The article seeks to investigate the role that censorship had in the history of modern Colombian theater during the decades from 1950 to 1980, on the basis of a journey through the trajectory of groups such as Candelaria, TEC and Escuela Municipal de Teatro, as well as its directors Santiago García, Enrique Buenaventura and Gilberto Martínez. The censorship usually came from government institutions, Church ministers, or educational institutions such as universities and colleges. In addition to the analysis of direct (...) censorship phenomena such as the prohibition of performances and the expulsion of members of theater formations, or more indirect ones such as red tape or excessive tax collection, we are interested in highlighting the strategies and practices of resistance and opposition generated by playwrights and theater groups during this time before the censorial actions and speeches. Among these strategies to fight censorship, we highlight the collectivization of structured cultural formations or guilds that brought together various theater groups at the national level, as was the case with the formation of the Colombian Theater Corporation. Collectivization was the strategy against power through which the theater guild fought to resist the repressive effects of censorship. It is necessary to shed light on the role that censorship played in the life of Colombian groups and theater in general. This approach will allow us to see the history of modern theater in Colombia as the history of resistance strategies against censorship and power. (shrink)

Resumen: En el teatro posdramático la función mimética del cuerpo suele desplazarse hacia los recursos transmediales propiciando así la emergencia de una metateatralidad. El trabajo de Lola Arias se destaca sobre todo por tensionar el rol del cuerpo actoral en escena produciendo, por medio de recursos transmediales, una crisis representacional que cuestiona las formas tradicionales del drama. El presente artículo tiene como objetivo establecer las estrategias estéticas que utiliza la dramaturga y directora para problematizar el lugar del cuerpo en (...) su obra Campo Minado y su documental Teatro de Guerra.: Into the postdramatic theater the mimetic funtion of the body tends to be displaced towards transmedial resources thus favoring the producction of a metatheatre. The Lola Arias’s work stands out precisely because of putting in tension the role of the acting body on stage producing, through transmedial resources, a representational crisis that questions traditional forms of drama. The present article aims to establish the aesthetic strategies used by this playwright and director to problematize the place of the body in her theatral work Campo Minado and her documentary Teatro de Guerra. (shrink)

En el presente artículo buscamos sistematizar algunas contribuciones del filósofo Walter Benjamin con la intención de pensar las infancias y la educación de la clase trabajadora en el contexto en que se formulan proyectos de ley, como Escuela Sin Partido, en Brasil. Son proyectos elaborados en los últimos años, que guardan un fuerte cuño conservador y de control ideológico. Buscamos en Benjamin la noción de experiencia y cómo ésta entra en relación con la infancia y el área de la educación, (...) así como sus contribuciones en lo que se refiere a la educación popular o proletaria. A partir de dichas nociones de la filosofía benjaminiana, analizamos propuestas educativas y proyectos de ley, como el mencionado, indagando sobre las concepciones de infancia, historia, experiencia y política que atraviesan ese debate. La intención aquí es pensar bajo una óptica benjaminiana el crecimiento de las ideas que orientan el proyecto Escuela sin Partido y su influencia en la educación de los niños pequeños, en especial, de los niños de la clase trabajadora. Con ese fin, apelamos a escritos del autor como: Experiencia, Experiencia y Pobreza, La vida de los estudiantes, Teatro Infantil Proletario, Pedagogía Comunista, El narrador y sus narrativas radiofónicas presentadas en radios de Berlín y Frankfurt, en las que se destaca la cultura y la vida cotidiana de los niños berlineses. Para empezar a recorrer los caminos de este estudio, que se inscribe en una investigación de doctorado en curso, también se recurre a las publicaciones como Gaudencio Frigotto y Jorge Larrosa Bondía, considerando el proyecto de ley federal nº 193/2016 (Escuela Sin Partido) como documento legal analizado. (shrink)

