This volume is a tribute to the thought of Seth Benardete by contributors who had the rare good fortune of studying with him or those who discovered the treasure of his writings. Benardete was fully immersed in the world of the ancients, starting with Homer, but their works opened up for him a way to the fundamental questions-about justice and love, nature and law, human and divine. Finding "the problem of the human good grounded in the city, and (...) the problem of being in god," he was led to the conclusion that "Political philosophy is the eccentric core of philosophy." While Benardete wrote this statement reflecting on the theological-political issue in the work of his teacher, Leo Strauss, the paradoxical notion of an "eccentric core," in giving this volume its title, is meant to capture a characteristic of his own way of thinking. The essays in this collection-on the Bible and Homer, the pre-Socratics, Plato, Aristotle, and the Roman writers-indicate the range of Benardete's studies and teaching. The centrality of Plato is evident at the same time in those pieces as well as in the reviews of Benardete's books included here, along with three of his own previously unpublished essays. Book jacket. (shrink)

In this section-by-section commentary, Benardete argues that Plato's _Republic_ is a holistic analysis of the beautiful, the good, and the just. This book provides a fresh interpretation of the _Republic_ and a new understanding of philosophy as practiced by Plato and Socrates. "Cryptic allusions, startling paradoxes, new questions... all work to give brilliant new insights into the Platonic text."—Arlene W. Saxonhouse, _Political Theory_.

Taking the Liar paradox as an object lesson, Benson Mates argues that the major problems of philosophy remain intractable: they will never be resolved to the satisfaction of every competent investigator. In particular, "every clever attempt to solve" the whole question of skepticism regarding the External World "seems only to reveal that it is even deeper and more fundamental than it previously appeared to be." But that remark suggests an uncharacteristic optimism that is otherwise absent from the main drift (...) of the book, as if an ever deepening Socratic ignorance were at any rate available to us. (shrink)

Whatever one may think of Schmidt’s intuition, it is still nothing but intuition, and the variety of syntactic structures which εἶναι admits of is neither articulated nor unified. Kahn, on the other hand, by the use of Transformational Grammar, is able to a large extent to generate in a regular way from a posited notion of "kernel sentence" all the Greek sentences in which εἶναι occurs. Kahn’s original plan was "to correlate every intuitive difference of meaning in the use of (...) εἰμί with a formal description of the corresponding sentence-type", but he admits that he cannot always do so. Whether this is a failure inherent in Transformational Grammar itself, or in the version Kahn uses, can for the moment be left aside. First, an example of the success and another of the failure of the technique, as Kahn practices it, are in order. Kahn formulates the rule for the recognition of periphrasis somewhat as follows: εἶναι is used periphrastically with the participle if and only if it is impossible to obtain two kernel sentences, one of which has a finite form of εἶναι and the other a finite form of the participle, but if two kernel sentences can be so obtained, the usage is not periphrastic. This rule is both simple and elegant; it will no doubt become in time a standard part of Greek grammar. The enchantment, however, which mathematical clarity can cast is best illustrated in the case of another construction. ἔστιν ὅστις... is not uncommon. It looks like the existential operator of modern logic, and the fact that it occurs far more often with οὐκ than without seems to be, linguistically, irrelevant. Now, Kahn asserts that, though he looked hard for examples, he could only find one in which the second clause has the copula, and he offers a proof as to why this should be the case. He is mistaken. Euripides has οὐκ ἔστι θνητῶν ὅστις ἕστ’ ἐλεύθερος, and Sophocles καὶ οὐδὲν τούτων ὅ τι μὴ Ζεύς, and there are several examples in just one passage of Plato’s Charmides. The Sophoclean example is important since it illustrates a double "zeroing" of εἶναι, and whereas for traditional grammar such nominal sentences are treated as primary, with the insertion of ἐστί as a secondary development, in Kahn’s use of Transformational Grammar no distinction between the presence or the absence of the verb can be allowed. For deep structure, the verb is always present, and it might be no more than an apparent paradox that a verb, whose primitive meaning is said to designate presence, can in its absence make its presence equally felt. Can a verb which is almost always eliminable be the word for reality and truth? Or is it because "being" is the only word that cannot be just a word that it can so easily be suppressed in speech? (shrink)

Benardete paradoxes involve a beginningless set each member of which satisfies some predicate just in case no earlier member satisfies it. Such paradoxes have been wielded on behalf of arguments for the impossibility of an infinite past. These arguments often deploy patchwork principles in support of their key linking premise. Here I argue that patchwork principles fail to justify this key premise.

