There are some names which cannot be spoken and others which cannot be written, at least on certain very natural ways of conceiving of them. Interestingly, this observation proves to be in tension with a wide range of views about what names are. Prima facie, this looks like a problem for predicativists. Ultima facie, it turns out to be equally problematic for Millians. For either sort of theorist, resolving this tension requires embracing a revisionary account of the metaphysics of names. (...) Revisionary Millianism, I argue, offers some important advantages over its predicativist competitor. (shrink)

This title is a book of three richly detailed treatments of the myth of Kore. Kore, also called Persephone and referred to poetically by the Greeks as 'the unspeakable girl', was the daughter of Dermeter and Zeus who was abducted by Hades and made queen of the netherworld.

Why do we say that something is unspeakable, even though we know the issue well? We find in many cultural contexts the classification of something as ‘unspeakable'. Using semantics and semiotic theory separating between ‘concept', ‘sign', and ‘reference object of the sign' in several cases where the ‘unspeakable' is described, we will discuss the functions of ‘the unspeakable‘ as a cultural phenomenon. Philosophers use the term frequently with reference to their culture. In our article we will (...) look at the socio-cultural conditions of the concept of ‘the unspeakable'. While it seems that this concept is universal, functions and meanings of this concept vary depending on the cultural settings. We will examine in this article the functions of this concept comparing the use of it in different cultures with religious and mythological impact expressed in this concept. Furthermore, we will look at the linguistic settings that allow us a construction like ‘the unspeakable' to be used as a representation for something not spoken in speech, but existing in another cultural or transcendental sphere. We will show that the expression serves as a semiotic replacement for issues that could be articulated, but due to cultural limits like religion or myths as act of cultural censorship should not be articulated in speech. (shrink)

In order to speak in the voice of “the pervert,” psychoanalysis inevitably find itself performing the classic rhetorical act of prosopopoeia whereby an imagined, absent, or dead person is represented as speaking. To re-read Jacques-Alain Miller’s classic essay “On Perversion” (1996), for example, we find that the pervert is adjudged to be “unspeakable”—in every sense of that word—and so they can only be ventriloquized by the figure of the analyst. If the analyst seeks to speak on behalf of the (...) pervert, however, this essay argues that the perverse speech act is itself a form of prosopopoeia which can ventriloquize the subject position of the hysteric, the neurotic, the psychotic, and even the analyst themselves. In conclusion, the essay argues that Miller’s account of the relationship between the analyst and the pervert, where each are seen to ventriloquize the other, bespeaks of a certain prosopopophilia—a love of prosopopoeia—that is the condition of being a speaking subject in the first place: I am always speaking for and as the other—even or especially when I am speaking as “myself.”. (shrink)

This book comprises all of John Bell's published and unpublished papers in the field of quantum mechanics, including two papers that appeared after the first edition was published. It also contains a preface written for the first edition, and an introduction by Alain Aspect that puts into context Bell's great contribution to the quantum philosophy debate. One of the leading expositors and interpreters of modern quantum theory, John Bell played a major role in the development of our current understanding of (...) the profound nature of quantum concepts. First edition Hb (1987): 0-521-33495-0 First edition Pb (1988): 0-521-36869-3. (shrink)

… surely there would be men enough, willing and glad to contribute to the regeneration of the poor outcasts of the city. It is no longer an experiment since the Children's Aid has removed of this class, in thirteen years, eleven thousand two hundred and seventy two! Who would not rejoice to aid in such an enterprise…? Money only is wanting. Shall that be an insurmountable obstacle in the way of accomplishing such an unspeakable blessing? New York Children's Aid (...) Society, 1866 Annual Report. (shrink)

