People with disabilities (PWD) comprise a significant part of the population yet experience some of the most profound health disparities. Among the greatest barriers to quality care are inadequate health professions education related to caring for PWD. Drawing upon the expertise of health professions educators in medicine, public health, nursing, social work, and physician assistant programs, this forum showcases innovative methods for teaching core disability skills and concepts grounded in disability studies and the health humanities. Each of the essays offers (...) practical guidance for developing curricular interventions appropriate for students at various levels of training and familiarity with disability to be implemented in classroom discussions, case-based learning, lectures, panels, and clinical simulations across the full spectrum of pre-health and health professions education. (shrink)

The study aims to analyze the changes in the status of rationality in the field of the New Rhetoric – the most influential direction in the modern theory of argumentation, which appeared in the 1960s with the scientific works of C. Perelman – L. Olbrechts – Titeka and S. Toulmin. The thesis presented is that the practices of contemporary public discourse find their most logical and comprehensive theoretical explanation in the teachings of the New Rhetoric, which change the traditional status (...) of rationality and transform it into a logic of practical philosophy. The novelties are ascertained by tracking the dynamics in the understanding of the main categories of argumentation – evidence, argumentation, deductive validity, evaluation criteria, arguments, facts, assumptions, values, consent. Perelman’s model of rational argumentation outlines the transition from logical to communicative rationality, which introduces the factors of contextuality and functionality; affirms the validity of a communicative reasonableness in which the mechanisms of thought are synchronized with the processes of language; introduces practical reasoning, which functions as a strategic interaction between logical thinking, imagination, and language. (shrink)

At Argonautica 4.12–13, Medea, frightened and on the point of fleeing her home, 2 is compared to a young deer.

ArgumentWe expand upon the notion of the “credibility cycle” through a study of credibility engineering by the food industry. Research and development (R&D) as well as marketing contribute to the credibility of the food company Unilever and its claims. Innovation encompasses the development, marketing, and sales of products. These are directed towards three distinct audiences: scientific peers, regulators, and consumers. R&D uses scientific articles to create credit for itself amongst peers and regulators. These articles are used to support health claims (...) on products. However, R&D, regulation, and marketing are not separate realms. A single strategy of credibility engineering connects health claims to a specific public through linking that public to a health issue and a food product. (shrink)

Laboratory ethnographies have provided valuable insights in the workings of contemporary science and technology and about facts in the making. Nearly all these ethnographic studies have been conducted at nonprofit research institutes. In this article, the authors argue that it is time for science and technology studies (STS) ethnography to direct its gaze toward for-profit knowledge production sites. The authors do so, based on a long-standing recognition that nonprofit academic laboratories do not have a monopoly on knowledge construction. First, they (...) historicize STS’ focus on public knowledge production, distinguishing between two roles for STS. Second, they argue that relationships between industry and society have changed, resulting in increasing corporate transparency. Third, they argue that this change enables STS ethnography to enter corporations and corporate laboratories. The authors conclude by proposing a research agenda for the social study of corporate science. (shrink)

La disfasia es un término que conceptualiza una entidad gnoseológica relacionada con la organización del lenguaje en su evolución. Es un trastorno grave y de prolongada duración que afecta a niños desde el inicio del desarrollo del lenguaje, se extiende a toda la infancia y la adolescencia y puede dejar secuelas en el estado adulto. En esta revisión bibliográfica se propone un acercamiento a la comprensión de sus dimensiones, concepto, síntomas y pautas para el diagnóstico e intervención desde el enfoque (...) de la Comunicación. Dysphasia is a term that conceptualizes a gnoseologic entity related to the organization of language in its evolution. It is a severe and prolonged duration disorder that affects children since the beginning of the language development and extends to all children and adolescents; it can also leave consequences in the adult stage. This review proposes an approach to the understanding of its dimensions, concept, symptoms and guidelines for the diagnosis and involvement from a communication perspective. (shrink)

