This article explores the philosophically neglected topic of artistic integrity, situated within the literature on personal or moral integrity more generally. It argues that artists lack artistic integrity if, in the process of creation, they place some other—competing, distracting, or corrupting—value over the value of the artwork itself, in a way that violates their own artistic standards. It also argues, however, that artistic integrity does not require adamant refusal to acknowledge or act upon commitments to values other than single‐minded devotion (...) to one's art. Artists of integrity need not be inflexible fanatics. They can seek to earn a living through their art, alter their vision of a work to reach an audience, evolve their artistic standards as they grow as artists, and balance the energy devoted to their art against energy devoted to family, friends, and self‐care; they can honor the demands of morality. (shrink)

The notion of politicization has been often assimilated to that of partisanship, especially in political and social sciences. However, these accounts underestimate more fine-grained, and yet pivotal, aspects at stake in processes of politicization. In addition, they overlook cognitive mechanisms underlying politicizing practices. Here, we propose an integrated approach to politicization relying on recent insights from both social and political sciences, as well as cognitive science. We outline two key facets of politicization, that we call partial indetermination and contestability, and (...) we show how these can be accounted for by appealing to recent literature in cognitive science concerned with abstract conceptual knowledge. We suggest that politicizing a concept often implies making its more abstract components more salient, hence legitimating its contestable character. Finally, we provide preliminary suggestions to test our proposal, using the concept of gender as case study. (shrink)

ObjectivePhysical and mental well-being are threatened by climate change. Since hospitals in high-income countries contribute significantly to climate change through their greenhouse gas (GHG) emissions, the medical ethics imperative of ‘do no harm’ imposes a responsibility on hospitals to decarbonise. We investigated hospital stakeholders’ perceptions of hospitals’ GHG emissions sources and the sense of responsibility for reducing GHG emissions in a hospital.MethodsWe conducted 29 semistructured qualitative expert interviews at one of Germany’s largest hospitals, Heidelberg University Hospital. Five patients, 12 clinical (...) and 12 administrative employees on different levels were selected using purposive maximum variation sampling. Interviews were transcribed verbatim and analysed using the framework approach.ResultsConcerning GHG emissions, hospital stakeholders perceived energy and waste as most relevant emission sources followed by mobility. Climate change mitigation in general was considered as important. However, in their role as patients or employees, hospital stakeholders felt less responsible for climate change mitigation. They saw providing best possible medical care to be the top priority in hospitals and were often concerned that patients’ health could be jeopardised by climate change mitigation measures.ConclusionPerceptions of most important emission sources did not coincide with those in literature, highlighting the need to inform stakeholders, for instance, about pharmaceuticals as important emission source. A frequently perceived conflict between reducing emissions and providing high-quality medical care could be eased, if reducing emissions would not only be justified as a contribution to mitigation, but also as a contribution to preventing ill health—a basic principle of medical ethics. (shrink)

: This work focuses on emotional concepts. We define concepts as patterns of neural activation that re-enact a given external or internal experience, for example the interoceptive experience related to fear. Concepts are mediated and expressed through words. In the following, we will use “words” to refer to word meanings, assuming that words mediate underlying concepts. Since emotional concepts and the words that mediate them are less related to the physical environment than concrete ones, at first sight they might be (...) depicted as abstract concepts. Evidence coming from several studies shows, instead, that the issue is more complex. In this work, we will briefly outline the debate and illustrate results from recent studies on comprehension of concrete, emotional and abstract words in children and adults. We will argue that emotional words can be accounted for from a grounded perspective and will contend that emotional words represent a particular set of words that differs from both the concrete and purely abstract ones. Keywords: Embodied and Grounded Cognition; Abstract Concepts; Emotional Words; Language Acquisition; Language Processing La peculiarità delle parole emotive: un approccio basato sulla grounded cognition Riassunto: Questo lavoro si incentra sui concetti emotivi. Intendiamo qui per concetti i pattern di attivazioni neurali che riattivano un’esperienza interna o esterna, per esempio le esperienze interocettive collegate alla paura. I concetti sono mediati ed espressi dalle parole. Di seguito, useremo “parole” in riferimento al significato delle parole, assumendo le parole come veicolo dei concetti. I concetti emotivi e le parole che li esprimono, dal momento che sono meno legati all’ambiente fisico rispetto a quelli concreti, potrebbero essere a tutta prima classificati come concetti astratti. Molti studi invece mostrano come la questione sia più complessa. In questo lavoro illustreremo brevemente il dibattito e i risultati di recenti studi sulla comprensione di parole astratte, concrete ed emotive in bambini e adulti, per mostrare come una prospettiva grounded possa rendere conto delle parole emotive, sostenendo che queste rappresentano un insieme particolare di parole, diverse sia da quelle concrete che da quelle puramente astratte. Parole chiave: Embodied and Grounded Cognition; Concetti astratti; Parole emotive; Acquisizione del linguaggio; Processamento del linguaggio. (shrink)