Este libro inaugura la serie Homenaje de la Colección La Fuente. Con él se busca reconocer, de manera particular, al pensador, dramaturgo y director brasileño Augusto Boal (1931-2009), creador del teatro y la estética del oprimido, genuina aportación cultural latinoamericana que mucho tiene que ver con ese particular lugar de enunciación que es Nuestra América y sus siempre actuales expectativas emancipadoras. El libro fue precedido y nutrido por un Coloquio que en mayo de 2014 reunió a importantes especialistas (...) y seguidores del legado teórico-práctico de Boal y que tuvo como tema principal el del rescate y la continuación de su obra. Incluye los más importantes trabajos allí presentados, junto a un estudio biográfico, una contribución enviada por su hijo, una entrevista a su esposa y dos obras del propio Boal que (una parcialmente y la otra de manera completa) se publican por primera vez. (shrink)

This article investigates the gender diversity of the corporate board of European Union banks. Employing a large sample of 612 European banks from 20 European countries, it identifies organizational characteristics that could be predictive of women’s presence on bank boards. We identify three factors that play a particularly important role in defining bank board gender diversity. First, the proportion of women on the board is higher for lower-risk banks. We argue that there may be some statistical discrimination behind this relation, (...) although it could also be explained by a real risk-aversion hypothesis. Second, banks with larger boards have a higher proportion of women on their boards, which could be considered a signal of some kind of preference for homogeneity on small boards. Finally, banks that have a growth orientation are more prone to include women on their board, since they may be seen as providers of diverse external resources that are more valued by firms operating under critical circumstances. (shrink)

O presente artigo apresenta a noção de história de vida e como essa pode influenciar a prática docente na formação do professor de teatro. Nesse texto o autor recorreu ao seu percurso biográfico para compreender os caminhos trilhados para, na condição de formador de outros professores de teatro, compreender como vem construído sua prática pedagógica. Metodologicamente buscou rastros de três encontros biográficos que permitiram experiências formadoras colocando o autor em tempos e lugares de aprendizagem, consolidando um processo formativo (...) a partir da própria prática. Desse modo, reconhece a necessidade de investir em processos que deem voz à história de vida do professor em formação, para que além de reconhecer-se como produtor de história possa trazer suas experiências anteriores à graduação para seu campo de formação. Conclui-se compreendendo que ao coordenar projetos de extensão e de ensino possibilitou-o uma renovação do seu olhar para a escola de educação básica, possibilitando ao pesquisador/formador manter seu processo de formação continuada, encontrando os dilemas da docência na escola pública. (shrink)

O artigo aborda o ensino e a aprendizagem de filosofia a partir da noção de criação de conceitos, conforme o entendimento de Deleuze. Para isso, discute o que significa criar conceitos em filosofia, associando essa concepção a uma nova imagem do pensamento que entende a criação de conceitos como o dizer do acontecimento, o sentido incorporal produzido pelo efeito do encontro dos corpos. Depois estabelece os vínculos entre o sentido e o acontecimento com uma nova imagem sobre ensinar e aprender (...) filosofia e conclui com a figura do teatro para compreender esses vínculos. (shrink)

DIREITO E TEATRO: PROPOSTA DE INSERÇÃO DA ARTE DRAMÁTICA COMO MEIO TRANSFORMADOR DA EDUCAÇÃO JURÍDICA.

Exame da trajetória do Teatro Oficina de São Paulo (1958-1972),no que concerne à sua preocupação de militância política. Por meio de encenações como O rei da vela e Galileu Galilei, o Teatro Oficina demonstra rara sensibilidade para captar as angústias sociais de cada momento, detectando o texto que melhor expressa essa inquietação.

The proto-code of ethics and conduct for European nurse directors was developed as a strategic and dynamic document for nurse managers in Europe. It invites critical dialogue, reflective thinking about different situations, and the development of specific codes of ethics and conduct by nursing associations in different countries. The term proto-code is used for this document so that specifically country-orientated or organization-based and practical codes can be developed from it to guide professionals in more particular or situation-explicit reflection and values. (...) The proto-code of ethics and conduct for European nurse directors was designed and developed by the European Nurse Directors Association’s (ENDA) advisory team. This article gives short explanations of the code’ s preamble and two main parts: Nurse directors' ethical basis, and Principles of professional practice, which is divided into six specific points: competence, care, safety, staff, life-long learning and multi-sectorial working. (shrink)

A memória humana é essencial para a atividade teatral. Isso por um motivo óbvio: é ela que possibilita aos atores gravarem suas falas e ao público compreender a mensagem passada pela peça. Neste trabalho, investigamos as noções de memória propostas por Descartes, Hume e Kohonen. Para eles, a memória é imprescindível na obtenção e desenvolvimento do conhecimento. A nosso ver, o estudo da memória é de grande importância para o teatro, à medida que este não seria possível sem aquela.

