Kant's short essay is a reflection on the contemporary structure of academic studies; he examines this structure in terms of the functions of the State and of the Universities which form part of it. His analysis links the empirical facts with conceptual distinctions, in ways that are familiar from his more general and abstract philosophy. His main aim is to ground a distinction between legitimate and illegitimate ways in which different Faculties of the University may approach intellectual issues that are (...) of common interest to them. I then consider to what extent and how a Kantian analysis might be applied to our contemporary University situation. Despite the societal and intellectual differences between Kant's environment and ours, I argue that significant parallels exist between the two cases and that Kant's proposals and strictures for his own time have application for us today. (shrink)

Kant's short essay is a reflection on the contemporary structure of academic studies; he examines this structure in terms of the functions of the State and of the Universities which form part of it. His analysis links the empirical facts with conceptual distinctions, in ways that are familiar from his more general and abstract philosophy. His main aim is to ground a distinction between legitimate and illegitimate ways in which different Faculties of the University may approach intellectual issues that are (...) of common interest to them. I then consider to what extent and how a Kantian analysis might be applied to our contemporary University situation. Despite the societal and intellectual differences between Kant's environment and ours, I argue that significant parallels exist between the two cases and that Kant's proposals and strictures for his own time have application for us today. (shrink)

This article addresses the architecture of the Inns of Court, the home of the Common Law. The approach taken, however, rejects an approach that would reduce the Inns to a roster of historical details and laudatory description. Instead, the Inns are seen, if not actually felt, as the embodiment of the “original” ground of law. This experience is revealed through a three-stage discovery process that situates the Inns within the medieval context of symbol and ritual as informed by Turner’s concept (...) of liminality; analyzes the space of the Inns using concepts of bodily disunity derived from the psychoanalysis of Lacan and Klein; relates this space to the “body of Law” in phenomenological terms, as a function of the irresolvable priority of either arché or anarché. The article concludes with a series of speculative propositions on a series of originary architectonic sites: the labyrinth, the pinnacle, and the door. These culminate in the assertion that the architecture of the Inns of Court stages the deferral of bodily interiority through which the Law simultaneously derives its infinite remove and its authority. (shrink)

D. Evans, Argumenty platońskie, transl. Zbigniew Nerczuk.

Book reviewed:D. S. Clarke, Philosophy’s Second Revolution.

Aristotle assigns positive value to artistry and its skills, placing them below science but nearby. Fuller content for this view of art can be garnered from his technical treatises, especially the accounts of rhetoric and dialectic, where the subjectivity imported by the role of audiences is explored with subtlety. These ideas have influence on later philosophy of aesthetics and of technology, and they need to be pondered by those engaged in current debate in these areas.

Aristotle assigns positive value to artistry and its skills, placing them below science but nearby. Fuller content for this view of art can be garnered from his technical treatises, especially the accounts of rhetoric and dialectic, where the subjectivity imported by the role of audiences is explored with subtlety. These ideas have influence on later philosophy of aesthetics and of technology, and they need to be pondered by those engaged in current debate in these areas.

In our post-modern cultural climate we are often told that reality is value-free. Indeed sometimes it is even said to be fact-free. Yet almost all philosophers have been deeply concerned with matters of value, in addition to their other main pre-occupation: that is the nature of truth and our knowledge of it. The question therefore arises: why should these two – good and truth – be so powerfully connected? And why should this business of value continue to exert the hold (...) on philosophers that it evidently does? (shrink)

In our post-modern cultural climate we are often told that reality is value-free. Indeed sometimes it is even said to be fact-free. Yet almost all philosophers have been deeply concerned with matters of value, in addition to their other main pre-occupation: that is the nature of truth and our knowledge of it. The question therefore arises: why should these two – good and truth – be so powerfully connected? And why should this business of value continue to exert the hold (...) on philosophers that it evidently does? (shrink)

Plato wrote dialogues, and he praised dialectic, or conversation, as a suitable style for fruitful philosophical investigation. His works are great literature; and nodoubt this quality derives much from their form as dialogues. They also have definite philosophical content; and an important part of this content is their dialecticalepistemology. Dialectic is part of the content of Plato's philosophy. Can we reconcile this content with his literary style? I shall examine and sharpen the sense of this problem by referring to four (...) passages from different works of Plato: Parmenides 132b-c, Protagoras 351-2, Sophist 248-9, Republic 592. In these passages we can distinguish a main position, which represents what it is natural to label Platonism, from a line of thought which diverges from that position and yet also seems authentically Platonic. I argue that the solution to this tension lies in the notion of dialectic as a tentative and exploratory method of philosophy. This view of dialectic is in some conflict with Plato's official account of the method as guaranteed to deliver fundamental truth; but that conflict presents one more version of the phenomenon which I am exploring. The theory of dialectic provides philosophical support for the method of dialogue. That is how philosophy and literature are linked in Plato's pursuit of truth. (shrink)

