Models of discourse and narration elaborated within the classical compositional framework have been characterized as bottom-up models, according to which discourse analysis proceeds incrementally, from phrase and sentence local meaning to discourse global meaning. In this paper we will argue against these models. Assuming as a case study the issue of discourse coherence, we suggest that the assessment of coherence is a top-down process, in which the construction of a situational interpretation at the global meaning level guides local meaning analysis. (...) In support of our hypothesis, we explore the role of executive functions (brain functions involved in planning and organization of goal-oriented behaviors) in coherence’s establishment, discussing the results of several studies on narrative abilities of patients with brain injuries. We suggest that, compared to other models of discourse processing focused on comprehension, our model is a viable candidate for an integrated account of discourse comprehension and production. (shrink)

Classical cognitive science has been characterized by an association with the computational theory of mind. Although this association has produced highly significant results, it has also limited the scope of scientific psychology. In this paper, we analyse the limits of the specific kind of computational model represented by the Chomskian-Fodorian tradition in the study of mind and language. In our opinion, the adhesion to the principle of formality imposed by this specific computational model has motivated the exclusion of consciousness in (...) the reflection on language and, consequently, has led to the inability to account for some aspects of language functioning at the processing level of discourse. The aim of this article is to restore the role of consciousness in discourse comprehension and production processes. Specifically, we argue that the ability to produce and understand discourses is based on individuals’ capacity for navigation in space and time. We will show that the space–time orientation is guaranteed by the projection of the self, which involves a special kind of consciousness. (shrink)

According to Chomsky, creativity is a critical property of human language, particularly the aspect of ?the creative use of language? concerning the appropriateness to a situation. How language can be creative but appropriate to a situation is an unsolvable mystery from the Chomskyan point of view. We propose that language appropriateness can be explained by considering the role of the human capacity for Mental Time Travel at its foundation, together with social and ecological intelligences within a triadic language-grounding system. Our (...) proposal is based on the change of perspective from the analysis of individual sentences to the flux of speech in which the temporal dimension of language is much more relevant. (shrink)

The main aim of this paper is to analyze the relationship between brain and language in terms of coevolution. Nowadays, the thesis of coevolution is defended by the exponents of the neoculturalist paradigm to claim that language is the product of cultural evolution. In our opinion, this claim is misleading. From our point of view, in fact, we can refer to the relationship between brain and language in terms of coevolution only if we are prepared to maintain that language is (...) the product of natural selection. In our opinion, in other words, the coevolution thesis involves the idea of language as biological adaptation. (shrink)

The main aim of this paper is to analyze the relationship between brain and language in terms of coevolution. Nowadays, the thesis of coevolution is defended by the exponents of the neoculturalist paradigm to claim that language is the product of cultural evolution. In our opinion, this claim is misleading. From our point of view, in fact, we can refer to the relationship between brain and language in terms of coevolution only if we are prepared to maintain that language is (...) the product of natural selection. In our opinion, in other words, the coevolution thesis involves the idea of language as biological adaptation. (shrink)

The aim of this paper is to justify the role of mental imagery in creativity. In more specific terms the central idea of this paper is that the justification for the role of mental images in the creative process lies in the analysis of the relationship between vision and imagery. Mental images are present in thought just in those situations in which the ideal way to solve a problem would be the perception of those same things before our own eyes. (...) The production of a mental image is, from this point of view, an analogous process to the perception of an object in its absence. In these cases the images become a good substitute for reality: this is possible because they share common structural elements with percepts. These shared common characteristics provide a validation to the idea that the role of imagery in creativity depends on the structural properties which mental images share with the representation of the perceived information. Such a result opens the way to the idea that there is a close link between imagery and vision and, thus, provide justification for the theory that imagery is closer to perceiving than to thinking. (shrink)