This volume constitutes the largest collection of writings by the Italian philosopher Giorgio Agamben hitherto published in any language and all but one appear in English for the first time. The essays consider figures in the history of philosophy (Plato, Plotinus, Spinoza, Hegel) and twentieth-century thought (Walter Benjamin, Heidegger, Derrida, Deleuze, the historian Aby Warburg, and the linguist J.-C. Milner). They also examine several central concerns of Agamben: the relation of linguistic and metaphysical categories; messianism in Islamic, Jewish, (...) and Christian theology; and the state and future of contemporary politics. Despite the diversity of the texts collected here, they show a consistent concern for a set of overriding philosophical themes concerning language, history, and potentiality. (shrink)

Este artigo procura traçar relações entre conceitos fundamentais da obra de Walter Benjamin e o pensamento de Giorgio Agamben. Sem pretender esgotar os vínculos entre os dois autores, propomos abordar noções e categorias de Benjamin para compreender suas influências no pensamento de Agamben. Lançando luz sobre essas influências, nosso desafio foi identificar algumas ideias na obra de W. Benjamin que pudessem designar o filósofo alemão como fonte de inspiração para a crítica ao poder e à violência desenvolvida (...) pelo pensador italiano. Por isso destacamos em Benjamin as raízes dos conceitos de vida nua, poder soberano e estado de exceção, que Agamben elabora nas obras I, II e III de seu projeto “Homo Sacer”. Desenvolvemos noções de historiografia, enfatizando a categoria do oprimido e a tarefa de "escovar a história a contrapelo". Os textos benjaminianos que constituem sua teoria política são um verdadeiro arsenal crítico para pensar nossa história e o período entre guerras. A proposta de Agamben, na linha de Benjamin, é que entre as ruínas do passado possamos recolher vestígios e tecer memórias que permitam uma consciência crítica na construção de estilos de vida éticos no presente, contribuindo para as transformações necessárias que nos garantam um futuro de justiça social. Assumindo o campo de concentração como paradigma dessa relação, a identificação com as vítimas da violência, em Agamben, segue as indicações de Benjamin sobre a tarefa crítica: lançar nova luz sobre os fatos, dar voz aos que foram vítimas da violência, oprimidos e silenciados pelo poder soberano. (shrink)

This essay by Giorgio Agamben is based on a lecture given in central France in the summer of 2013. Responding directly to recent occupations and insurrections – from Cairo and Istanbul to London and New York City – Agamben builds upon his existing work in order to develop and clarify his understanding of the political, and in particular, the notion of destituent power. In contrast to attempts to affirm a constituent power independent of a relation to constituted power, which (...) for Agamben both reproduce the governmental structure of the exception and represent the apex of metaphysics, destituent power outlines a force that, in its very elaboration, deactivates the governmental machine. For Agamben, it is in the sensible elaboration of the belonging together of life and form, being and action, beyond all relation, that the impasse of the present will be overcome. Ultimately, Agamben points not only towards what it means to be ungovernable, but the potential of staying so. (shrink)

O presente artigo tem a pretensão de analisar os desdobramentos da dimensão política da linguagem em Walter Benjamin e Giorgio Agamben, e observar como a verdade e seus efeitos de poder se manifestam a partir das relações da linguagem com os dispositivos que a tornam possível de ser vivenciada. Além disso, traz presente a concepção própria de Benjamin acerca da linguagem, estabelecendo uma relação entre a filosofia da linguagem benjaminiana com alguns conceitos da teoria do filósofo italiano (...) Giorgio Agamben. (shrink)

El presente trabajo intenta delimitar algunas de las ideas centrales del mesianismo benjaminiano y de las lecturas en torno a esta temática, fundamentalmente, el debate entre Giorgio Agamben y Jacques Derrida. Nuestra hipótesis es que habría dos mesianismos diferenciables en el pensamiento de Benjamin, en la medida en que uno de ellos se correspondería con la idea de ruptura, de pura interrupción, mientras que el otro estaría anclado en la idea de cripta o debilidad de las voces de los (...) vencidos. Por último, intentamos realizar una crítica a la necesidad de una mediación ilustrada que la lógica del despertar revolucionario implica. (shrink)

