This paper will take up the work of Charles Baudelaire, poetic and critical, in order to present the Baudelairean aesthetic and to make a case for its relevance in our judgments about art today. Baudelaire was the first poet of the modern built environment and is known as the father of modern poetry. While his poetry is still admired, his aesthetic has been historicised: deemed to belong to that time and place in which Baudelaire wrote. This paper will argue that (...) this historicisation by subsequent aesthetic theory and philosophy is a suppression of something integral to art and artists, without which art is liable to lose what is true about it and sink into a morass of irrelevance and triviality, or (as will be argued has partly happened) may become devoid of any value beyond the business interests that control it. In this regard, it will be suggested, Baudelaire’s aesthetic has important redeeming qualities. (shrink)

Richard Rorty's discussions of "romanticism," a term by which he means a set of general philosophical themes, not merely a body of literary and philosophical work of the eighteenth and nineteenth century, are not univocal in their approach. Rorty endorses romanticism within an overall antirealistic view that he interprets as "pragmatism." In some respects, Richard Rorty's view of romanticism is diametrically opposed to Shelley's, for although Rorty invokes Shelley's appeal to poetry as "center and circumference," he has no interest in (...) providing any access to a noumenal world. With logical positivism of the twentieth century, Rorty seems to presuppose that "eliminating metaphysics," where metaphysics would be any appeal to a reality beyond appearances, is not only possible, but highly desirable from an intellectual point of view. Given Rorty's ultimate aim, it is not surprising that Rorty's romantic idol will have his metaphysics up his sleeve. (shrink)

Jules Michelet: Vico and the origins of nationalism -- James Joyce: Vico and the origins of modernism -- Erich Auerbach: Vico and the origins of historism -- Isaiah Berlin: Vico and the origins of pluralism.

Hastings Center Report, Volume 52, Issue S1, Page S63-S65, March‐April 2022.

