This book reclaims Hegel's notion of the "end of art"-or, more precisely, of "art's past character"-not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art both in Hegel and contemporary philosophy and aesthetics. The book's innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but applies the idea of (...) the past character of art to themes that are both related to Hegel's philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan's poetry, Gramsci's criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel's aesthetics, but can be used to shed light on some core motives of his philosophy. The author's interpretation of art's past character reclaims the full value, attractiveness, and philosophical soundness of Hegel's thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art's Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. (shrink)

In this paper, I will argue that the main contrast between religious fictionalism and other recently developed fictionalist positions in other non-religious fields of enquiry is the sort of personal and affective relationship said to be felt by the religious person between them and God, the feeling of being in a loving and personal communion with God. I will argue that a realist, non-Meingonian artifactual fictionalist understanding of God, along the lines that philosophers such as Schiffer and Thomasson have already (...) defended on non-religious grounds regarding fictional characters, seems to be the most direct way of preserving the possibility of the religious person standing in an actual relation to God while also maintaining a fictionalist understanding of religious faith. Last, I will argue that conceiving of God in these realist artifactual terms, and despite allowing the possibility of the religious person standing in an actual relation to God, fails to preserve a genuine personal relationship between the concrete religious person and God. (shrink)

In this paper, I want to deal with the problem of how to find an adequate context of interpretation for indexical sentences that enables one to account for the intuitive truth-conditional content which some apparently puzzling indexical sentences like “I am not here now” as well as other such sentences contextually have. In this respect, I will pursue a fictionalist line. This line allows for shifts in interpretation contexts and urges that such shifts are governed by pretense, which has to (...) be understood in terms of socially shared make-believe games. By appealing to pretense so conceived, I will show that the fictionalist perspective is halfway between an intentionalist perspective, according to which the above indexical sentences have to be interpreted in a shifted intended context, (this perspective is primarily defined by Predelli 1998, Analysis 58, 107; Mind and Language 13, 400) and a conventionalist perspective, according to which indexical reference shifts in accordance with a conventional setting. (For this perspective, cf. Corazza et al. 2002, Philosophical Studies 107, See also Corazza 2004, Reflecting the Mind: Indexicality and Quasi-Indexicality, Oxford University Press). Finally, I will claim that the fictionalist analysis of cases of non-ordinary uses of indexicals like “here” and “now” can be retained in face of a new alternative analysis of those cases in terms of an ‘unbound anaphora’ – theory (cf. Corazza 2004, Synthese 138, 145). (shrink)

This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these This This book presents a novel theory of fictional entities which is syncretistic insofar as it integrates the work of previous authors. It puts forward a new metaphysical conception of the nature of these entities, according to which a fictional entity is a compound entity built up from (...) both a make-believe theoretical element and a set-theoretical element. The fictional entity is constructed by imagining the existence of an individual with certain properties and adding a set-theoretical element consisting of the set of properties corresponding to the properties of the imagined entity. Moreover, the book advances a new combined semantic and ontological defence of the existence of fictional entities. (shrink)

In this paper, I will first of all claim that once one takes proper names as indexicals of a particular sort, indexinames for short, one may account for some tensions that affect our desiderata regarding the use of such names in sentences directly or indirectly involving fiction. According to my proposal, a proper name “N.N.” is an indexical whose character is roughly expressed by the description “the individual called ‘N.N.’ (in context)”, where this description means “the individual one’s interlocutor’s attention (...) is called to by means of ‘N.N.’ (in context)”. This character is a partial function that maps narrow contexts onto referents. Such contexts are enriched narrow contexts, for they also include an ‘acquisition’ parameter, i.e., a parameter filled by a naming practice constituted by a dubbing, which consists in calling via the name one’s interlocutor’s attention to something (if any), and usually also by a certain transmission chain. I will also claim that such a proposal works independently of one’s ontological stance on fictional entities, that is, independently of whether one believes either that there are or that there are no such entities. Moreover, I will claim that such a proposal is better than similar indexicalist proposals such as the one put forward by Tiedke (2011), Finally, I will try to show how this proposal can deal with some objections one may raise against an indexicalist treatment of proper names. (shrink)