Pretendemos dar uma breve contribuição para a compreensão do conceito de biopolítica na obra do filósofo italiano Giorgio Agamben, mais precisamente em seu trabalho de 1995, inaugurador da série Homo Sacer, cujo título leva o mesmo nome: Homo Sacer: O Poder Soberano e a Vida Nua. Valendo-se do pensamento de Michel Foucault e Hannah Arendt de um lado, e Walter Benjamin e Carl Schmitt de outro, Agamben faz recuar o conceito de biopolítica às fundações da política ocidental. (...) Importa, para o filósofo, mostrar como estrutura, lógica e topologia de funcionamento a biopolítica anima as relações políticas desde seu fundamento e que a modernidade foi capaz de revelar, transformando radicalmente os espaços políticos contemporâneos. (shrink)

The end of human history is an event that has been foreseen or announced by both messianics and dialecticians. But who is the protagonist of that history that is coming—or has come—to a close? What is man? How did he come on the scene? And how has he maintained his privileged place as the master of, or first among, the animals? In The Open, contemporary Italian philosopher Giorgio Agamben considers the ways in which the “human” has been thought of (...) as either a distinct and superior type of animal, or a kind of being that is essentially different from animal altogether. In an argument that ranges from ancient Greek, Christian, and Jewish texts to twentieth-century thinkers such as Heidegger, Benjamin, and Kojève, Agamben examines the ways in which the distinction between man and animal has been manufactured by the logical presuppositions of Western thought, and he investigates the profound implications that the man/animal distinction has had for disciplines as seemingly disparate as philosophy, law, anthropology, medicine, and politics. (shrink)

Die Lücke in der Zeit: Agamben und Arendt -- Wie Sonntagskinder: Agamben und Benjamin -- Als ob nicht: Agamben und Kafka.

No presente artigo pretendemos apresentar o conceito de violência-poder em Walter Benjamin (1892 – 1940), com base no ensaio intitulado Crítica do Poder, Crítica da Violência [Zur Kritik der Gewalt] . Utilizamos como ponto de partida da crítica aqui em questão, a consideração da violência-poder no movimento próprio do texto de Walter Benjamim. Nesse sentido, esta exposição tem a seguinte seqüência: a) A recusa crítica dos pressupostos metodológicos do jusnaturalismo e do positivismo jurídico; b) A (...) definição do procedimento da filosofia da história para estabelecer os critérios para uma avaliação do poder-violência; c) A identificação de dois princípios inerentes ao direito: a violência instauradora da lei ( Rechtsetzende Gewalt ) e a violência mantenedora da lei ( Rechtsendhaltende Gewalt ). A partir daí, estabelecemos as seguintes suspeitas ou hipóteses: 1) O direito ou poder jurídico possui uma forma paradoxal de atuação, segundo as dimensões, instituidora e mantenedora do poder- violência, ou seja, na medida em que ele se faz valer, ele cria a sua própria suspensão, produz a exceção. 2) Essa contradição não se explicita na letra da lei, não se explica pelo seu caráter formal, mas apenas na realidade no sentido histórico abordado por Benjamin. (shrink)

Though the work of René Girard has highlighted the interrelations between sacrifice and sacrality in the contemporary world, it has yet to engage the work of Walter Benjamin and his heir, Giorgio Agamben, whose project concerning the Homo Sacer has aroused interest in contemporary political thought. By focusing on Benjamin's early description of mimesis and its relation to language, a position can be elaborated that steers mimesis clear of its indebtedness to language and towards a ‘purer’ realm of (...) gesture. Benjamin's formulation of a more proper ‘divine’ language of gestures could then be said to coalesce with certain historical-religious proclamations, something that Agamben's work challenges us to consider as a viable, albeit ‘profane’, political and ethical option for humanity. (shrink)

This article examines Giorgio Agamben’s rejection of the religious term Holocaust as a name for the extermination of the Jewish people. Agamben rejects this term (and eventually prefers the...

