of human nature and of the historical factors that shape it. Avoiding the weaknesses of Bentham’s a-historical utilitarianism, Mill describes in On Liberty human beings as self-developing individuals. As a consequence, the role of society and history in that constant transformation cannot be understood (...) in naturalistic terms as in the natural sciences. In his Logic, Book VI, Mill develops his ambition to produce a “new” science of human behaviour or Ethology that would unite individual freedom and social factors in our understanding of history. (shrink)

Les travaux de Françoise Dastur portent sur la phénoménologie et l'herméneutique ainsi que sur l'idéalisme allemand. Tout en privilégiant la question du langage et de la poésie, notamment dans l'oeuvre de Hiilderlin, elle s'attache à élucider le sens de notre expérience mondaine, par-delà tout positivisme et tout théologisme. Il s'agit, dans le prolongement de la pensée de Heidegger, de s'ouvrir à ce qui advient et de tenter de dire cette entrée en présence de l'apparaître qui se dérobe sans cesse (...) à la prise de nos concepts. Dans cette perspective, la philosophe ne manque pas d'interroger la pensée orientale : comment ne pas tenter d'entrer en dialogue avec d'autres formes de pensée, qui peuvent peut-être rendre compte de manière plus adéquate de cet événement qu'est l'apparaître? (shrink)

In this timely collection, the authors examine Indigenous peoples' negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples' engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. Contributors to this volume offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as (...) forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel. (shrink)

Dieu : ce nom, du moins dans les langues indo-européennes, renvoie à l’idée de lumière, et de lumière du ciel. C’est en effet à la racine indo-européenne deiwos qui signifie « lumière » du ciel ou du jour que se rattachent le sanskrit devas, le grec theos, le latin deus, et le français dieu. Il est vrai que les termes qui désignent Dieu dans les langues germaniques (Gott en allemand, God en anglais) ont une autre origine, elle aussi indo-européenne, mais (...) ici l’étymologie ne donne pas de répon... (shrink)

Fragments of painted plaster found in the destruction layer of three first floor rooms in the House of Seals and of one first floor room of the House of the Sword had broken from the ceiling. They allow the restoration of the schema in the room of the House of the Sword and of two of the rooms in the House of Seals, the latter in colour. Composed of bands surrounding a quadrangular field, these décorations, evoking carpets stretched on the (...) ceiling, are richer (costly pigments, gold leaf) and more complex (some fifteen motifs) than those in tombs of the same period, which adopted the same « carpet » composition and which borrowed from the same repertoire, often confirmed by the textiles. Since we know of no other ceiling decoration in habitation rooms, it is unwise to contrast the exuberance of these ceilings with the tomb ceilings. The room that could not be restored had moreover a much more perfunctory decoration. (shrink)

Wittgenstein's Folly: Philosophy, Psychoanalysis and Language Games presents a dialogue between the philosopher Ludwig Wittgenstein, the author Françoise Davoine, and Davoine's patients with extreme lived experience. The book begins with Davoine's seminar at the École des Hautes Études en Sciences Sociales in Paris, which is attended by Wittgenstein. He then accompanies Davoine on visits to colleagues at the Austen Riggs Center in Massachusetts, in California, on a Sioux reservation in South Dakota, and at Freud's house in Vienna. The dialogic form (...) of the book allows a performance centered on the psychotherapy of madness and trauma, in which Wittgenstein takes the floor. Davoine introduces us to a contemporary Feast of Fools and creates new language games with madness, enlarging the scope of psychoanalytic approaches to authors like Wittgenstein. The chapters of this book closely resemble short plays in which a conversation with living human beings or with characters from philosophy, literature, science, and the arts encounter one another and begin to open new ways of speaking that can render the "mad" more familiar and more manageable. Wittgenstein's Folly: Philosophy, Psychoanalysis and Language Games will be of great interest to psychoanalysts and to academics and students engaged in psychoanalytic studies, philosophy and trauma-related studies. (shrink)