Italian philosopher Giorgio Agamben is the rare writer whose ideas and works have a broad appeal across many fields, and his devoted fans are not just philosophers, but readers of political and legal theory, sociology, and literary criticism as well. Agamben’s intuition and meditation are fascinating, and not least when he turns his critical eye to the mysteries and contradictions of early religion. _The Unspeakable Girl: The Myth and Mystery of Kore_ is a book of three richly detailed treatments (...) of the myth of Kore. Kore, also called Persephone, and referred to poetically by the Greeks as “the unspeakable girl,” was the daughter of Demeter and Zeus who was abducted by Hades and made queen of the netherworld. Kore and her story gave rise to a mysterious cult at Eleusis, the site of the well where Demeter mourned her lost daughter. This book opens with an innovative and insightful essay that focuses on the mysterious indeterminacy of the figure of Kore/Persephone—at once a woman and a girl, a virgin and a mother—as well as the attendant divisions of speech and silence, the sacred and the profane, the animal and the human, and the mortal and the divine. Here, tracing these dichotomies, Agamben is in top form, able to articulate paradoxes that in another writer’s hands might be ineffable. In the second and third parts of the book the reader is treated to a series of beautiful paintings by acclaimed artist Monica Ferrando, as well as her translation of crucial Greek and Latin source materials. As a whole, _The Unspeakable Girl_ will not only be welcomed by Agamben’s many readers across the disciplines, but also by enthusiasts of classical mythology in general. (shrink)

On November 15th, one week after the results of the 2016 US presidential election were known to all, Timothy Snyder, a distinguished historian of Modern Europe, took to his Facebook page where he formulated a series of steps he urged readers to take in response to what he clearly deemed an emerging threat to the future of American democracy. Snyder's message, which captured the sense of urgency and foreboding that was palpable across large swaths of the land, instantly went viral. (...) In a preface to comments informed by deep knowledge of the totalitarian regimes that held Europe in their grip in the decades following World War I, Snyder wrote: Americans are no wiser than the Europeans who saw democracy yield to... (shrink)

A Controlled Not variant of the standard quantum teleportation protocol affords a step-by-step analysis of what is, or can be said to be, achieved in the process in either location. Dominant interpretations of what quantum teleportation consists in and implies are reviewed in this light. Being mindful of the statistical significance of the terms and operations involved, as well as awareness of classical analogies, can help sort out what is specifically quantum-mechanical, and what is not, in so-called teleportation. What the (...) latter achieves appears to be the transmission, without the involvement of mysterious channels, of what a quantum state encapsulates: the multitiered probabilistic characterization of a given preparation, which might be all we can possibly know about a physical system in a given experimental situation. (shrink)

When we attend a dance performance we expect to see human beings performing various sorts of bodily movements. Movement is, uncontroversially, the primary medium of a dance. Our intuition, then, is to think that our response to and understanding of the dance must be connected in some way to this movement. Attempts to relate our understanding of a dance, specifically our grasping the meaning of a dance, to the medium of movement, through a movement-oriented response have taken the form of (...) theories that rely on a notion of kinesthetic response or kinesthetic empathy. My intentions in this essay are to show that the intuition that our understanding of a dance is kinesthetically based is correct and that how the kinesthetic brings us to understand the dance is different from the earlier empathy theories, in a number of important ways. But I will also argue that current analytic strategies will not suffice and that the full defense of kinesthetic understanding, as I will call it, will require a different manner of explaining and understanding of the activities of human beings. My own analysis will draw on a number of resources, primarily the case study of Alexander Technique, a body therapy that seems to give us access to the kinesthetic organization of our activities and the philosophical work of a number of people, centrally Maurice Merleau-Ponty, who argues strongly for the role movement plays in constituting our world. I will show how kinesthetic understanding, given the historical trajectories permitted by tradition and the mechanics of the human body, can bring dancers, choreographers, and critics to a point of intersection where they can experience and talk about dance in terms of its kinesthetic basis, and that without this intersection the kind of meaning in movement I am discussing cannot take place. They will miss the preferred intersection unless they achieve kinesthetic understanding. (shrink)

