Svrha ovog rada bila je utvrditi učestalost sudjelovanja učitelja Glazbene kulture u različitim aktivnostima informalnog cjeloživotnog učenja te saznati njihovo mišljenje o važnosti i doprinosu navedenog razvoju vlastitih kompetencija potrebnih za poučavanje Glazbene kulture. Utvrđeno je da učitelji najviše sudjeluju u informalnim aktivnostima učenja koje ne zahtijevaju dodatno izdvajanje vremena te shodno tome rjeđe sudjeluju u aktivnostima koje zahtijevaju veću njihovu pažnju. Osjećaju se kompetentnima u izvođenju svih glazbenih aktivnosti koje se provode u nastavi Glazbene (...) kulture. Nadalje, vide doprinos i važnost sudjelovanja u aktivnostima informalnog učenja, no podijeljeni su u razmišljaju trebaju li posvetiti više dodatnog vremena aktivnostima informalnog učenja te kada razmišljaju o tome bi li njihova nastava bila jednako kvalitetna da ne primjenjuju nova znanja stečena informalnim učenjem. (shrink)

Evaluation and grading in the teaching of Music Culture is an important component of the educational process that carries various difficulties and subjectivity with it. In the course of Music Culture, various music activities and contents are realized, which are more or less specific and also reflect on the evaluation and evaluation. The activities and contents of the Curriculum for the Elementary School Music Culture and High School Musical Arts curricula are organized within three domains/teaching areas: Listening and learning about (...) music, Expressing music and with music, and Music in context. The research was conducted in 2019 and included 269 respondents, i.e. 30 elementary music teachers and 239 eighth grade students. The survey was conducted in Osijek-Baranja and Pozega-Slavonia counties and it included Music teachers and eighth grade students from six primary schools, four of whom are in urban and two in rural areas. The aim of this research was to find out students’ and teachers’ views on evaluation and assessment and to determine the possible correlation of sociodemographic variables and teachers’ and students’ opinions on evaluation and assessment in Music Culture teaching and to determine how the assessment is conducted in Music Culture teaching. Listening to music and singing are activities that, in the opinion of both teachers and students, are most commonly evaluated and graded in teaching Music Culture. At the same time, teachers are more likely to carry out individual and group assessments than students. Teachers usually conduct their assessment by monitoring students every class, they tend to evaluate students during class and most often orally. Teachers and students think that student should not have the developed musical skills to score excellently in Music Culture. Considering the correlation between sociodemographic variables and the respondents’ opinions on evaluation and grading, it was shown that the area in which school is located and gender are significant predictors of students’ attitudes, while in the teachers no variables proved to be predictive. (shrink)

The purpose of music listening in school is to shape students’ world view regarding culture and arts, as well as to contribute to their aesthetic education. Croatian elementary schools use the ‘standard model’, which focuses on the cognitive dimension. In order to increase attention, motivation, listening habits, and acceptance of artistic music, a cognitive-emotional approach is suggested that connects musical and extra-musical content in multiple modalities. The goal of the research is to compare the effects of the cognitive-emotional approach versus (...) the standard approach to music teaching on the cognitive and emotional aspects of music listening. 557 year 5 students from 30 classes participated in the research. They listened to Khachaturian’s Masquerade, Beethoven’s Wellington’s Victory, Rimsky- Korsakov’s Scheherazade, and Fauré’s Pavane, as well as answering questions related to the cognitive and emotional aspects of music listening. Fifteen classrooms used the standard approach, while the other fifteen used the cognitive-emotional approach. Student responses generally did not differ in the cognitive aspect. In the emotional aspect, Scheherazade and Pavane engendered somewhat more intense dominant emotions when the cognitive-emotional approach was used. (shrink)

The female composers’ musical pieces are an important but relatively unknown part of the musical and historical heritage. They are also underrepresented in the contemporary musical culture. Children are introduced to works of female composers mainly through the music curriculum in primary schools. This paper presents the research of the Music education textbooks that are in use in primary schools in Croatia. The main aim of the research was to establish the number of compositions by female music composers in the (...) overall number of compositions listed for listening and singing in textbooks, especially the presence of pieces authored by Croatian female composers. We have analyzed 21 textbooks from three Croatian publishing houses. Results show that compositions by male compositors are most often, and then follow traditional compositions, while the compositions of female composers are significantly less present. We propose the revision of the compositions for listening and singing that are included in the Music education textbooks in a way that would enable greater participation of work by both Croatian and other female composers. (shrink)

This paper presents the results of empirical research conducted to examine the opinion of teachers of vocal, instrumental, and theoretical teaching at Croatian and Serbian music schools on distance learning. The survey was conducted during May 2020, at a time when all music schools have completely switched to a distance learning system due to the COVID-19 pandemic. The results showed that teachers, despite numerous problems, especially poor internet connections and poor sound quality obtained by electronic devices, have successfully coped with (...) the realization of distance music teaching. Statistically significant differences were found in teachers’ responses about distance learning regarding the type of classes led by teachers, so teachers who lead instrumental and vocal classes are better at performing distance learning compared to those who lead theoretical classes. Despite the belief of teachers that the transfer of complete knowledge is impossible through technology, most of them are open to the possibility of meaningful application of ICT. Therefore, the issue of professional development and continuous support to teachers by the competent institutions of Croatia and Serbia is intensifying. (shrink)