La lutte contre la Covid a donné à l’Europe un premier élan fédéral. Le second est provoqué par le bruit des bottes russes en Ukraine. L’Union réagit par des sanctions sans précédent contre la Russie, en particulier en diminuant drastiquement ses approvisionnements en gaz. L’Allemagne en est la première perdante. La combinaison d’intérêts économiques divergents et la tradition allemande de l’Ostpolitik approfondissent les divergences entre la France et l’Allemagne. La France affirme la souveraineté stratégique européenne ; l’Allemagne considère l’alliance avec (...) les États-Unis incontournable. Elle décide de porter le projet de « bouclier antimissile européen » avec la plupart des pays de l’Est, au moyen de technologies américaines et israéliennes, ce qui crispe la France. La question de l’envoi possible de troupes en Ukraine achève de détériorer le tandem franco-allemand. L’Europe est entrée dans une nouvelle ère : son centre de gravité se déplace vers l’est. L’élargissement qui se profile appelle à un saut fédéral. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:At the Beginning, There was the MaskFrançoise Vergès (bio)There is a long history to be told about the links between the economy of extractivism and exhaustion, between colonialism, race, capitalism, imperialism, and breathing, which could be summarized as the "struggle against suffocation and for life." Colonialism (slavery and post-slavery), race, and capitalism are all about un-breathing, about the toxicity of social, cultural, sexual and "natural" environments, about silencing, erasing (...) voices, cutting tongues, forbidding speech, fabricating a deadly form of quietude, requiring mute consent to injustices and inequalities. They play on restricting human lungs and on colonizing the lungs of the planet. In their world, one no longer breathes freely, one can no longer finds her voice, one learns to whisper. It is not the whisper of underground resistance, of words circulating from mouth to mouth to signal where is the next refuge, the next sanctuary, the cache for arms, the false papers, the hidden routes of escape and marooning. It is the murmur of someone beaten and tortured until mad with pain, when breathing has become an ordeal.When we say, "We are suffocating" or "The air has become unbreathable!" we are not just talking of polluted air but of the feeling of living in a deleterious and asphyxiating political regime, which involves social censorship and self-censorship. Fear sets in, we only speak in hushed tones. Under such a regime, political order demands civilized speech, disciplined expression; the authorized music is "national," "military," patriarchal, or of a reinvented tradition. The joy must be measured and the words of the songs and public speech be neutral or to the glory of the regime. The authoritarian regime may even appropriate a song of freedom as its hymn, a bitter paradox where the words of freedom are confiscated to justify oppression. The body is corseted, the voice muzzled, the lungs function faintly, they transcribe our feelings in their rhythm, accelerating or slowing down. When songs and cries of freedom nonetheless arise, defying the regime of silencing and un-breathing, they sharply shatter the feeling of physical and psychic suffocation, the feeling that words remain in our throat, that our voice cannot come out. Suddenly, we catch our breath. We respire, inhale, exhale, fill our lungs. And we reconnect [End Page 54] ourselves with the etymological meaning of respire: from Latin re (again) and spirare itself from Latin spiritus "a breathing (respiration, and of the wind), breath; breath of a god," hence "inspiration; breath of life," hence "life," also "disposition, character; high spirit, vigor, courage" (Harper). Life, vigor, and courage, the breathing of the oppressed break down the politics of suffocation."I can't breathe" were the last words of George Floyd, not long before exhaling his last breath. When across the world, during 2020, people were shouting in many languages, "I can't breathe" using all their breath, they were, by the thousands, making their voices heard, rupturing the silencing of racism. "I can't breathe" became a breathing cry. Breathing became resistance. Singing collectively was breathing together. The song soars from thousands of breasts. The human voice, alone or collective carries an emotional force within it, vibrates sensually. But one may say, this has been, and can still be, the expression of fascism, of toxic masculinity and lynching mobs. When is breathing a revolutionary practice then? When we retrace the racial history of suffocation and breathing, of the colonial/ imperialist military noise vs. songs of freedom, of breathing as a politics toward humanizing the world. In other words, when we show how polluted air and noise are central elements in racial and gendered exploitation and how the antiracist struggle against pollution and suffocation is a struggle against racial capitalism. When we learn that recent medical research links air pollution to delayed cognitive development, stunted growth, and reduced lung capacity in children, we understand that the pretense of the universal right to childhood is a lie. Racism condemns Black, Indigenous and Brown children to premature death. According to the World Health Organization, more people are dying every year of polluted air than of any other cause. The role of air pollution in neurodegenerative diseases such as... (shrink)

