Efforts to diffuse useful knowledge on the part of dedicated social reformers, enterprising publishers, and vigorous voluntary associations created new forms of popular literature in the urban centres of Paris and London during the middle decades of the nineteenth century. Popular science periodicals, especially, embodied the aims of the advocates of cheap literature, by providing ‘improving’ information at prices low enough to reach readers who might otherwise purchase potentially dangerous political tracts. Besides promoting social stability, popular science periodicals served to (...) answer the needs of diverse increasingly literate, leisured, and well paid social groups.From their inception, through their evolution over half a century, periodicals in London and Paris mirrored these similar commitments and concerns of their creators. Continuous imitation back and forth across the Channel indicated just how closely English and French editors shared common programmes. Yet despite the similar aspirations of their promoters, popular science periodicals in England and France revealed the outlines of two very different low scientific cultures, shaped by the dissimilar characteristics of their audiences, editors, and high scientific communities. (shrink)

(1992). Horse race: John William Dawson, Charles Lyell, and the competition over the Edinburgh natural history chair in 1854–1855. Annals of Science: Vol. 49, No. 5, pp. 461-477.

Drawing on archival material in Utrecht and Rotterdam, we examine the geophysical surveys of Indonesia and Brazil carried out by Elie van Rijckevorsel during the period 1870 to 1890. We pay special attention to the complex interactions among university academics, government administrators and ministers of state, and private, ‘gentlemanly’ specialists. Making an appearance, in addition to Van Rijckevorsel, are the Utrecht polymath Christophorus Hendricus Diedericus Buys Ballot , the colonial and metropolitan astronomer Jean Abraham Chrétien Oudemans , colonial geophysicist Pieter (...) Adriaan Bergsma , French-Brazilian astronomer Emmanuel Liais , Colonial Minister Isaac Dignus Fransen van de Putte , and others. The decision of Van Rijckevorsel, an independently wealthy man of learning, to carry out a magnetic survey of the Malay archipelago spurred colonial authorities at The Hague to endow the finest geomagnetic observatory in the tropics. Van Rijckevorsel's interactions with academia and government suggest the extent to which wealthy Dutch patricians readily accepted government patronage for their scientific undertakings. A late-nineteenth-century Dutch ‘gentleman of science’ is seen to differ rather widely from his English counterpart of an earlier generation. An appendix reproduces, in English translation, correspondence from the early 1870s. (shrink)

Revisiting the history of relativity Content Type Journal Article DOI 10.1007/s11016-010-9466-4 Authors Lewis Pyenson, Department of History, Western Michigan University, Kalamazoo, MI 49008-5242, USA Sean F. Johnston, School of Interdisciplinary Studies, University of Glasgow, Rutherford-McCowan Building, Dumfries, Glasgow, Scotland G2 0RB, UK Alberto A. Martínez, Department of History, University of Texas at Austin, 1 University Station B7000, Austin, TX 78712-0220, USA Richard Staley, Department of the History of Science, University of Wisconsin-Madison, 226 Bradley Memorial Building, 1225 Linden Drive, Madison, (...) WI 53706-1528, USA Journal Metascience Online ISSN 1467-9981 Print ISSN 0815-0796 Journal Volume Volume 20 Journal Issue Volume 20, Number 1. (shrink)

In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso's and Einstein's educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso's and Einstein's professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation's focus on an inventory of the natural (...) world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century. (shrink)