Le rapport de l’âme et du corps est caractérisé par les deux faits également fondamentaux d’une unité stricte entre l’âme et le corps, et en même temps d’une dualité profonde entre l’âme et le corps. Ce paradoxe ne devient compréhensible que par une explication de principe sur'la loi de causalité. Une analyse détaillée prouve que l’action réciproque dans le monde n’est possible que par l’action de forces spirituelles sur un médium corporel purement passif. En conséquence, l’âme agit, comme force de (...) la nature, sur le corps humain, organisé par des actions spirituelles. (shrink)

The Hungarian-born author, who is both an original and a prolific thinker, has written on various figures of the history of philosophy and on particular philosophic problems, his first published work having been his Grundlegung der Philosophie, followed by studies in metaphysics,; esthetics, psychology, and philosophic anthropology. However, the major work containing his own system is the Aufbau des Seins. To know and under stand Brandenstein's philosophy, one ought to study this work, a task made difficult by its coined (...) terms, its complicated, Ciceronian style, the relative novelty of its thought, and its extreme systematization. (shrink)

Words can mean different things to different people. This can be problematic, mainly for those working together in a bureaucratic institution, such as the secret service. Shared, certified, explicit and codified definitions offer a counter to subjective, solitary and/or culturally dominant definitions. It’s true that codified secrecy terms for secret services can be seen to involve a number of political, cultural, subcultural “languages”, but if words come from unclassified or declassified files, memorandums and/or records, one needs a deep understanding of (...) the secret services. A remarkable feature of this bureaucratic language is the evolving nature of, certain “keywords” as important signifiers of historical transformation. Thus, the changes in the language of the secret services depends at least as much on the internal changes of the secret services as on the transformation in the external political-social environment. In spite of the confusion of Hungarian secret services in the revolutions of 1918–1919 and the disintegration of the Austrian-Hungarian Monarchy, in the early 1920’s became a stable system. Between the two World Wars, the Hungarian State Police directed by the Ministry of Internal Affairs, the Military Intelligence and Counter-Espionage directed by the Ministry of Defence, and the Hungarian Royal Gendarmerie directed by both of the Ministries had their own operational service. This structure existed unchanged until 1945. Simultaneously with the forward advance of the soviet troops, government began to re-establish the former system of the secret services in the eastern part of the country. After WWII, in 1946, the “State-protection Department” as political police became independent from the police. However, from the beginning, they remained under the control of the Communist Party. After 1950, the State Security Authority provided special services for the MIA and the Military Political Directorate of the MoD. After quashing the revolution in 1956, in the spring of 1957, the MIA Political Investigation Department was established which—with slight modifications—kept the structure created during the “state protection era”. The MIA III. The State-Protection General Directorate was established in 1962. The reorganization was finalized in the middle of the 1960’s, which resulted in the new system, which—with the structure of Directorates—became the ultimate structure of the state secret police until the abolishment of the MIA General Directorate III in January 1990. These organizational transformations were largely the result of exogenous historical-political changes. Moreover, each new period had a major impact on the organizational communication, language use and vocabulary of the secret services. This study seeks to interpret these historical transformations. (shrink)

‘Das Lebendige ist schön’: Remarks on Hegel’s Conception of Art The true importance of the role of the interpretation of art in Hegel’s later thinking is understandable only now, after the publication of the almost original version of the lectures on aesthetics. This article aims to highlight a usually neglected reading of Hegelian aesthetics, namely its Vergangenheitscharakter. The starting point for this is a thesis of Hegel’s: ‘What is alive is beautiful, in so far as the soul becomes apparent in (...) it.’It is ‘not yet sufficient’, yet it is true that in its endless approximation to a spiritually real ‘doubling of the Idea’it aims at something indefinite, or, rather, we are, with a work of art, in an unreal place or in a place where things are continuously changeable. The work of art entered into a time of art and history, which requires interpretation, whereby the ever- ‘changeable appearance of the Beautiful’ is manifested in the work of art itself. Its being alive accepts being threatened only by its conceptual/illusory appearance. (shrink)

This paper argues, first, that one can render Protagoras’s view on the teach ability of political virtue coherent by distinguishing between the affect required for achieving it and the capacity for developing these affect into fully fledged virtues. Second, the paper argues that by focusing on Books II - III of the Republic one might see an affinity between between Protagoras’s suggestion that virtuous citizens might give advice, without ruling it, in the affairs of the city and Plato’s conservative practical (...) political theory. (shrink)