Eugénie Cotton est, à l’exception peut-être des ancien·nes communistes, une figure peu connue des historien·nes et du grand public, même si une modeste rue du 19e arrondissement de Paris porte son nom depuis la fin des années 1970 et lui rend hommage en la qualifiant de « docteur ès sciences, promotrice des droits de la femme ». La biographie que lui consacre Loukia Efthymiou, professeure de langue et littérature françaises à l’Université d’Athènes, et spécialiste d’histoire des femmes et du...

oise Baylis, 1234 Le Marchant Street, Halifax, Nova Scotia, Canada B3H 3P7. Tel.: (902)-494–2873; Fax: (902)-494-2924; Email: francoise.baylis{at}dal.ca ' + u + '@' + d + ' '//--> . Abstract Recently, there has been a growing interest in public health and public health ethics. Much of this interest has been tied to efforts to draw up national and international plans to deal with a global pandemic. It is common for these plans to state the importance of drawing upon a well-developed (...) ethics framework and we argue that this framework should reflect the values and insights of feminist relational theory. More specifically, we argue that pandemic planning must be squarely situated in the larger realm of public health and that an ethics framework for public health will be one that recognizes the need to pay particular attention to the vulnerability of subpopulations lacking in social and economic power. We propose an ethics framework for public health that builds on the notions of relational personhood (including relational autonomy and social justice) and relational solidarity. In this way, we aim for a public health ethics that, as appropriate, promotes the public interest and the common good. CiteULike Connotea Del.icio.us What's this? (shrink)

On trouve de nombreuses références à Marx dans les textes de Heidegger, ce nom étant souvent associé à celui de Hegel, et l’on sait qu’il a probablement commencé à véritablement lire les textes de Marx au début des années 1930, au moment où Siegfried Landshut, qui avait suivi ses cours (ainsi que ceux de Husserl) à Freiburg, puis à Marbourg, découvrit les Manuscrits de 1844 de Marx et en fut l’éditeur, avec Jacob-Peter Mayer, en février 1932. C’est d’ailleurs un passage (...) de l’un des textes du... (shrink)