A capoeira ou capoeiragem é uma expressão cultural brasileira que mistura jogo, esporte, arte marcial, cultura popular, tradição, dança e música. Desenvolvida no Brasil por descendentes de escravos africanos, a capoeira é caracterizada por golpes e movimentos ágeis e complexos, utilizando primariamente chutes e rasteiras, além de joelhadas e cabeçadas, cotoveladas, acrobacias aéreas ou em solo. Praticantes da capoeira aprendem não apenas a lutar e jogar, mas também a tocar os instrumentos típicos e cantar. Assim, os discentes do 6º ano (...) de uma escola estadual da cidade de Itabuna—BA, os quais apresentavam dificuldades para ler e escrever. Entretanto, nas aulas de capoeira, os alunos se mostravam mais motivados para ler. Então, surgiu o problema que norteou essa pesquisa, a saber: como o jogo de capoeira vem sendo trabalhado, para estimular a melhoria da aprendizagem em leitura dos alunos, do 6ºano, em um colégio estadual, na cidade de Itabuna – BA? Portanto, o objetivo geral desse artigo é analisar de que maneira o mestre usa o jogo da capoeira, como ferramenta motivacional, nas práticas pedagógicas, para a melhoria da aprendizagem da leitura, entre os alunos do 6º ano, do ensino fundamental II. Desse modo, a utilização de estratégias de leitura, partindo da diversidade dos gêneros textuais, de modo lúdico, através da capoeira, no processo de ensino-aprendizagem, é um assunto que é discutido nessa pesquisa, pois esta se justifica pela necessidade de contribuir para uma melhora do processo de ensino e aprendizagem, partindo de pressupostos presentes na BNCC. Palavras-chave: Capoeira, Fomento à Leitura, Gêneros Textuais, Lúdico. (shrink)

Este artículo examina las analogías entre las “visiones” del mundo de Vico y de Jung, las cuales tratan de reflexionar sobre el sentido de los orígenes en los mitos y en los lenguajes de la historia humana. Los arquetipos del inconsciente colectivo junguianos, así como los universales fantásticos de Vico utilizan símbolos que entrañan en sí mismos una concepción cósmica y antropológica; cada símbolo ha formado el mundo, cristalizándolo en una imagen, eternizándolo en una expresión “estética”, proyectando en este todo (...) el sentir del hombre. (shrink)

In An Introduction to Probability Theory and its Applications, W. Feller established a way of ending the St. Petersburg paradox by the introduction of an entrance fee, and provided it for the case in which the game is played with a fair coin. A natural generalization of his method is to establish the entrance fee for the case in which the probability of heads is θ. The deduction of those fees is the main result of Section 2. We then propose (...) a Bayesian approach to the problem. When the probability of heads is θ the expected gain of the St. Petersburg game is finite, therefore there is no paradox. However, if one takes θ as a random variable assuming values in the paradox may hold, which is counter-intuitive. In Section 3 we determine necessary conditions for the absence of paradox in the Bayesian approach and in Section 4 we establish the entrance fee for the case in which θ is uniformly distributed in, for in this case there is a paradox. (shrink)