Tras una amistad atravesada por la guerra y el exilio y a pesar de que sus obras se tocan escorzadamente, este artículo parte de la posibilidad de leer un diálogo entre Walter Benjamin y Hannah Arendt en torno a la relación entre poder y violencia. Aunque el primero se había dedicado al tema en los años veinte y treinta y la segunda recién concretamente en el año 1970, el carácter tormentoso del siglo XX no haría más que confirmar (...) sus pronósticos o debatir sus supuestos convirtiendo a la violencia en su rasgo más ostensible. De ahí la relevancia filosófica de recuperar el modo en que estos autores centrales para la filosofía del siglo XX pensaron la violencia y epifenómenos como la rabia y el enojo; a fin de revelar algunas claves sobre lo político contemporáneo que confluyen con renovadas perspectivas críticas como la del llamado “giro afectivo”. (shrink)

Giorgio Agamben: Legal, Political and Philosophical Perspectives brings together contributions from scholars in a number of fields including many who have worked closely with Agamben in order to argue that Agambens thought is vital to the future directions of research in the humanities and social sciences. The book is divided into three sections, each coalescing around a different perspective. Contributions in the first section examine the potential for Agambens thought to impact upon future legal scholarship. Papers draw upon wide (...) ranging issues such as legal oaths, legal reasoning and Hegels Philosophy of Right. The second section focuses on political perspectives that include references to Marx, Žižek and Agambens concept of the messianic. The third section considers philosophical perspectives on Agambens thought, and draws upon art theory, Franz Kafka, and the thought of Gilles Deleuze, Walter Benjamin and Emmanuel Levinas. All three sections, however, address the potential of Agambens thought by re-focusing attention away from his critiques of Western politics and towards his scheme for a political future. As such the book maintains that Agamben is an important and thoroughly original figure, who has articulated a vision of politics, and of community, that is both achievable and worth recognising. (shrink)

no conjunto imenso e nada sistematizado da filosofia de Slavoj Žižek, a noção benjaminiana de “violência divina” é recorrentemente articulada. Para os propósitos do presente artigo, que é pensar a introdução de um terceiro elemento destituinte da dialética da violência que põe e mantém o direito, nos valeremos três textos do filósofo esloveno: Robespierre, ou a “divina violência” do terror (2007), Violência divina (2008) e Da democracia à violência divina (2009). Nesse sentido, reconstruiremos o que está no centro da sua (...) argumentação em que Žižek se apropria do conceito benjaminiano, para em seguida, mostrarmos a inadequação de sua interpretação para pensarmos uma teoria do poder destituinte. Corremos o risco de afirmar uma inadequação, não pelos resultados que Žižek alcançou, mas porque ele arroga para si uma interpretação do conceito de Benjamin que em nosso entendimento não está próximo de sua argumentação. (shrink)