Unamuno saw in his defense of religious faith a response to Nietzsche’s criticisms of the Christian, agapeic way of life. To Nietzsche’s claim that engaging in this way of life is something antinatural and life‐denying, insofar as it goes against the (alleged) natural tendency to increase one’s own power, Unamuno responded that an agapeic way of life is precisely a direct expression of this natural tendency. Far from being something that goes against our natural inclinations, Unamuno says, an agapeic way (...) of life is a life‐affirming exercise, something we are led to given our own natural condition. Hence, the aim of this essay is to comment on Unamuno’s criticism of Nietzsche and to point out the philosophical relevance of Unamuno’s attempt to provide a natural foundation for religious faith when assessing Nietzsche’s criticisms of the possibility of carrying out a Christian, agapeic way of life. (shrink)

In this paper, against a new imagination-based account defended by Anna Ichino in some recent works, I defend the intuitive and traditional idea that so-called religious beliefs are indeed those doxastic attitudes that they are traditionally taken to be, i.e., bona fide beliefs. Yet I take that the objects of such beliefs amount to be different from what religious believers consciously take them to be; namely, they are mythological characters, a species of fictional characters – namely, fictional characters not consciously (...) recognized as such – instead of being concrete individuals possibly endowed with supernatural powers. Yet religious believers also unconsciously recognize the fictional nature of religious objects of belief as mythological characters, as their behavior ultimately shows. This account indeed allows me to give a different yet still doxastic explanation of the two main reasons that Ichino advocates in favor of her account; namely, the incompatibility of so-called religious beliefs with other beliefs and their imperviousness to evidence, especially of a negative kind. (shrink)

This book develops a novel theory of intentionality. It argues that intentionality is an internal essential relation of constitution between an intentional state and an object or between such a state and a possible state of affairs as subsisting. The author's main claim is that intentionality is a fundamentally modal property, hence a non (scientifically) natural property in that it does not supervene, either locally or globally, on its nonmodal physical basis. This is the property, primarily for an intentional mental (...) state, to be constituted by the entities it is about. In the case of intentionality of reference, such constituents are objects, in the sense of individuals; in the case of intentionality of content, such constituents are possible states of affairs as subsisting. Constitution is meant in a mereologically literal sense: those constituents are essential parts of the relevant states. As a result, the theory claims not only that intentionality is relational, but also that is an internal, essential relation holding between an intentional state and its object or proposition-like content. Intentionality as Constitution will be of interest to scholars and advanced students working in philosophy of mind, philosophy of language, metaphysics, and cognitive science. (shrink)

In his recent book on the philosophy of mind, Tim Crane has maintained that intentional objects are to be conceived as schematic entities, having no particular intrinsic nature. I take this metaphysical thesis as fundamentally correct. Yet in this paper I want to cast some doubts on whether this thesis prevents intentionalia, especially nonexistent ones, from belonging to the general inventory of what there is, as Crane seems to think. If my doubts are grounded, Crane’s treatment of intentionalia may further (...) be freed from a certain tension that seems to affect it, namely the fact that he appeals to nonexistent intentionalia in order to individuate intentional states and at the same time he attempts at dispensing with them. (shrink)

The Covid-19 pandemic has further intensified a crisis in the functions and the perception of the state. It has also revealed underlying contradictions in both mainstream and radical ideologies of the state. A desire for the state as guarantor of public welfare vies with fear of the state’s hypertrophic capacities for surveillance and control. Following a brief exploration of the intimate modern connection between plagues and the state, the article tries to map some of the ways in which the state (...) has been at stake in political and theoretical commentaries on the pandemic. Is an epidemiological politics from below, beyond the plague state, possible? Can recent emergency measures be seen as incomplete or inverted anticipations of a communist use of the state of exception? Or is the primacy of the political we are currently experiencing a mere fetish, indissociable from the rule of capital? (shrink)