There are three major themes in the dialogue thought to be Plato’s Statesman: the nature of statesmanship, the difference between perfect and less than perfect regimes and the method of division. In this paper I focus on the first two themes. I argue, first, that the dialogue makes a plausible case for what it takes to be a wise statesman. In doing so, I play down the importance of the second theme: the difference between regimes. In fact, I consider this (...) discussion to be deeply flawed and even irrelevant to the argument of the first. My main purpose is to provide a critical analysis of the political theory articulated in the dialogue. My analysis is made plausible by abandoning the traditional view that the Statesman was written Plato in its entirety as a unified whole. In my view, a close reading of the text supports the hypothesis that it is, at best, semi-authentic; namely, that it is most likely a collage of fragments written at different times by Plato and other members of the Academy. (shrink)

This paper has two aims: to show the affinities between Schopenhauer’s and Spinoza’s ethics and ontology, and to show that Spinoza’s position, where it is in conflict with it, is superior to Schopenhauer’s. The main focus is on Schopenhauer’s attacks on the affirmation of the will-to-live. It is argued that these attacks are not even convincing in terms of what he says about “better knowledge”, namely, that they are valid only against vulgar forms of affirmations of the Will. Also, it (...) is argued that Schopenhauer’s attacks on Spinoza do not carry much weight. For, they are either the result of misunderstandings or, when they are not, they are based on assumptions rejected by Spinoza himself. In conclusion, it is claimed that Schopenhauer’s synthesis of Plato’s, Kant’s and Hindu philosophy into a “single thought” is neither as original nor as convincing as he took it to be. (shrink)

For many Enlightenment thinkers, discerning the relationship between commerce and peace was the central issue of modern politics. The logic of commerce seemed to require European states and empires to learn how to behave in more peaceful, self-limiting ways. However, as the fate of nations came to depend on the flux of markets, it became difficult to see how their race for prosperity could ever be fully disentangled from their struggle for power. On the contrary, it became easy to see (...) how this entanglement could produce catastrophic results. This volume showcases the variety and the depth of approaches to economic rivalry and the rise of public finance that characterized Enlightenment discussions of international politics. It presents a fundamental reassessment of these debates about 'perpetual peace' and their legacy in the history of political thought. (shrink)

Vattel's Mélanges de littérature, de morale et de politique (Thoughts on literature, morals and politics) was published at Neuchâtel by the Editeurs du Journal Helvétique in 1760 and this is the first English translation. It was republished under the title, Amusemens de littérature, de morale et de politique in 1765. Vattel's text provides evidence of his response to the issues facing Europe's states in the 1750s, and in doing so provides another perspective on his best known work, Le droit des (...) gens (Law of Nations) of 1757. Vattel emerges as a reformer steeped in debates about the future of the European state system, and particularly Europe's small states and republics like Switzerland. ☆ The text of the ‘Mélanges’ was translated by Kenneth Goodwin and Edwin Carpenter. Vattel's ‘Dialogue between the Prince of *** & his Confidant, about certain essential elements of Public Administration’ has been published in Vattel, The Law of Nations. Ed. B. Kapossy and R. Whatmore. (Liberty Fund: Indianapolis, IN, 2008) and is reproduced here by kind consent of The Liberty Fund. (shrink)

When Istvan Hont died in 2013, the world lost a giant of intellectual history. A leader of the Cambridge School of Political Thought, Hont argued passionately for a global-historical approach to political ideas. To better understand the development of liberalism, he looked not only to the works of great thinkers but also to their reception and use amid revolution and interstate competition. His innovative program of study culminated in the landmark 2005 book Jealousy of Trade, which explores the birth of (...) economic nationalism and other social effects of expanding eighteenth-century markets. Markets, Morals, and Politics brings together a celebrated cast of Hont's contemporaries to assess his influence, ideas and methods. Richard Tuck, John Pocock, John Dunn, Raymond Geuss, Gareth Stedman Jones, Michael Sonenscher, John Robertson, Keith Tribe, Pasquale Pasquino, and Peter N. Miller contribute original essays on themes Hont treated with penetrating insight. (shrink)