In lieu of an abstract, here is a brief excerpt of the content:The Reconciliation of Myth: Benjamin’s Homage to BachofenJoseph MaliIn the “Tiergarten,” the first chapter of his autobiographical work, Berlin Childhood Around Nineteen-Hundred, Benjamin recalls how, as a child, he experienced the paths, monuments, and people of the park as a “labyrinth” replete with all kinds of mythological figures. Entering the park like a second Theseus following his Ariadne along the thread of erotic sensations, he discovered therein the myth-realm (...) of the ancient gods as transfigured in the bourgeois decorations of the Second Reich, most visibly so in the aristocratic monuments of Friedrich Wilhelm and Queen Louise: “They towered up from their round pedestals among the flower beds as if spellbound by magic curves that a watercourse had inscribed before them in the sand.” 1 As he invoked these primal visions thirty years later, Benjamin realized that they prefigured “the features of what is to come,” that is, he recognized in his early experiential impressions the topical concerns that were to determine his life and works. He then understood that he had been finding signs of “the return of the ancient gods” everywhere:Under their sign the Old West of Berlin was transformed into the West of antiquity, whence the western winds come to the mariners, who navigate their boat with the Hesperidan apples slowly upward the Landwehrkanal, in order to cast anchor near the Herkules Bridge. And yet again, as in my childhood, the Hydra and the Nemean lion found a place in the wild bushes around the big star. 2This chapter may serve as the key to Benjamin’s entire life and works: it reveals what Benjamin himself would have called his “origins.” Benjamin conceived [End Page 165] of origin (Usprung) in genealogical rather than in biological terms, contending that it was not to be found in the moment of intuition but rather in that of recognition. “The term origin is not intended to describe the process by which the existent came into being, but rather to describe that which emerges from the process of becoming and disappearance. Origin is an eddy in the stream of becoming, and in its current it swallows the material involved in the process of genesis.” 3 It occurs, Benjamin continues, when “an idea will constantly confront the historical world, until it is revealed fulfilled, in the totality of its history.” 4 And if, according to Benjamin (quoting Karl Kraus), “origin is the goal” of all philosophical and historical inquiries, then, in Benjamin’s own case, the “origin” must be found in that singular idea by which he had sought to illuminate his historical world. This was an idea which should be “revealed fulfilled, in the totality of its history” in his entire work. In order to find that idea we must concentrate, as it were, on the “eddies” of his life; that is, we must discern his particular current in the intellectual trends of the time and find out how and with what he emerged from it. What, then, were Benjamin’s “origins”? When and where did he recognize what his experiential impressions in the Tiergarten really meant?In his memorial biography, Walter Benjamin: The Story of a Friendship, Gershom Scholem recounts some of the most important of these moments. One of them occurred between 16 and 18 June 1916, while Scholem was visiting Benjamin’s house in Seeshaupt near Munich. Scholem recalls their last and most memorable conversation on that occasion:During a discussion of whether Hegel had wished to deduce the world, we turned to mathematics, philosophy, and myth. Benjamin accepted myth alone as “the world.” He said he was still not sure what the purpose of philosophy was, as there was no need to discover “the meaning of the world”: it was already present in myth. Myth was everything; all else, including mathematics and philosophy, was only an obscuration [Verdunkelung], a glimmer [Schein] that had arisen within it. 5Reflecting on these words, Scholem notes that “Benjamin’s decided turn to the philosophic penetration of myth, which occupied him for so many years, beginning with his study of Hölderlin and probably for the rest of his life, was manifested here for the first... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 14.1 (2006) 77-88 [Access article in PDF] Revealing the Habitual: The Teachings of Unconventional Piano-Playing Tuomas Mali Vantaa, Finland Playing Experiences as a Source of Knowledge As a pianist, I know piano-playing from the inside as something I am accustomed to doing. For me, as for every serious pianist, playing is an everyday activity that has become so habitual as to be inseparable (...) from myself. As I am absorbed in piano-playing, I become musical in a way that more or less makes me forget myself. In the tumult of playing there is no objectifying gaze, no clear distinction between subject and object, performer and music; there is just skilful coping with musical tasks and concerns.1 For an experienced pianist the centrality of the lived body is a commonplace: to know piano-playing is to know one's own body in and through playing as one cultivates a "pianistic" way of existing. This calls for daily training.2 Although it is not always this obvious, the lived body is important to all knowing. Through regular practicing and performing I know piano-playing in the same direct way as we all know the world in and through living "in" it as human bodies, in and through our everyday coping, our "dealings" in the world.3 Juha Varto, the Finnish phenomenologist, uses the word "inspective" to describe this way of knowing, in a sense that emphasizes active bodily being-in-the-world.4 [End Page 77]To reflect on piano-playing, in contrast, requires one to distance oneself from playing, to adopt a perspective that is not present in the playing itself. The relationship between the knower and the world is now different. Here, Varto uses the word "perspective" as an adjective to designate this way of knowing. He illuminates the difference between "inspective" and "perspective" knowing with the image of a burning stake: the spectators certainly know that the stake is hot and that it kills, but the smell of one's own burning flesh makes it clear and certain in a radically different way without intermediary thought.5 Reflection makes it possible to "observe" piano-playing, to see it "in perspective," as part of a larger, ordered, cultural reality, as part of a considered "view" or "theory." When devoting oneself to reflection, it is typical to characterize the activity of playing as objective, as something that lies outside the lived experience of the body. But—and this is often deliberately ignored—a view or a theory arrived at through observation is also irrevocably bound to the embodied existence of the observer, even if the view often seems to be more or less a product of thought alone.While the distinction between concerned coping ("inspective" knowing) and reflective viewing ("perspective" knowing) is important, it should be kept in mind that in human life they are always interwoven. There is no way to eliminate one of them, no way to choose only one or the other. Rather, we are constantly negotiating between the "inspective" and "perspective," dealing on the one hand with our situated bodily experience and on the other hand with our recognition of a larger cultural perspective.Historically, valued knowledge about music-making has often been framed around a conception of reflection as detached, disinterested inquiry which as pure contemplation, has nothing to do with the lived body of the knower. A particular discourse or a quest for definition has often served as starting points for research—starting points that seemingly rule out the relevance of bodily experiences. However, it seems to me that there is no way to cut the link between knowing and experiencing; differences on the level of the lived body are often crucial for knowledge. For example, the difference in the experiential basis often results in a gap between the knowledge of a "maker" and that of a "viewer." When music is known mostly through making it, knowledge gained through observation often seems to miss what is essential, to distort and misinterpret the musical practice. This gap, and... (shrink)

