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Julia Jansen [13]Julia Jansen [1]Julia Alejandra Jansen [1]
  1.  60
    Julia Jansen (2005). On the Development of Husserl's Transcendental Phenomenology of Imagination and its Use for Interdisciplinary Research. Phenomenology and the Cognitive Sciences 4 (2):121-132.
    In this paper I trace Husserl’s transformation of his notion of phantasy from its strong leanings towards empiricism into a transcendental phenomenology of imagination. Rejecting the view that this account is only more incompatible with contemporary neuroscientific research, I instead claim that the transcendental suspension of naturalistic (or scientific) pretensions precisely enables cooperation between the two distinct realms of phenomenology and science. In particular, a transcendental account of phantasy can disclose the specific accomplishments of imagination without prematurely deciding upon a (...)
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  2.  20
    Francis Halsall, Julia Jansen & Tony O'Connor (2005). Behind the Brillo Box. The Philosophers' Magazine 29 (29):75-78.
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  3.  21
    Julia Jansen, Francis Halsall & Tony O.’Connor (2008). Aesthetics as Cross-Disciplinary Discipline. Proceedings of the Xxii World Congress of Philosophy 1:113-120.
    One of the important aspects of recent aesthetics is its focus on cross-disciplinary approaches. This implies that, although claims to generality and objectivity continue to be made, no single practice, science, or approach is able to provide absolute evidential support for arguments and claims. Aesthetics as a critical enterprise, therefore, is open to a plurality of explanations. As a result, art becomes more than another object of scientific or philosophical inquiry. It becomes a model for philosophical practice that can complement (...)
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  4.  22
    Julia Jansen, Francis Halsall & Tony O.’Connor (2008). Aesthetics as Cross-Disciplinary Discipline. Proceedings of the Xxii World Congress of Philosophy 1:113-120.
    One of the important aspects of recent aesthetics is its focus on cross-disciplinary approaches. This implies that, although claims to generality and objectivity continue to be made, no single practice, science, or approach is able to provide absolute evidential support for arguments and claims. Aesthetics as a critical enterprise, therefore, is open to a plurality of explanations. As a result, art becomes more than another object of scientific or philosophical inquiry. It becomes a model for philosophical practice that can complement (...)
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  5.  18
    Julia Jansen (2008). 'Top Down' and 'Bottom Up'. Proceedings of the Xxii World Congress of Philosophy 19:31-39.
    In this paper I want to discuss the implications of adopting different general philosophical approaches for assessing the relation between perception and imagination. In particular, I am interested in different views resulting from ‘top down’ and ‘bottom up’ approaches to cognition. By ‘top down’ approaches I meanapproaches that conceive of cognition as a process or activity that is guided by intellectual or conceptual (‘top’) elements. (I consider broadly speaking Kantian accounts typical.) By ‘bottom up’ approaches I mean approaches that conceive (...)
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  6.  49
    Julia Jansen (2006). Belief and its Neutralization: Husserl's System of Phenomenology in Ideas I. [REVIEW] Husserl Studies 22 (1):77-89.
  7.  38
    Bettina Schmitz & tr Jansen, Julia (2005). Homelessness or Symbolic Castration? Subjectivity, Language Acquisition, and Sociality in Julia Kristeva and Jacques Lacan. Hypatia 20 (2):69-87.
    : How much violence can a society expect its members to accept? A comparison between the language theories of Julia Kristeva and Jacques Lacan is the starting point for answering this question. A look at the early stages of language acquisition exposes the sacrificial logic of patriarchal society. Are those forces that restrict the individual to be conceived in a martial imagery of castration or is it possible that an existing society critically questions those points of socialization that leave (...)
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  8.  19
    Julia Jansen (2006). Review of Brian Elliott, Phenomenology and Imagination in Husserl and Heidegger. [REVIEW] Notre Dame Philosophical Reviews 2006 (8).
  9.  5
    Íngrid Vendrell Ferran, Katrin Wille & Julia Jansen (2013). Briefe über Philosophie weltweit. Brief aus Irland. Deutsche Zeitschrift für Philosophie 61 (1):127-136.
    In this letter from Ireland I give a brief introduction into the history of academic philosophy in Ireland and a schematic overview of the current philosophical landscape. I point out some advantages and some disadvantages of practicing philosophy in Ireland against Germany and put those into a general historical and cultural context. Finally, I provide key information for anybody interested in finding out more about philosophy in Ireland.
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  10. Francis Halsall, Julia Jansen & Tony O'Connor (eds.) (2008). Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
    _Rediscovering Aesthetics_ brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical interpretations of art, aesthetics is being rediscovered both as a vital arena for discussion and a valid interpretive approach outside its traditional philosophical domain. This volume is distinctive, because it provides (...)
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  11.  25
    Francis Halsall, Julia Jansen & Tony O'Connor (eds.) (2009). Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.
    Rediscovering Aesthetics brings together prominent international voices from art history, philosophy and artistic practice who reflect on current notions, ...
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