Glazba ima važnu ulogu za adolescente jer se u tom životnom razdoblju oblikuju osobni i društveni identiteti, ali izgrađuju i glazbene preferencije. U okviru ovoga rada provedeno je online anketiranje koje je obuhvatilo 200 sudionika, odnosno učenika osnovnih općeobrazovnih škola iz pet hrvatskih županija u dobi od 13 i 14 godina. Cilj istraživanja bio je doznati glazbene preferencije učenika te utječu li sociodemografske varijable i nastava glazbe na njihove preferencije. Djevojčice su iskazale nešto veću sklonost prema svim (...) ponuđenim vrstama glazbe, a posebice prema popularnoj glazbi. Sudionici čiji se roditelji bave glazbom značajno su skloniji umjetničkoj i popularnoj glazbi. Kada je u pitanju mjesto življenja, značajne razlike uočene su kod sklonosti rock glazbi koja je značajno viša kod sudionika iz grada. Sudionici koji procjenjuju da postoji utjecaj nastave glazbe i oni koji kod kuće slušaju skladbe s nastave značajno češće izvještavaju o interesu za umjetničku glazbu. Rezultati istraživanja ukazuju na potrebu većeg angažmana učitelja glazbe i roditelja u stjecanju glazbenih preferencija djece, posebice prema kvalitetnoj glazbi. Music plays an important role for adolescents since personal and social identities are formed during this period of life, but they also build musical preferences. Within this paper, an online survey was conducted, which included 200 respondents, i.e. primary school students from five Croatian counties aged 13 and 14. The aim of the research was to find out the musical preferences of students and whether sociodemographic variables and music teaching influence their preferences. The girls showed a slightly greater preference for all types of music offered, and especially for popular music. Respondents whose parents are involved in music are significantly more inclined to artistic and popular music. When it comes to place of residence, significant differences were observed in the preference for rock music, which is significantly higher among respondents from the city. Respondents who estimate that there is an impact of music teaching and those who listen to compositions from classes at home report an interest in art music significantly more often. The results of the research indicate the need for greater involvement of music teachers and parents in acquiring children’s musical preferences, especially towards quality music. (shrink)

Music plays an important role for adolescents since personal and social identities are formed during this period of life, but they also build musical preferences. Within this paper, an online survey was conducted, which included 200 respondents, i.e. primary school students from five Croatian counties aged 13 and 14. The aim of the research was to find out the musical preferences of students and whether sociodemographic variables and music teaching influence their preferences. The girls showed a slightly greater preference for (...) all types of music offered, and especially for popular music. Respondents whose parents are involved in music are significantly more inclined to artistic and popular music. When it comes to place of residence, significant differences were observed in the preference for rock music, which is significantly higher among respondents from the city. Respondents who estimate that there is an impact of music teaching and those who listen to compositions from classes at home report an interest in art music significantly more often. The results of the research indicate the need for greater involvement of music teachers and parents in acquiring children’s musical preferences, especially towards quality music. (shrink)

Glazbena djela skladateljica važan su, ali nedovoljno obrađen segment glazbeno-povijesne baštine te u nedovoljnoj mjeri zastupljen element suvremene glazbene kulture. Djeca se s djelima skladateljica u prvom redu upoznaju u okviru osnovnoškolske nastave glazbe. U radu je prikazano istraživanje kojemu je cilj bio utvrditi zastupljenost djela skladateljica namijenjenih za slušanje i pjevanje u udžbenicima za Glazbenu kulturu koji su u uporabi u Hrvatskoj, a posebno djela hrvatskih skladateljica. U istraživanju je analiziran 21 udžbenik triju hrvatskih nakladničkih kuća. Rezultati (...) ukazuju na to da su u udžbenicima najviše zastupljena djela skladatelja, potom tradicijske skladbe, dok su djela skladateljica zastupljena u bitno manjoj mjeri. Autori predlažu revidiranje popisa djela za slušanje i pjevanje u udžbenicima za Glazbenu kulturu kako bi se u njih u većoj mjeri uvrstilo stvaralaštvo domaćih i stranih skladateljica. The female composers’ musical pieces are an important but relatively unknown part of the musical and historical heritage. They are also underrepresented in the contemporary musical culture. Children are introduced to works of female composers mainly through the music curriculum in primary schools. This paper presents the research of the Music education textbooks that are in use in primary schools in Croatia. The main aim of the research was to establish the number of compositions by female music composers in the overall number of compositions listed for listening and singing in textbooks, especially the presence of pieces authored by Croatian female composers. We have analyzed 21 textbooks from three Croatian publishing houses. Results show that compositions by male compositors are most often, and then follow traditional compositions, while the compositions of female composers are significantly less present. We propose the revision of the compositions for listening and singing that are included in the Music education textbooks in a way that would enable greater participation of work by both Croatian and other female composers. (shrink)