continent. 1.2 (2011): 145-147. Here I accoutred myself in my new habiliments; and, having em- ployed the same precautions as before, retired from my lodging at a time least exposed to observation. It is unnecessary to des- cribe the particulars of my new equipage; suffice it to say, that one of my cares was to discolour my complexion, and give it the dun and sallow hue which is in most instances characteristic of the tribe to which I assumed to belong; (...) and that when my metamorphosis was finished, I could not, upon the strictest ex- amination, conceive that any one could have traced out the per- son of Caleb Williams in this new disguise. William Godwin Caleb Williams (352). Giorgio Agamben. Nudities . Trans. David Kishik and Stefan Pedatella. Stanford: Stanford University Press, 2011. 144 pp. | 10 illustrations. | ISBN: 9780804769501 | $16.95 A. The Protective Overcoat. The most pervasive, resilient, robust, sneaky, and significant concept in all of Giorgio Agamben’s essays is that of separation. This is not the same as alienation. Separation is more nostalgic, for Agamben valorizes an ancient world in which human society and its beings were not subject to such separation. He implies that these separations are damaging to human beings, crippling them at the very level of their identities. $4.99 B. The Handsome Gloves. Giorgio Agamben’s Nudities , like Profanations before it, employs a wide range of subjects in order to establish separation as a metaphor, in much the same way that interdisciplinary scholars have adopted Michel Foucault’s concepts in order to rethink societies and texts. The longest essay from Profanations, entitled “In Praise of Profanation,” laments humankind’s inability to profane as the result of what Walter Benjamin has called “the capitalist religion.” Likewise, “Nudity” adopts a pessimistic stance on the Christian theological tradition’s perverse asphyxiation of the unclothed body. $2.50 C. The Hoop Earrings. Religion separates humans from things by procuring for itself items as “sacred,” thus taking them out of common use. In this state, human beings are unable to play with them, unable to change their use-value. They become off-limits, museified. $1,499.00 D. The Uncomfortable Shoes. Biometrics polices identity, replacing meaningful metrics of identity. It is a deplorable situation that leaves human beings in danger of, and indeed already victims of, mass persecution. $111.75 E. The Prince Albert. One could characterize Giorgio Agamben’s desire to catalogue a history of ignorance as a recognition that human beings are separated from knowledge by language. Where then is the prophet, and how shall we be saved? $49.50 + tip F. The Corset. Franz Kafka’s character of Joseph K. has put himself on trial, as in Roman trials when the Kalumniator was marked with the letter K. The torture he undergoes is meant to elicit a confession of the truth. It is possible that Giorgio Agamben perceives his role as a philosopher to be confined to self-trial, and that with every passage he flays the unclothed page with prophetic intent. $27.00 G. The Derby. Giorgio Agamben himself tries to bridge various separations through exploratory play. He is not a performative writer semantically, but his exploratory style is rooted in the play spirit. His strategy of numbering points is almost comical, yet it is not misleading. It is play, after all, not ruse. He denudes with pecks, like carrion on a tattered corpse. $11.00 H. The Trousers. Although Giorgio Agamben is elsewhere concerned with the profanation of religion’s apparatuses, in essay nine he would like to consider what is consumed during days of inoperativity, how religion governs these, and how to account for our binges and purges. Inoperativity is inextricably bound to feasting, to the festival. $24.50 I. The Stylish Belt. The only essay in Nudities to contain photographs is the essay entitled, “Nudity.” All of these photographs project human bodies. $.01 I The aim here is not to tap into an original state prior to the separation but to comprehend and neutralize the apparatus that produced this separation. (66) II The contemporary is he who firmly holds his gaze on his own time so as to perceive not its light but rather its darkness. (13) III We can therefore only experience nudity as a denudation and a baring, never as a form and a stable possession. (65) IV Just as genius and talent originally distinct and even opposite—are nevertheless united in the work of the poet, so the work of creation and the work of salvation, inasmuch as they represent the two powers of a single God, remain in some way secretly conjoined. (6) V In our culture, the face-body relationship is marked by a fundamental asymmetry, in that our faces remain for the most part naked, while our bodies are normally covered. (88) VI Every man initiates a slanderous trial against himself. (21) VII The glorious body is not some other body, more agile and beautiful, more luminous and spiritual; it is the body itself, at the moment when inoperativity removes the spell from it and opens it up to a new possible common use. (103) VIII As Kleist understood so well, the relationship with a zone of nonknowledge is a dance. (114) IX The deactivation of this apparatus retroactively operates, therefore, as much on nature as on grace, as much on nudity as on clothing, liberating them from their theological signature. (90) X At any rate, whether festive inoperativity precedes religion or results from the profanation of its apparatuses, what is essential here is a dimension of praxis in which simple, quotidian human activities are neither negated nor abolished but suspended and rendered inoperative in order to be exhibited, as such, in a festive manner. (112) XI This is just how much [of] the land [the] surveyor is allowed to catch a glimpse. (36). (shrink)

A review of Giorgio Agamben's The Mystery of Evil: Bendict XVI and the End of Days, which attempts to place Agamben's peculiar argument regarding Pope Benedict's abdication in the context of his reading of St. Paul's 2 Thessalonians 2:1-12, and, more generally, in terms of his political-theology in the Homo Sacer series. The questions, 'Who is the Antichrist?' and 'Who (or what) is the katechon?' are also explored, in the attempt to translate Agamben's obscure theology into contemporary political terms.