The present book is the result of the conference 'Renovatio, inventio, absentia imperii. From the Roman Empire to Contemporary Imperialism', held in Brussels at the occasion of the 75th anniversary of the Academia Belgica in Rome (September 11-13, 2014). At the heart of the conference was the 'reception', 'Nachleben' or 'permanence' of the Roman Empire, of an idea and a historical paradigm which since classical Antiquity has supported the most widespread claims to obtain and consolidate power. The volume's focus is (...) on culture in a broad sense, i.e. including besides the arts, philosophy, religion and, most importantly, discourse. As such, a wide array of themes are subjected to academic scrutiny. Whereas the main focus is on Europe and North America, some contributors also reach out towards non-Western contexts, whether or not directly related to the Roman example. A theoretical and sociological dimension is also added thanks to the discussion on methodological issues. More specifically, the following question(s) receive particular attention: what is our position as researchers, embedded in a contemporary, often Western, democratic and capitalist context; what about the notion of empire itself, its constituent elements and the kind of ideological prerogatives to which it is generally subjected; in other words, apart from the many historical variants and instances of reception of empire, through which filters can, and inevitably do, we approach this topic? A question that has become ever more pregnant since the beginning of the twenty-first century, after the dissolution of the Soviet Union, the events of September 11, which have revivified what could be called American 'imperialism', and at a time when an essentially economic variant, driven by 'emerging' powers such as China, has increasingly contested existing power structures."--Page [4] of cover. (shrink)

At Argonautica 4.12–13, Medea, frightened and on the point of fleeing her home, 2 is compared to a young deer.

As an Apollo-like Jason leaves home to start the long journey in quest of the Golden Fleece a strange incident occurs: The first thing to be said about this scene is that it is almost certainly an invention of Apollonius Rhodius.

As an Apollo-like Jason leaves home to start the long journey in quest of the Golden Fleece a strange incident occurs: The first thing to be said about this scene is that it is almost certainly an invention of Apollonius Rhodius.

Despite much research on the relationship between awareness and dementia little can be concluded concerning their relationship and the role of other factors. It is likely that studies capture different phenomena of awareness. This study aimed at identifying and delineating such variation by analysing data from three questionnaires obtained during the longitudinal study of awareness in 101 people with early-stage dementia. The data concerned awareness in relation to memory, activities of daily living and socio-emotional function. Significant differences in patterns of (...) discrepancies were obtained. This suggests that the awareness phenomena involved were structurally different; and that, in turn, this may reflect variation in the intrinsic linking between awareness and its ‘object’ . The identification of such differences is necessary so that appropriate methodologies can be applied to the study of awareness in different contexts. (shrink)

RESUMEN La Estrategia socioeducativa para la familia en el uso de la tecnología sanitaria del lente de contacto, proyecto de investigación del cual derivan los resultados que se exponen en el presente texto; se instituye a partir de un nuevo algoritmo de trabajo por el optometrista, atendiendo a que con la terapéutica encaminada a contrarrestar las complicaciones que ocasiona el uso indebido de la tecnología se ha intentado minimizar las anomalías de enfermedades oculares. Su objetivo general se dirige a un (...) estudio social sobre la innovación, desde la perspectiva de las relaciones ciencia, tecnología y sociedad. El proyecto tiene carácter de innovación tecnológica de tipo Investigación aplicada. Sus resultados validan, desde un enfoque interdisciplinario, las influencias que cada contexto sociocultural ejerce sobre el desarrollo de la ciencia y la tecnología y los impactos sociales. ABSTRACT La The socio-educative strategy for the family in the use of the sanitary technology of the contact lens, research project from which derive the results that are exhibited in the present text; it is instituted from a new work algorithm by the optometrist, attending to that with the therapeutics directed to resist the complications that the undue use of the technology causes, it has tried to minimize the anomalies of ocular illnesses. Its general objectiv goes to a social study on the innovation, from the perspective of the relations science, technology and society. The project has character of technological innovation of type Applied Investigation. Its results validate, from an interdisciplinary approach, the influences that every sociocultural context exercises on the development of the science and the technology and the social impacts. (shrink)

Name der Zeitschrift: Klio Jahrgang: 99 Heft: 1 Seiten: 373-380.

Name der Zeitschrift: Klio Jahrgang: 100 Heft: 2 Seiten: 571-575.