Apresento neste ensaio alguns argumentos em defesa de uma proposta de metafilosofia que fornece uma resposta abrangente, formal e metodológica à questão ‘como se faz filosofia?’, tomada como anterior e mais fundamental do que a questão tradicional ‘o que é filosofia?’. Essa proposta se materializa metodologicamente através das ideias de uma poética e uma dramaturgia do fazer filosófico. A poética do fazer filosófico tem a ver com uma reapropriação do trivium clássico na forma de um trivium filosófico, composto por uma (...) gramática, uma dialética e uma retórica filosóficas. A dramaturgia do fazer filosófico se associa à polissemia da noção de diálogo, entendido como encenação argumentativa. Em seguida, apresento uma breve genealogia da noção de theatrum philosophicum em sua relação com as configurações assumidas pela tópica do theatrum mundi no final do medievo e início da modernidade. Por fim, apresento como esta relação nos fornece uma via de acesso para explicitar a poética e a dramaturgia do fazer filosófico elaborada por Platão nos Livros V-VII da República, mostrando assim que minha proposta de metafilosofia é contemporânea, mas tem sua gênese neste texto clássico. (shrink)

Este estudio se ocupa del control social del cuerpo y de la reconfiguración de la memoria popular en películas de horror a través de la perspectiva genealógica de Foucault, presentada en su libro Vigilar y Castigar, publicado hace 40 años. Por lo tanto, tomaremos, À l’interieur e Frontière (s), dos producciones de horror cinematográfico hechas por directores franceses, ambos publicados en 2007. La hipótesis principal es que las películas de terror se muestran como una nueva forma de vigilancia y control (...) social del cuerpo. Por otro lado, también puede recodificar la memoria popular apropiándose de acontecimientos polítcos y/o revolucionarios como en las películas comentadas por Foucault en la revista Cahiers de Cinéma en 1974 políticas, aunque no sean las películas de terror. (shrink)

This study investigates the likelihood of director turnover following opportunistic insider selling. Given that opportunistic insider selling may be costly to a firm due to potential legal risk and firm legitimacy concerns, we hypothesize that directors engaging in this type of transactions have a higher likelihood of subsequently leaving the board. Using archival data of 11,409 directors in 2280 US firms from 2005 to 2014, univariate comparisons show that directors engaging in opportunistic insider selling are about 8% more likely (...) to exit their firms’ board compared to directors not engaging in this behavior. Furthermore, multivariate results show that the likelihood of director departure following opportunistic insider selling is higher for some directors but not all. Specifically, directors who are especially valuable to the board or costly to replace do not seem to experience elevated levels of turnover. Interestingly, this difference in director turnover is only observed in smaller firms. We find that in larger firms, the likelihood of director turnover following opportunistic insider selling does not depend on director characteristics. As such, results seem to suggest that boards do not homogeneously self-regulate in this context as some directors seem to be shielded from turnover following unethical behavior. (shrink)

Este artículo investiga algunos pasajes de la _República_ de Platón para comprender algunos presupuestos y consecuencias de la argumentación del filósofo sobre el estatus de las pasiones, que culmina con la incisiva y radical afirmación, en el libro X, de que “es necesario secar las emociones” (Rep. 606d). Ello se debe a que, según Platón, ellas conducen a los hombres a actuar de forma irracional y cobarde, especialmente a aquellos ciudadanos que se acostumbran a la poesía, especialmente la dramática, que (...) incita a las pasiones. Frente a la crítica del filósofo al valor del teatro y a las expresiones de dolor (como el lamento y el llanto), propongo revalorizar el papel de la emoción en la formación del ciudadano y el fortalecimiento político de un grupo, tomando un caso contemporáneo: la ceremonia fúnebre realizada por el gobierno francés con motivo de la muerte del actor Jean-Paul Belmondo, en el contexto de la crisis pandémica de SARS-CoV-2. (shrink)

