What is the criterion of truth? This is a question that was resolved long ago by the revolutionary teachers of the proletariat. But as a result of damage done by the "Gang of Four" and a mass of distorted propaganda in the media under their control, it has become muddled beyond compare in recent years. In order to deepen the criticism of the "Gang of Four" and eradicate the remnants of their poison and influence, it is very important to clear (...) this up and sort it out. (shrink)

On the basis of an initial reference to a number of critical appraisals of H. Dooyeweerd’s philosophy, this article proceeds by provisionally focusing on the image of Franz Xavier Von Baader1 — who was intellectually active during the first part of the nineteenth century — in secondary literature . The main concern, however, is to enter into a more detailed evaluation of the claim made by J.G. Friesen,2 namely that all the basic systematic insights and distinctions found in the philosophy (...) of Herman Dooyeweerd are already present in the thought of Von Baader. That Dooyeweerd was indeed influenced by numerous philosophers and philosophical insights spanning the entire history of philosophy is beyond doubt. However, that there is any direct influence on his thought from Von Baader cannot be substantiated on the basis of the available sources even though it is not unlikely that he might have been aware of the existence of Von Baader. Both the quotations used by Friesen in support of his thesis and an extensive reading of the original Collected Works of Von Baader serve as a basis for the assessment of the claims made by Friesen. In fact, there are a number of philosophical distinctions found in the original works of Von Baader that, considered in isolation, are much closer to views of Dooyeweerd. However, once these are placed within the context of Von Baader’s thought, the striking and significant distance between the thought of Von Baader and Dooyeweerd once again become apparent. (shrink)

This is a follow-up article of Strauss 2011. In order to transcend the shortcomings present in the dialectical legacy regarding normativity, this article further explores key elements within the dialectical tradition focused on the basic motive of nature and freedom and the effect it had on modern social contract theories which aimed at reconstructing human society from its “atoms,” the individuals. The transition to an alternative approach commences with a discussion of the distinction between conditions and what is conditioned. It (...) concerns a correlation found within all aspects of reality, namely that between the law side or norm side on the one hand and the factual side on the other. The basic assumption of this alternative view is found in the idea of ontic normativity which is rooted in a non-reductionist ontology. Against this broader background shortcomings in Kelsen’s theory of law are briefly traced to the dialectic of the causal and non-causal, before a positive characterization of the concept of a principle is given. It turned out that it is a compound basic concept in which terms from different modal aspects of reality are encapsulated at once. The recognition of ontic normativity therefore also enables a distinct methodology, the transcendental-empirical method, which makes it possible to distinguish between the pre-positive nature of a principle, as a universal and constant starting-point for human action, and the historically varying ways in which such a principle can be made valid, through a competent organ disposing over an accountable will and capable to interpret the unique historical circumstances in which the principle has to be positivized . The nature of modal norms is highlighted in terms of various examples, such as jural, historical, logical and aesthetic principles, with special reference to Derrida’s understanding of credit as economic trust or economic faith. In order to make this transcendental-empirical method understandable a more detailed account of the nature of modal aspects is given. The emphasis on ontic normativity also helps us to steer clear of conceptions of natural law, historicism and the shortcomings present in the idea of a social construction of the world. The guiding perspective flowing from this analysis is that modal norms can be articulated through an analysis of analogical structural moments on the law sides of the normative aspects. The last part of this article briefly introduces the distinction between modal and typical norms without entering into a discussion of the latter. (shrink)