Vrednovanje i ocjenjivanje u nastavi Glazbene kulture važna je sastavnica odgojno-obrazovnog procesa koja sa sobom nosi razne poteškoće i subjektivnost. U nastavi Glazbene kulture realiziraju se različite glazbene aktivnosti i sadržaji, koji su više ili manje specifični te se navedeno odražava i na vrednovanje i ocjenjivanje. Navedene aktivnosti i sadržaji u okviru Kurikuluma nastavnog predmeta Glazbena kultura za osnovne škole i Glazbena umjetnost za gimnazije organizirane su u okviru tri domene/nastavna područja: Slušanje i upoznavanje glazbe, (...) Izražavanje glazbom i uz glazbu i Glazba u kontekstu. U radu je prikazano istraživanje provedeno tijekom 2019. godine, a koje je obuhvatilo 269 ispitanika, tj. 30 osnovnoškolskih učitelja Glazbene kulture i 239 učenika osmih razreda. Istraživanje je provedeno u Osječko-baranjskoj i Požeško-slavonskoj županiji te je obuhvatilo učitelje Glazbene kulture i učenike osmih razreda šest osnovnih škola od kojih se četiri nalaze u urbanom, a dvije u ruralnom području. Cilj ovog istraživanja bio je doznati stavove učenika i učitelja o vrednovanju i ocjenjivanju u nastavi Glazbene kulture, utvrditi moguću povezanost sociodemografskih varijabla i mišljenja učitelja i učenika te utvrditi na koji se način provodi ocjenjivanje u nastavi Glazbene kulture. Slušanje glazbe i pjevanje su aktivnosti koje se, prema mišljenju i učitelja i učenika, najčešće vrednuju i ocjenjuju u nastavi Glazbene kulture. Ujedno, učitelji u većoj mjeri smatraju da provode individualno i skupno ocjenjivanje nego li to smatraju učenici. Utvrđeno je da učitelji najčešće ocjenjivanje provode tako što tijekom svakog sata prate učenike, skloni su učenike ocijeniti odmah na satu i najčešće usmeno. Utvrđeno je da su učitelji i učenici mišljenja da učenik ne treba imati razvijene glazbene sposobnosti za ocjenu ‘odličan’ u predmetu Glazbena kultura. S obzirom na povezanost sociodemografskih varijabla i mišljenja ispitanika o vrednovanju i ocjenjivanju, pokazalo se kako su područje na kojemu se nalazi škola i spol značajni prediktori učeničkih stavova, dok se kod učitelja nijedna varijabla nije pokazala prediktorskom. Evaluation and grading in the teaching of Music Culture is an important component of the educational process that carries various difficulties and subjectivity with it. In the course of Music Culture, various music activities and contents are realized, which are more or less specific and also reflect on the evaluation and evaluation. The activities and contents of the Curriculum for the Elementary School Music Culture and High School Musical Arts curricula are organized within three domains/teaching areas: Listening and learning about music, Expressing music and with music, and Music in context. The research was conducted in 2019 and included 269 respondents, i.e. 30 elementary music teachers and 239 eighth grade students. The survey was conducted in Osijek-Baranja and Pozega-Slavonia counties and it included Music teachers and eighth grade students from six primary schools, four of whom are in urban and two in rural areas. The aim of this research was to find out students’ and teachers’ views on evaluation and assessment and to determine the possible correlation of sociodemographic variables and teachers’ and students’ opinions on evaluation and assessment in Music Culture teaching and to determine how the assessment is conducted in Music Culture teaching. Listening to music and singing are activities that, in the opinion of both teachers and students, are most commonly evaluated and graded in teaching Music Culture. At the same time, teachers are more likely to carry out individual and group assessments than students. Teachers usually conduct their assessment by monitoring students every class, they tend to evaluate students during class and most often orally. Teachers and students think that student should not have the developed musical skills to score excellently in Music Culture. Considering the correlation between sociodemographic variables and the respondents’ opinions on evaluation and grading, it was shown that the area in which school is located and gender are significant predictors of students’ attitudes, while in the teachers no variables proved to be predictive. (shrink)

Ovaj rad predstavlja rezultate empirijskog istraživanja provedenog radi ispitivanja mišljenja učitelja vokalno-instrumentalne i teorijske nastave pri hrvatskim i srpskim glazbenim školama o učenju na daljinu. Istraživanje je provedeno tijekom svibnja 2020., u vrijeme kad su sve glazbene škole zbog pandemije COVID-19 u potpunosti prešle na sustav učenja na daljinu. Rezultati pokazuju da su se učitelji, usprkos brojnim problemima, osobito lošim internetskim vezama i lošom kvalitetom zvuka dobivenim elektroničkim uređajima, uspješno nosili s realizacijom nastave glazbe na daljinu. Pronađene su statistički (...) značajne razlike u odgovorima nastavnika o učenju na daljinu s obzirom na vrstu nastave koju vode, pa su učitelji koji izvode instrumentalnu i vokalnu nastavu bili bolji u izvođenju učenja na daljinu u odnosu na one koji vode teorijsku nastavu. Usprkos vjerovanju nastavnika da je prijenos potpunog znanja nemoguć putem tehnologije, većina njih otvorena je za mogućnost smislene primjene IKT-a. Stoga se intenzivira pitanje profesionalnog usavršavanja i kontinuirane podrške učiteljima od strane nadležnih institucija Hrvatske i Srbije. This paper presents the results of empirical research conducted to examine the opinion of teachers of vocal, instrumental, and theoretical teaching at Croatian and Serbian music schools on distance learning. The survey was conducted during May 2020, at a time when all music schools have completely switched to a distance learning system due to the COVID-19 pandemic. The results showed that teachers, despite numerous problems, especially poor internet connections and poor sound quality obtained by electronic devices, have successfully coped with the realization of distance music teaching. Statistically significant differences were found in teachers’ responses about distance learning regarding the type of classes led by teachers, so teachers who lead instrumental and vocal classes are better at performing distance learning compared to those who lead theoretical classes. Despite the belief of teachers that the transfer of complete knowledge is impossible through technology, most of them are open to the possibility of meaningful application of ICT. Therefore, the issue of professional development and continuous support to teachers by the competent institutions of Croatia and Serbia is intensifying. (shrink)