This article attempts to explore why it is that the “state of exception” is so pivotal to Agamben’s analysis of sovereignty and the possibility of a coming community beyond the sovereign state and its power machines. The essay distinguishes between two senses of the state of exception and tries to explain their interconnection. The “zone of indistinction” opens up an irreparable gap between sovereign power and its execution and between “bare life” and citizenship. These are the spaces that both drive (...) and dismantle the apparatus of State power and permit Agamben to open the discussion of a coming community. (shrink)

This article attempts to explore why it is that the “state of exception” is so pivotal to Agamben’s analysis of sovereignty and the possibility of a coming community beyond the sovereign state and its power machines. The essay distinguishes between two senses of the state of exception and tries to explain their interconnection. The “zone of indistinction” opens up an irreparable gap between sovereign power and its execution and between “bare life” and citizenship. These are the spaces that both drive (...) and dismantle the apparatus of State power and permit Agamben to open the discussion of a coming community. (shrink)

This essay articulates a convergence between Foucault and Agamben: the possibility of an uncomplicated belonging to the profane, or to the perfect time of human experience. Agamben articulates a sense of experience as experience that “tears me from myself,” that points to a transformed conception of the world and a body and that connects his thinking to Foucault’s. This article places Agamben with Foucault outside of the alternative between messianism and pessimism. In the “perfect time of human experience,” in potentiality, (...) possibility, and absolute immanence, Agamben finds a way of experiencing, a path along which philosophy has always wanted to step, one that I argue is taken in Foucault’s bio-politics. (shrink)

This article seeks to lay out an analysis of Giorgio Agamben’s central claims with regard to the formation of a theory of citationality. By juxtaposing Walter Benjamin’s theory of citations alongside his more recent, critical engagements with the Western theological tradition, Agamben sets himself the goal of redefining ethics along Levinasian lines in order to arrive at a respect for the face of ‘whatever’ being before us, the true source towards which all citations point.

En su ensayo Para una crítica de la violencia, Walter Benjamin reivindica el fenómeno social de la huelga general revolucionaria teorizada por Georges Sorel en su obra Reflexiones sobre la violencia, como una figura ejemplar de lo que sería un “medio puro de la política”, al margen de cualquier forma legitimada de poder. En este marco, pocos comentadores contemporáneos advierten una discordancia conceptual entre ambos filósofos: para Sorel, la huelga revolucionaria es un mito social, mientras que el mito, (...) categoría esencialmente negativa en Benjamin, describe la violencia que aprisiona la vida y que se traduce en una forma de poder político superior. En este artículo quisiéramos demostrar esta discordancia conceptual para examinar en seguida cómo ha sido comentada por otros pensadores contemporáneos. La filosofía de la historia, la posibilidad de una acción política ética y la temporalidad mesiánica aparecen en el horizonte teórico que emparenta a estos filósofos y por el cual podría descifrarse su impasse conceptual. Esto se confirma si se despliega la idea de un “medio puro de la política”, pista que Benjamin ofrece sin profundizar y sobre la cual reenvía al pensamiento de un filósofo poco explorado, Erich Unger. En la última parte de este artículo desarrollaremos las claves dadas por Unger, que entran justamente en sintonía con la mención de la huelga general como medio puro de la política. In his Critique of violence, Walter Benjamin claimed that the social phenomenon of the revolutionary general strike was an example of what would be a “pure political mean”. In this context, not many contemporary commentators note an important conceptual incoherence between those two philosophers: for Sorel the revolutionary general strike is a social myth, while in Benjamin the category of myth, essentially negative, describes the violence that imprisons life and crystallizes it in a higher form of political power. In this article, we demonstrate this conceptual discrepancy in order to examine the way it has been approached by other philosophers. The philosophy of history, the possibility of an ethical political action, and messianic temporality, all appear on the theoretical horizon linking these philosophers, and through these ideas a conceptual impasse can be decoded. Moreover, this horizon can be confirmed if we follow the idea of a “pure political means” that Benjamin proposes and which moves forward to the thought of an unexplored philosopher mentioned by him: Erich Unger. In the last part of this article we will develop the keys given by Unger, which fall right in line with the notion of the general strike as a pure political mean. (shrink)