The aim of the article is to point out the problem that started in the 2018 US Open final between Naomi Osaka and Serena Williams. During this final match, there was a conflict between the player S. Williams and the chair umpire C. Ramos, which involved a violation of rules related to coaching during the match. Subsequently, C. Ramos was banned from officiating the Williams sisters' matches at the next 2019 US Open. The authors of the article believe that the (...) tennis organizations USTA and WTA did not judge the dispute between chair umpire C. Ramos and S. Williams in accordance with their rules, as the rules allow for the sanctioning of a player who is coached during a match. While the written rules and their application during play must be taken into consideration, so must the subjective interpretation and application of the rules by a particular umpire. If our arguments are correct, C. Ramos's application of the rules during this game was in no way inconsistent with his past practice or the rules themselves. Thus, C. Ramos was a victim of the entire incident, which was also influenced by the gender narrative after the match. (shrink)

"[Heidegger's] greatest work... essential for all collections." —Choice "... students of Heidegger will surely find this book indispensable." —Library Journal Contributions to Philosophy, written in 1936-38 and first published in 1989 as Beiträge zur Philosophie, is Heidegger’s most ground-breaking work after the publication of Being and Time in 1927. If Being and Time is perceived as undermining modern metaphysics, Contributions undertakes to reshape the very project of thinking.

This study aims to present Heraclitus as Heidegger read him and offers an account of the discussion generated by this perspective on Heraclitus.

"Max Picard was a Swiss-German writer, who converted to Catholicism from Judaism. A doctor and psychologist, Picard worked in Berlin but retired in the 1920s to Switzerland. He is often regarded as a "wisdom thinker," and his rich and penetrating writings continue to speak to us in the twenty-first century. The Flight from God is an incisive, profound description of many of the problems facing modern culture, and its analysis resonates with us more today than when first published in 1934. (...) Picard illustrates that modern culture is essentially in Flight, and so the individual is under pressure to make a choice; in earlier generations only an individual could be in flight because the culture itself was not in flight but in Faith. The flight does not require courage or gui. (shrink)

We introduce a novel, linguistic-like method of genome analysis. We propose a natural approach to characterizing genomic sequences based on occurrences of fixed length words from a predefined, sufficiently large set of words (strings over the alphabet {A, C, G, T} ). A measure based on this approach is called compositional spectrum and is actually a histogram of imperfect word occurrences. Our results assert that the compositional spectrum is an overall characteristic of a long sequence i.e., a complete genome or (...) an uninterrupted part of a chromosome. This attribute is manifested in the similarity of spectra obtained on different stretches of the same genome, and simultaneously in a broad range of dissimilarities between spectral representations of different genomes. High flexibility characterizes this approach due to imperfect matching and as a result sets of relatively long words can be considered. The proposed approach may have various applications in intra- and intergenomic sequence comparisons. (shrink)

My aim in this paper is to characterize the professional good served by the humanities as various academic disciplines, particularly in relation to the general academic good, namely, the pursuit of knowledge in theoretical and scholarly research, and to evaluate the public and ethical dimension of that professional good and the constraints it imposes upon practitioners. My argument will be that the humanities aim at both knowledge of objective facts and acknowledgement of the human status of their subject matter, and (...) that there are facts about human life and society that are inaccessible except through such humanistic acknowledgement. As such, the humanities require the adoption of evaluative, other-oriented points of view, and they serve the public by advancing a reflective view of the very conditions of the public’s own constitution. In short, the humanities incorporate the view that practical and evaluative wisdom is not only essential for the full pursuit of truth, but that it is also an essential public good in any well-ordered society, especially in contemporary democracies. The discussion proceeds by examining various examples of both the professional and the public good in question, and focuses particularly on cases of excessive acknowledgement in the form of uncritical apologetics and excessive objectification in various forms of reductionism. (shrink)

In this paper I draw on Davidson's work to generate counter examples to his claim that since there are no untranslatable languages there are also no alternative conceptual schemes. I argue that Davidson's argument to that effect is based upon an equivocation.