in this article, we experience the exercise of a screen ethnocartography in agency with the film Beasts of the southern wild by the director Benh Zeitlin. We tested a film experimentation that led to a renewed writing ways of life. We bet on cinema and childhood as possibilities for creating cracks and a stutter of language for the creation of new worlds and ways of living. In cinema images less as a representation, and more as art that proposes incompleteness, (...) fissure, a hole in appearances. In childhood as an exercise of differentiation and resistance to dominant narratives in a given context. In childhood as a limiting experience of/in language, tirelessly exposing the human condition in front of the world. Thus, accompanying the main character of the plot, little Hushpuppy — a six-year-old resident of the “Charles Doucet Island”, experienced as “the Bathtub” —, we are shaken by the forms of life there, considered bestial and not recognized by city humans. Hushpuppy, his father and friends resist attempts to destroy their existence by the forms of the state that try to domesticate them, imbued with the logic that primitives must come to civilization, just as children must become adults. (shrink)

After the corporate scandals at the beginning of the new millennium, corporate governance codes were drafted and implemented in national laws and regulations. Unfortunately, due to an ongoing supply of new financial scandals and societal deceptions, our society increasingly distrusts executive directors, non-executive directors and supervisory board members, as they often appeared to play a significant role in these scandals. Nonexecutive directors (NEDs) and supervisory directors (SDs) are often accused of having overlooked the important issues in their supervising role or (...) having failed to intervene in company decision making. Previous research has shown that many NEDs and SDs operate on the basis of their own unwritten rules, which may very well be different from those of their colleagues. In this article we examine whether and how a code of conduct or code of ethics might help to further clarify how NEDs/SDs should act. We also investigated the views of NEDs/SDs themselves. It appears that current corporate governance codes are not sufficient to guide directors on behavioral aspects of their supervisory role. This article shows that a code of conduct could provide this guidance to NEDs/SDs on several issues. First, a code of conduct would compel the Supervisory Board to reflect on its own values. Second, it would compel NEDs/SDs to verbalize their unwritten rules. The results may be applied internationally and could have relevance to the experience of executive directors in addition. This article may serve as a discussion document for other jurisdictions in addition. (shrink)

Business Ethics, the Environment &Responsibility, Volume 31, Issue 4, Page 981-998, October 2022.

The tradeoff hypothesis in the speech–gesture relationship claims that (a) when gesturing gets harder, speakers will rely relatively more on speech, and (b) when speaking gets harder, speakers will rely relatively more on gestures. We tested the second part of this hypothesis in an experimental collaborative referring paradigm where pairs of participants (directors and matchers) identified targets to each other from an array visible to both of them. We manipulated two factors known to affect the difficulty of speaking to assess (...) their effects on the gesture rate per 100 words. The first factor, codability, is the ease with which targets can be described. The second factor, repetition, is whether the targets are old or new (having been already described once or twice). We also manipulated a third factor, mutual visibility, because it is known to affect the rate and type of gesture produced. None of the manipulations systematically affected the gesture rate. Our data are thus mostly inconsistent with the tradeoff hypothesis. However, the gesture rate was sensitive to concurrent features of referring expressions, suggesting that gesture parallels aspects of speech. We argue that the redundancy between speech and gesture is communicatively motivated. (shrink)