Os principais objetivos do artigo podem ser formulados da seguinte forma: a) Hegel tem uma noção forte de contingência. Contingência não é, para ele, a ausência simples de necessidade, tampouco subdeterminidade simples. Contingencia é uma noção original, que tem o mesmo peso e a mesma dignidade lógica e metafísica que a noção de necessidade; b) essa noção forte de contingência é decisiva para a concepção de Hegel de subjetividade na medida em que pode ser remetida a sua filosofia do real. (...) À diferença do que é assumido em muitas outras interpretações comuns de Hegel, sugiro que a possibilidade de ir da necessidade à contingência caracteriza uma parte essencial da liberdade subjetiva, tanto quanto a possibilidade de ir contingência à necessidade. Isso tem consequências importantes, especialmente na filosofia da história, que aparece não como apriorística ou dogmática, mas como aberta à contingencia ; e, c) consistentemente com o reconhecimento da irredutibilidade da contingencia à conceitos a priori, Hegel também reconhece a necessidade da narração não-filosófica da contingência e nos fornece algumas pistas importantes sobre isso e sobre sua relação com a filosofia. Ao longo da minha argumentação dessas três teses, espero fornecer evidências para a tese de que a construção dogmática na filosofia da história de Hegel pode ser atenuada pela referência ao entendimento de Hegel da contingência. Em uma escala geral, isso também mostra que o fundamento lógico da filosofia do real de Hegel não pode ser abandonado sem que se prejudique o potencial da filosofia de Hegel de contribuir aos debates filosóficos contemporâneos. Meu argumento estrutura-se como se segue. Eu irei, primeiramente, comentar algumas passagens da Ciência da Lógica de Hegel do começo da Lógica Subjetiva sobre a lógica da contingência e a presença da contingência na estrutura lógica da subjetividade. Eu irei, então, ilustrar, com referência a um caso específico, o papel desempenhado pela contingência na filosofia hegeliana da história. Na última seção, discutirei a relação entre verdade e contingência, por um lado, e filosofia e narratividade, por outro, tentando esboçar as principais linhas da narração da contingência sob bases hegelianas. (shrink)

Normal 0 21 false false false MicrosoftInternetExplorer4 Esta experiência interdisciplinar buscou como desafio discutir entre adolescentes de uma escola pública do Município de Vila Velha/ES o conceito de patrimônio cultural e, a partir desse conceito, reconhecer os bens materiais e imateriais formadores do patrimônio daquele município. O trabalho de campo resultou na criação estética coletiva de uma leitura do Convento da Penha, que foi retratado pela técnica de mosaico em papel. A obra encontra-se em exposição permanente no hall da escola (...) denominada Unidade Municipal de Ensino Fundamental” Profa. Nair Dias Barbosa”, situada em Vila Velha – ES. Palavras chave: Convento da Penha. Lugares de memória. Identidade Cultural. (shrink)

The fierce debates surrounding the 'emergence' of Muslim communities in Europe ensued in the resurgence of nationalism. The current article introduces an original criticism to the ongoing debates surrounding the return of Europe's national pride. This article suggests that Muslim demands for freedom of religion that were founded in Islamic theological perspectives, have catalyzed the restriction of liberal universalistic perspectives to such freedoms. In this study I present how such demands facilitated the advancement of a newly crafted liberal form of (...) nationalism, best identified in Europe's progressing limitation of the right of freedom of religion in various European nations. (shrink)

The rise of regional identities in Europe is a process largely welcomed by liberals and especially applauded by radical democratic and postcolonial theorists. Yet this trend towards post-nation-state identity is not only attractive to democratic and postcolonial theories, but is also an integral part of current neo-fascist ideologies. This article examines the intellectual origins of rightwing ethnoregionalism and the idea of ‘exclusionist multiculturalism’ through the works of Pierre Drieu La Rochelle and Alain de Benoist. It also compares the idea of (...) exclusionist ‘regional’ multiculturalism with liberal multiculturalism and defends a democratic, civic republicanism as an alternative to both. (shrink)