Cilj je slušanja glazbe u školi oblikovati kulturno-umjetnički svjetonazor učenica i učenika te doprinijeti njihovom estetskom odgoju. U hrvatskim osnovnim školama realizira se prema tzv. standardnom modelu kojemu je težište na spoznajnoj dimenziji. Kako bi se povećali pozornost, motivacija, slušalačke navike i prihvaćanje umjetničke glazbe, predlaže se spoznajno-emocionalni pristup koji višemodalno povezuje glazbene i izvanglazbene sadržaje. Cilj istraživanja bio je usporediti utjecaje spoznajno-emocionalnog i standardnog pristupa u nastavi glazbene kulture na spoznajni i emocionalni aspekt slušanja glazbe. Sudjelovalo (...) je 557 učenika i učenica iz 30 petih razreda. Slušali su Hačaturjanovu Maskaradu, Beethovenovu Wellingtonovu pobjedu, Rimski Korsakovljevu Šeherezadu i Fauréovu Pavanu te odgovarali na pitanja vezana za spoznajni i emocionalni aspekt slušanja glazbe. Petnaest razreda imalo je nastavu po standardnom, a 15 razreda po spoznajno emocionalnom pristupu. U spoznajnom aspektu odgovori učenika i učenica uglavnom se nisu razlikovali. U emocionalnom aspektu, u Šeherezadi i Pavani nešto su intenzivnije doživljavane dominantne emocije kada je bio primijenjen spoznajno-emocionalni pristup. The purpose of music listening in school is to shape students’ world view regarding culture and arts, as well as to contribute to their aesthetic education. Croatian elementary schools use the ‘standard model’, which focuses on the cognitive dimension. In order to increase attention, motivation, listening habits, and acceptance of artistic music, a cognitive-emotional approach is suggested that connects musical and extra-musical content in multiple modalities. The goal of the research is to compare the effects of the cognitive-emotional approach versus the standard approach to music teaching on the cognitive and emotional aspects of music listening. 557 year 5 students from 30 classes participated in the research. They listened to Khachaturian’s Masquerade, Beethoven’s Wellington’s Victory, Rimsky- Korsakov’s Scheherazade, and Fauré’s Pavane, as well as answering questions related to the cognitive and emotional aspects of music listening. Fifteen classrooms used the standard approach, while the other fifteen used the cognitive-emotional approach. Student responses generally did not differ in the cognitive aspect. In the emotional aspect, Scheherazade and Pavane engendered somewhat more intense dominant emotions when the cognitive-emotional approach was used. (shrink)

This research was carried out on a sample of third year pupils of vocational schools and gymnasiums. Of the surveyed pupils, 253 of them attended gymnasiums, while 352 attended vocational secondary schools. The goal of this research was to examine specificities in secondary school pupils’ perceptions of the importance of subjects in the field of the fine arts. A separate analysis was undertaken for only two selected dependent variables: the importance of subjects in the field of the fine arts for (...) developing memory and the ability to learn other subjects, and interest in and satisfaction with participation in fine arts activities. The results show that there is no statistically significant difference between the estimation of gymnasium and vocational school pupils regarding participation in fine arts activities or in their estimation of the importance of fine arts activities in developing memory and the ability to learn other subjects. There is a statistically significant gender difference in the estimation of participation in fine arts activities, as well as in the estimation of the importance of fine arts activities in developing memory and the ability to learn other subjects. It can be concluded that respondents were unable to estimate how much or why they would use competencies gained in fine arts teaching in their continued education or their future careers. (shrink)

