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141 found
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1 — 50 / 141
  1. added 2018-12-04
    Ästhetik Versus Kunstgeschichte?: Ernst Cassirer Als Vermittler in Einer Bis Heute Offenen Kontroverse Zur Relevanz der Kunst Für Das Leben.Martina Sauer - 2018 - In Stefan Niklas & Thiemo Breyer (eds.), Ernst Cassirer in Systematischen Beziehungen: Zur Kritisch-Kommunikativen Bedeutung Seiner Kulturphilosophie. De Gruyter. pp. 239-260.
    Aesthetics versus Art History? Ernst Cassirer as Mediator in an ongoing Controversy on the Relevance of Art for Life. Against the background of Ernst Cassirer’s cultural philosophy, art studies are to be classified as cultural studies. Central to this is Cassirer’s philosophy as the basis for answering a question that has been posed by the methods of formal aesthetics and iconology since the 19th century but is still unanswered today, namely the question of the relevance of the arts for life. (...)
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  2. added 2018-11-21
    Filtration Failure: On Selection for Societal Sanity.Adrian Mróz - 2018 - Kultura I Historia 34 (2):72-89.
    This paper focuses on the question of filtration through the perspective of “too much information”. It concerns Western society within the context of new media and digital culture. The main aim of this paper is to apply a philosophical reading on the video game concept of Selection for Societal Sanity within the problematics of cultural filtration, control of behaviors and desire, and a problematization of trans-individuation that the selected narrative conveys. The idea of Selection for Societal Sanity, which derives from (...)
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  3. added 2018-09-06
    How Artistic Creativity is Possible for Cultural Agents.Aili Bresnahan - 2015 - In Nordic Studies in Pragmatism. Helsinki, Finland: pp. 197-216.
    Joseph Margolis holds that both artworks and selves are ”culturally emergent entities." Culturally emergent entities are distinct from and not reducible to natural or physical entities. Artworks are thus not reducible to their physical media; a painting is thus not paint on canvas and music is not sound. In a similar vein, selves or persons are not reducible to biology, and thought is not reducible to the physical brain. Both artworks and selves thus have two ongoing and inseparable ”evolutions”—one cultural (...)
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  4. added 2018-07-23
    Faszination - Schrecken. Zur Handlungsrelevanz Ästhetischer Erfahrung Anhand Anselm Kiefers Deutschlandbilder.Martina Sauer - 2018 - Heidelberg, Germany: arthistoricum.
    How do we perceive the world and pictures? The book is based around the hypothesis that we initially perceive the world as well as pictures by feelings and that there is a direct connection between the two. By debating fascination and horror, such as can be triggered by Anselm Kiefer´s Deutschlandbilder, the author discusses their consequences and conclusions for our cultural self-perception. The author develops a comprehensive theory on image and culture which is new in this field of research and (...)
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  5. added 2018-07-18
    Making Sense of Taste: Food and Philosophy (Review). [REVIEW]Lisa M. Heldke - 2002 - Hypatia 17 (3):283-286.
    This is a book about taste--the thing your tongue (and nose) do. It’s also a book about Taste--the thing the art critic has. It’s a book about food, art, and the relations between food and art. Do those two categories overlap? Where and how? How we might best understand and appreciate food in light of the way we understand and appreciate art? It’s a book about how the divergent histories of taste and Taste have left us with an impoverished understanding (...)
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  6. added 2018-07-03
    Culture Weaponized: A Contrarian Theory of the Sometime Appropriateness of the Destruction, Theft and Trade of Art and Cultural Artifacts in Armed Conflict.Duncan MacIntosh - manuscript
    This paper argues that culture itself can be a weapon against the disentitled within cultures, and against members of other cultures; and when cultures are unjust and hegemonic, the theft of and destruction of elements of their culture can be a justifiable weapon of self-defense by the oppressed. This means that in at least some conflicts, those that are really insurgencies against oppression, such theft and destruction should not be seen as war crimes, but as legitimate military maneuvers. The paper (...)
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  7. added 2018-06-28
    Entitled Art: What Makes Titles Names?Michel-Antoine Xhignesse - forthcoming - Australasian Journal of Philosophy:1-14.
    Art historians and philosophers often talk about the interpretive significance of titles, but few have bothered with their historical origins. This omission has led to the assumption that an artwork's title is its proper name, since names and titles share the essential function of facilitating reference to their bearers. But a closer look at the development of our titling practices shows a significant point of divergence from standard analyses of proper names: the semantic content of a title is often crucial (...)