This paper contrasts the religiosity ihai is expressed by the mysticism of Wittgenstein’s Tractatus, which moves away from ihe traditional “narratives” of revealed religion, with Wittgenstein’s later expressions of religiosity, which endorse those “narratives” and take place within them. The paper discusses the importance of this development in Wittgenstein’s religious experience in relation to the developments in Wittgenstein’s philosophy. Both religious and philosophical developments are placed in the context of Wittgenstein’s self-directed anti-Semitism, which is interpreted in terms of the anomalies (...) of Jewish assimilation and acculturation in the inhospitable environment of European anti-Semitism. The outcome is an account of Wittgenstein as a historical figure, which can shed light on many aspects of his philosophy. To gain credibility, the account proceeds by means of a close exegesis of some Wittensteinian passages that were not adequately explained before. (shrink)

This paper contrasts the religiosity ihai is expressed by the mysticism of Wittgenstein’s Tractatus, which moves away from ihe traditional “narratives” of revealed religion, with Wittgenstein’s later expressions of religiosity, which endorse those “narratives” and take place within them. The paper discusses the importance of this development in Wittgenstein’s religious experience in relation to the developments in Wittgenstein’s philosophy. Both religious and philosophical developments are placed in the context of Wittgenstein’s self-directed anti-Semitism, which is interpreted in terms of the anomalies (...) of Jewish assimilation and acculturation in the inhospitable environment of European anti-Semitism. The outcome is an account of Wittgenstein as a historical figure, which can shed light on many aspects of his philosophy. To gain credibility, the account proceeds by means of a close exegesis of some Wittensteinian passages that were not adequately explained before. (shrink)

Psyche singing. The subtitle has religious resonances, so do the contents of the book; so does psychoanalysis if it has to go deep (but ours is a time for shallows, surfaces and simulation). Michae...

The aim of this paper is to highlight an individualist streak in both Davidson’s conception of language and Chomsky’s. In the first part of the paper, I argue that in Davidson’s case this individualist streak is a consequence of an excessively strong conception of what the compositional nature of linguistic meaning requires, and I offer a weaker conception of that requirement that can do justice to both the publicity and the compositionality of language. In the second part of the paper, (...) I offer a comparison between Davidson’s position on the unreality of public languages, and Chomsky’s position regarding the epiphenomenal status of “externalized” languages. In Chomsky’s case, as in Davidson’s, languages are individuated in terms of the formal theories that serve to account for their systematic structure, and this assumption rests upon a similarly strong and similarly questionable understanding of what it is to employ finite means in pursuit of an infinite task. The alternative, at which I can only hint, is a view of language as a social and historical reality, i.e., a realm of social fact that cannot be exhausted by any formal theory and cannot be reduced to properties of individual speakers. (shrink)

Quine's thesis of holism is justly regarded as the cornerstone of his naturalized epistemology. It is, to use Quine's own image, the crucial milestone in the development of post-Humean empiricism. Quine's holism constitutes a transition from the individual sentence to the organized system of sentences as the basic unit of empirical meaning. This system-centered approach allows him to dispense with theoretical reductions by dispensing not with the empiricist rejection of non-empirical facts, but with traditional assumptions concerning uniqueness and determinacy in (...) matters of scientific theory. It allows the holist to affirm, rather than abandon, the empiricist commitment to science without having to secure this position on some a priori, neutral foundation. (shrink)

In this paper I draw on Davidson's work to generate counter examples to his claim that since there are no untranslatable languages there are also no alternative conceptual schemes. I argue that Davidson's argument to that effect is based upon an equivocation.

Following the argument wherever it leads is a piece of well-known and time-honored advice we give to students in philosophy. Using three instances drawn from the history of philosophy, we look at reasons for both adhering to this principle and for sometimes putting it aside in favor of other considerations. We find that the requirement of following the argument where it leads is not a simple demand of logic, but rather a complex norm that is sensitive to various considerations. Some (...) of these have to do with the fact that consistency may be restored to one’s system of beliefs only at a price that one may judge, on cognitive or moral grounds, as too high. Following the argument wherever it leads is thus a norm about the place of reason in our intellectual and practical lives and is therefore a norm that must be evaluated in the context of various extra-logical considerations. (shrink)