The Italian philosopher Giorgio Agamben is having an increasingly significant impact on Anglo-American political theory. His most prominent intervention to date is the powerful reassessment of sovereignty and the politics of life and death laid out in his multivolume _Homo Sacer_ project. Agamben argues that in both the modern world and the ancient, politics inevitably involves a sovereign decision that bans some individuals from the political and human communities. For Agamben, the Nazi concentration camps—in which some inmates are reduced (...) to a form of living death—are not a political aberration but instead the place where this essential political decision about life most clearly reveals itself. Engaging specifically with _Homo Sacer_, the essays in this collection draw out and contend with the wide-ranging implications of Agamben’s radical and controversial interpretation of modern political life. The contributors analyze Agamben’s thought from the perspectives of political theory, philosophy, jurisprudence, and the history of law. They consider his work not only in relation to that of his major interlocutors—Hannah Arendt, Michel Foucault, Carl Schmitt, Walter Benjamin, and Martin Heidegger—but also in relation to the thought of Plato, Pindar, Heraclitus, Descartes, Kafka, Bataille, and Derrida. The essayists’ approaches are varied, as are their ultimate evaluations of the cogency and accuracy of Agamben’s arguments. This volume also includes an original essay by Agamben in which he considers the relation of Benjamin’s “Critique of Violence” to Schmitt’s _Political Theology_. _Politics, Metaphysics, and Death_ is a necessary, multifaceted exposition and evaluation of the thought of one of today’s most important political theorists. _Contributors:_ Giorgio Agamben, Andrew Benjamin, Peter Fitzpatrick, Anselm Haverkamp, Paul Hegarty, Andreas Kalyvas, Rainer Maria Kiesow, Catherine Mills, Andrew Norris, Adam Thurschwell, Erik Vogt, Thomas Carl Wall. (shrink)

Giorgio Agamben’s work on the power of sovereignty has been greatly influential in recent political thought. However, it has also overshadowed the independently original contributions of his two primary theoretical sources, Carl Schmitt and Walter Benjamin. In this article, I argue that Agamben’s political defeatism can be traced back to a double misconception in his reception of these two authors: first a formalistic reduction of Schmitt, and second a Schmittian reduction of Benjamin. Through this reduction to juridical formalism, (...) the radicality of Benjamin’s historical materialist critique is replaced by a messianic nihilism, leading to the colonization of society by the logic of the concentration camp. Though Agamben’s theory of sovereignty and its implications for a positive political project have been contested, this origin of the decline of radical philosophy has not previously undergone a systematic critique. (shrink)

In this paper I will address some theories of Roman Ingarden and Walter Benjamin in the light of the new reproductive technologies for streaming music. As to Ingarden's theory I argue that, in the case I am bringing into investigation, streaming music experience can bring new light on the problem of the identity of the musical work by creating a continuum in a sequence of performances, and such continuum may account for a sort of ‘fluid’ cross-identity of the music (...) piece variously performed. I also argue that the lack of ‘aura’, in this case, does not devalue the music piece and nevertheless allows for a notable aesthetic fruition. (shrink)

En Homo sacer I. Il potere sovrano e la nuda vita, Giorgio Agamben recuerda una expresión que le dirigiera Walter Benjamin a Pierre Klossowski e, indirectamente, al grupo Acéphale: vous travaillez pour le fascisme. En este artículo quisiéramos mostrar que es el pensamiento político-ontológico del propio Agamben, y también en cierto sentido el de Benjamin – quien ha influido de modo decisivo en el filósofo italiano –, el que en verdad corre el riesgo de trabajar para el fascismo. (...) Mostraremos por eso la necesidad de distinguir dos niveles de lo político: un nivel trascendental y un nivel empírico. Si no se atiende a esta distinción, argumentaremos, se corre el riesgo de trabajar, efectivamente, para el fascismo. (shrink)

The ‘messianic’ is one of philosophy’s most appropriated religious terms, yet one apparently now bereft of its historical religious particularity. This essay thus explores a genealogical approach to the ‘messianic’ which might prove helpful in uncovering the reasons for this transformation from the theological to the philosophical, and what role, if any, theology still has in determining the meaning and usage of this term. Accordingly, this essay traces the term through the work of Walter Benjamin, Jacques Derrida and (...) class='Hi'>Giorgio Agamben. This development is made against the backdrop of another religious term which indirectly pervades the work of all three authors: the canon. The canonical is a term which lingers on the margins of these messianic discourses and needs to be explored further in the context of this work in order to provide a fitting foil to these otherwise ‘purely philosophical’ developments of the messianic. The necessity for invoking the canonical form will become clear as this analysis is extended to the work of Agamben in order to determine how canons remain an unstated factor in his attempt to eradicate all representation from a just ethical paradigm. In this attempt to articulate a model of understanding that goes beyond the universal/particular divide, he will in fact advance a movement from particularity to particularity which can be profoundly read as a genuine paradigm for articulating a theological principle of creation. Thus, this essay intends to point toward two related conclusions: first, that the triad of canon-creation-representation might be understood as a necessity for cultural intelligibility, yet one that must also be seen in relation to its messianic-redemptive-unrepresented elements; and, second, that even this epistemological framework can be undone through a bid to end all representations which nonetheless allows us to return to a more profound realization of creation. (shrink)