‘Tragedy’ is one of those curiously elastic words reserved for life's saddest spheres and events, irrespective of the forms in which they appear. Even though a vast body of genre studies has emerged, however, only a handful of studies have drawn cross-historical comparisons between tragic forms. This essay demonstrates how Walter Benjamin’s reflections on Attic tragedy may contribute to such a line of thought, focusing both on tragedies’ subversive potential and on the social-historical constellations in which they first emerged. In (...) the first part, Benjamin’s conception of the Attic tragedies is explored by focusing on his The Origin of German Tragic Drama and the theoretical roots of his earlier work. According to Benjamin, Attic tragedies offered a messianic, dialectical critique on the social-historical constellation in which they appeared. The second part of the article discusses the relevance of these reflections for the analysis of contemporary tragic forms, thereby identifying the heirs of Attic tragedy outside the strict boundaries of ‘drama’. (shrink)

This is a book about speech and the silencing of speech; about who gets to speak and who does not; about who is listened to and who is ignored. In this down-to-earth analysis of the democratic principle of freedom of speech, Betty McLellan insists that, if this prized democratic principle is to have any continuing credibility, free speech must be free for all.

Roughly 1.7 million people died in Cambodia from untreated disease, starvation, and execution during the Khmer Rouge reign of less than four years in the late 1970s. The regime’s brutality has come to be symbolized by the multitude of black-and-white mug shots of prisoners taken at the notorious Tuol Sleng prison, where thousands of “enemies of the state” were tortured before being sent to the Killing Fields. In Archiving the Unspeakable, Michelle Caswell traces the social life of these photographic (...) records through the lens of archival studies and elucidates how, paradoxically, they have become agents of silence and witnessing, human rights and injustice as they are deployed at various moments in time and space. From their creation as Khmer Rouge administrative records to their transformation beginning in 1979 into museum displays, archival collections, and databases, the mug shots are key components in an ongoing drama of unimaginable human suffering. Winner, Waldo Gifford Leland Award, Society of American Archivists Longlist, ICAS Book Prize, International Convention of Asia Scholars. (shrink)

Zen and the Unspeakable God reevaluates how we study mystical experience. Forsaking the prescriptive epistemological box that has constrained the conversation for decades, ensuring that methodology has overshadowed subject matter, Jason Blum proposes a new interpretive approach—one that begins with a mystic’s own beliefs about the nature of mystical experience. Blum brings this approach to bear on the experiential accounts of three mystical exemplars: Meister Eckhart, Ibn al-ʿArabi, and Hui-neng. Through close readings of their texts, he uncovers the mystics’ (...) own fundamental assumptions about transcendence and harnesses these as interpretive guides to their experiences. The predominant theory-first path to interpretation has led to the misunderstanding and misrepresentation of individual mystical experiences and fostered specious conclusions about cross-cultural comparability among them. Blum’s hermeneutic invites the scholarly community to begin thinking about mystical experience in a new way—through the mystics’ eyes. Zen and the Unspeakable God offers a sampling of the provocative results of this technique and an explanation of its implications for theories of consciousness and our contemporary understanding of the nature of mystical experience. (shrink)

There is compelling linguistic evidence that many words (e.g., boil) are derived from phrasal sources (e.g., cause to boil). Among causation, typical semantic primitives composing word meanings are becoming, having and getting. While linguists have argued that word meanings contain semantic knowledge that we can grasp but cannot express linguistically, Fodor and his colleagues maintain that words express primitive, semantically unanalysable concepts. Under this view, putative linguistic semantic decompositions express nonsemantic metaphysical regularities. After reviewing the debate, it is suggested in (...) this article that semantic features that are linguistically salient and unspeakable emerge neither from the analytical connections between words, nor from the metaphysical structure of the world, but from the logical syntax of the grammar. (shrink)