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 173 ducente un monde interamente unificato dall'azione divina. Ma, come egli stesso ritiene di avere mostrato nell'altro sue libro, Le probl~raede l'ttre chezAristote, questo fu soltanto l'ideale di Aristotele, mentre la sua filosofia effettiva ne rimase infinitamente Iontana. L'etica di Aristotele si pu6 definire allora un umanesimo tragieo: umanesimo, in quanto presuppons la fiducia nell'uomo, nella sua ricerca e nella sua azione; tragieo, in quanto si costituisce (...) proprio nella distanza che separa l'uomo da Die: Aristotele invita l'uomo a volere tutto il possibile, ma solo il possibile, e a lasciare il resto agli dei (pp. 174-177). Nell'appendice, dedicata al tema dell'amieizia in Aristotele, I'A. mostra come anche questa virtfl, analogamente alla prudenza, sia espressione dell'imperfezione dell'uomo, il quale, non potendo trovare la propria felicit~ nella contemplazione e nelI'amore dise stesso, come Die, la cerca nel riconoscimento e nell'amore degli altri (pp. 179-183). Nel complesso si deve ammettere che lo studio dell'A. ~ il tentative pifl interessante e pih moderno che sia state fatto per collegare logicamente l'etica di Aristotele con la sua metafisica, e si deve riconoscere che tale tentative, nonostante qualche affermazione discutibile, ~ perfettamente riuseito. Esso infatti conserva all'etica aristotelica quel carattere di problematicit~ e di asistematicit~ che ne costituisce la pifi genuina natura e che altri tentativi analoghi finiscone invece inevitabilmente col sopprimere. Ci6 che rende possibile la sua riuscita b la nuova interpretazione della metafisica aristotelica, che I'A. ha sviluppato nella sua opera precedente ed in base alla quale anche la metafisica, come l'etica, lungi dal presentarsi come una costruzione sistematica e rigidamente dimostrativa, rivela una natura essenzialmente problematica. L'unica riserva di fondo che ritengo di dover muovere a tale interpretazione, ~ quella a cui he avuto occasione di accennare recensendo Le probl~me de l'$tre chez Aristote (cf. "Giornale di Metafisica", XVIII, 1963, 266-271), e cio~ che la problematicit~ della metafisica aristoteliea non significa rinunzia ad affermare con certezza razionale la trascendenza di Die, ma anzi si risolve proprio in questa affermazione, la quale, lungi dall'essere uno scacco o un insuccesso, 6, al contrario, la pifi esaltante delle certezze. Analogamente la problematicit~ dell'etica arlstotelica non significa rinunzia all'affermazione di un valore supreme, ma riconoscimento della sua necessitY, anche se l'uomo non giunger~, mai ad attuarlo. Come nella metafisica il sapere dell'uomo si risolve in definitiva nslla continua ricerca del sapere, cio~ nella consapevolezza dell'esistenza di un sapere superiore a quello puramente umano, cosi nell'etica la perfezione dell'uomo si risolve nella stessa aspirazione alla perfezione, cio~ nell'ineessante sforzo di autoperfezionarsi. Tale precisazione, a mio avviso, ~ necessaria, per evitare chela metafisica di Aristotele venga interpretata come una forma di scetticismo e la sua etica come una forma di relativismo. ENRICO BERTI Perugia, Italy Consolation ]or the Tribulations o] Israel (Consola~am as Tribula~oens de Israel). By Samuel Usque. Translated from the Portuguese by Martin A. Cohen. (Philadelphia: Jewish Publications Society of America, 1965. Pp. xiii + 354. $6.00.) This work, the first in a new scholarly series of translations of texts, is a fascinating document. It was probably written in Italy around 1550 and was first published in Portuguese in Ferrara in 1553. Although it was not widely read at the time, it was republished around the end of the sixteenth century in the Netherlands. By now it is a Portuguese classic, and a unique document in Jewish intellectual history. Usque, whose biography is almost unknown except for clues found in the Consola~am, was apparently a Portuguese New Christian (a forced convert) who fled during the persecutions of Judaizers by the Inquisition in the 1530's. He wandered in Europe and the Levant, visited Palestine, and settled down in Italy, probably in the entourage of Samuel Abravanel (the brother of Leon Ebreo), Dona Gracia Nasi (the aunt and mother-in-law of the Duke of Naxos), and Hercules of Este, the Duke of Ferrara. His book, addressed "to the gentlemen of the Diapora of Portugal" is a pastoral and a dialogue, dealing with Israel's fate. Writing just 174 HISTORY OF... (shrink)