Gilles Deleuze's two-volume theory of film, _Cinema 1: The Movement-Image_ and _Cinema 2: The Time-Image_, have slowly been making an impact on Anglo-American film studies. The special issue of _Film-Philosophy_ on his work (vol. 5, 2001) and David Rodowick's excellent introduction, _Gilles Deleuze's Time Machine_ (1997), are just two signs, among many, of the growing interest in Deleuze's writings on cinema. His work has also inspired the Italian philosopher Giorgio Agamben to propose a new theory of film that significantly (...) departs from Deleuze. Agamben has developed a new theory of 'gestural cinema', arguing that '*the element of cinema is gesture and not image*'. [1] He has also argued that this new theory of gestural cinema means that cinema belongs, essentially, to the realm of ethics and politics, and not aesthetics. It is this new theory that I want to introduce. (shrink)

This book explores the idea of a childlike education and offers critical tools to question traditional forms of education, and alternative ways to understand and practice the relationship between education and childhood. Engaging with the work of Michel Foucault, Jacques Rancière, Giorgio Agamben and Simón Rodríguez, it contributes to the development of a philosophical framework for the pedagogical idea at the core of the book, that of a childlike education.Divided into two parts, the book introduces innovative ideas through philosophical (...) argument and discussion, challenging existing understandings of what it means to teach or to form a child, and putting into question the idea of education as a process of formation. The first part of the book consists of a dialogue with a number of interlocutors in order to develop an original conception of education. The second part presents the idea of a childlike education, beginning with a discussion of the relationships between childhood and philosophy, and followed by a critique of the place of philosophical experience in a childhood of education. Instead of asking how philosophy might educate childhood, this book raises the question of how childhood might educate philosophy. It will be of key value to researchers, educators and postgraduate students in the fields of education and the human sciences. (shrink)

El presente trabajo propone determinadas aproximaciones iusfilosóficas al discurso jurídico, a partir de los estudios realizados por Walter Benjamin sobre Franz Kafka. La investigación se realiza con las herramientas metodológicas que aportan las “teorías críticas del derecho” y los marcos teóricos que indagan la relación “derecho-literatura”. Los textos, discusiones y apuntes realizados por el pensador alemán permiten movilizar un análisis de determinados tópicos y categorías pertenecientes al espacio jurídico. Las investigaciones que realiza en torno a la figura de Kafka (...) ofrecen insumos para indagar la formación, despliegue y conservación del derecho. Desde la obra kafkiana, Benjamin visibiliza y desarticula los conceptos nodales de justicia, ley, poder y violencia, lo que permite dar cuenta de los mecanismos y dispositivos que hacen posible el sustento mitológico del derecho. (shrink)

The presence of COVID-19 has elicited a range of philosophical responses. The aim of this paper is to engage with the position advanced by Giorgio Agamben. Part of the critique of Agamben involves critique of populism. In response to populism the paper advances a different philosophical position this time ground in the concept of solidarity. The work of Hannah Arendt provides the basis for this response.

Este texto explora una inversión entre las relaciones usualmente afirmadas entre infancia y currículo. En vez de preocuparse por buscar fundamentar o presentar un currículo para educar a la infancia, busca imágenes infantiles para educar el currículo. Encuentra dos: una en las invenciones narrativas del poeta Mato-grossense Manoel de Barros; otra, en la filosofía de la historia y de la infancia de Giorgio Agamben. Se trata, como el título lo sugiere, de un ejercicio menor cuyo sentido principal es contribuir (...) a pensar el espacio de la infancia y del currículo en la educación brasilera de nuestros días. (shrink)