I consider a puzzling case presented by Jose Benardete, and by appeal to this case develop a paradox involving counterfactual conditionals. I then show that this paradox may be leveraged to argue for certain non-obvious claims concerning the logic of counterfactuals.

Graham Priest has focused attention on an intriguing but neglected paradox posed by José Benardete in 1964. Benardete viewed the paradox as a threat to the intelligibility of the spatial and temporal continua and offered several different versions of it. Priest has selected one of those versions and formalized it. Although Priest has succeeded nicely in sharpening the paradox, the version he chose to formalize has distracting and potentially problematic features that are absent from some (...) of Benardete's other versions. I offer a formalization of a simpler version of the paradox, the one that presents most plainly Benardete's challenge to the spatial continuum. Proposed resolutions of Benardete's paradox should address this version of the paradox as well as the one formalized by Priest. (shrink)

The paper analyses Benardete's paradox of the gods from a more general perspective (the convergence approach) than several of the most important proposals made to date, but in close relation (and sharp contrast) with them. The new theory, based on the notion of limit, is systematically applicable in different possible scenarios involving a denumerable infinity of objects. In particular, it reveals in what way ω-consistency can be compromised in an otherwise consistent description of such "infinitary" situations.

Benardete paradoxes involve infinite collections of Grim Reapers, assassins, demons, deafening peals, or even sentences. These paradoxes have recently been used in arguments for finitist metaphysical theses such as temporal finitism, causal finitism, and discrete views of time. Here we develop a new _finite_ Benardete-like paradox. We then use this paradox to defend a companions in guilt argument that challenges recent applications of patchwork principles on behalf of the aforementioned finitist arguments. Finally, we develop another problem (...) for those applications by examining the notion of exact duplication. (shrink)

The majority of disucssions of Benardete’s Paradox conclude that the traveller approaching the infinite series of gods will be mysteriously halted despite none of the gods erecting any barriers. Using a revision-theoretic analysis of Benardete’s puzzle, four distinct possible outcomes that might occur given Benardete’s set-up are distinguished. This analysis provides additional insight into the puzzle at hand, via identifying heretofore unnoticed possible outcomes, but it also serves as an example of how the revision theoretic framework (...) can be used to construct exhaustive taxonomies of potential outcomes in apparently contradictory situations. (shrink)

Benardete presents a version of Zeno's dichotomy in which an infinite sequence of gods each intends to raise a barrier iff a traveller reaches the position where they intend to raise their barrier. In this paper, I demonstrate the abstract form of the Benardete Dichotomy. I show that the diagnosis based on that form can do philosophical work not done by earlier papers rejecting Priest's version of the Benardete Dichotomy, and that the diagnosis extends to a (...) class='Hi'>paradox not normally classified as a dichotomy. I show how the form is exploited to generate paradox. Introduction The form of the Benardete dichotomy 2.1 The unsatisfiable pair diagnosis Applying the unsatisfiable pair diagnosis 3.1 Perez Laraudogoitia 3.2 Hawthorne 3.3 Angel 3.4 Yablo and Sorensen Exploiting the form. (shrink)

Godel's and Tarski's theorems were inspired by paradoxes: the Richard paradox, the Liar. Godel, in the 1951 Gibbs lecture argued from his metatheoretical results for a metaphysical claim: the impossibility of reducing, both, mathematics to the knowable by the human mind and the human mind to a finite machine (e.g. the brain). So Godel reasoned indirectly from paradoxes for metaphysical theses. I present four metaphysical theses concerning mechanism, reductive physicalism and time for the only purpose of suggesting how it (...) could be argued for them directly from paradoxical sentences. (shrink)

Benardete here interprets and, for the first time, pairs two important Platonic dialogues, the Gorgias and the Phaedrus . In linking these dialogues, he places Socrates' notion of rhetoric in a new light and illuminates the way in which Plato gives morality and eros a place in the human soul.

