Results for 'Arte medieval'

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  1.  57
    La creación del mundo en el arte medieval: La Sinagoga del Tránsito.Daniel Muñoz Garrido - 2010 - 'Ilu. Revista de Ciencias de Las Religiones 15:129-146.
    La importancia que tiene el relato de la creación del mundo (Gen 1-2) para judíos, cristianos y musulmanes, se refleja en diferentes manifestaciones artísticas medievales. Este artículo analiza algunas de las representaciones a que dio lugar dicho relato, y al uso diverso del lenguaje artístico –figurativo y no figurativo– a que recurrieron los artistas. La segunda parte del artículo se centra en el examen de la Sinagoga del Tránsito de Toledo y propone, a través del estudio conjunto de decoración y (...)
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  2.  25
    Daniel Rico Camps, Las Voces Del Románico: Arte y Epigrafía En San Quirce de Burgos.(Imago, 2; Seminario de Arte Medieval, 5.) Murcia: Nausícaä, 2008. Paper. Pp. 126 Plus 1 Separate Black-and-White Figure; 31 Black-and-White Figures.€ 18. [REVIEW]James D'Emilio - 2010 - Speculum 85 (3):734-736.
  3. Javier Martínez De Aguirre Aldaz and Faustino Menéndez Pidal De Navascués, Emblemas heráldicos en el arte medieval navarro.(Arte, 27.) Pamplona: Gobierno de Navarra, Departamento de Educación, Cultura, Deporte y Juventud, 1996. Pp. 475; 412 black-and-white and color plates and tables. [REVIEW]Meredith Parsons Lillich - 1999 - Speculum 74 (4):1090-1091.
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  4.  11
    Jaén medieval: arte y arqueología árabe y mudéjar.Basilio Pavón Maldonado - 1984 - Al-Qantara: Revista de Estudios Árabes 5 (1):329-366.
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  5. Acotación a la Teoría Medieval del Arte: Del servicio a la gloria de Dios.José Gaspar Birlanga Trigueros & María Sánchez Cifuentes - 2001 - Revista Agustiniana 42 (128):777-800.
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  6. El arte de predicción medieval: estudio del manuscrito "Uniuscuisque sermocinantis initium sit tale si placet" Quedan doctrina ad forman praedicandi brevis.Alberto Descalzo de Blas - 2003 - Salmanticensis 50 (2):257-277.
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  7. El arte de predicación medieval: Estudio del manuscrito «uniuscuiusque sermocinantis initium sit tale si placet» quedam doctrina ad formam praedicandi brevis.Alberto Descalzo de Blas - 2003 - Salmanticensis 50 (2):257-277.
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  8. Arte e beleza na estética medieval[REVIEW]Felipe de Azevedo Ramos - 2013 - Lumen Veritatis 6:119-124.
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  9. Acotación a la Teoría Medieval del Arte: Del servicio a la gloria de Dios.Maria Sanchez Cifuentes & José Gaspar Birlanga Trigueros - 2001 - Revista Agustiniana 42 (128):777-800.
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  10. Arte franciscano medieval en el comercio madrileno: Interpretación iconográfica.N. Torres Ballesteros - 1997 - Verdad y Vida 55 (217-20):387-423.
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  11.  17
    "O Virgo, templum Dei sanctum". Simbolismo del templo en imágenes de la Virgen María en los siglos XIV-XV según exégesis patrísticas y teológicas.José María Salvador González - 2017 - 'Ilu. Revista de Ciencias de Las Religiones 22:359-398.
    Among the elements which have gradually been complicating the countless representations of the Virgin Mary throughout history, this paper seeks to highlight and interpret conceptually one of special doctrinal significance in some Marian images during the fourteenth and fifteenth centuries: the temple, in whose interior some artists place some actual or symbolic episodes of Mary, from her birth or her Annunciation to the Sacra Conversazione, to give a few examples. Even though at first sight it looks as a mere scenographic (...)
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  12.  51
    A estética do corpo na filosofia e na arte da Idade Média: texto e imagem.Ricardo Luiz Silveira da Costa - 2012 - Trans/Form/Ação 35 (s1):161-178.