This article sets out to analyse some of the most basic elements of our number concept - of our awareness of the one and the many in their coherence with multiplicity, succession and equinumerosity. On the basis of the definition given by Cantor and the set theoretical definition of cardinal numbers and ordinal numbers provided by Ebbinghaus, a critical appraisal is given of Frege’s objection that abstraction and noticing (or disregarding) differences between entities do not produce the concept of number. (...) By introducing the notion of subject functions, an account is advanced of the (nominalistic) reason why Frege accepted physical, kinematic and spatial properties (subject functions) of entities, but denied the ontic status of their quantitative properties (their quantitative subject function). With reference to intuitionistic mathematics (Brouwer, Weyl, Troelstra, Kreisel, Van Dalen) the primitive meaning of succession is acknowledged and connected to an analysis of what is entailed in the term ‘Gleichzahligkeit’ (‘equinumerosity’). This expression enables an analysis of the connections between ordinality and cardinality on the one hand and succession and wholeness (totality) on the other. The conceptions of mathematicians such as Frege, Cantor, Dedekind, Zermelo, Brouwer, Skolem, Fraenkel, Von Neumann, Hilbert, Bernays and Weyl, as well as the views of the philosopher Cassirer, are discussed in order to arrive at an assessment of the relation between ordinality and cardinality (also taking into account the relation between logic and arithmetic) - and on the basis of this evaluation, attention is briefly given to the definition of an ordered pair in axiomatic set theory (with reference to the set theory of Zermelo-Fraenkel) and to the defmition of an ordered pair advanced by Wiener and Kuratowski. (shrink)

Man is a mystery. It must be unraveled and if you spend your whole life unraveling it, do not say that this was a waste of time; I am preoccupied with this mystery because I want to be a human being.

In an influential treatise, Mikhail Bakhtin asserts that the aim of Dostoevsky's distinctive poetics is to advance a revolutionary, "polyphonic" model of moral truth. In this paper, I argue that while Bakhtin correctly identifies essential features of Dostoevsky's poetics, these features are better understood as oriented toward meeting the free modern individual's need to test ultimate moral ends and concomitant virtues in order to determine their truth. An Aristotelian poetics intended to educate audiences only in how to be virtuous to (...) achieve moral ends that are given by tradition will have different essential features than will a modern poetics whose purpose is to help individuals determine what the virtues are. It is this latter purpose, I argue, that drives Dostoevsky to create the new stylistic devices that Bakhtin observes in Dostoevsky's work, rather than the purpose of realizing a philosophically problematic "polyphonic" model of moral truth. (shrink)

Fyodor Dostoevsky is renowned as one of the greatest psychologists in world literature, but what we know about the origins and the workings of the human mind has changed drasti­cally since the late nineteenth century. If Dostoevsky was such a sensitive reader of the human condition, do his insights hold up to modern research? To judge just by the issue of the psychology of confession, the answer appears to be: yes. The work of Michael Tomasel­lo indicates that the human conscience (...) evolved in order to make people obey group norms. From this I draw the proposition that confession should be best directed to the group as a whole, and not to an individual. Judging by Raskolnikov in Crime and Punishment and an assortment of characters in The Brothers Karamazov, this appears to be exactly how confes­sion works in Dostoevsky’s novels: sin is against all, so forgiveness must be from all. (shrink)

Nothing in this world is harder than speaking the truth,nothing easier than flattery.— Fyodor DostoevskyFyodor Dostoevsky, whose 200th birthday we celebrated in 2021, is perhaps one of the most emi...