In Homo Sacer,1 Giorgio Agamben devotes a crucial “threshold” to an extremely compressed reading of Walter Benjamin's “Critique of Violence,”2 a threshold that provides the transition between his elaboration of the logic of sovereignty and his analysis of the concept of homo sacer or “bare life.” That Benjamin's essay should play such a crucial role in Agamben's text is unsurprising. First, Benjamin is arguably the most important authority for Agamben's intellectual project as a whole, rivaled only by Aristotle (...) and Heidegger. More specifically, Agamben's investigations in the eponymous second part of Homo Sacer are prompted by Benjamin's suggestion that it.. (shrink)

A pesquisa Os enigmas de infância e experiências em uma escola pública da cidade de Maceió/AL: o que revelam? é uma pesquisa de Mestrado, do Programa de Pós-graduação em Educação (PPGE) da Universidade Federal de Alagoas/UFAL, realizada entre 2014 e 2016. O objetivo desta, foi problematizar infância e experiências no cotidiano de uma escola pública no município de Maceió/AL de outra maneira. Para isso, usou a concepção de filosofia presente no filósofo Friedrich Nietzsche, a concepção de infância em Walter (...) Omar Kohan, de tempo em Heráclito, e de experiência nos teóricos Giorgio Agamben e Jorge Larrosa. O trabalho aqui apresentado pretende compartilhar algumas reflexões presentes na pesquisa de Mestrado mediante uma breve exposição do campus da pesquisa e dos teóricos que nos ajudaram com os enigmas infância e experiência. (shrink)

Giorgio Agamben emerged in the twenty-first century as one of the most important theorists in the continental tradition. Until recently, 'continental' philosophy has been tied either to the German tradition of phenomenology or to French post-structuralist concerns with the conditions of language and textuality. Agamben draws upon and departs from both these lines of thought by directing his entire corpus to the problem of life political life, human life, animal life and the life of art. Influenced by the work (...) of Martin Heidegger, Walter Benjamin and the broader tradition of critical Marxism, Agamben's work poses the profound question for our time just how exceptional are human beings. This beautifully written book provides a systematic, engaging overview of Agamben's writings on theology, aesthetics, political theory and sovereignty. Covering the full range of Agamben's work to date Claire Colebrook and Jason Maxwell explain Agamben's theology and philosophy by referring the concepts to some of today's most urgent political and ethical problems. They focus on the audacious way in which Agamben re-conceptualizes life itself. Assessing the significance of the concepts key to his work such as bio-politics, sovereignty, the ‘state of exception’ and ‘bare life’, they demonstrate his wide-ranging influence across the humanities. They also explore the critical reactions to Agamben's thinking and his reception in philosophical and theoretical circles. This book will be essential reading for students in anthropology, politics, philosophy and related disciplines and anyone interested in finding out more about one of the influential thinkers writing today. (shrink)

​This book dives headfirst into the contemporary controversy over the limits of free speech. Changing conceptions of what constitutes legitimate harm coupled with the advent of the internet and social media have provided a challenging environment for defining the boundaries of acceptable speech in our contemporary society. This book argues that these problems emerge due to flaws in our free speech framework, leaving the argument for free speech vulnerable to becoming inverted into a justification for censorship. In response, this book (...) argues for a version of free speech based on a framework of toleration. Drawing on the work of the philosopher Rainer Forst, a new justification for free speech is formulated – reflexive freedom of speech – which aims to overcome past issues and justify free speech in a way that is universal, consistent and just. (shrink)

A sacralidade da vida humana tornou-se um problema filosófico com desdobramentos éticos e políticos. Este ensaio apresenta uma arqueologia da sacralidade a partir dos estudos de Walter Benjamin e Giorgio Agamben, estabelecendo uma comparação com o sentido da sacralidade nas polis antigas. A sacralidade aparece como figura simbólica marcada pelo paradoxo – ao mesmo tempo que protege a vida pelo direito sagrado, o direito a captura e a ameaça com a exceção. Porém, o paradoxo é insuperável, já que (...) constitui o modo de ser do humano. (shrink)

Lee and Schwarz propose that grounded procedures can also be related to connection rather than separation. Drawing on consumer behavior research, we point to different grounded procedures of connection – in terms of the motor actions involved, their salient properties, and their motivational conditions – and discuss how procedures of separation may be affected by the procedures of connection that precede them.