    A ideia de beleza – e sua consequente fruição estética – variou conforme as transformações das sociedades humanas, no tempo. Durante a Idade Média, coexistiram diversas concepções de qual era o papel do corpo na hierarquia dos valores estéticos, tanto na Filosofia quanto na Arte. Nossa proposta é apresentar a estética do corpo medieval que alguns filósofos desenvolveram em seus tratados (particularmente Isidoro de Sevilha, Hildegarda de Bingen, João de Salisbury, Bernardo de Claraval e Tomás de Aquino), além (...)
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  13. La naturaleza y el espacio en la estética medieval.Joaquín Lomba Fuentes - 1999 - Revista Española de Filosofía Medieval 6:11-24.
    El objetivo de este artículo es mostrar cómo el arte medieval (cristiano occidental y musulmán) expresa una naturaleza y espacio que depende del concepto de naturaleza y de espacio que se tiene. Ahora bien, este concepto es distinto en el mundo cristiano y en el musulmán. Los dos sostienen que la naturaleza y el espacio, a diferencia de Grecia, son creados, dependen de un Dios transcendente. Sin embargo, la naturaleza y el espacio en el arte musulmán resulta (...)
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  14.  43
    "Per aurem intrat Christus in Mariam". Aproximación iconográfica a la "conceptio per aurem" en la pintura italiana del Trecento desde fuentes patrísticas y teológicas.José María Salvador González - 2015 - 'Ilu. Revista de Ciencias de Las Religiones 20:193-230.
    La tesis mariológica de la conceptio per aurem, según la cual la Virgen María habría concebido a Jesucristo por el oído en el momento de escuchar del ángel el mensaje celestial anunciándole que, sin perder su virginidad, sería madre del Hijo de Dios encarnado, ha merecido hasta ahora muy pocos estudios académicos rigurosamente fundados en fuentes primarias. De hecho, en la literatura especializada son muy escasas las referencias a tal teoría y, cuando algún estudioso la evoca, casi siempre se contenta (...)
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  15. Ein harmonikales Analogon: Leibniz'Stammbaum-Modell in der Dissertatio de arte combinatoria.Werner Schulze - 1987 - Studia Leibnitiana 19 (1):98-116.
    The Lambdoma, considered the most important harmonical pattern of order is to be understood as a further development of a figure attributed to the Pythagoreans "in the shape of the capital letter Lambda" -therefore named Lambda . Diagrams similar to the Lambdoma without explicit harmonical significance can be found in the writings of several medieval and modern authors, including Ramon Llull , whose influence on Leibniz is already evident in the Dissertatio de arte combinatoria , Leipzig 1666. Leibniz (...)
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  16. Arte E Bellezza Nell'estetica Medievale.Umberto Eco - 1997
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  17.  23
    Geoffrey of Vinsauf: Documentum de Modo Et Arte Dictandi Et Versificandi.Desmond Paul Henry - 1969 - Philosophical Studies 18:271-272.
    It may well be asked: what sort of interest to the philosopher has a work on rhetoric such as this? Consider, however, an utterance such as the following: ‘In every discussion three things are the objects of enquiry: an sit, quid sit, and quale sit. For first there must be something about which the discussion has arisen. Until this is made clear no discussion as to what it is can arise; far less can we determine what its qualities are, until (...)
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  18. Ramón Llull frente a la crítica actual al diálogo interreligioso: El arte luliana como propuesta para una "filosofía de las religiones".Alexander Fidora - 2003 - Revista Española de Filosofía Medieval 10:227-244.
    En los últimos años han surgido, bajo el título de una Teología pluralista de las Religiones, varias críticas entorno a la posibilidad de un auténtico diálogo interreligioso desde la posición tradicional de la Iglesia. El presente artículo quiere demostrar cómo, a partir de la apologética luliana, pueden evitarse varias dificultades a las que apuntan los teólogos pluralistas, como por ejemplo John Hick, sin tener que abandonar por ello la pretensión de verdad universal que caracteriza a todas las religiones. A este (...)