Rádios comunitárias podem ser um dos caminhos para o debate acerca de uma democratização da comunicação no Brasil. Elas discutem sobre os direitos e deveres da população e são ferramentas na luta para conquistá-los. Isso justifica a espera de nove anos de uma emissora de rádio comunitária maranhense, a Arca FM, de Açailândia, para conseguir ir ao ar legalizada, processo que se estendeu de abril de 1998 a junho de 2007. Abordam-se o longo processo de resistência e a espera pela (...) outorga através das memórias e depoimentos de quem participou da trajetória da Rádio Arca, uma emissora que nasceu para denunciar e combater o aliciamento ao tráfico humano e o trabalho escravo no Maranhão. A entrevista em profundidade foi a principal estratégia metodológica seguida para buscar respostas na experiência subjetiva dos sujeitos envolvidos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 568-569 [Access article in PDF] James P. Scanlan. Dostoevsky the Thinker. Ithaca, NY: Cornell University Press, 2002. Pp. xiii + 251. Cloth, $29.95. Important works on Dostoevsky's life and thought abound, but James Scanlan offers the first comprehensive treatment and evaluation of Dostoevsky as a philosophical thinker. Scanlan uses Dostoevsky's thousands of letters, essays, and "capacious notebooks" (3), as well as (...) his literary work, to analyze systematically Dostoevsky's philosophical worldview and to argue for its coherence. Scanlan's commitment to careful scholarship is apparent throughout, including his translations of the texts. A philosopher himself, Scanlan contextualizes Dostoevsky's work in relation to traditional philosophers, including Descartes, Kant, and Kierkegaard. The result is a balanced, rich, and provocative treatment that also suggests new interpretations of some of Dostoevsky's literary works.If Bakhtin is right to describe Dostoevsky's novels as "polyphonic," how does one ascertain their author's position? Scanlan grants the challenges of approaching Dostoevsky as a philosopher. Nineteenth-century Russian thinkers rarely identified with particular philosophical schools, and Dostoevsky never thought of himself as a philosopher. Yet Dostoevsky was intensely interested in philosophy, and Scanlan argues that Dostoevsky's characters serve as surrogates for competing philosophical positions. Scanlan also reminds readers of Dostoevsky's often-neglected nonfiction works and weaves masterfully the nonfiction and the literature to support his argument.Echoing Bakhtin, Scanlan labels Dostoevsky's methodology "dialogical in style, monological in substance" (4). Doing so effectively rejects critical perspectives that suggest the author held contradictory positions. For Scanlan, Dostoevsky's dialectical method resulted from his preoccupation with combating others' ideas, implied by his frequent use of reductio ad absurdum arguments. Dostoevsky "sought to establish his own positions by demonstrating the failure of their antitheses" (231). Not only does Scanlan persuasively demonstrate the consistency of Dostoevsky's philosophical commitments, he also challenges the appropriation of Dostoevsky by existentialists as an "irrationalist," despite Dostoevsky's "convincing portrayals of human irrationality" and skepticism concerning rationality's powers (5).Scanlan examines Dostoevsky's vision of Christianity that included a strict binary of matter and spirit, and a rejection of rational egoism and mechanism (termed "nihilism"). Dostoevsky's positive deontologism, his "law of love" (with Christ as exemplar) was, for Dostoevsky, necessary to overcome the "law of personality," and conscience grounded in Christian love was the basis for salvation. Scanlan persuasively argues that Dostoevsky, if irrationalist, belongs more with Kant than Kierkegaard in viewing rationality as limited but not to be rejected wholesale. Scanlan uses this analysis to ground a provocative new reading of Notes from Underground.Scanlan also explores the connectedness of Dostoevsky's ethics and aesthetics in Dostoevsky's insistence that artists should create moral beauty beyond the purely aesthetic or cognitive. Much has been written about Dostoevsky's aesthetics, but Scanlan exposes its logical grounding in Dostoevsky's rejection of the subjective utilitarian aesthetics of Chernyshevsky and the radical materialism of Dobrolyubov. For Dostoevsky, the need for [End Page 568] beauty and creativity is intrinsic to human nature, and art serves an epistemological function that gestures toward reality, not as a "mindless photographer" (140) but as a cognitive vision penetrating "the core of his subject" (141). Dostoevsky also justified his use of the anomalous, noting that the exceptional might be "an avenue of access to the universal" (143).Dostoevsky's "dream of a community of perfect Christian brotherhood and love" (160) grounds Scanlan's examination of Dostoevsky's sociopolitical philosophy and his rejection of the critical view that Dostoevsky's politics radically changed over time. Though Scanlan agrees with biographers that Dostoevsky despised the "moral blight" (169) of serfdom, he argues that Dostoevsky's vision of Christian society permitted social stratification so long as service to masters was voluntary, cooperative, and rational. This analysis makes clear the distance between Dostoevsky and Western liberal political theorists.For Dostoevsky, society based on universal Christian love is the only acceptable "socialism," and the last part of Scanlan's work analyzes Dostoevsky's nationalism and its relation to his attacks on socialism. In addition to... (shrink)

This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the (...) particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review. (shrink)

Fyodor Dostoevsky's highest and most permanent achievement as a novelist lies in his exploration of man's religious complex, his world and his fate. His primary vision is to be found in his last five novels: Crime and Punishment, The Idiot, The Devils, A Raw Youth, and The Brothers Karamazov. This volume culminates twenty years of studying, teaching, and writing on Dostoevsky. Here George A. Panichas critically analyzes the religious themes and meanings of the author's major works. Focusing on the pervasive (...) spiritual consciousness at play, Panichas views Dostoevsky not as a religious doctrinaire, but as a visionary whose five great novels constitute a sequential meditation on man's human and superhuman destiny. (shrink)

This book explores Dostoevsky as a political thinker from his religious and philosophical foundation to nineteenth-century European politics and how themes that he had examined are still relevant for us today.