Izvanučionička nastava poveznica je života i škole i neizostavna sastavnica suvremenog odgoja i obrazovanja. Obzirom na njezinu iznimnu pedagošku vrijednost, cilj je ovoga rada analizom školskih kurikuluma dobiti uvid u zastupljenost i oblike provedbe izvanučioničke nastave u osnovnim školama. U tu svrhu analizirana su 73 školska kurikuluma osnovnih škola na području Osječko-baranjske županije. Analiza sadržaja kurikuluma obuhvatila je različite oblike provedbe izvanučioničke nastave, njihovu zastupljenost u okviru razredne i predmetne nastave i u odgojno-obrazovnim područjima propisanim Okvirom nacionalnog kurikuluma. Ovim (...) se radom ukazuje na prednosti i nedostatke različitih oblika izvanučioničke nastave koji se ostvaruju unutar pojedinih odgojno-obrazovnih područja. Detektirana su odgojno-obrazovna područja u kojima je potrebno unaprijediti planiranje i realizaciju izvanučioničke nastave. Zaključuje se kako je didaktičko-metodička rješenja za unaprjeđenje potrebno tražiti unutar pojedinih odgojno-obrazovnih područja u kojima su uočene različitosti u učestalosti integracije izvanučioničke nastave. Outdoor education is a link between life and school and an indispensable component of modern education. Considering its exceptional pedagogical value, the main goal of this research is to get an insight into the presence and form of outdoor education implementation in elementary schools. For that purpose, seventy-three school curricula from Osijek-Baranja County were analyzed. The analysis of curriculum content includes not only different forms of outdoor education, their presence in one teacher education and subject teaching but also education areas prescribed by the national curriculum. The thesis points out the advantages and disadvantages of different forms of outdoor education within particulars education areas. Also, education areas in which improvements in planning and realization of outdoor education were detected. It is necessary to look for didactic methodical solutions in education areas in which diversity of outdoor education integration is noticed. (shrink)

Philipp W. Balsiger / Rudolf Kötter Die Kultur moderner Wissenschaft am Beispiel Albert Einstein Für alle, die über den Tellerrand der Physik EInsteins blicken wollen Albert Einstein ist ein wissenschaftshistorisches Musterbeispiel dafür, wie wissenschaftliche Kulturleistungen bei der Entwicklung neuer Theorien, in persönlichen Netzwerken und im Zusammenhand mit philosophischem Denken entstehen. Dieses Buch enthält Beiträge von Physikern, Philosophen und Wissenschaftshistorikern, die überraschend vielseitigen Facetten der physikalischen Kultur am Beispiel Albert Einsteins zusammentragen: von den Paradigmenwechseln des Raum- Zeitverständnisses über die Philosophie in (...) der Physik bis hin zur Bildungs- und Popularisierungskultur, die mit seinem Wirken verbunden ist. (shrink)

Outdoor education is a link between life and school and an indispensable component of modern education. Considering its exceptional pedagogical value, the main goal of this research is to get an insight into the presence and form of outdoor education implementation in elementary schools. For that purpose, seventy-three school curricula from Osijek-Baranja County were analyzed. The analysis of curriculum content includes not only different forms of outdoor education, their presence in one teacher education and subject teaching but also education areas (...) prescribed by the national curriculum. The thesis points out the advantages and disadvantages of different forms of outdoor education within particulars education areas. Also, education areas in which improvements in planning and realization of outdoor education were detected. It is necessary to look for didactic methodical solutions in education areas in which diversity of outdoor education integration is noticed. (shrink)

Eine interdisziplinäre Verständigung über Kultur ist fällig und notwendig, um dem gegenwärtig weit verbreiteten Eindruck entgegenzuwirken, „Kultur“ habe sich als semantisches Irrlicht und als obsolet gewordener Gegenstand von Forschung erwiesen, weil der Begriff unüberschaubare wie unvereinbare Bedeutungsmomente bündele und aus einem bloßen Gespinst von Mehrdeutigkeiten bestehe. Demgegenüber wird in diesem Buch die Überzeugung vertreten, dass es gewinnbringend ist, die spezifischen Kompetenzen aus der Kultursoziologie und Populärkulturforschung, aus der Theorie des Kulturmanagements und der Medienkultur sowie aus der Kulturphilosophie zusammenzubringen, um zu (...) zeigen, dass es trotz und gleichsam unterhalb der notorischen Vieldeutigkeit des Wortes „Kultur“ einen gemeinsamen Sachzusammenhang namens Kultur gibt, von dem die einzelnen Fachdisziplinen jeweils bestimmte Faktoren in den Blick nehmen und kraft ihrer eigenen Methoden erhellen. Damit leistet der Band einen wichtigen Beitrag, um den vielschichtigen und komplexen Terminus „Kultur“ als sozial- und kulturwissenschaftlichen Schlüsselbegriff wiederzugewinnen. (shrink)