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  19.  2
    Geoffrey of Vinsauf: Documentum de Modo Et Arte Dictandi Et Versificandi. [REVIEW]Desmond Paul Henry - 1969 - Philosophical Studies 18:271-272.
    It may well be asked: what sort of interest to the philosopher has a work on rhetoric such as this? Consider, however, an utterance such as the following: ‘In every discussion three things are the objects of enquiry: an sit, quid sit, and quale sit. For first there must be something about which the discussion has arisen. Until this is made clear no discussion as to what it is can arise; far less can we determine what its qualities are, until (...)
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  20. Algunas consideraciones sobre estética musical árabe.Manuela Cortés García - 1999 - Revista Española de Filosofía Medieval 6:131-156.
    En principio, la poesía considerada como génesis del arte árabe, y, más tarde, la prosa de adab surgieron con la idea de ciencia que destacaba el dominio de la belleza, idea que se proyectaría después sobre la música. Por otra parte, la aportación griega al legado filosófico y científico árabe clásico, cuya sombra aparece reflejada sobre los primeros tratados de los filósofos y teóricos musicales, entre los que se encuentran al-Kindi (s. IX)y al-Farabi (s. X), germinó en la concepción (...)
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  21.  48
    “Many Know Much but Do Not Know Themselves”: Self-Knowledge, Humility, and Perfection in the Medieval Affective Contemplative Tradition.Christina Van Dyke - 2018 - Proceedings of the Society for Medieval Logic and Metaphysics 14 (Consciousness and Self-Knowledge):89-106.
    Today, philosophers interested in self-knowledge usually look to the scholastic tradition, where the topic is addressed in a systematic and familiar way. Contemporary conceptions of what medieval figures thought about self-knowledge thus skew toward the epistemological. In so doing, however, they often fail to capture the crucial ethical and theological importance that self-knowledge possesses throughout the Middle Ages. -/- Human beings are not transparent to themselves: in particular, knowing oneself in the way needed for moral progress requires hard and (...)
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  22. El Arte: Un Derecho Para la Sociedad Del Buen Vivir.Ricardo Restrepo - 2013 - El Derecho Al Arte En Ecuador.
    Es difícil imaginar una sociedad del buen vivir sin arte. Por ello, la creatividad artística es reconocida como derecho en la Constitución del Ecuador, y como derecho humano en los intrumentos internacionales relevantes. Partiendo de esta reflexión, los artículos de este libro argumentan que siendo el arte un derecho, le corresponde al Estado la provisión de condiciones para su garantía por medio de políticas públicas, que deben tomar en cuenta tanto las especificidades de las personas, y los pueblos (...)
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  23.  18
    Medieval Christian and Islamic Mysticism and the Problem of a 'Mystical Ethics'.Amber Griffioen & Mohammad Sadegh Zahedi - forthcoming - In Thomas Williams (ed.), The Cambridge Companion to Medieval Ethics. Cambridge, UK:
    In this chapter, we examine a few potential problems when inquiring into the ethics of medieval Christian and Islamic mystical traditions: First, there are terminological and methodological worries about defining mysticism and doing comparative philosophy in general. Second, assuming that the Divine represents the highest Good in such traditions, and given the apophaticism on the part of many mystics in both religions, there is a question of whether or not such traditions can provide a coherent theory of value. Finally, (...)
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  24.  53
    "Utrum Figura Dictionis Sit Fallacia in Dictione. Et Quod Non Videtur". A Taxonomic Puzzle or How Medieval Logicians Came to Account for an Odd Question by an Impossible Answer.Leone Gazziero - 2016 - In Alain de Libera, Laurent Cesalli & Frédéric Goubier (eds.), A. de Libera, L. Cesalli et F. Goubier (éd.), Formal Approaches and Natural Language in Medieval Logic. Barcelona - Roma: Barcelona - Roma, Fédération Internationale des Instituts d’Etudes Médiévales. pp. 239-267.