Dostoevsky is one of Russia's greatest novelists and a major influence in modern debates about religion, both in Russia and the West. This collection brings together Western and Russian perspectives on the issues raised by the religious element in his work. The aim of this collection is not to abstract Dostoevsky's religious 'teaching' from his literary works, but to explore the interaction between his Christian faith and his writing. The essays cover such topics as temptation, grace and law, Dostoevsky's use (...) of the gospels and hagiography, Trinitarianism, and the Russian tradition of the veneration of icons, as well as reading aloud, and dialogism. In addition to an exploration of the impact of the Christian tradition on Dostoevsky's major novels, Crime and Punishment, The Idiot and The Brothers Karamazov, there are also discussions of lesser-known works such as The Landlady and A Little Boy at Christ's Christmas Tree. (shrink)

This brief text assists students in understanding Dostoevsky's philosophy and thinking so they can more fully engage in useful, intelligent class dialogue and improve their understanding of course content. Part of the Wadsworth Notes Series, (which will eventually consist of approximately 100 titles, each focusing on a single "thinker" from ancient times to the present), ON DOSTOEVSKY is written by a philosopher deeply versed in the philosophy of this key thinker. Like other books in the series, this concise book offers (...) sufficient insight into the thinking of a notable philosopher, better enabling students to engage in reading and to discuss the material in class and on paper. (shrink)

Some of the most characteristic features of the Soviet totalitarian system were foreseen by Dostoevsky through his knowledge of the radical Russian intelligentsia of his day.

The article is devoted to the consideration of some Wittgenstein’s ideas in relation to similar ideas of Dostoevsky. The comparison is given on a number of key topics for both: the world as the whole as it is and what it is; the image of the world and the meaning of life; the world of the happy and the unhappy. Despite the fundamental difference between the thinkers, the comparison makes it possible to discover an affinity with Dostoyevsky’s worldview of values (...) in Wittgenstein. The analysis of his “Tractatus Logico-Philosophicus”, the philosopher’s “Diaries” and “Lecture on Ethics” in comparison with the analysis of the Russian writer’s fiction texts, helps us to discover those religious and spiritual foundations that both hide and expose to the thoughtful reader beyond the “border and logic of the world”, about which one suggests silence, while the other hides and demonstrates only through the opposite form of false Christianity. The comparison allows us to see that, for Wittgenstein, making sense of the world as the meaning of life is not as silent as he himself claims. At the same time, it was the philosopher’s language of description that allowed us to discover Dostoevsky’s theodicy within the rational world, visibly crucifying Christ but tacitly living it. (shrink)

The trial of Dmitri Karamazov embodies Dostoevsky’s general legal and moral philosophy. This book explains and critically analyses such notions as the rule of law, the adversary system of adjudication, the principle of universal moral responsibility, the plausibility of unconditional love, and the contours of human nature. The ballast for conclusions about all these ideas is an understanding of the relationship between individuals and their communities.

"In this book, Evgenia Cherkasova brings the philosopher Kant and the novelist Dostoevsky together in conversations that probe why duty is central to our moral life. She shows that just as Dostoevsky is indebted to Kant, so Kant would profit from the deeply philosophical narratives of Dostoevsky, which engage the problem of evil and the claims of human community. She not only produces a novel reading of Dostoevsky, but also guides us to later, often neglected Kantian texts. This study is (...) written with scholarly care, penetrating analysis, elegance of style, and moral urgency: Cherkasova writes with both mind and heart." Emily Grosholz, Professor of Philosophy, The Pennsylvania State University Social Philosophy (SP), in conjunction with the Center for Ethics, Peace and Social Justice, SUNY Cortland, explores theoretical and applied issues in contemporary social philosophy, drawing on a variety of philosophical traditions. (shrink)