Die Darstellung konzentriert sich auf den Naturbegriff in seinem Verhältnis zu Kultur, die folglich nur reduzierte Charakterisierung erfährt. Herausgearbeitet werden vor allem die Umfänge, Eigenschaften und Grenzen der auf Kultur bezogenen Naturbegriffe. Das Feld dieser Bedeutungen ist in einer Pluralität von sich teils überschneidenden, teils wechselseitig ergänzenden Naturbegriffen eingebettet. Weil erst vor diesem Hintergrund die Spezifität der Beziehung von Natur und Kultur sowie ihrer Natur - Kultur und ihr Anderes Bestimmungselemente deutlich wird, beginne ich mit einer Vorbemerkung zum Naturdiskurs (1). (...) Im Anschluss daran stelle ich fünf Varianten der Verhältnisbestimmung von Natur und Kultur vor. Bei den ersten beiden handelt es sich um die klassischen Entgegensetzungen von Natur zu Technik einerseits und zu Geschichte andererseits. Die Differenz von Natur und Technik geht auf Aristoteles zurück und hat sich bis heute vor allem Aktualität im lebensweltlichen Erfahrungsbereich bewahrt. (2). Den lebensweltlichen Nahbereich des direkt Wahrnehm- und Veränderbaren transzendiert die exemplarisch von Jean-Jacques Rousseau formulierte Gegenüberstellung von Natur und Geschichte. (3). Übergangsbereiche von Natur und Kultur sowie Bereiche, in denen sich zwischen beiden nicht mehr sinnvoll unterscheiden lässt, sind in den vergangenen zwei Jahrhunderten zunehmend zum Gegenstand wissenschaftlicher Arbeit geworden. Die Vielfalt der gegenwärtigen Forschungen in diesem Zusammenhang gestattet keine einheitliche Bestimmung des Natur-Kultur-Verhältnisses. Es lassen sich jedoch gemeinsame Strukturen bevorzugter Thematisierungsrichtungen ausmachen. Dazu gehört das Festhalten an den beiden, nicht dualistisch aufgefassten Begriffen als Bezeichnung von Gegenstandskomponenten. Hieran anknüpfend schlage ich vor, die Begriffe als polare Extreme eines Feldes von Mischungszuständen zu verstehen (4). Abschließend folgen die zwei Varianten, in deren Konsequenz es liegt, die Legitimität jeweils eines der beiden Begriffe zu bestreiten: Die naturalistische und die kulturalistische Variante. Sie rekurrieren jeweils beide auf einen historischen Prozess und sind als theoretisches Programm formuliert (5 und 6). (shrink)

Die Kulturgeschichte kennt eine Vielzahl an unterschiedlichen Variationen des Spiels. In einer bestimmten Hinsicht erweist sich die Form des Spiels als ein konstitutives Phänomen von Kultur. Unter der Voraussetzung, dass es sich bei Religion um ein kulturelles System handelt, kann zudem erwartet werden, dass auch sie den Impuls des Spielerischen in sich aufnimmt. Vor diesem Hintergrund zielen die Beiträge dieses Bandes darauf ab, einzelne Verflechtungen zwischen Spiel und Kultur aus theologischen und philosophischen Perspektiven zu untersuchen. Dabei geht es sowohl darum, (...) theoriegeschichtliche Hintergründe des Zusammenhangs sichtbar zu machen, als auch darum, die Verhältnisse zwischen Spiel, Religion und Ethik systematisch zu untersuchen."-- Back cover. (shrink)

Der Wandel der kulturellen Verhältnisse führt zu einer Zuspitzung des Verhältnisses von Gesellschaft und Rechtssystem. In diesem Prozess gestaltet New Political Ecology (NPE) Umwelt und Rechtssystem und ist zugleich evolutiv ausgerichtet. NPE erfährt Evolution in der Zeit als Überfluss und in eigenartiger Vernetzung als knappes Gut. Diese Verbindung basiert auf Zusammenhängen, die bisher noch nicht systematisch bearbeitet worden sind. Dabei geht es ganz wesentlich auch um das Verhältnis von Staat und moderner Risikogesellschaft. Wissenschaftlicher Fortschritt erweist sich vor diesem Hintergrund selbst (...) als ein evolutiver Prozess. (shrink)

Die Krisenhaftigkeit der jüngeren und jüngsten Zeit ist unübersehbar. Von daher ist auch das verstärkte Bemühen um Verantwortung in Politik und Gesellschaft zu verstehen. Verantwortliches Handeln ist dabei keineswegs unpopulär. Aber es zeigt sich auch, dass es sich in alltagsmoralischen Überzeugungen nicht von alleine durchsetzt, oder in sein Gegenteil verkehrt wird, wenn es bspw. Von Marketingstrategien des 'green-washing' vereinnahmt wird. Die mit einem Geleitwort von Frau Rita Süssmuth versehenen fünf Vorlesungen der Studium Universale-Ringvorlesung 'Kultur der Verantwortung - Verantwortung der Kultur' (...) der Heinrich-Heine-Universität dis-kutieren deshalb auf 120 Seiten einmal die Herkunft und die Widersprüchlickkeit des Verantwortungsprinzips, aber auch die Chancen einer 'neuen Ära der Verantwor-tung' (Ludger Heidbrink). In einer zweiten Vorlesung werden Gründe dafür genannt, warum es auch ethisch vertretbar sein kann, Wirtschaftsunternehmen in Teilen von einer generellen Verpflichtung zur globalen Verantwortung zu entbinden (Michael Baurmann). Dem Zusammenhang von Verantwortung und Kultur gehen an den Beispielen des Intellektuellen und der Avantgardekunst zwei weitere Vorlesungen nach. Während der Intellektuelle in der heute stark medialisierten Öffentlichkeit seine traditionelle Funktion als Kritiker staatlicher und ökonomischer Machtverhältnisse zuneh-mend verliert (Bernd Witte), scheint diese Rolle von den aktivistischen Kunstpraktiken der Avantgarde und der ihr entsprechenden Museumskultur aufgegriffen worden zu sein (Lutz Hieber). Mit der abschließenden Vorlesung wird der Blick auf eine außereuropäische Gesellschaft und Kultur geworfen und gezeigt, wie die offizielle Innen- und Außen-Politik Chinas einer 'harmonischen Gesellschaft und einer harmonischen Welt' sich zwar auf eine konfuzianische Tradition beruft, in der Alltagswirklichkeit diese aber immer wieder wegen tief sitzender Ängste vor einem Zerfall des Riesenreichs unterläuft (Carmen Meinert). (shrink)