    One of the singularities of Latin exegesis of Aristotle’s Sophistici elenchi, is that it arbitrarily brought together two families of fallacies, the «figure of speech» and the «accident», despite the fact that they are on either side of the divide between sophisms related to expression and sophisms independent of expression, a divide that lays at the heart of Aristotle’s taxonomy of sophistic arguments. What is behind this surprising identification? The talk is meant to show that it actually originates from a (...)
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  25. Medieval Representations of Change and Their Early Modern Application.Matthias Schemmel - 2014 - Foundations of Science 19 (1):11-34.
    The article investigates the role of symbolic means of knowledge representation in concept development using the historical example of medieval diagrams of change employed in early modern work on the motion of fall. The parallel cases of Galileo Galilei, Thomas Harriot, and René Descartes and Isaac Beeckman are discussed. It is argued that the similarities concerning the achievements as well as the shortcomings of their respective work on the motion of fall can to a large extent be attributed to (...)
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  26.  79
    Ancient and Medieval Theories of Intentionality.Dominik Perler (ed.) - 2001 - Brill.
    This volume analyses ancient and medieval theories of intentionality in various contexts: perception, imagination, and intellectual thinking.
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  27.  39
    Unity, Truth and the Liar: The Modern Relevance of Medieval Solutions to the Liar Paradox.Shahid Rahman, Tero Tulenheimo & Emmanuel Genot (eds.) - 2008 - Springer.
    This volume includes a target paper, taking up the challenge to revive, within a modern (formal) framework, a medieval solution to the Liar Paradox which did ...
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  28.  63
    What Has History to Do with Philosophy? Insights From the Medieval Contemplative Tradition.Christina Van Dyke - 2018 - Proceedings of the British Academy 214:155-170.
    This paper highlights the corrective and complementary role that historically informed philosophy can play in contemporary discussions. What it takes for an experience to count as genuinely mystical has been the source of significant controversy; most current philosophical definitions of ‘mystical experience’ exclude embodied, non-unitive states -- but, in so doing, they exclude the majority of reported mystical experiences. I use a re- examination of the full range of reported medieval mystical experiences (both in the apophatic tradition, which excludes (...)
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  29.  61
    Arthur Prior and Medieval Logic.Sara L. Uckelman - 2012 - Synthese 188 (3):349-366.
    Though Arthur Prior is now best known for his founding of modern temporal logic and hybrid logic, much of his early philosophical career was devoted to history of logic and historical logic. This interest laid the foundations for both of his ground-breaking innovations in the 1950s and 1960s. Because of the important rôle played by Prior's research in ancient and medieval logic in his development of temporal and hybrid logic, any student of Prior, temporal logic, or hybrid logic should (...)
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  30. Ontologia da Arte.António Lopes - 2013 - Compêndio Em Linha de Problemas de Filosofia Analítica.
    Este artigo aborda as principais teorias sobre a natureza metafísica das obras de arte, cobrindo as propostas eliminativistas, monistas e pluralistas. Entre estas últimas, é dado destaque ao trabalho sobre a ontologia das artes performativas, e em particular, da música. Termina-se com uma referência à recente viragem da discussão para o campo da meta-ontologia e a polémica sobre a plausibilidade do revisionismo ontológico no caso de artefactos ou objectos sociais.
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  31. Relations: Medieval Theories 1250-1325.Mark Gerald Henninger - 1989 - Oxford University Press.
    Scholars have known that a variety of medieval theories on relation existed, but no full-length systematic study has been attempted until now. With this book Henninger fills an important gap in our knowledge of medieval philosophy. Dealing with such varied thinkers as Aquinas, Henry of Ghent, Richard of Mediavilla, John Duns Scotus, Henry of Harclay, William of Ockham, and Peter Aureoli, the book will interest anyone concerned with late medieval philosophy and the transition to the early modern (...)
     
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  32.  20
    Emotion and Cognitive Life in Medieval and Early Modern Philosophy.Martin Pickavé & Lisa Shapiro (eds.) - 2012 - Oxford University Press.
    This volume explores emotion in medieval and early modern thought, and opens a contemporary debate on the way emotions figure in our cognitive lives.
