This is—to my knowledge—the first anthology ever published to collect great texts in the history of political dissent from across the ideological spectrum and throughout world history. It provides a diverse set of historically important pieces of political dissent writing that connect to a range of disciplines, including history, political theory, philosophy, rhetoric, and religion and would make an excellent textbook for introductory courses in these fields, as well as in freshman composition courses.

Esprit or ?ingenuity? was one of the principle qualities sought by the connoisseurs who populate seventeenth?century Flemish pictures of collections. This essay scrutinizes the ways in which the flourishing discipline of connoisseurship was depicted, explored and fashioned in Antwerp gallery interiors. Placing these images within the context of Early Modern writings on discernment, Gage explores the ways in which the directed gazes, postures and gestures of cognoscenti reflect the growth of trained artistic judgement within the period?s elite, concluding (...) that such images exemplify a major social and epistemological shift in which one can make apparent one?s universal understanding and keen judgement, and to rightly claim membership in a nobility, no longer defined solely by lineage, but also by learning. (shrink)

Essays in Memory of Richard Helgerson: Laureations brings together new essays by leading literary scholars of the British and European middle ages and early modern period who have been influenced by the groundbreaking scholarship of Richard Helgerson. The contributors evince the ongoing impact of Helgerson's work in critical debates including those of nationalism, formal analysis, and literary careerism.

Depuis le milieu du xviie siècle, l’histoire coloniale des Indes néerlandaises se distingue par un modèle particulier de relations intimes interraciales, pratiquées au quotidien par la population. C’est ainsi qu’en 1900, on estime que près de 75% de la population européenne est métisse. Mais, à partir de cette époque, un régime « moderne » de ségrégation raciale se met en place, qui émerge dans un contexte dominé par l’introduction du capitalisme, par le développement des investissements étrangers et par une nouvelle (...) législation en matière de citoyenneté. Toutefois, en dépit de tentatives tant politiques que sociales pour renforcer l’étanchéité des frontières raciales au sein de la société coloniale hollandaise de l’archipel indonésien, les relations sexuelles interraciales et la dimension créole de cette société perdurent jusqu’en 1942. Ainsi, ladite supériorité de la communauté européenne apparaît fondée sur une construction parfaitement mythique de l’identité « blanche ». (shrink)

The fourth volume in the series "Jean-Franðcois Lyotard: Writings on Contemporary Art and Artists" contains 48 texts written by Lyotard between the early seventies and 1998, the year of his death. Nine of these texts are previously unpublished papers on general aesthetics and the theory of art. The remaining 39 essays deal with 27 specific artists: Luciano Berio, Richard Lindner, René Guiffrey, Gianfranco Baruchello, Henri Maccheroni, Riwan Tromeur, Albert Ayme, Manuel Casimiro, Ruth Francken, Barnett Newman, Jean-Luc Parant, François Lapouge, (...) Sam Francis, André Dubreuil, Joseph Kosuth, Sarah Flohr, Lino Centi, Gigliola Fazzini, Bracha Lichtenberger Ettinger, Henri Martin, Michel Bouvet, Corinne Filippi, Stig Brogger, François Rouan, Pierre Skira Pastels, and Béatrice Casadesus. Many of these texts are notes or contributions to catalogues; some were published in now inaccessible journals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.1 (2001) 59-79 [Access article in PDF] Money and Sovereignty in Early Modern France Jotham Parsons [The mint official] must above all seek integrity in the moneys, on which our features are imprinted and on which the general good depends. For what would be safe if our image were offended, and if that which a subject ought to venerate in (...) his heart were immediately violated by a sacrilegious hand? 1Early modern French commentators on money and monetary policy were fond of quoting this very late antique chancery formula; 2 it even appears in the epigraph to one unpublished commonplace book on the subject from the early seventeenth century. 3 Its popularity was no doubt due partly to the fact that classical literature contained few other theoretical statements on the practicalities of issuing money. 4 It also showed how deeply classical humanism had shaped economic thought, as it had done to all of French political culture. This was apparent as early as 1514 in Guillaume Budé's scholarly classic, De Asse et partibus ejus. 5 By 1600 these influences had ensconced themselves so firmly that economic writers found it nearly impossible to talk about money without a [End Page 59] full panoply of classical erudition. 6 In France the second half of the sixteenth century saw the rise of a specialized, expert, and increasingly systematic tradition of monetary thought. Despite its classical vocabulary, this economic literature was in many ways "modern" in its methods, ambitions, and subject. While developing an account which aspired to a scientific explanation of commercial society and of how government and money interacted, the French commentators came to a partial realization of how radically their own society differed from those which had gone before. In this respect the prevailing climate of thought about money influenced even a writer as non-technical as Michel de Montaigne.Traditionally, scholarly treatment of early modern French economic texts has focused on a relatively small range of issues and authors. One such issue, the origins of the "quantity theory of money" (with Jean Bodin as its hero), is notable for its sterility, since that concept was not and could not have been meaningful to contemporaries. 7 The origin and development of "mercantilism" or, more broadly, of "political economy" in general, has proven a more fruitful subject of inquiry. 8 Undeniably, the changing relationships among governments, merchants, and the economy were a major public issue and, in the seventeenth century, a major site of theoretical reflection on the nature of political power generally. Even so, an excessive concentration on mercantilism is dangerous, for however one defines it, it was not the first, and for a long time not the most significant, economic discourse in France. Rather, from the 1560s well into the seventeenth century, French discussions of economic issues centered on very concrete problems brought about by the government's obligation to issue and maintain a stable currency. 9 While one would search this literature in vain for the specific doctrines of modern economics, I argue that it did represent a real achievement in the early modern understanding of commerce and the state. Though they have not received their due from scholars, the writers who took part in these debates formed a large and influential school with close ties to the actual institutions of government. 10 The French monetary theorists did an enormous amount [End Page 60] to set the stage for the mercantilist era. They developed a detailed notion of monetary economics as a specialized discipline, and above all they placed money and economic policy in the context of a multi-national system of commercial states. In so doing, they sought to comprehend and control not just money but the modern state itself.Early modern money was perched uncomfortably between commodity and fiat. Bewildering varieties of coins circulated, composed of all sorts of alloys. The government assigned a face value for each coin which it authorized to circulate in the abstract accounting unit called the "money of account." 11 This value was almost always greater than... (shrink)

