This classic, with a new introduction by Madeleine L'Engle, is by turns an entrancing mediation on language a piercing commentary on the nature of art and why so much of what we read, hear, and see falls short and a brilliant examination of the fundamental tenets of Christianity. The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and (...) perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new,unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Artist and the Trinity: Dorothy L. Sayers’ Theology of Work by Christine M. FletcherElise M. EdwardsThe Artist and the Trinity: Dorothy L. Sayers’ Theology of Work Christine M. Fletcher eugene, or: pickwick publications, 2013. 162 pp. $19.00.The Artist and the Trinity provides a comprehensive yet concise presentation of Dorothy L. Sayers’s contribution to social ethics and theology, advancing it into a (...) thoughtful, compelling theology of work and vocation. Sayers, a twentieth-century British novelist, playwright, and essayist, highlighted within her writings a consistent set of ideas about work, grounded in deep commitments to the Trinitarian orthodoxy of the Athanasian Creed and the author’s lived experiences as an artist. Christine Fletcher integrates Sayers’s insights into a cohesive theology addressing contemporary problems about work: separation of roles by gendered norms, differentiation of Christian vocation and secular work, and dehumanizing work. [End Page 220]Fletcher skillfully demonstrates that although Sayers was not a professional theologian, apologist, or ethicist, her understanding of the nature of human work and vocation offered a meaningful contribution to Christian social ethics. Early chapters of The Artist and the Trinity feature a well-researched review of Sayers’s works and the ethical themes presented in them. These chapters might capably introduce Sayers to a reader unfamiliar with her work, but the scope and specificity of Fletcher’s discussion of the authors’ characters and plots suggest that this book would best accompany a study of the primary texts. Despite including some literary jargon, Fletcher’s analysis of Sayers’s work is engaging and informative. It exposes the elements of social criticism in Sayers’s fiction and the experiences that informed her analogy for the Trinity. Fletcher offers a thorough description of Sayers’s understanding of the Trinity through an analogy of the artistic process and adeptly explains how it informs Sayers’s conception of good work. Later chapters of the book not only explain “Sayers’ idea that human beings bear the image of God in their ability to create” (xx) but also incorporate this assertion into a compelling human ethic of work that values creativity, initiative, and the individual person’s unique set of skills and interests.The book convincingly argues that good work is an integral part of a fulfilling life for all persons, regardless of gender, because of the universal human capacity to create in the image of God. However, the book lacks any comparison between Sayers’s views on vocation and that of others in the Christian tradition, such as Martin Luther or John Calvin. The omission is striking because Sayers’s belief that the laity’s “secular work is their divine vocation” (120) figures so centrally to her argument about humanity’s desire and ability to make things. But Fletcher effectively contextualizes Sayers’s fiction and wartime speeches, placing her within the tradition of Anglican social ethics, and also skillfully connects her work to contemporary scholarship in theological anthropology, Trinitarian theology, and virtue ethics.The Artist and the Trinity complements other books about Sayers’s theology by Laura Simmons (Creed without Chaos: Exploring Theology in the Writings of Dorothy L. Sayers, Baker Academic, 2005) and Ann Loades (Dorothy L. Sayers: Spiritual Writings, SPCK, 1993). While those works explicate her theological contributions, this study focuses more on the ethical implications of Sayers’s theology. Fletcher’s theology of good work expertly addresses limitations in Sayers’s theology with elements from Alasdair MacIntyre’s philosophical accounts of practices, internal and external goods, and institutions, resulting in an original proposal of work and care. This book is nuanced yet accessible for advanced undergraduates and nonspecialists interested in topics as varied as Trinitarian theology, feminist studies in religion, labor and economics, and Christianity and the arts. While Sayers’s narratives and essays are already valued by religion scholars engaged in the arts and [End Page 221] literature, this study persuasively illuminates the relevance of her work for ethicists pursuing questions about human relationality, gender roles, and the meaning of work.Elise M. EdwardsBaylor UniversityCopyright © 2016 Society of Christian Ethics... (shrink)

The Oxford or Tractarian Movement and later Ritualists and Anglo-Catholics schooled numerous converts in elements of the Catholic faith. Foremost among them was John Henry Cardinal Newman, one of the original founders of the Oxford Movement. Converts numbered in the hundreds and included another cardinal, Henry Edward Manning, the second Archbishop of Westminster, the religious foundress Cornelia Connelly, the priest novelist Robert Hugh Benson and later literary figures such as G.K. Chesterton, Evelyn Waugh and Mgr Ronald Knox. American historian, Patrick (...) Allitt, has argued that on both sides of the Atlantic converts dominated Catholic intellectual life between 1840 and 1960. While such 'Tractarian' converts have indeed greatly influenced Catholic life, many 'Tractarians' who never converted have also had a considerable impact on English-speaking Catholicism. C.S. Lewis is an obvious example. But there have been others, including author Charles Williams, poet T.S. Eliot and theologians John Macquarrie and Michael Ramsey. The author Dorothy L. Sayers also deserves to be counted among their number. (shrink)

"This reviewer had to be restrained from stopping people in the street to urge them to read it: They would learn something of the way science is done,...