A Sogra (Hecyra) é uma comédia de Terêncio que trata dos desencontros entre personagens que constituem dois grupos familiares: a família de Laques, constituída de seu filho Pânfilo, sua nora Filumena, sua esposa Sóstrata. A família de Filumena, cujo pai é Fidipo e sua esposa Mírrina. A trama gira em torno de desencontros, convenções sociais que sobrepujam os sentimentos entre os parentes e a presença de uma prostituta de nome Báquis. Trata-se de uma peça com base em dramas burgueses que (...) atravessam todas as sociedades no tempo e no espaço. Analisaremos a estrutura familiar aqui presente e suas convenções que impõem certo padrão de comportamento. As relações afetivas e desejos fazem parte da trama de forma acentuada, pois, aqui os desencontros são entre o que se deseja e o que a convenção social estabelece como comum. A cortesã, o filho, o pai, a sogra são elementos fulcrais desta trama, no que diz respeito a convenção social; já os laços afetivos estabelecidos no meio familiar e extra-familiar constituem o lado não convencional que se choca com a convenção social. Assim analisaremos estes fatores na estrutura da trama da peça de Terêncio. (shrink)

Análise do conceito de quadro na estética teatral de Diderot. A finalidade do ensaio é mostrar que, ao pensar o teatro sob o modelo da pintura, Diderot procura examinar a especificidade do gênero dramático sobretudo em relação ao épico.

Pensar en el cine como ocasión y potencia del pensamiento significa en efecto, en primer lugar, sustraer la imagen contemporánea del dominio de los estudios especializados y, en segundo lugar, pensar a partir de aquello que el cine crea (como recordaba Deleuze): esto es, las imágenes mismas. El cine redescubre su potencia a través de sus propias formas. Entrevistas de la revista italiana Fata Morgana con: Jacques Rancière, Roberto Esposito, Jean-luc Nancy, Slavoj Zizek, Julia Kristeva, Werner Herzog, Raúl Ruiz, Yervant (...) Gianikian, Ángela Ricci Lucchi, Edgar Reitz, Paul Schraoer, Georges Didi-Huberman, Jean-Louis Comolli, Nuccio Ordine. (shrink)

Profound theoretical and philosophical approach to contemporary music Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas’s practical experience, both as a composer of contemporary music and sound director of the Electronic Music Studio of Cologne, nourishes his observations on the (...) specific creativity that emerges with the use of the technical apparatus, the development of the electronic music studio, the different aesthetics of electroacoustic music, and the forms of audiovisual and multimedia composition. The title Unsayable Music is a reference to Wittgenstein, who suggested that sound is only the surface of music and that the musical work conceals something more profound that can hardly be described by philosophical models or scientific theories. (shrink)

This volume is the second instalment in the new critical edition of Lev Shestov's complete works which has been entrusted to the Director of the Lev Shestov Society, Dr Ramona Fotiade, by the French publisher, Le Bruit du Temps.

This volume is the second instalment in the new critical edition of Lev Shestov's complete works which has been entrusted to the Director of the Lev Shestov Society, Dr Ramona Fotiade, by the French publisher, Le Bruit du Temps.

Recent corporate governance literature on gender diversity within boards has linked the effect of an increase in gender diversity to the firm’s corporate reputation. This paper analyzes the media impact of appointing new directors of Spanish companies at a particularly significant moment, during the period from 2007 to 2010, just a year before and 3 years after the Gender Equality Act was passed. By analyzing female and male board nominations in Spanish IBEX-35 companies, the paper examines whether appointing a female (...) does have greater visibility than appointing a male, and thus a potential signaling effect for corporate stakeholders and an effect on the firm’s reputation. Results indicate that the effect on press visibility of appointing a female versus a male is negligible, although there is significant media visibility for new executive directors, in particular for the case of the only woman nominated as an executive director during the period. The paper contributes to the existing literature on gender diversity in corporate governance, specifically its effect on corporate reputation. The paper also offers information relevant to policy making and in particular to the current debate over quotas for women on boards. (shrink)

El objetivo de este ensayo es mostrar algunos ejemplos del papel fundamental que tuvo la Biblia en la evangelización del Nuevo Mundo durante el siglo XVI. Tres aspectos serán estudiados aquí: 1) el intento inicial de traducir los textos bíblicos a las lenguas indígenas, finalmente frustrado; 2) la importancia de la Sagrada Escritura para dilucidar las estrategias políticas y religiosas a seguir con respecto al Nuevo Mundo, ejemplarizada en la cita de Lc 14,23; 3) los temas bíblicos en el (...) class='Hi'>teatro de evangelización. The aim of this essay is to show some examples of the important role that had the Bible in the evangelization of the New World during the 16th century. Three aspects will be studied here: 1) the initial attempt to translate biblical texts to indigenous languages, finally frustrated; the importance of Sacred Scripture for political and religious strategies to be followed with respect to the New World, exampled on the appointment of Lc 14.23; biblical themes in the theatre of evangelization. (shrink)