Recent computational models of perception conceptualize auditory oddball responses as signatures of a learning process, in line with the influential view of the mismatch negativity as a prediction error signal. Novel MMN experimental paradigms have put an emphasis on neurophysiological effects of manipulating regularity and predictability in sound sequences. This raises the question of the contextual adaptation of the learning process itself, which on the computational side speaks to the mechanisms of gain-modulated prediction error. In this study using electrocorticographic signals, (...) we manipulated the predictability of oddball sound sequences with two objectives: Uncovering the computational process underlying trial-by-trial variations of the cortical responses. The fluctuations between trials, generally ignored by approaches based on averaged evoked responses, should reflect the learning involved. We used a general linear model and Bayesian Model Reduction to assess the respective contributions of experimental manipulations and learning mechanisms under probabilistic assumptions. To validate and expand on previous findings regarding the effect of changes in predictability using simultaneous EEG-MEG recordings. Our trial-by-trial analysis revealed only a few stimulus-responsive sensors but the measured effects appear to be consistent over subjects in both time and space. In time, they occur at the typical latency of the MMN. In space, we found a dissociation between time-independent effects in more anterior temporal locations and time-dependent effects in more posterior locations. However, we could not observe any clear and reliable effect of our manipulation of predictability modulation onto the above learning process. Overall, these findings clearly demonstrate the potential of trial-to-trial modeling to unravel perceptual learning processes and their neurophysiological counterparts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Oppression1Françoise Lionnet (bio)In her disquietingly incandescent poetic novella, La vie de Josephin le fou, completed with the energy of urgency in just two weeks in November 2002,2 Mauritian author Ananda Devi explores Joséphin's relationship with the protective aquatic environment that becomes his refuge from domestic abuse and maternal rejection:J'ai pris l'habitude d'aller dans la mer chaque fois que le monde d'en haut criait trop fort. La mer m'a accueilli (...) chaque fois sans poser de questions, elle avait pas de voix, la mer, que des sons transparents et mouillés, des sons qui vous bercent et vous endorment et vous cicatrisent et vous guérissent….(20)Going into the ocean became a habit every time the world up above would scream too loud. The ocean welcomed me every time, without asking any questions--the ocean had no voice, only sounds, transparent and soaked, sounds that could rock you to sleep and heal your wounds…..(27)The French-language narrative plays with the homonyms mer (sea/ocean) and mère (mother) to underline the nurturing maternal qualities of the deep, which it contrasts with the behavior of the abused and abusive human mother. Caught in a vortex of violence on land where he must always hold his breath and his tongue, Joséphin has developed the ability to survive without much air. This learned ability to restrict his breathing has prepared him for life under water:J'avais pas besoin de respirer. J'avais tellement retenu ma respiration depuis bébé pour pas la mettre en colère… que c'était facile de le faire de nouveau pour rester longtemps longtemps sous l'eau. Vivre là, en captant quelques bulles d'air échappées des coquilles.(22)I didn't need to breathe. I had held my breath for so long as a baby to not make her mad…. that it was easy to do it again, to stay a long long time under water, to live there, off of a few air bubbles escaped from sea shells.(28)In a story that takes on the generic characteristics of the fantastic, Devi thematizes the relationship between social or familial oppression and the physiological constriction of lungs due to oxygen deficiency. Joséphin's (self-)denial of air speaks to us today, eloquently, of an urgent issue that became prominent in the past two years: choking as a form of torture inflicted upon victims of police brutality. The oft repeated slogan, "I can't breathe," militant words of the international Black Lives Matter movement, [End Page 169] have become a rallying cry against oppression. "I can't breathe" is recognizable everywhere as a sign of outrage against gratuitous human cruelty, and in 2020, George Floyd became its most famous contemporary symbol, after Eric Garner's death in a choke hold first drew attention to the issue. Journalist Lonnae O'Neal has discussed Floyd's fate, his tragic last moments, his call to his absent, deceased mother. O'Neal dwells on the words he uttered as he lay in the street: "Momma! Momma! I am through." In her elegy to black motherhood, O'Neal asserts that a dying man's call to his mother "is a prayer to be seen," "a sacred invocation" that expresses the poignant hope that memory and justice will prevail. She invokes Floyd's need to be recognized as a human being, to testify to his humanity with his last breaths, and thus to be remembered as having mattered. Her lyrical prose contains direct echoes of Martinican poet Aimé Césaire's poem "Le cri" in which the narrator forces recognition of his humanity by leaving traces of his "souffle," his breath, in the invisible presence-absence of air:Le vent novice de la mémoire des méandress'offenseÀ vif que par mon soufflede mon souffle il suffisepour à tous signifierprésents et avenirqu'un homme était làet qu'il a crié[…]The wind, inexpert at remembering meandersis stungto the quick that my breathmy breath alone sufficesto signify to allnow and foreverthat a man was... (shrink)

How, asks Françoise Dastur, can philosophy account for the sudden happening and the factuality of the event? Dastur asks how phenomenology, in particular the work of Heidegger, Husserl, and Merleau-Ponty, may be interpreted as offering such an account. She argues that the “paradoxical capacity of expecting surprise is always in question in phenomenology,” and for this reason, she concludes, “We should not oppose phenomenology and the thinking of the event. We should connect them; openness to phenomena must be identified (...) with openness to unpredictability.” The article offers reflections in these terms on a phenomenology of birth. (shrink)