In discussing propositional quantifiers we have considered two kinds of variables: variables occupying the argument places of connectives, and variables occupying the argument places of predicates.We began with languages which contained the first kind of variable, i.e., variables taking sentences as substituends. Our first point was that there appear to be no sentences in English that serve as adequate readings of formulas containing propositional quantifiers. Then we showed how a certain natural and illuminating extension of English by prosentences did provide (...) perspicuous readings. The point of introducing prosentences was to provide a way of making clear the grammar of propositional variables: propositional variables have a prosentential character — not a pronominal character. Given this information we were able to show, on the assumption that the grammar of propositional variables in philosopher's English should be determined by their grammar in formal languages (unless a separate account of their grammar is provided), that propositional variables can be used in a grammatically and philosophically acceptable way in philosophers' English. According to our criteria of well-formedness Carnap's semantic definition of truth does not lack an ‘essential’ predicate - despite arguments to the contrary. It also followed from our account of the prosentential character of bound propositional variables that in explaining propositional quantification, sentences should not be construed as names.One matter we have not discussed is whether such quantification should be called ‘propositional’, ‘sentential’, or something else. As our variables do not range over (they are not terms) either propositions, or sentences, each name is inappropriate, given the usual picture of quantification. But we think the relevant question in this context is, are we obtaining generality with respect to propositions, sentences, or something else?Because people have argued that all bound variables must have a pronominal character, we presented and discussed in the third section languages in which the variables take propositional terms as substituends. In our case we included names of propositions, that-clauses, and names of sentences in the set of propositional terms. We made a few comparisons with the languages discussed in the second section. We showed among other things how a truth predicate could be used to obtain generality. In contrast, the languages of the second section, using propositional variables, obtain generality without the use of a truth predicate. (shrink)

Most of us, were we faced with a life threatening situation, would try to avoid it; we do not want to die. Yet Lucretius has argued that death can be ‘nothing to us,’ for when death has occurred we don't exist: we can't suffer something if we don't exist.If death can be a misfortune, what is the misfortune suffered, and who suffers it? The misfortune must be suffered by the person who dies, before death has occurred, otherwise – as Lucretius (...) points out – there is no subject to suffer the misfortune. But what kind of misfortune can the misfortune of death be, that a person can suffer it before he or she dies? This question provides the focus of the paper.Our attitudes towards death and life are determined in part by beliefs we have about a variety of things, for example, whether or not there is a life after death. As I shall assume that life ceases at death the attitudes towards death for which I seek explanations will not be universally endorsed; nor are the attitudes towards life, in terms of which the explanations will be given, universally endorsed. My project is not to defend a set of attitudes but to show that the set of attitudes towards life that I consider provide an explanation of a set of attitudes that some people have towards death. (shrink)

Primate vocal communication is very different from human language. Differences are most pronounced in call production. Differences in production have been overemphasized, however, and distracted attention from the information that primates acquire when they hear vocalizations. In perception and cognition, continuities with language are more apparent. We suggest that natural selection has favored nonhuman primates who, upon hearing vocalizations, form mental representations of other individuals, their relationships, and their motives. This social knowledge constitutes a discrete, combinatorial system that shares several (...) features with language. It is probably a general primate characteristic whose appearance pre-dates the evolution of spoken language in our hominid ancestors. The prior evolution of social cognition created individuals who were preadapted to develop language. Several features thought to be unique to language—like discrete combinatorics and the encoding of propositional information—were not introduced by language. They arose, instead, because understanding social life and predicting others’ behavior requires a particular style of thinking. (shrink)

Among monkeys and apes, both the recognition and classification of individuals and the recognition and classification of vocalizations constitute discrete combinatorial systems. One system maps onto the other, suggesting that during human evolution kinship classifications and language shared a common cognitive precursor.

A founding text of European aestheticism and literary criticism, Poetics underpins our moden understanding of imaginative writing. Anthony Kenny's new translation is accompanied by associated material from Plato, Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers and a wide-ranging introduction.

Although certain aspects of C.S. Lewis's work have been studied in great detail, others have been comparatively neglected. This collection of essays looks at Lewis's life and work, and those of his friends and associates, from many different angles, but all connected through a common theme of identity. Questions of identity are essential to the understanding of any writer. The ways authors perceive themselves and who they are, the communities they belong to by birth or choice, inevitably influence their work. (...) The way they present other people, real or fictional, are also rooted in their own conception of identity. In this volume, scholars from several countries examine gender and family roles; national, regional, racial and professional identities; membership of a particular church; ideological attachments and personal descriptions, either with regard to Lewis and those who knew him and influenced him, or in a study of their writings. Authors studied here include J.R.R. Tolkien, Dorothy L. Sayers, Charles Williams, George MacDonald and T.S. Eliot. (shrink)