Plato wrote dialogues, and he praised dialectic, or conversation, as a suitable style for fruitful philosophical investigation. His works are great literature; and nodoubt this quality derives much from their form as dialogues. They also have definite philosophical content; and an important part of this content is their dialecticalepistemology. Dialectic is part of the content of Plato's philosophy. Can we reconcile this content with his literary style? I shall examine and sharpen the sense of this problem by referring to four (...) passages from different works of Plato: Parmenides 132b-c, Protagoras 351-2, Sophist 248-9, Republic 592. In these passages we can distinguish a main position, which represents what it is natural to label Platonism, from a line of thought which diverges from that position and yet also seems authentically Platonic. I argue that the solution to this tension lies in the notion of dialectic as a tentative and exploratory method of philosophy. This view of dialectic is in some conflict with Plato's official account of the method as guaranteed to deliver fundamental truth; but that conflict presents one more version of the phenomenon which I am exploring. The theory of dialectic provides philosophical support for the method of dialogue. That is how philosophy and literature are linked in Plato's pursuit of truth. (shrink)

Critiques of the ‘global’ have, in recent years, concerned the alleged implication of cultural dominance and secondly—and more philosophically—discerned therein foundationalism/essentialism. These charges will be examined. I next turn to the bearing of organizational/faculty matters on our theme, drawing on teaching experience in more than one country. The relocation of philosophy cannot but raise questions about how the subject itself is conceived. In the final section I suggest that the original humanist import of philosophical studies needs recovery, with ‘globality’ examined (...) critically not only over space but across time. This would involve not only due appreciation of argument (for no discipline lacks this) but of language, standpoint and attitude. (shrink)

Maieusis pays tribute to the highly influential work of Myles Burnyeat, whose contributions to the study of ancient philosophy have done much to enhance the ..

Throughout his theoretical writings, Valéry insists on two fundamental principles: poetic rhythm is undefinable and yet it is central to poetry. Although his verse practice evolves from irregularity to regularity, Valéry insists that predictable metrical forms are no guarantee of poeticity, and rejects the Romantic model of rhythmic mimesis based on the cosmos, nature or the human body. It is not by confirming the meaningfulness of regular patterns, therefore, that poetic rhythm signifies; rather, the complex overlapping of multiple, elusive and (...) unanalysable rhythms provides a source of questions to which the answer is constantly deferred; and that, for Valéry, is the definition of poetry. (shrink)

An $\omega$-categorical supersimple group is finite-by-abelian-by-finite, and has finite SU-rank. Every definable subgroup is commensurable with an acl-definable subgroup. Every finitely based regular type in a CM-trivial $\omega$-categorical simple theory is non-orthogonal to a type of SU-rank 1. In particular, a supersimple $\omega$-categorical CM-trivial theory has finite SU-rank.

The Beginnings of Buddhism. Kogen Mizuno; tr. by Richard L. Gage. Kosei, Tokyo 1980. xiv + 220 pp. £4.75.

Kant’s moral philosophy is celebrated for its doctrines of the primacy of the good will, the categorical imperative, and the significance of autonomy. These themes are pursued in the section of the Critique of Practical Reason which Kant called the Analytic, as well as in less formal works such as The Foundations of the Metaphysics of Morals. In his main work Kant added a Dialectic, which is less well studied but is still essential to understanding his whole project. The concept (...) of the Highest Good, summum bonum, the ultimate goal in life, incorporates both an objective and a subjective element. It pronounces on what we ought to want and how we ought to want it: it bears on our happiness and on our virtue. The aim in the Dialectic is to highlight the tension that can result from these twoelements, so that the need for a rapprochement between them becomes better appreciated. This tension remains in contemporary moral philosophy, with its diverse approaches of virtue ethics, deontology, and consequentialism. Kant’s stance regarding this dialectical tension needs to be understood, by Kant scholars and by moral philosophers. (shrink)

The Way of Siddhartha: a life of the Buddha. David J. and Indrani Kalupahana. Shambhala, Boulder [now Boston] 1982. Distributed by Routledge & Kegan Paul, London. xiii + 238pp. $9.00/£5.95.