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  33.  53
    Self-Knowledge, Abnegation, and Ful Llment in Medieval Mysticism.Christina Van Dyke - 2016 - In Ursula Renz (ed.), Self-Knowledge. Oxford University Press. pp. 131-145.
    Self-knowledge is a persistent—and paradoxical—theme in medieval mysticism, which portrays our ultimate goal as union with the divine. Union with God is often taken to involve a cognitive and/or volitional merging that requires the loss of a sense of self as distinct from the divine. Yet affective mysticism—which emphasizes the passion of the incarnate Christ and portrays physical and emotional mystical experiences as inherently valuable—was in fact the dominant tradition in the later Middle Ages. An examination of both the (...)
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  34. O Valor da Arte.António Lopes - 2014 - Compêndio Em Linha de Problemas de Filosofia Analítica.
    O artigo parte do consenso sobre a facto de que a arte tem valor para a exploração dos vários problemas sobre esse valor cujas soluções dividem os filósofos da arte. O enfoque é especialmente sobre a dimensão mais actual do debate em torno do tema, que se debruça não tanto sobre questões como o realismo quanto aos valores estéticos e a objectividade e justificação dos juízos de valor estético, mas acima de tudo sobre a natureza do valor artístico (...)
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  35.  76
    Dialectic and its Place in the Development of Medieval Logic.Eleonore STUMP - 1989 - Cornell University Press.
    Introduction Since my work in medieval logic has concentrated on dialectic. I have tried to trace scholastic treatments of dialectic to discussions of it in ...
  36.  55
    Medieval Philosophy: An Historical and Philosophical Introduction.John Marenbon - 2006 - Routledge.
    Introduction to Medieval Philosophy combines and updates the scholarship of the two highly successful volumes Early Medieval Philosophy (1983) and Late Medieval Philosoph y (1986) in a single, reliable, and comprehensive text on the history of medieval philosophy. John Marenbon discusses the main philosophers and ideas within the social and intellectual contexts of the time, and the most important concepts in medieval philosophy. Straightforward in arrangement, wide in scope, and clear in style, this is the (...)
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  37. Medieval Philosophy and the Transcendentals: The Case of Thomas Aquinas.Jan Aertsen - 1996 - E.J. Brill.
    Students of Thomas Aquinas have so far lacked a comprehensive study of his doctrine of the transcendentals. This volume fills this lacuna, showing the fundamental character of the notions of being, one, true and good for his thought. The book inquires into the beginnings of the doctrine in the thirteenth century and explains the relation of the transcendental way of thought to Aquinas's conception of metaphysics. It analyzes 'Being', 'One', 'True', 'Good' and 'Beautiful' individually and discusses their importance for the (...)
     
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  38.  53
    Emotions in Ancient and Medieval Philosophy.Simo Knuuttila - 2004 - Oxford University Press.
    Emotions are the focus of intense debate both in contemporary philosophy and psychology, and increasingly also in the history of ideas. Simo Knuuttila presents a comprehensive survey of philosophical theories of emotion from Plato to Renaissance times, combining rigorous philosophical analysis with careful historical reconstruction. The first part of the book covers the conceptions of Plato and Aristotle and later ancient views from Stoicism to Neoplatonism and, in addition, their reception and transformation by early Christian thinkers from Clement and Origen (...)
  39.  51
    Rethinking the History of Skepticism: The Missing Medieval Background.Henrik Lagerlund (ed.) - 2009 - Brill.
    This book aims at beginning the rewriting of the history of skepticism by highlightening the medieval sources of the modern skeptical discussions.
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  40.  21
    Medieval Jewish Philosophical Writings.Charles Manekin (ed.) - 2007 - Cambridge University Press.
    Medieval Jewish intellectuals living in Muslim and Christian lands were strongly concerned to recover what they regarded as a ‘lost’ Jewish philosophical tradition. As part of this project they transmitted and produced many philosophical and scientific works and commentaries, as well as philosophical commentary on scripture, in Judaeo-Arabic and Hebrew, the principal literary languages of medieval Jewry. This volume presents new or revised translations of seven prominent medieval Jewish rationalists: Saadia Gaon, Solomon ibn Gabirol, Moses Maimonides, Isaac (...)