This article explores the dream descriptions submitted in 1973–1974 by former Polish prisoners of the Auschwitz concentration camp in response to a questionnaire sent out by Polish psychiatrists. These descriptions are being investigated as testimonies that represent the Auschwitz inmates’ experiences commonly regarded as “unspeakable.” Not only the dream experience itself, but also the respondents’ attitudes toward and beliefs about dreams are taken into consideration in an attempt to understand the impact of the Holocaust on the survivors. Their general (...) inability of comprehending the Auschwitz and post‐Auschwitz dreams seems to be the most important and significant aspect of their testimonies. The experience of dreams as completely strange and astonishing phenomena is being explained in this article in connection with the respondents’ ability and inability to recover from their Holocaust trauma. (shrink)

Are dual relationships always detrimental? Speaking the Unspeakable provides an in-depth exploration of client-practitioner dual relationships, offering critical discussion and sustained narrative on thinking about and being in dual relationships. Lynne Gabriel draws on the experiences of both practitioners and clients to provide a clear summary of the complex and multidimensional nature of dual relationships. The beneficial as well as detrimental potential of such relationships is discussed and illustrated with personal accounts. Subjects covered include: · Roles and boundaries in (...) dual and multiple role relationships · Client experiences and perceptions of being in dual and multiple role relationships · Developing a relational ethic for complex relationships This book offers an insightful and challenging portrayal of dual relationships that will be welcomed by therapists, trainers, trainees and supervisors. (shrink)

Grice is often taken to have delivered a decisive blow against the tendency on the part of ordinary language philosophers to suspect that the presence of particular circumstances is requisite for philosophically interesting expressions to be in order, even to make sense, when deployed in particular cases. Grice’s attack has three parts. He argues that the presence of those particular circumstances isn’t bound up with the meaning of the expressions in question—the suggestion that those circumstances are present is merely a (...) “conversational implicature”. He offers examples designed to show that utterances of the expressions at issue may be true or false even when the circumstances alleged to be requisite are nowhere to be found. And he identifies what he sees as a collection of rules of conversation the violation of which accounts for the oddity attending those expressions uttered in the absence of the circumstances in question. Here I try to show that each of these parts of Grice’s attack against the ordinary language philosophers fails and that Grice’s blow isn’t decisive at all. (shrink)

This essay unfolds within the wider theological project of an apophatic relationalism. The moral intention of political theology, in its progressive hope, takes refuge here in the apophatic folds of a Cusan cosmological mysticism that, in turn, lends depth to a polyvocal Whiteheadian theology. In this paper hope finds itself tangled in the question of religio-political peace, vis-à-vis a specific thousand-year loop of Western history. In the knotty present, this cosmopolitics—with an eye to each new wave of Islamophobia—lives with uncertainty (...) as to the realism of its pluralistically complicated peace-talk. Partners in the pilgrimage of this paper include (with Whitehead) certain political theorists who read him, especially William Connolly and Paulina Ochoa, along with William Cavanaugh, Enrique Dussel, and Eduourd Glissant, who do not. The aim will be to convert—at the level of symbolic resonance at least—what I call the crusader peace complex into the complex conviviality of peace. The pulses of this transdisciplinary exercise (an effort in self-education rather than specialization) will proceed through eight theopolitical vignettes. (shrink)

This chapter contains section titled: I the quest for absolute value II what the philosophical investigations cannot say Notes Further Reading.

Can art, religion, or philosophy afford ineffable insights? If so, what are they? The idea of ineffability has puzzled philosophers from Laozi to Wittgenstein. In Ineffability and its Metaphysics: The Unspeakable in Art, Religion and Philosophy, Silvia Jonas examines different ways of thinking about what ineffable insights might involve metaphysically, and shows which of these are in fact incoherent. Jonas discusses the concepts of ineffable properties and objects, ineffable propositions, ineffable content, and ineffable knowledge, examining the metaphysical pitfalls involved (...) in these concepts. Ultimately, she defends the idea that ineffable insights as found in aesthetic, religious, and philosophical contexts are best understood in terms of self-acquaintance, a particular kind of non-propositional knowledge. Ineffability as a philosophical topic is as old as the history of philosophy itself, but contributions to the exploration of ineffability have been sparse. The theory developed by Jonas makes the concept tangible and usable in many different philosophical contexts. (shrink)