We investigated the effect of culture, moral discourse, and motivation to engage in prosocial behavior on benefactors’ positive affect. Participants from three cultures responded to scenarios in which they could perform small acts of kindness for different targets. A stronger relationship between agentic and obligated motivation to perform acts of kindness, as well as between obligated motivation and positive affect, was observed for participants from Japan, and for individuals with higher endorsement of the Community Ethic. Agentic motivation to engage in (...) prosocial behavior was related to benefactors’ positive affect, regardless of relationship type. (shrink)

Resumen:La obra capital de Phillip Mainländer se compone de seis capítulos (Analítica de la facultad cognoscitiva, Física, Estética, Ética, Política, Metafísica) y un Anexo (Crítica de las doctrinas de Kant y Schopenhauer). Seis capítulos y un anexo que hacen gala de la intempestividad de su autor. De esa cualidad presente en pocos pensadores y que condiciona la valoración de su obra al paso del tiempo. De esa cualidad que permite pensar más allá de los límites que impone la época. Curiosamente (...) un pensador del siglo XIX ilumina los tiempos que corren. Unos tiempos signados por prácticas ecocidas y sus derivaciones ecosuicidas (Baquedano: 37-38), y cuyas primeras manifestaciones físicas sobre la naturaleza comenzaron, llamativamente, en dicho momento, a saber, en 1784 cuando James Watt patentó su máquina de vapor. (shrink)

Sculptors, architects, and painters are three professional groups that require a comprehensive understanding of how to manipulate spatial structures. While it has been speculated that they may differ in the way they conceive of space due to the different professional demands, this has not been empirically tested. To achieve this, we asked architects, painters, sculptors, and a control group questions about spatially complex pictures. Verbalizations elicited were examined using cognitive discourse analysis. We found significant differences between each group. Only painters (...) shifted consistently between 2D and 3D concepts, architects were concerned with paths and spatial physical boundedness, and sculptors produced responses that fell between architects and painters. All three differed from controls, whose verbalizations were generally less elaborate and detailed. Thus, for the case of sculptors, architects, and painters, profession appears to relate to a different spatial conceptualization manifested through a systematically contrasting way of talking about space. (shrink)

Promoting interpersonal helping among coworkers is an important aim for any organisation that cares about employee well-being. Drawing on guilt aversion hypothesis, this research focuses on the power of social expectations in promoting prosocial behaviour among employees and investigates the role of anticipated guilt for failing to meet coworkers’ expectations. In two preregistered studies, the effect of beneficiary expectation on benefactors’ anticipated guilt and intention to help was investigated. In Study 1, Japanese participants (n = 284) recalled a situation when (...) they helped a coworker spontaneously, and evaluated perceived beneficiary expectation to receive help, as well as anticipated guilt for not helping. Beneficiary expectation positively predicted anticipated guilt, and the effect was stronger when the beneficiary was a same-status colleague, and when interpersonal helping frequency in the organisation was low. Study 2 (n = 499) employed vignettes and manipulated beneficiary expectation. A mediational model revealed that beneficiary expectation leads to more anticipated guilt for not helping, which, in turn, increases employees’ intention to help. Together, these studies show that employees are sensitive to their coworkers’ expectations, and guilt-averse; therefore, interpersonal helping among employees may be promoted by establishing legitimate expectations of prosociality in the workplace. (shrink)

This thesis aims to study the origins of interiority from an externalist perspective. The process by which self-knowledge is formed is considered in relation to the development of the first-person perspective. From a first-person perspective, one is capable of self-referring and knowing one's own mental and physical states. Self-consciousness and self-knowledge are discussed in relation to Descartes' idea of first-person authority. The Cartesian idea contends that the first-person perspective has privileged and non-empirical access to one's own mental state. On the (...) contrary, externalism's central thesis contends that the content of one's own mental state originates from interactions with the environment, thus, there is no privileged access of one's own mental state. Thus, the externalist's thesis puts into question the Cartesian idea of privileged epistemic access of the first person. The perceptual externalism of Davidson, for example, proposes a triadic solution to the origins of self-knowledge. Davidson's thesis is presented as reconciling self-knowledge and the basic externalist ideas. Two externalist models on the origins of self-knowledge are further discussed: 1) ecological models proposing a development of a sense of self as a function of interactions with the environment; 2) the psychological model of Winnicott proposing that the developing sense of self arises from the triadic relation between self, others, and transitional object(s). We defend the thesis that Winnicott's model is the most apt at describing the Davidsonian externalist model of the origins of self-knowledge. (shrink)