In his (2001a) and in some related papers, Tim Crane has maintained that intentional objects are schematic entities, in the sense that, insofar as being an intentional object is not a genuine metaphysical category, qua objects of thought intentional objects have no particular nature. This approach to intentionalia is the metaphysical counterpart of the later Husserl's ontological approach to the same entities, according to which qua objects of thought intentionalia are indifferent to existence. But to buy a metaphysically deflationary approach (...) does not mean to buy an ontologically deflationary approach, according to which we have to accept all the intentional objects there apparently are. Being metaphysically deflationary on intentionalia rather means that from the ontological point of view one must really allow only for those intentionalia for which one is entitled to say that there are such things; typically, for which an ontological proof is available. From metaphysical schematism plus conditional, or partial, ontological committment to intentionalia, further interesting consequences follow. First, this theoretical combination allows one to deal with the ‘too-many entities’ problem (may one fail to accept an ontological proof for an entity of a given kind if she thinks that the entity we would have to be committed to is an entity of another kind?). Second, it allows one to deal with the ‘genuinely true report’ problem (how is it that if we exercise mindreading with respect to a somehow deluded person, we want our reports to come out as really, not merely fictionally, true?). (shrink)

Biomedicine in recent decades has been defined by an increasing tendency to turn social problems into biomedical questions. Precision or personalized health initiatives have gained attention due to...

Maurizio Ferraris’ theory on social entities presents many interesting analogies with artefactualist theories on fictional entities. Like artefactualism, however, it probably needs some integration. As Ferraris himself acknowledges, mere dependence on subjects does not by itself qualify an entity as social. Moreover, the very same definition of a social entity as an inscribed (social) act seems to yield merely necessary, but not sufficient, identity conditions for such an entity. To my mind, what is needed is a normative element. For a (...) social entity is an intrinsically normative entity, which is (inter alia) composed by something like Searle’s constitutive rules. (shrink)

In this paper, I first want to vindicate Wollheim’s idea that seeing-in, taken as the twofold phenomenologically sui generis experience which picture perception consists in, accounts for the phenomenon of perceptual constancy. Following Wollheim’s usage himself, by “perceptual constancy” I will mean a particular phenomenon of perceptual robustness, namely the fact that a picture’s subject is experienced as undistorted from any point of view in which a spectator may regard a picture. Moreover, I will properly take into consideration the specific (...) impression of “being followed” by the gaze of a picture’s subject in portraits (and alike pictures), which in these cases is a consequence of perceptual constancy. For this impression corroborates a particular reading of what the seeing-in experience really consists in. According to such a reading, in the configurational fold of that experience one experiences both the merely visible surface properties and the design properties of the picture’s vehicle, where such design properties also include the so-called grouping properties of the vehicle. On the basis of such a fold, moreover, in the recognitional fold of the seeing-in experience one knowingly illusorily sees the picture as its subject. (shrink)

The aim of this chapter is to analyze the movie Fight Club, directed by David Fincher, written by Jim Uhls, and first released in the fall of 1999. The movie is based on the homonym novel by Chuck Palahniuk, published in 1996. I will argue that Fight Club is to be understood in primarily existentialist, nonethical, and nonevidential terms, showing the struggle felt by each and every one of us to find a convincing answer to the question of what (if (...) anything) counts as an authentic life that is worth living. Moreover, I will argue that the movie does not merely illustrate the struggle and the existential angst it engenders; it also advances, if not strictly speaking a theoretical answer grounded in an indisputable philosophical reasoning, then at least a practical way to face it. It is only after positively endorsing the claim that absolutely nothing (whatever it may be) externally imposed on a person can give their life ultimate meaning that a person is free to engage in a conscious, laborious, and exhausting attempt at self-affirmation, a full and positive endorsement of one’s own authenticity. (shrink)