Im Kontext der Diskussion um Interkulturelle Bildung wird in einer Zusammenhangsanalyse systematisch untersucht, ob und wie sich die Waldorfpadagogik / Anthroposophie Rudolf Steiners grundsatzlich fur das Unterrichten und Erziehen in kultureller Vielfalt eignet. Auf dieser Basis wird das Verhaltnis von Kultur und Erziehung neu bestimmt und ein transkulturelles Bildungskonzept entfaltet, das Orientierungen fur die Gestaltung padagogischer Praxis in multikulturellen Kontexten bietet.".

Evolutionäre Fortschritte, die nicht zum Menschen führen, etwa die Entwicklung der Elefanten, der Wale oder die künftige Evolution des Menschen, die jenseits der menschlichen Kultur stattfinden, müssen gleichwertig mit kulturellen Fortschritten eingestuft werden, damit die Kultur selbst weiterentwickelt werden kann. Angesichts modernster Forschungsergebnisse, die Großartiges in der Kultur und in der Natur nicht zu kurz kommen lassen, bietet diese Arbeit u.a. neue, ausführliche und sorgfältige Definitionen von «Fortschritt» und «Kultur». Bei der Beschreibung und Bewertung von kulturellen Fortschritten wird eine globale, (...) nicht-eurozentrische Perspektive angewendet, woraus ein neues Bild von der Entwicklung der Menschheit Konturen annimmt. (shrink)

Bilime ve onun bilgisine akademik, politik, ekonomik ve kamusal alanlar olmak üzere birçok alanda diğer bilgi iddialarına kıyasla daha fazla güven duyulmaktadır. Bilime duyulan bu güvenin temelinde büyük ölçüde bilimsel süreçlerin ve yöntemlerin nesnel bir şekilde yürütülmesi ve bu nesnel sürecin bir ürünü olarak bilimsel bilginin tarafsız bilim insanları tarafından ortaya konulduğu düşüncesi yatmaktadır. Bu bakımdan toplum tarafından bilimin tartışılmaz statüsünün ve bilimsel bilgiye verilen değerin belirleyicisi olarak nesnellik özelliği ön plana çıkmaktadır. Bilhassa doğa bilimleri söz konusu olduğunda bilimsel yöntemin (...) olgulara ve dış dünyaya ilişkin nesnel bilgiler sağladığı düşünülmektedir. Bu bakımdan doğa bilimleri, bilimde nesnelliğin paradigmatik örnekleri olarak kabul görmektedir. Beşeri ve sosyal bilimler alanında ise doğa bilimlerine kıyasla nesnellik algısı düşük olmasına rağmen, yöntemlerinin bilimsel yöntemle çalışılmaya uygun olmasından dolayı en azından ilke olarak nesnel olduğu değerlendirilmektedir. Bilimin değerler alanından ziyade olgu alanına ilişkin çalışmalar yürütmesi, bilim insanlarının değerler, anlamlar ve ideallerinden de kendisini izole ederek bilimsel nesnelliği temin edilebileceği konusunda genel bir kavrayışa yol açmaktadır. Bu görüşün önde gelen düşünürü Karl Popper’dır. Popper bilimsel nesnelliğin, olgusal içerikli önermelerin – protokol önermeleri – öznelerarası sınanabilir olması ile temin edilebileceğini ve böylece bilim insanlarının çalışmalarında kültür, değer ve inanç gibi öznel kanılarının bilimsel bilginin temellendirilmesi ve sınanması noktasında kullanılamayacağını ifade etmiştir. Ancak bilimin doğasına yönelik bir soruşturma bilimsel bilginin düşünüldüğü kadar nesnel bir sürece sahip olmadığını, bilim faaliyetini gerçekleştiren bilim insanlarının kişisel çıkarlarının, değerlerinin ve içinde yaşamış oldukları kültürel faktörlerin bilimsel bilginin elde edilmesi sürecinde etkili olabileceğini ortaya koymaktadır. Bu bakımdan bilimin doğasını doğru bir şekilde anlayabilmenin yolu bilimlerde nesnellik ölçütünün sosyolojik ve kültürel unsurlarla yakından ilişkili olduğunu bilmekten geçmektedir. Thomas Kuhn bilimsel değerlendirmelerde değer yargılarının ve kültürel unsurların kaçınılmaz olduğu düşüncesindedir. Kuhn, Popper’ın aksine sosyolojik etmen ve değerleri de işin içerisine katarak bir bilimsel nesnellik değerlendirmesi yapmaktadır. Bu doğrultuda, o bilimde fazlasıyla öznel unsurları vurguladığı eleştirilerine imkân vermeyecek şekilde bilim insanlarının takip etmesi gereken ve tavsiye niteliğinde olan belirli değerler neticesinde bilimsel nesnelliğin ve rasyonalitenin sağlanabileceğini ifade etmektedir. Bu kapsamda çalışmada, bilimin en bilinen özelliği olarak göze çarpan nesnellik kavramı ve düşüncesine yönelik kavramsal bir belirlemenin ardından kültür ve değer gibi sosyolojik unsurların bilimsel objektifliğin ayrılmaz bir parçası olduğu argümanı, Popper ve Kuhn’un çalışmaları göz önünde bulundurularak serimlenecektir. (shrink)