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  8. added 2018-05-30
    Censorship as Catalyst for Artistic Innovation.Aili Bresnahan - 2013 - Journal for Peace and Justice Studies 23 (2):98-116.
    One kind of government-supported censorship of the arts targets not the expressive content of any particular artwork but instead seeks to suppress the activity of a group of people based on some feature of the group’s human identity such as race, gender or class. Using examples from the history of the development of black music in the United States that followed from the legal oppression of slavery and from evidence of changes in the Punjabi theatre in Pakistan following state-sanctioned suppressions (...)
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  9. added 2018-05-29
    The Medieval Haggadah: Art, Narrative, and Religious Imagination.Adam Cohen - 2015 - Common Knowledge 21 (2):334-335.
  10. added 2018-05-18
    The Art of Social Forms and the Social Forms of Art: The Sociology‐Aesthetics Nexus in Georg Simmel's Thought.Eduardo de la Fuente - 2008 - Sociological Theory 26 (4):344-362.
    This article examines the sociology-aesthetics nexus in Georg Simmel's thought. The article suggests that it is useful to divide Simmel's linking of sociology and aesthetics into three distinct types of propositions: (1) claims regarding the parallels between art and social form (the “art of social forms”); (2) statements regarding principles of sociological ordering in art and aesthetic objects (the “social forms of art”); and (3) analytical propositions where aesthetic and social factors are shown to work in combination. In the latter (...)
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  11. added 2018-05-01
    The Woman-and-Tree Motif in the Ancient and Contemporary India.Marzenna Jakbczak - 2017 - In Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective. Santa Cruz: International Association for Aesthetics. pp. 79-93.
    The paper aims at critical reconsideration of a motif popular in Indian literary, ritual, and pictorial traditions – a tree goddess (yakṣī, vṛkṣakā) or a woman embracing a tree (śālabhañjīkā, dohada), which points to a close and intimate bond between women and trees. At the outset, I present the most important phases of the evolution of this popular motif from the ancient times to present days. Then two essential characteristics of nature recognized in Indian visual arts, literature, religions and philosophy (...)
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  12. added 2018-03-29
    The Great Leveler: Conceptual and Figural Ambiguities of Equality.Jean-Philippe Deranty - 2017 - Cogent Arts and Humanities 4 (1).
  13. added 2018-03-27
    Leo Tolstoy’s tragic death and his impacts on Max Weber and György Lukács: On autonomy of arts and science/ O tema da morte trágica de Liev Tolstói e set impacto em Max Weber e György Lukács: Sobre a autonomia nas ciências e na arte.Luis F. Roselino - 2014 - Revista História E Cultura 3 (1):150-171.
    The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...)
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  14. added 2018-03-24
    Introduction to Special Issue of Literature and Aesthetics: Before Pangaea: New Essays in Transcultural Aesthetics.Eugenio Benitez - 2005 - Literature and Aesthetics 15 (1):7-11.
    Aesthetics presents a confusing domain for a philosopher. Its territory seems like an Empedoclean cosmos: a ceaselessly dynamic interchange of mixtures, at times resisting division, at times fracturing into an incomprehensible manifold. There may be no truth in aesthetics at all. Perhaps there is not even much truth about it. Some think of aesthetics primarily as a cultural or political phenomenon, others manage to reduce it to history (indeed, to a history that is over, and therefore safe). Still others investigate (...)
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  15. added 2018-03-13
    The Space of Reception: Framing Autonomy and Collaboration.Jennifer A. McMahon & Carol A. Gilchrist - 2017 - In Brad Buckley & John Conomos (eds.), Who Runs the Artworld: Money, Power and Ethics. Faringdon, UK: Libri Publishing. pp. 201-212.
    In this paper we analyse the ideas implicit in the style of exhibition favoured by contemporary galleries and museums, and argue that unless the audience is empowered to ascribe meaning and significance to artwork through critical dialogue, the power not only of the audience is undermined but also of art. We argue that unless (i) indeterminacy is understood, (ii) the critical rather than coercive nature of art is facilitated, and (iii) the conditions for inter-subjectivity provided, galleries and museums preside over (...)
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  16. added 2018-03-05
    Periféria Kultúry, Periféria Umenia: Dubuffet Dnes.Adrián Kvokačka - 2015 - ESPES 4 (1):21-25.