Benedito Nunes é uma das maiores referências intelectuais paraenses. Atuou em vários campos da linguagem, sempre no exercício crítico da arte, da literatura e da filosofia. Além dessas áreas de atuação, consolidadas em sua trajetória profissional, trazemos para nossa análise suas reflexões e engajamento com o setor da produção cultural amazônica das décadas de 1950 e 1960, através de textos sobre o contexto sociocultural paraense do período. Além disso, investigamos sua participação como docente no curso de Formação de Ator da (...) Escola de Teatro da Universidade Federal do Pará nos anos 1960 e a relação de sua prática pedagógica no contexto de elaboração de sua teoria filosófica da arte. (shrink)

This article represents the genre of auto-ethnographic, autobiographical research. It consists of questions which evoke narrative responses because the questions register a life story in itself. Pieter G.R. de Villiers is the interpellator and Andries G. van Aarde the respondent. They are long-standing friends and both professors of New Testament studies. De Villiers is presently the editor at LitNet Academic (Religious Studies), and Van Aarde is the editor of HTS Theological Studies. Since 1990, De Villiers has been Executive Director (...) of the Centre for Christian Spirituality and Ethics and has been a Research Fellow and Professor Extraordinarius in Biblical Spirituality at the Department of Old and New Testament Studies at the Faculty of Theology, University of the Free State (since 2001).Contribution: The article reflects a conversation between Andries G. van Aarde and Pieter G.R. de Villiers. It contributes to an understanding of contemporary South African church history, including the protest by academics in Afrikaans ecclesial circles against apartheid and gender injustice. (shrink)

The Association of Philosophy and History of Science in the South Cone is a non-profit academic association, founded on May 5th, 2000, in Quilmes, Argentina, at the closing ceremony of the 2nd Meeting of Philosophy and History of Science in the South Cone. The creation of this Association was the result of the interest to deepen and strengthen the exchange between the researchers in Philosophy and History of Science from the countries of the South Cone, from the two first meetings (...) that took place in Porto Alegre and Quilmes onwards. Since then, there have been biennial meetings organized as its responsibility. The main aim of AFHIC is to contribute to a better understanding of science from a philosophical as well as a historical point of view in the Spanish and Portuguese-speaking countries, especially in those which belong to the American South Cone, promoting a space for reflection, exchange, discussion, communication, and dissemination of such an understanding. This volume is - with minor changes - the English version of Fisica: Estudos Filosofi cos e Historicos. It is composed of refereed and, in some cases, opportunely modifi ed contributions made by members of the Association of Philosophy and History of Science in the South Cone, some of them who are unfortunately no longer among us. Pablo Lorenzano Director of AFHIC's Book Series. (shrink)

Boards of directors affect corporate strategy and decision-making through monitoring of management and resource provision. Recently, an increasing number of studies have examined the relationships between board characteristics and corporate social responsibility (CSR). These studies have yielded inconsistent findings. This article therefore reports the results of a study applying meta-analytical techniques to a sample of 82 empirical studies to help clarify the relationships between board characteristics and CSR. Although prior research has tended to apply relatively simplistic models investigating the impact (...) of individual board characteristics independently and only directly, we adopt a more complex perspective to shed new light on the board characteristics–CSR nexus. Specifically, we use a meta-analytic path model that accounts for the potential interplay between board characteristics in determining CSR and tests whether the presence of a CSR committee plays a meditating role. Our findings suggest that board size, board independence, and female board representation are partially interrelated with each other and jointly influence CSR directly as well as indirectly via the presence of a CSR committee. In addition, we find that country-level institutional factors act as moderators and that the relationships differ with regard to the specific dimension of CSR (i.e., social, environmental, or aggregate). (shrink)