Gegenstand des Bandes ist eine Profilierung der Kulturphilosophie mit dem Ziel ihrer notigen Selbstbehauptung gegenuber einem gegenwartigen Naturalismus. Ein zentrales Ratsel der Gegenwartsphilosophie ist das Verhaltnis unseres Bewusstseins, der Perspektive der ersten Person machtig und Urheber der Kultur zu sein, zu den Erkenntnissen der Kognitions- sowie der Evolutionswissenschaften seit Darwin. In diesen scheint von der Natur her auf die Kultur ein neues Licht zu fallen. Dies ist ebenso faszinierend wie interessant. Es ist aber auch eine Herausforderung: Der Begriff der "Welt" (...) wird naturwissenschaftlich praokkupiert, Extrapolationen ins Ontologische wie die "kausale Geschlossenheit der Welt" breiten sich auf Kosten fruherer, starker zuruckgenommener Erkenntnis- und Wissenschaftstheorien aus. Wie steht es demgegenuber mit den Beitragen von Kulturphilosophie und Kulturwissenschaften / Geisteswissenschaften? Deutlich wird in den Beitragen im Anschluss an Dilthey, Cassirer, Simmel und weitere Autoren: Die Notwendigkeit und der Eigencharakter kultureller Arbeit mussen offentlich wie in den Wissenschaften wieder bewusst werden. Mit Beitragen von Katharina Bauer, Jorn Bohr, Gunter Dux, Ralf Glitza, Kinga Golus, Julia Gruevska, Ralph Kohnen, Gudrun Kuhne-Bertram, Hans-Ulrich Lessing, Kevin Liggieri, Ernst Wolfgang Orth, Annika Schlitte, Gunter Scholtz und Rene Torkler. (shrink)

Der Artikel erörtert den anthropologischen Ansatz bei der Erforschung der Rolle, die die Kultur im Humanisierungsprozess des Menschen spielt: Was sind die Vorteile des modernen Zeitalters, und welche Probleme melden sich in der postindustriellen und immer noch technologischen Zivilisation? Was hat sich im Hinblick auf die fundamentale Rolle der Kultur in der Welt des Menschen verändert, als: a) die Kultur zu einem Industrieerzeugnis im Sinne von „Massenkultur” wurde; und b) sie unter den Einfluss des postmodernen Relativismus fiel ? Die Verfasserin (...) analysiert die Folgen dieser Wandel unter dem Gesichtspunkt substanzialer menschlicher Potenziale wie Kreativiät und Imagination, den L ebenssinn betreffende Referenzgrundlagen, multidimensionale Struktur des menschlichen Charakters, Freiheit der Persönlichkeit im Gegensatz zum vulgarisierten Individualismus usw. Die abschließende Fragestellung lautet: Ist die Kultur hinter den Ökonomismus oder die Politik zurückgetreten, statt deren Grundlage zu sein? (shrink)

Den dominerende oppfatningen i den politiske og moralfilosofiske tenkningen de siste tiår har vært at religion ikke bør spille noen avgjørende politisk rolle i det moderne sekulariserte demokrati. Religion tilhører privatsfæren, og politiske avgjørelser må fattes på et felles grunnlag, uavhengig av livssyn. De mest sentrale tenkerne i vår tids politiske filosofi, John Rawls og Jürgen Habermas, har begge i tidlige arbeider gitt uttrykk for at dette er en oppfatning som vil få en allmenn, global tilslutning, for de ser modernisering (...) og sekularisering som to sider av samme sak. Det er nærmest to uunngåelige fenomen ettersom globalisering og modernisering vil føre til svekkelse av tradisjonelle kulturer og utbredelse av individualisme og demokratiske idealer. Bakgrunnen for dette temanummeret er at en rekke erfaringer fra de siste tiår har ledet til en gjenåpning av spørsmålet om religionens plass i sekulariserte samfunn. (shrink)

Die Erschütterungen neuzeitlicher Gewissheitsordnungen haben das menschliche Selbst- und Weltverständnis in eine tiefe Krise gestürzt. Darauf antworten Bertolt Brecht und Antonin Artaud wie auch ihr Rezipient Roland Barthes mit einem Theater des Nichtverstehens - sowohl auf der Bühne wie auch im Text. Dieses Theater zeigt, dass Kultur in erster Linie ein ästhetisches System und daher immer ein riskanter Prozess ist. Melanie Reichert überführt die drei bisher vor allem literatur- und kunstwissenschaftlich gelesenen Autoren in einen kulturphilosophischen Diskurs über Philosophie, Theater und (...) die Wiederentdeckung der Ambiguitätstoleranz nach dem Scheitern der Ideologiekritik. (shrink)