The aim of this paper is to analyse the critical interpretation of Greek art and religion provided by Hegel in the “Religion in the form of art” section of Chapter VII of his Phenomenology of the Spirit. The study will, thus, commence with an overview of the role played by art in the religion of ancient Greece, and then examine the reasons for the historical decline of this special phenomenon and the rise of Christianity, a religion referred to by Hegel (...) as a “visible religion” as it is required to “disclose” and manifest its contents: the spirit. Having focused special attention on the relationship between the people of ancient Greece and their gods and the role played by the concept of the ethical life, the paper will then proceed to investigate the relationship between the individual, the population and the ancient polis or Greek State as illustrated in the early works of Hegel and in the Phenomenology of the Spirit, in which Hegel develops his theory of ethical relations in ancient Greece as exemplified in the model of sibling relations within the family. The paper continues with an examination of Hegel’s criticism of Greek rituals and the inability of the modern world to understand such practices from the perspective of the life of the time, concluding, in line with Hegel, that our experience is now an external process as we no longer embrace the interiority of the ethical life of the past. Indeed, as Hegel considers the “spirit of destiny offered by those [ancient] works of art” to go beyond the ethical life of a nation, the fact that those works of art are no more considered useful and important is a tragic event, even though this destiny has shown us the spirit within them, and thanks to this tragic end, we have finally been able to reunite all the Greek gods in a single Pantheon in which “the spirit is conscious of itself as a spirit”. (shrink)

Exploring the ethical questions posed by, in, and about children’s literature, this collection examines the way texts intended for children raise questions of value, depict the moral development of their characters, and call into attention shared moral presuppositions. Even as children’s literature has evolved in opposition to its origins in didactic Sunday school tracts and moralizing fables, authors, parents, librarians, and scholars remain sensitive to the values conveyed to children through the texts they choose to share with them.

The construct of autonomy appears in the literature associated with individual psychological wellbeing. In Ryff's model, autonomy is presented as one of the dimensions of wellbeing, along with self-acceptance, positive relationships with others, environmental mastery, purpose in life, and personal growth. The present study compared the levels of autonomy and psychological wellbeing between Spanish and Colombian young people. Ryff's Scale of Psychological Wellbeing and the Transition to Adulthood Autonomy (EDATVA according to its initials in Spanish) scales were used on a (...) sample of 1,146 young people aged between 16 and 21; 506 Spanish and 640 Colombian. Results showed differences in autonomy and in two of the four dimensions proposed by the EDATVA: self-organization and critical thinking. Similarly, important differences were observed in the subscales of positive relations and purpose in life. The importance of contextual factors in the development of psychological well-being and autonomy in young people in transition to adulthood is discussed. (shrink)

Book reviews RIBEIRO, Claudio de Oliveira. Religião, Democracia e Direitos Humanos : Presença pública inter-religiosa no fortalecimento da democracia e na defesa dos direitos humanos no Brasil. São Paulo: Reflexão, 2016. 159p. ISBN 978.85.8088.194-3.