This book examines the contributions of seventeenth- and eighteenth-century French women philosophers and intellectuals to moralist writing. Moralist writing, a distinctively French genre, draws on philosophical and literary traditions extending back to classical antiquity. Closely connected to salon culture and influenced by Augustinianism, it engages social and political questions, epistemology, moral psychology, and virtue ethics. The first half of the book analyzes women’s use of moralist forms such as the essay, maxim, and “character” or portrait to explore classical topics: self-knowledge (...) and knowledge of the self, the ethics and obligations of friendship, the relation of the passions to happiness. The second half focuses on topics that relate directly to women’s lifeworld: the critique of the institution of marriage, the status of older women, and the question of women’s nature and capabilities. Each chapter traces the evolution of women’s moralist thought from the late seventeenth century to the Enlightenment and the decades immediately following the French Revolution, a period of tremendous change in the horizon of possibilities for women as public figures and intellectuals. (shrink)

Garrod, Smith and the contributors of the volume envisage the longue durée poetics of an early modern genre. They interpret its poetics alongside its various epistemic agenda and make a case for the literary status of natural history.

The author analyzes the transformation of norms and values in France and England during the preindustrial period (1500-1760). The relationship between religion and reason, the nature of popular fears, witchcraft, marriage, attitudes toward death, and persecution of confessional minorities are singled out for closer examination. The interplay between the two national traditions and the Catholic and Protestant ways remains under constant focus. The new norms and models for behavior that arose in each country in this period, besides being different, (...) were also articulated, communicated, and enforced differently, even though there is a broad family resemblance between the changes in France and in England that led to modernization. It is argued that the general concepts used in comparative religious ethics should always be suspect and may be of questionable applicability outside the historical wholes which gave them birth. To enhance the applicability of these concepts, it is proposed that the work adopt the more limited ambition of comparing cultural wholes that are geographically close and culturally permeable. (shrink)

ABSTRACTExcluded from the university, women authors in early modern France acquired their philosophical culture from other venues. The tutorial, the salon, and the convent school are three of the e...

Denounced by neighbors and scrutinized by demonologists, the early modern French witch also confessed, self-identified as a witch and as the author of horrific deeds. What led her to this point? Despair, solitude, perhaps even physical pain, but most decisively, demonology's two-pronged prosecutorial and truth-seeking confessional apparatus. This book examines the systematic and well-oiled machinery that served to extract, interpret, and disseminate witches' confessions in early modern France. For the demonologist, confession was the only way (...) to find out the truth about the clandestine activities of witches. For the witch, however, trial confessions opened new horizons of selfhood. In this book, Virginia Krause unravels the threads that wove together the demonologist's will to know and the witch's subjectivity. By examining textual and visual evidence, Krause shows how confession not only generated demonological theory but also brought forth a specific kind of self, which we now recognize as the modern subject. (shrink)

En novembre 1666 fut promulgué en France l’édit dit « des mariages », qui offrait des avantages de diverse nature aux pères de famille nombreuses, soit celles comportant plus de dix ou douze enfants vivants. Leslie Tuttle a eu la bonne idée de laisser de côté la question de l’efficacité d’une telle mesure pour s’intéresser plutôt aux significations multiples des politiques pronatalistes à l’époque de Louis XIV et au siècle suivant. Cette ouverture l’a amenée à revisiter plusieurs questions ch...

This chapter contains sections titled: I. II. III. IV. V. VI.

In the mid-seventeenth century a movement of self-styled experimental philosophers emerged in Britain. Originating in the discipline of natural philosophy amongst Fellows of the fledgling Royal Society of London, it soon spread to medicine and by the eighteenth century had impacted moral and political philosophy and even aesthetics. Early modern experimental philosophers gave epistemic priority to observation and experiment over theorising and speculation. They decried the use of hypotheses and system-building without recourse to experiment and, in some quarters, (...) developed a philosophy of experiment. The movement spread to the Netherlands and France in the early eighteenth century and later impacted Germany. Its important role in early modern philosophy was subsequently eclipsed by the widespread adoption of the Kantian historiography of modern philosophy, which emphasised the distinction between rationalism and empiricism and had no place for the historical phenomenon of early modern experimental philosophy. The re-emergence of interest in early modern experimental philosophy roughly coincided with the development of contemporary x-phi and there are some important similarities between the two. (shrink)

This book is a comparative study of the production and role of maps, charts, and atlases in early modern England and France with a particular focus on Paris and London.