_The Being of the Beautiful_ collects Plato’s three dialogues, the _Theaetetus_, _Sophist_, and _Statesmen_, in which Socrates formulates his conception of philosophy while preparing for trial. Renowned classicist Seth Benardete’s careful translations clearly illuminate the dramatic and philosophical unity of these dialogues and highlight Plato’s subtle interplay of language and structure. Extensive notes and commentaries, furthermore, underscore the trilogy’s motifs and relationships. “The translations are masterpieces of literalness.... They are honest, accurate, and give the reader a wonderful sense of (...) the Greek.”—Drew A. Hyland, _Review of Metaphysics_. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence with (...) a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

_Theaetetus_, the _Sophist_, and the _Statesman_ are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as _The Being of the Beautiful_, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships. "Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence with (...) a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, _Graduate Faculty Philosophy Journal_ Seth Benardete was professor of classics at New York University. He was the author or translator of many books, most recently _The Argument of the Action, Plato's "Laws," and Plato's "Symposium,"_ all published by the University of Chicago Press. (shrink)

This volume brings together Seth Benardete's studies of Hesiod's Theogony, Homer's Iliad, and Greek tragedy, of eleven Platonic dialogues, and Aristotle's Metaphysics. These essays, some never before published, others difficult to find, span four decades of his work and document its impressive range. Benardete's philosophic reading of the poets and his poetic reading of the philosophers share a common ground that makes this collection a whole. The key, suggested by his reflections on Leo Strauss in the last piece, (...) lies in the question of how to read Plato. Benardete's way is characterized not just by careful attention to the literary form that separates doctrine from dialogue, and speeches from deed rather, by following the dynamic of these differences, he uncovers the argument that belongs to the dialogue as a whole. The "turnaround" such an argument undergoes bears consequences for understanding the dialogue as radical as the conversion of the philosopher in Plato's image of the cave. Benardete's original interpretations are the fruits of this discovery of the "argument of the action.". (shrink)

This paper introduces a new infinite paradox. The main novelty is that it poses problems of causality in a very different form from to the one in use until now. By means of a probabilistic generalization, the paradox shows that the disposition to act according to a specific plan is not always necessary to derive causal effects in Benardete-type contexts involving infinity. It also suggests that, in such cases, the explanation for those causal effects requires a propensity (...) interpretation of probability. (shrink)

I shall begin by discussing Benardete’s string paradox. Then, a new puzzle involving supertasks and causality is proposed and discussed. Finally, the new string paradox facilitates the discovery of a surprising example of irreversible mechanical process.

The Laws was Plato's last work, his longest, and one of his most difficult. In contrast to the Republic, which presents an abstract ideal not intended for any actual community, the Laws seems to provide practical guidelines for the establishment and maintenance of political order in the real world. With this book, the distinguished classicist Seth Benardete offers an insightful analysis and commentary on this rich and complex dialogue. Each of the chapters corresponds to one of the twelve books (...) of the Laws, illuminating the major themes and arguments, which have to do with theology, the soul, justice, and education. The Greek word for law, "nomos," also means musical tune. Bernardete shows how music--in the broadest sense, including drama, epic poetry, and even puppetry--mediates between reason and the city in Plato's philosophy of law. Most broadly, however, Benardete here uncovers the concealed ontological dimension of the Laws, explaining why it is concealed and how it comes to light. In establishing the coherence and underlying organization of Plato's last dialogue, Benardete makes a significant contribution to Platonic studies. (shrink)