As most engineering design proceeds by modifying past designs and reusing and adapting existing components and solution principles, a significant part of the knowledge engineers employ in design is encapsulated in the past designs they are familiar with. References to past designs, as well as encounters with them, serve to invoke the knowledge associated with them and constructed from them. This chapter argues that much of this knowledge is tacit consisting in and/or made available by the perceptual recognition of features (...) and situations, using a discussion of design margins to illustrate how engineers use tacit knowledge in reasoning about the properties of new designs. (shrink)

From the viewpoint of Political Theory, digital technology presents both risks and opportunities for the democratic public sphere. Public discourse is now more complex and fragmented than ever before. Against this background, this paper uses the metaphor of a “communicative universe” to analyze the latest structural change of the public sphere. It emphasizes the significance of achieving a balance between different actors and powers in contemporary political discourse. Patterns in media communication can not only be identified but also influenced and (...) constructed in ways that support the democratic functionality of political discourses. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 12.2 (2004) 181-186 [Access article in PDF] Response to June Boyce-Tillman, "Towards an Ecology of Music Education" Claudia Gluschankof Levinsky College of Education, Israel I begin with two confessions. First, music was not my favorite class at school. I cannot even recall what we did there. It did not at all connect with the powerful, meaningful place that music had in my private (...) life, where I loved to sing with my family, and play and sing in ensembles in classes at a private music school. The private piano lessons were fine, but I found no joy in practicing on my own. Music was for me-and still is-a communal experience, associated with personal choice. School did not, and probably could not, provide that.Second, during a recent marketing meeting at the college where I teach and work, I finally said aloud, "I am not sure that I can market a product in which I don't believe." Being a teacher in overcrowded, resource-poor schools where parents are less involved yet more interfering and being expected to conform to standards and to act more as a producer of school ceremonies and festivals and less as a music educator is not a profession I would recommend entering. Boyce-Tillman's paper offers a model for music education in which the corrective emotional experience, in my own case, becomes a remedial object lesson in the setting of the music classroom and a reason to recommend music school teaching as a rewarding profession.Boyce-Tillman calls us to conceive of music "as intimately related to human society and the environment rather than as a discrete and separated category of knowing." Her position is in tune with Christopher Small's coined term "musicking": The act of musicking establishes in the place where it is happening a set of relationships, and it is in those relationships that the meaning of the act lies. They are to be found not only between those organized sounds which are [End Page 181] conventionally thought of as being the stuff of musical meaning but also between the people who are taking part, in whatever capacity, in the performance; and they model, or stand as metaphor for, ideal relationships as the participants in the performance imagine them to be: relationships between person and person, between individual and society, between humanity and the natural world and perhaps the supernatural world.1The five interlocking areas proposed in Boyce-Tillman's model are present in Small's musicking: the relationships among the sounds parallel the area called Materials; the relationships between people and sounds may parallel the area called Expression, which refers to the personal meaning given to the organized sounds. "In the area of Construction, effectiveness often depends on the right management of repetition and contrast within a particular idiom." Such a particular idiom is part of the style ideal of a particular culture. It is defined in terms of form and content, and expresses some inner quality of the society that produced it. The style ideal can be characterized by different factors (for example, historical period, geographic location, school, manner of performance, individual composer, and so on) and can be examined in terms of musical components (form, texture, harmony, melody).2According to Boyce-Tillman, the area of Values "is related to the context of the music-making experience. All musical experiences are culturally related." Because values are shared by groups, I found this present in the relationships be-tween a subculture and the larger society, in its broader meaning. The fifth area is Spirituality, defined by Boyce-Tillman as "the ability to transport the audience to a different time/space dimension." That different time/space dimension may be understood as the supernatural world, referred to by Small.Small sees the greatest challenge to music educators today to be that of providing "that kind of social context for informal as well as formal musical interaction that leads to real development and to the musicalizing of the society as a whole,"3... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 66.4 (2005) 557-576 [Access article in PDF] The Writing in the Wittenberg Sky: Astrology in Sixteenth-Century Germany Claudia Brosseder University of Munich It probably was a delightful summer day when the celebrated humanist Willibald Pirckheimer, best known as a friend of Albrecht Dürer and Erasmus of Rotterdam, strolled, with an unknown friend, through the streets of Nuremberg. When they saw a girl (...) standing at the streetside, it occurred to the friend to predict the girl's future by reading her palm. So he did, foretelling a forthcoming marriage and a blissful life. After the girl had passed on, Pirckheimer's unknown friend admitted that, unfortunately, he had not seen the girl's blithe life but her impending death. In order not to scare her, however, he had not revealed this message to the girl; only his learned friend Pirckheimer could know the truth. Some years later, the Nuremberg philologist Joachim Camerarius, who narrated this rather trivial event with great excitement in 1576, does not display any sign of bewilderment that in this instance a chiromantic had told untruths to somebody.1 On the contrary, he praises this art and admires Italy's scholars, who practiced, besides chiromancy, other wonderful divinatory arts based on astrology. Camerarius was perceptibly impressed by Italian astrology and her divinatory stepsisters. Presumably he was thinking about De subtilitate (1554) by Girolamo Cardano who, at least in this work, counted astrology and chiromancy among the arts of natural divination.2 And so, as if inspired by Cardano's acute judgment years afterward, Camerarius [End Page 557] read in Cardano, in the same breath, the idea that there had been only twelve significant scholars in the history of civilization, who were capable of divination: such were, among others, Aristotle, Ptolemy, Alchindi, and Vitruvius. However, no contemporary of Cardano was among them.This anecdote provides but a glimpse of the sixteenth-century enthusiasm for the divinatory art of chiromancy and, relatedly, astrology. My contribution will show that academic Protestant Germany was actually in the grips of an astrology fever. Throughout the sixteenth century, many German scholars were under the spell of astrology. In this, Germany did not essentially differ from Italy and France, but in one specific place astrology presented itself in a peculiar shape.In the sixteenth century astrology flourished particularly in one German site of erudition: in Wittenberg, 51°52' latitude, 12°38' longitude. Particularly here at the University of Wittenberg, attracted by Philipp Melanchthon's pedagogic enterprise, a series of scholars came together who shaped the image of astrology in sixteenth-century Germany. They were humanists, physicians, astronomers, mathematicians, municipal surgeons, and scholars of Greek. There were at least forty-six of them. In one way or another, each of them was interested in astrology. Many of them composed astrological analyses for wealthy clients. "Pene innumberabiles" mathematicians came from the University of Wittenberg, as the Tübingen professor of rhetorics Nikodemus Frischlin grudgingly asserted. By this he meant astrologers, and he did not try to conceal his aversion to them.3 He was unequivocal: astrologers are swindlers.With this opinion, Frischlin joined the ranks of Giovanni Pico della Mirandola,4 Martin Luther,5 Erasmus of Rotterdam,6 and others. This is not a novelty, and yet Frischlin's caustic remark can still teach us something today: regarding the history of German astrology, one should resist the temptation to see Melanchthon as the one and only spiritus rector of German sixteenth-century astrology. Instead, it is reasonable to concede much more weight to the sway of Wittenberg and its numerous astronomers, mathematicians, and physicians, who did not only gravitate toward the personality of Melanchthon. The large number of scholars and the variety of ideas preempts any attempt [End Page 558] to reduce the number of astrologers to a so-called Melanchthon circle.7 This circle did not exist, not least because his pupils did not monistically adhere to Melanchthon's thoughts on astrology. In particular, a personality as industrious in publishing as Melanchthon's son-in... (shrink)

Livro: DAWSON, Christopher. A divisão da cristandade : Da reforma protestante à era do iluminismo. São Paulo: É Realizações Editora, 2014.

El amor es sentimiento, afecto, inclinación y entrega a alguien, mientras que la obsesión es una perturbación anímica producida por una idea fija. Sentimiento y perturbación son cosas distintas y producen comportamientos bien diferentes. Sin embargo, el amor puede experimentarse como una idea con tenaz persistencia y como un deseo incontrolable.

El presente artículo pretende analizar cómo se representan y se repiensan los nuevos procesos de política orgánica de las mujeres mapuche, incluyendo su historización, sus contextos de producción y su locus de enunciación. Se interroga cómo el feminismo indígena mapuche despatriarcal y decolonial pone en tensión al feminismo blanco examinando las representaciones y los discursos de lideresas y activistas mapuche y forjando un recorrido desde 1990, momento en que se constituyen las primeras organizaciones que dan cuenta de un feminismo indígena.