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  41. Classification of the Sciences in Medieval Thought.James A. Weisheipl - 1965 - Mediaeval Studies 27 (1):54-90.
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  42.  25
    Conscience in Medieval Philosophy.Timothy C. Potts (ed.) - 1980 - Cambridge University Press.
    This book presents in translation writings by six medieval philosophers which bear on the subject of conscience. Conscience, which can be considered both as a topic in the philosophy of mind and a topic in ethics, has been unduly neglected in modern philosophy, where a prevailing belief in the autonomy of ethics leaves it no natural place. It was, however, a standard subject for a treatise in medieval philosophy. Three introductory translations here, from Jerome, Augustine and Peter Lombard, (...)
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  43.  35
    A Companion to Angels in Medieval Philosophy.Tobias Hoffmann (ed.) - 2012 - Brill.
    This book studies medieval theories of angelology insofar as they made groundbreaking contributions to medieval philosophy. -/- The discussion of angels, made famous by the humanist caricature of ‘how many angels can dance on the head of a pin’, was nevertheless a crucial one in medieval philosophical debates. All scholastic masters pronounced themselves on angelology, if only in their Sentence commentaries. The questions concerning angelic cognition, speech, free decision, movement, etc. were springboards for profound philosophical discussions that (...)
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  44. The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam.Mehmet Karabela - 2012 - Philosophy East and West 62 (4):605-608.
    The majority of The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam has been published previously in different forms, but this edition has been completely revised by the author, the well-known French medievalist and intellectual historian Rémi Brague. It was first published in French under the title Au moyen du Moyen Âge in 2006. The book consists of sixteen essays ranging from Brague’s early years at the Université Panthéon-Sorbonne (Paris I) in the 1990s up (...)
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  45.  52
    Weakness of the Will in Medieval Thought: From Augustine to Buridan.Risto SAARINEN - 1994 - Brill.
    This volume examines the medieval understanding of Aristotle's "weakness of the will". The medieval views are outlined on the basis of five major commentaries on Aristotle's _Nicomachean Ethics_ between 1250 and 1350.
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  46.  64
    The Cambridge Translations of Medieval Philosophical Texts, Vol. 2: Ethics and Political Philosophy.Thomas Williams, Arthur Stephen McGrade, John Kilcullen & Matthew Kempshall - 2002 - Philosophical Review 111 (4):576.
    A review of The Cambridge Translations of Medieval Philosophical Thought, vol. 2.
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  47.  61
    The Medieval Concept of Time: Studies on the Scholastic Debate and its Reception in Early Modern Philosophy.Pasquale Porro (ed.) - 2001 - Brill.
    This volume provides a comprehensive historico-doctrinal analysis of the transformation of the concept of time in the transition from the medieval debate to ...
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  48.  8
    5. What Do Medieval Buildings Mean?Matthew H. Johnson - 2013 - History and Theory 52 (3):380-399.
    The aim of this article is to review and reconsider what scholars, including historians, archaeologists, and those in other disciplines, are trying to get at when they attempt a “social interpretation” of English late medieval domestic buildings. I focus on the definition and interpretation of “meaning,” and I examine critically a series of concepts routinely deployed in social interpretations in the past, including my own work, such as type, zeitgeist, and intention. I argue that some of these concepts and (...)
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  49. Nature in Medieval Thought: Some Approaches East and West.Chumaru Koyama (ed.) - 2000 - Brill.
    This collected volume of leading specialists in this field offers not only a comprehensive understanding of the medieval concept of nature, but also instructive information for our environment crisis because of continuity and discontinuity between these two ages.
     
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  50.  8
    Introduction: Consequences in Medieval Logic.Jacob Archambault - 2018 - Vivarium 56 (3-4):201-221.
    _ Source: _Volume 56, Issue 3-4, pp 201 - 221 This paper summarizes medieval definitions and divisions of consequences and explains the import of the medieval development of the theory of consequence for logic today. It then introduces the various contributions to this special issue of _Vivarium_ on consequences in medieval logic.
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