Appuyé sur un document, cet article esquisse l’histoire d’une organisation mal connue et éphémère : « le Bureau de liaison issu de la rencontre internationale des femmes 1960 », rencontre dont l’initiative revient à la Fédération démocratique internationale des femmes. Il explicite également le rôle qu’y a joué la militante française Marguerite Thibert, animé de l’espoir de dépasser la guerre froide. Mais la neutralité et l’équilibre politiques souhaités pour parler au nom de toutes les femmes se heurtent aux tensions internationales (...) qui alimentent, d’un côté, l’anticommunisme et, de l’autre, des stratégies d’instrumentalisation des solidarités. (shrink)

Beyond simple verbal or technical strategies aimed at extending man’s physical capacities and range of action, our modern times provide unusual means of emancipating ourselves from the limitations and imperfections of the body. Science and the arts inspire each other when they discuss the new possibilities offered by chemistry, genetics, devices, cybertechnologies (A.I.), scientific achievements in the field of transsexuality, developments in digital imaging and immersive 3D virtual experiences, and speculation on the potential of so-called quantum therapies, which most scientists (...) scoff at—while other therapeutic avenues based on the use of certain frequencies are being opened up by neuroscience. Some performances are veritable medical experiments, turning the strangely metamorphosed body into an object of art, another mutant. Recent discoveries are multiplying ordinary capacities tenfold, sometimes raising the question of the unity of mind and body, undermined by the cybernetic development of the human being. The arts seek to be pioneers in addressing these issues, as does speculative science fiction, which attempts to anticipate the risks created by these innovations. (shrink)

Chez la plupart des Français, la mémoire des années quarante est hantée par les difficultés du quotidien : avoir faim, avoir froid par des hivers rigoureux, manquer de vêtements et de chaussures, faire la queue, se débrouiller comme on peut. Cartes, tickets, ersatz, rutabagas, système D, marché noir sont les termes récurrents des témoignages oraux. Pourtant les historiens de la période ont longtemps négligé de faire l’histoire de ce quotidien, lui préférant les grands événements politiques et...

Qui gardera les enfants? a été publié au début de l’année 2007, alors que fleurissaient les petites phrases assassines des présidentiables. Lié à l’actualité politique, le titre fut choisi par l’éditeur, alors qu’Yvonne Knibiehler proposait Féminisme et maternité, dès lors attribué à la cinquième partie de l’ouvrage. L’introduction le place en effet sous le signe d’un manifeste pour un féminisme soucieux de « repenser la maternité ». Mais il est aussi un livre de mémoires où l’historienne –...

Huitième titre d’une collection consacrée aux « gens de France », l’ouvrage proposé par Yannick Ripa est un beau livre que chacun-e se plaira à feuilleter, observant quelques-unes ou l’ensemble des 400 photographies qui le peuplent. Mais c’est aussi un manifeste historiographique pour l’usage de la photographie en histoire et une lecture éclairée de plus de 120 ans d’histoire des femmes en France. Si l’atelier de l’historienne est peu explicité, on devine la longue quête dans les fonds d’age...

Maternités : l’usage du pluriel dans le titre de ce numéro dit d’emblée la diversité des expériences maternelles et la polysémie du terme, qui désigne à la fois l’action de porter et mettre au monde un enfant, le lieu (l’hôpital) où s’effectuent les accouchements, la relation (matérielle et affective) tissée avec des enfants et inscrite dans un réseau de parenté, une oeuvre d’art représentant la mère et l’enfant. Historienne de la maternité, engagée aujourd’hui, par la parole et l’écrit, pour...

CLIO, Histoire, Femmes et Sociétés est en France la deuxième tentative de revue d'histoire des femmes, après Pénélope, pour l'histoire des femmes. Issue de la collaboration entre un groupe d'historiennes de l'EHESS et du Groupe d'études féministes (GEF) de l'Université Paris 7, Pénélope a accompagné et favorisé le développement des premières recherches et des premières soutenances de thèse en histoire des femmes. Entre 1979 et 1985, elle a publié treize cahiers thématiques qui rendaient compt...