The aim of this paper is to highlight an individualist streak in both Davidson’s conception of language and Chomsky’s. In the first part of the paper, I argue that in Davidson’s case this individualist streak is a consequence of an excessively strong conception of what the compositional nature of linguistic meaning requires, and I offer a weaker conception of that requirement that can do justice to both the publicity and the compositionality of language. In the second part of the paper, (...) I offer a comparison between Davidson’s position on the unreality of public languages, and Chomsky’s position regarding the epiphenomenal status of “externalized” languages. In Chomsky’s case, as in Davidson’s, languages are individuated in terms of the formal theories that serve to account for their systematic structure, and this assumption rests upon a similarly strong and similarly questionable understanding of what it is to employ finite means in pursuit of an infinite task. The alternative, at which I can only hint, is a view of language as a social and historical reality, i.e., a realm of social fact that cannot be exhausted by any formal theory and cannot be reduced to properties of individual speakers. (shrink)

Passions of Our Time is divided into six sections that probably name Julia Kristeva’s passions: Psychoanalysis; Women; Humanism; France-Europe-China; and the first and last sections more nebulously...

In this work I bring a conception of language and meaning as a shared institution to bear upon rule-following scepticism, i.e., upon the sceptical problem concerning the semantic determinacy of expressions involving infinite or indefinitely large and open extensions. Such scepticism proceeds from the observation that the extensions of expressions of this kind are not uniquely determined by epistemically accessible facts, to conclude that the expressions in question are indeterminate in point of extension, and that their meaning must consist in (...) their use. ;In the first chapter of this work, I argue that rule-following considerations by themselves do not suffice to establish these conclusions, and that additional premises are needed. I consider both internalist and extensionalist schemes to supplement the sceptical argument. I find such schemes lacking in persuasive support. Chapter 2, in particular, concentrates on Kripke's well known exegesis of Wittgenstein's argument, and on the internalist requirements upon which it is based. ;In Chapter 3, I offer an externalist account of the normative aspect in rule following. On the account I give, the rule one is projecting is determined extensionally by one's position in a community in which his projections would be corrected and evaluated by other members, and from which one has acquired the rule in the first place through a chain of communication, rather than by one's own projections, taken in isolation, which constitute only a partial understanding of the rule in question. This account is not designed to refute scepticism; rather its aim is to account for the normativity of rule-following in ways which do not invoke the internalist requirement upon which rule following scepticism is based. (shrink)

Words and Life (= WL) is a bulky collection of 29 essays, edited and introduced by James Conant. Pragmatism: An Open Question (= P) is a much thinner collection, dedicated to Conant, of just three lectures. Taken together, the two books constitute an argument for pragmatism as a viable option in contemporary philosophy, and a new (pragmatic) basis for what remains viable in the philosophical and political ideals of the Enlightenment. As in a previous collection of essays (Putnam 1990), Conant’s (...) role appears to be more than just editorial. In his own lengthy introductions, he gives Putnam’s work an interpretive ‘spin’, of which Putnam, for his part, seems to approve. Together, Putnam and Conant develop a strain of pragmatism which is well worth looking into.1 Putnam’s pragmatism is best captured by the quote from Cavell (1979: p. 125) which appears as the motto on the title page of the 1994 collection, and from which its title – ‘Words and Life’ – is derived. It is the view that although philosophy is an open ended practice of reflection, rather than a purely contemplative theory of one kind or another, the practice in question is at one and the same time a part of culture (immanence) and a step beyond it (transcendence). In Cavell’s language, the task of such reflection (‘philosophizing’) is ‘to confront culture with itself, along the lines in which it meets in me’, where the self in question – the individual qua philosopher – appears to be engulfed by culture even as he is confronting it from the outside. On this interpretation, Putnam’s appeal to practice in philosophy is part of an attempt to keep its transcendent, or critical, dimension alive, even while recognizing philosophy’s radical embeddedness in culture and tradition, and the futility of seeking some God’s-eye view from which reality as such is to be viewed.2 The question is whether, and how, these two perspectives can be held together. If our standards of rational criticism transcend any particular culture in terms of their scope and authority, how can they also be embedded in culture and immanent to it? Can pragmatism offer a coherent synthesis of these two dimensions.. (shrink)