continent. 2.1 (2012): 2–5 To begin with, as we understand from a remote place like Seoul, there have been two different conceptions of materiality in the Western experimental ?lm history: materiality of cinema and of ?lm. The former has been represented by the practitioners of the so-called the “Expanded Cinema” and the latter by the tradition of the “Hand-made” ?lm. Whereas for the Expanded Cinema, the materiality or the “medium-speci?city” includes not only the ?lm material but also the entire condition (...) and environment in which the cinematic experience is situated (i.e.: screen, projector, audience and theatre); for the Hand-made ?lm, it is the whole ?lmic process prior to the screening in front of the audience (i.e.: hand-processing and optical-printing). The two practices share in the materialist turn that opens up the radical possibilities of aesthetic (and even political) interventions into a process previously considered seamless and transparent. What can be called to attention through the materialist turn includes the aesthetic-institutional process in the projection-spectator relation and the (non-) representational process in ?lm-making. Moreover, these interventions bring their own temporalities back to those processes, and this returning emancipates the temporalities from their subordination to the cinema-as-commodity. Hangjun Lee is a ?lm-based artist whose practice is concerned with Hand-made Film and Experimental Cinema. Given these interests, Lee questions the linkage between materiality and temporality. This was his preoccupation around 2006, the time at which he started to collaborate with Chulki Hong, the noise improviser. The improvisational nature of their audio-visual performances opened means of detouring from the conventional editing techniques. Their collaboration also afforded critical investigations into the performativity of the practices in both the darkroom and the screening room, as well as in the private recording/practicing studio, and public performance spaces for the improvising musician. In fact, it was a kind of common interest shared by both us from the outset. In our collaboration, we avoid sacri?cing/concealing/minimizing one form of performativity (the performative nature and temporality of compositional process) for the sake of the other (i.e. those in improvisational and executional process). In the ?eld of experimental music and sound, this kind of approach has been comprehensively called “cracking” or “hacking”. The concepts are ?nely formulated in the coinage of “Cracked Everyday Electronics” (by Voice Crack) or more generally “Handmade Electronic Music” (by Nicolas Collins). 1 And this was a pure but perhaps necessary coincidence. the original title of the work of our collaboration and, retrospectively, of the set of our working principles at the same time, “The Cracked Share” was named by Lee after Georges Bataille’s masterwork, The Accursed Share , with the substitution of the adjective with “Cracked” as a synonym for ‘reticulated’ in the photographic image. We think the ascetic and subtractive aesthetic turn of the contemporary non-idiomatic improvised (and even somewhat non-improvised) music 2 pushed us further towards more radical dissociation with the empty temporality of commodi?ed audio-visual experience. It can be called the aesthetics of “without,” and exemplars include Yoshihide Otomo’s Turntable Without Records , Sachiko M’s Sampler without Samples . There are also other radical experiments even with the (non-)improvised music without noise and sounds that neatly meet the rules and idioms of the existing/established experimental music. For us, this thread among the experimental music currents weighs in its emphasis on subtractive and dissociational power unique to improvisational action. Surely, the tradition of the Cracked and Handmade improvised music teaches us the crucial lesson that “[m]edia and mediation are never transparent” and that “[m]ediation actively transforms data from one form to another and is never passive.” 3 We couldn’t agree to this statement more. However, without the removal and withdrawal power of improvisation that poses and keeps both subjects (performer and audience) and objects (projector and instrument) in “inferiority,” 4 generalized cracking and hacking practices—or simply “glitch”—in music and visuals would be either sublimated into the mystical and ritualistic forms of “Film Alchemy” and “Noise Music” (to which both of us still strongly feel a belonging but also, more or less, ambivalent sentiments), or else assimilated into the logic of the commodi?ed audio-visual communication. Today in music, this principle of improvisational performativity should be formulated as the dis-organization of sound against the associational de?nition of (electronic) music and it needs to be translated into audio-visual experiences. In other words, cracking practices of free improvisation need not be limited in artistic creativity, in a darkroom, in a studio, or on the stage; the principle of the dis-organization of sound should be the principle of dis-organization (or cracked organization) of audio-visual performance space itself. NOTES 1) Norbert Möslang, “How Does a Bicycle Light Sound?: Cracked Everyday Electronics,” Leonardo Music Journal 14 (2004): 83; Nicolas Collins, Handmade Electronic Music: The Art of Hardware Hacking (New York: Rutledge, 2006). 2) We refer this not to the historical style or genre but rather the idea and practice that ?free improvisation? stands for. On the distinction between idiomatic and non-idiomatic improvisation, see Derek Bailey, Improvisation: Its Nature and Practice in Music (Cambridge, MA: Da Capo, 1993). On radically politico-histrorical interpretations of free improvisation and noise music from various present viewpoints, see Noise and Capitalism , (eds.) Mattin & Anthony Iles (Arteleku Audiolab, 2009). 3) Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge: MIT Press, 2009), p. 29. 4) I borrow the term from my long-time collaborator, Choi Joonyong. See Ryu Hankil, Hong Chulki & Choi Joonyong, Inferior Sounds (Balloon and Needle, CD, 2011). (shrink)