In his highly regarded history of the rise of clinical trials in America, HarryMarks describes how their widespread adoption resulted largely fromthe efforts of ‘therapeutic reformers’ who sought to replace the individualexpertise of clinicians with the ‘science of controlled experiment’. Thetransition described by Marks resembles in many respects the transition fromthe ‘truth-to-nature’ objectivity of individual experts to a ‘mechanical’ formof objectivity portrayed by Daston and Galison. In particular,Marks details the passage from a regime of trust in expertise and experts to (...) aregime based on the mechanical generation of data, the elimination ofhuman judgement and the adoption of a ‘view from nowhere’ where individual and group idiosyncrasies are systematically suppressedthrough recourse to quantitative methods.[...]. (shrink)

A theory of intentionality is outlined, in which the desideratum that the intentional be the same as the real object is argued for in terms of an anti-realist ontology. According to such an ontology, an ordinary object is in itself an object of discourse taken as intentional when posited phenomenologically and as possible when posited naturalistically, i.e. as not existing in some possible worlds but as existing in others. If the actual world is included among the latter, the object deserves (...) to be called "rear". Qua possible object, it answers to a principle of individuation which also works as a criterion of discrimination. According to such a principle, any possible object has a counterfactual individualising property which takes substance plus origin in a given spacetime as the object's essential properties, where it exists. It is, moreover, an object of discourse insofar as it generically depends, for its own being, on a singular term being publicly used to refer to it. (shrink)

El autor pasa revista a la concepción de la historia como disciplina que exhibe el filósofo Fernando Miguel Pérez Herranz. El motivo de este concienzudo análisis es la publicación en marcha del magno proyecto Más allá de imperios y naciones (4 vols.) iniciado en 2023 y que ya cuenta con dos tomos en el mercado: Rutas, fronteras y complejidad y Singularidad imperial: del Mediterráneo al Atlántico. Esta concepción del estatuto gnoseológico de la historia tiene en Lindos y tornadizos (2016) y (...) en Ambiguus proetus (2019) dos momentos esenciales que dibujan el paso Herranz a su perspectiva (la morfología filosófica) en el debate entre Gustavo Bueno y Ricardo Sánchez Ortiz de Urbina a cuenta del sujeto trascendental. En tal contexto cobran relevancia las hipercategorías formuladas por Pérez Herranz y cuyo estatuto resulta problemático. (shrink)

This introduction accounts for three main elements characterizing digital media and the recent history of their interpretation and understanding. The authors label these three elements: “interaction”; “recording”; and “autonomy.” First, digital media somehow subvert the traditional notion of mass media. In digital media, the masses do not passively receive information; rather, they contribute to its creation and diffusion. Second, digital media involve a complete overlapping between communication, on the one hand, and recording, registration and keeping track, on the other. For (...) sure, information production and communication remain important aspects of digital media. And yet, for a few years now, recording, registration and keeping track have taken the upper hand. The third element characterizing digital media is that a crucial role is assigned to software, which is not only able to transmit and store information, but also to manipulate it. Digital media do not limit themselves to help our minds or to interconnect us with other human subjects. In digital media, recording often involves the autonomous manipulation, combination, and recombination of what is recorded. (shrink)

Partiendo de la presentación que el autor hizo del libro de Manuel Cruz, El Gran Apagón (Galaxia Gutenberg, 2022), se investigan las razones que llevaron al filósofo catalán, como filósofo de guardia, a convertirse en transeúnte de la política, con la asunción de la presidencia del Senado español en 2019. Unas razones que se rastrean principalmente en su obra previa que ya desde principios de los ochenta del siglo XX trata de tomar nota tanto de las críticas (analíticas y posmodernas) (...) como de los hechos históricos irreversibles (estalinismo y hundimiento del socialismo real). Pero esto no supone renunciar a al racionalismo que toma pie en la ética para combatir desde la política los nuevos monstruos que proliferan cuando la razón sueña. (shrink)