José Benardete developed a famous paradox involving a beginningless set of items each member of which satisfies some predicate just in case no earlier member satisfies it. The Grim Reaper version of this paradox has recently been employed in favor of various finitist metaphysical theses, ranging from temporal finitism to causal finitism to the discrete nature of time. Here, I examine a new challenge to these finitist arguments—namely, the challenge of implying that the future cannot be endless. (...) In particular, I develop future-oriented Benardete paradoxes and examine their epistemic symmetry with past-oriented paradoxes. (shrink)

Re-activating the philosophical quest for real definitions, I dare propose that its fulfillment is most convincingly represented, close to home, where one probably least expects it, notably in the first half of Section 36 of Word and Object, in the pages of Quine. Aristotle must inevitably remain our guide even as we insist on respecting Quine's anti-essentialism, and I must then explain how Aristotle, truncated, can be put here to use. Well, we may begin, appropriately, with a definition or with (...) what, nearly enough, smacks of being one, namely the Aristotelian slogan, definitio fit per genus proximum et differentiam specificam. Although that may be itself a real definition (of real definition), I shall not pursue this scholastic point, preferring to concentrate on my principal task which I take to be to vindicate the feasibility of formulating a real definition of some mind-independent reality. Such a vindication can scarcely succeed today unless it is recognized from the outset that we have here at hand one of those cases where the very (logical) possibility of a problematic thing can be established only by having recourse to the modal principle that actuality entails possibility. Nothing less than a concrete instance of a real definition will then suffice, and I thus expect my sceptical reader (I count on her scepticism) to be in doubt whether the scholastic bit of jargon 'real definition' picks out one of the concepts in her repertoire. (shrink)

Virtually everyone knows that Aristotle sometimes lies. His account of the pre-Socratics in the first book of the Metaphysics leaves out of account everything that does not suit his scheme, the gradual disclosure of the four causes, compelled, as he says, by the truth itself. Heraclitus’ fire is there but not Heraclitus’ logos. Parmenides’ Eros is there but not Parmenides’ mind. This triumphant progress, however, comes abruptly to an end at the end of Book I, and Book II begins the (...) crisis of first philosophy. It is the very triumph of Book I that brings about the crisis of Book II, and it is Book II that is first philosophy: it consists of nothing but questions. These seventeen questions could not have been formulated had not Book I preceded it and confirmed that wisdom was the theoretical knowledge of cause. The knowledge of cause, however, does not establish first philosophy; it merely discloses what still must be known, being. Being emerges as the problem of first philosophy through the non-problematic status of the four causes. The emergence of being as the problem is not adventitious to the four causes. There lurks within the four causes one cause that is not an answer but a question, and the question is, What is? Formal cause is the only cause that appears among the categorial predicates, and of these it is the only one that is a question, and whose formulation includes in itself that which the question is about. To ask about being is to acknowledge belatedly that it has come to light as a question about which one asks questions. If, then, first philosophy is first only the second time around, where are we to begin? Aristotle has another name for first philosophy. He calls it theology. Theology is a tainted word. It is first used, as far as we know, by Plato, and he puts it in the mouth of Adimantus, whom Socrates is questioning about what myths are to be told the future guardians when young. Theology, then, is theomythy. It precedes any true account of the gods. Socrates’ theology is set in opposition to the stories of Homer and Hesiod. It is one set of myths against another. Hesiod’s myth, however, is not Hesiod’s but the Muses’, and the Muses tell Hesiod that they speak lies like the truth and they pronounce, whenever they wish, the truth. Before philosophy there are lies like the truth. Before philosophy, we say, there is poetry. Poetry has already divided lies from truth and put them together again. Poetry is not at the beginning but after the beginning, when the speaking about the speaking about things has become part of the speaking. This double speak puts things at a distance from us. The things the Muses speak about are the beginning. We are not at the beginning when we hear from the Muses about the beginning. At the beginning are the Muses who sing about the beginning. (shrink)

This chapter contains sections titled: Sher's Weak Logicism Finiteness, an Infinite Sentence and Skolem Back to Strong Logicism? Benacerraf's Challenge An Anti‐realist Frege? Second‐order Logic and Sets Skolem (Again) and Megethology.

This book provides a fresh interpretation of the Republic and a new understanding of philosophy as practiced by Plato and Socrates.