Agnes Heller conversó con la Redacción de Areté el 24 de abril de 2003, durante una visita a la Universidad Católica para dictar la Lección Inaugural del Año Académico de la Facultad de Letras y Ciencias Humanas. En la conversación estuvieron presentes los profesores Pepi Patrón, Fidel Tubino y Miguel Giusti.

Books reviewed:Alessandro Ferrara, Justice and JudgmentMaría Pía Lara, Moral Textures: Feminist Narratives in the Public SphereVicki Kirby, Telling Flesh: The Substance of the Corporal.

While Shakespeare's historical and political imagination mainly centres on the traditional character of the stranger or exile, The Merchant of Venice and Othello stand out as dramas about a new figure, the absolute stranger. The absolute stranger belongs to a new situation Shakespeare found in cosmopolitan Venice. Through Shylock and Othello, Shakespeare encounters the drama of the outsider's failed assimilation into cosmopolitan life. For Shakespeare, the figure of the absolute stranger is a representative illusion, and these two plays are dramas (...) about the modern world. (shrink)

A Short History of My Philosophy is an autobiographic account of Agnes Heller's intellectual and academic career. It traces the development of ideas and gives a thorough account of some of Agnes Heller's most influential works.

The Time Is Out of Joint presents an examination of Shakespeare's distinctly modern confrontation with time and temporality, the difference between the truth of the fact, that of theory, and that of interpretation and revelatory truth, and finds that Shakespeare anticipated post-metaphysical philosophy and its central concerns at a time when modern metaphysics had not yet reached it speak. Visit our website for sample chapters!

This article explores the problem of evil from a post-metaphysical position. Distinguishing between good and evil remains no less a pressing task in a world after the "death of God".

This authoritative survey traces the development of Lukcs' thought from his conversion to Marxism to his renunciation of "History and Class Consciousness," from his remarkably fertile 'essay period' to the "Ontology." The essays explore the evolution of his work in relation to that of his contemporaries, among them Brecht, Bloch, and Husserl. They reflect at every turn the contributors' broad commitment to Lukcs' philosophy, but they are always critical in their approach. Lukcs' ambiguities are noted without compromise and his inconsistencies (...) deftly exposed. (shrink)

It is no longer worth dying. There is no Jacques Derrida to offer a magnificent portrait of the philosophy and personality of the recently deceased. As the last surviving member of his great generation, he practiced this duty of love, devotion and justice during the last decades. No one could do this service for him. All that can be offered is a prosaic adieu.

Questo inedito di Ágnes Heller costituisce un approfondimento di un par­ticolare aspetto della sua teoria della morale, la cosiddetta ‘estetica morale’ relativa all’analisi del nesso fra bontà del­l’individuo e manifestazione este­tica di tale bontà nell’azione e nel carattere della sua per­so­nalità. Il saggio of­fre, in primo luogo, una sintesi della teoria morale complessiva di Heller, pre­sentandone alcuni temi fondamentali – la scelta esistenziale della mo­rale, la sintesi tra for­malismo e teleologismo in etica – per poi introdurre il pro­blema dell’estetica morale, (...) e in par­ti­colare le condizioni del giudizio eti­co relativo alla bontà della persona, la rilevanza morale dei sentimenti, la differenza etica fra persona bella e persona sublime.This Heller’s essay, published here for the first time, concerns a specific part of her Theory of Morals: the moral aesthetics, i.e. the relation between individual goodness and its manifestation in the way of acting and in the character of the personality. First, the essay presents a summary of Heller’s ethics: the role of the existential choice of goodness, the link between formalism and teleologism. Then, it analyses some themes of the moral aesthetics like the conditions of ethical judgment on the whole person’s goodness, the moral aspect of feelings, the ethical difference between beautiful and sublime person. (shrink)

In the context of giving this year’s Christian Wolff Lecture, Agnes Heller - looking back on her eventful life and the current political situation in Hungary - reflects on the relationship between philosophy and politics. The changes in her concept of freedom are closely related to her experience of various kinds of political oppression. However, Heller expresses wariness concerning the role of philosophical thought in politics, arguing that philosophy and politics are based on two distinct, incommensurate concepts of truth. (...) She defends a pluralistic approach to truth against the allegation of relativism and subsequently characterizes philosophy as a unique form of storytelling. Heller shares with us her observations on philosophy under modern conditions and closes the interview with a very personal tale. (shrink)

In this essay I want to show that while the concept of autonomy can hardly make a meaningful contribution to the understanding of contemporary artworks, the concept of the dignity of artwork can make such a contribution.