La figura de Roberto Navarrete Troncoso fue parte fundamental del Teatro de la Universidad de Concepción, porque contribuyó desde la escena -como actor, director y dramaturgo- en el desarrollo artístico de un elenco que fue motor importante del crecimiento cultural de la ciudad, pero también del país. El artículo se propone levantar su obra del olvido. Para ello analiza Su día gris desde el comentario dramatológico. Se afirma que la obra está en sintonía con una vertiente de la (...) dramaturgia chilena de comienzos de 1960, en que los dramaturgos escenifican la crisis de la vida y valores de una clase media citadina. (shrink)

El objetivo de este artículo es presentar las características principales de la propuesta estética del director alemán Thomas Ostermeier (Soltau, 1968), poco conocido en el contexto peruano, pero de gran vigencia en el panorama actual de la dirección europea. Ostermeier es director artístico del Schaubühne am Lehniner Platz de Berlín y ganador del Leone d’oro por la carrera artística de la Bienal de Venecia. Asimismo, ha puesto en escena casi medio centenar de obras tanto de autores clásicos como (...) contemporáneos. El presente trabajo está dividido en dos secciones. En la primera se expone el desarrollo de la dirección teatral en Alemania a partir de una revisión bibliográfica, con el objetivo de acercar al lector al conocimiento de dicha tradición, desde el s. XVI hasta inicios del s. XXI, y brindarle el contexto adecuado para la comprensión de la sección siguiente. En la segunda, en cambio, se analiza el caso del director alemán, tomando como referencia la producción crítica alemana e italiana, y los propios escritos del artista. Nuestra hipótesis es que la poética de Ostermeier (nuevo realismo) responde a algunas de las preocupaciones históricas de la dirección alemana: atención a la actuación, metodología inductiva de trabajo y compromiso político. (shrink)

The Pão de Açúcar Group was a pioneer in food retailing in Brazil and is now one of the largest Brazilian retailers. Working in a pulverized market characterized by small players, the Group produces US$ 20.4 billion in gross sales. It has become the largest employer in the country with 140,000 of employees working in over 1,800 stores, in 18 of the 25 states in Brazil, and covering a sales area of over 2,800,000 m2 (Grupo Pão de Açúcar, GPA Consolidado. (...) Resultados 3T12. São Paulo, Brazil, p. 2. November, 1, 2012). The objective of this article is to analyze a business inclusion strategy of the Pão de Açúcar Group. The Caras do Brasil Program (Faces of Brazil) was created in 2002, by the Group directors as an effective initiative, aiming to develop a new sales channel for sustainably handling products. The Program opens opportunities for small suppliers, not only in the Pão de Açúcar chain but also among competitors and in other industries. The Program established some requirements for the producer to become a supplier, aiming to adapt the products to a regular commercialization with the Group. In this way, small producers can now rely on a complete business process, while beforehand the goods were sold mostly through small channels. (shrink)

Una experiencia de Teatro en el IES Universidad Laboral. Muestra de Teatro Escolar Gijón.

Dias de Nietzsche em Turim de Bressane / Dias / Miguel Angel de Barrenechea -- A atopia potente de Antonio das Mortes: pensamento original e perspectiva histórica / Rodrigo Guéron -- Dioniso é Brasileiro? / Selda Engelman -- Theatrum Mundi: Filosofia e canção / Olgária Chaim Matos -- Uma filosofia do amor em Cartola / Rosa Dias -- Música e diferença: uma crítica à escuta "desinteressada" do cotidiano / Samuel Araújo -- As estruturas dualísticas dos cantos ritualísticos dos Índios Karajá: (...) um reflexão sob a ótica filosófica de fundamentação nietzchiana / Suely Brígido -- Choque de intensidade na ética / Luiz B.L. Orlandi -- Por um filosofia artístico-rizomática da leitura / Daniel Lins -- Nietzsche, a negatividade e a antropofagia: do Cordeiro e da Ave da Rapina ao Jabuti / Maria Cristina Franco Ferraz -- Entre o teatro e a loucura: uma experiência de "esquizocenia" / Peter Pál Pelbart --. (shrink)