    Globalization trends of culture, the idea of multiculturalism, bringing and acceptance of foreign elements into the culture, open coquetry of the "West" with culture and arts of the "East", eclecticism, but also paradoxical what happened to be the fate of modern art after postmodern deconstruction of the meaning and the reduction of his function to ability to serve in variable updating roles towards individual and society, is 46 years after the release of books Asphyxiating Culture repeatedly bringing me to read (...)
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  17. added 2018-03-02
    Burkean Beauty in the Service of Violence.C. E. Emmer - 2017 - Dialogue and Universalism 27 (3):55-64.
    Examining the images of war displayed on front pages of the New York Times, David Shields makes the case that they ultimately glamorize military conflict. He anchors his case with an excerpt on the delight of the sublime from Edmund Burke’s aesthetic theory in A Philosophical Enquiry. By contrast, this essay considers violence and warfare using not the Burkean sublime, but instead the beautiful in Burke’s aesthetics, and argues that forming identities on the beautiful in the Burkean sense can ultimately (...)
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  18. added 2018-02-17
    Against the Sociology of the Aesthetic.Nick Zangwill - 2002 - Cultural Values 6 (4):443-452.
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  19. added 2018-02-16
    The Re-Enchantment of the World: Art Versus Religion.Gordon Graham - 2007 - Oxford University Press.
    This is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Relating themes in the history of European philosophy to topics in contemporary philosophy, Gordon Graham investigates the idea that art has the potential to re-enchant an irreligious world.
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  20. added 2018-02-14
    The Arts and the Radical Enlightenment.Arran Gare - 2007/2008 - The Structurist 47:20-27.
    The arts have been almost completely marginalized - at a time when, arguably, they are more important than ever. Whether we understand by “the arts” painting, sculpture and architecture, or more broadly, the whole aesthetic realm and the arts faculties of universities concerned with this realm, over the last half century these fields have lost their cognitive status. This does not mean that there are not people involved in the arts, but they do not have the standing participants in these (...)
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  21. added 2018-02-14
    Review of 'The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, Book Two, The Process of Creating Life' by Christopher Alexander. [REVIEW]Arran Gare - 2005/2006 - The Structurist 45:29-34.
    Book Review of Christopher Alexander, 'The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, Book Two, The Process of Creating Life'.
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  22. added 2018-02-14
    Architecture and the Global Ecological Crisis: From Heidegger to Christopher Alexander.Arran Gare - 2003/2004 - The Structurist 43:30-37.
    This paper argues that while Heidegger showed the importance of architecture in altering people's modes of being to avoid global ecological destruction, the work of Christopher Alexander offered a far more practical orientation to deal with this problem.
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  23. added 2018-01-30
    ONT Vol 3.Paul Bali - manuscript
    contents -/- i. weed weakens / compels me -/- ii. an Ender's Game after-party -/- iii. playroom is a realm of the dead -/- iv. a precise german History -/- v. short review: STATUES ALSO DIE -/- vi. Kenneth Clark, curator for Fascism -/- vii. a protest poem, in industry lit -/- viii. Lawrence and the English Romance .
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  24. added 2018-01-03
    Sweepin’ Spirits: Power and Transformation on the Plantation Landscape.Whitney Battle-Baptiste - 2010 - In Sherene Baugher & Suzanne Spencer-Wood (eds.), Archaeology and Preservation of Gendered Landscapes. Springer. pp. 81-94.
    Is power the ability to influence something or someone? Does power have anything to do with authority or control? Is power given by others or earned by the individual? I begin this article with the word and idea of power because some of the chapters in this book focus on power dynamics and all of the authors in this volume discuss how landscapes are perceived in the past or in the present. In this chapter, I will explore landscapes as more (...)
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  25. added 2017-11-13
    A Spinozist Aesthetics of Affect and Its Political Implications.Christopher Davidson - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: Eötvös Loránd University Press. pp. 185-206.
    Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...)
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  26. added 2017-10-10
    On Being Awesome: A Unified Theory of How Not to Suck.Nick Riggle - 2017 - New York: Penguin Books.
    I develop a theory of social virtue around the concept of a "social opening" and argue that a range of contemporary terms track various modes of success and failure with respect to social openings: ‘awesome’, ‘down’, ‘chill’, ‘sucks’, ‘wack’, ‘lame’, ‘douchebag’, and others. A basic idea is that the normative character of contemporary social life cannot be fully understood in traditional philosophical terms: ‘obligation’, ‘demand’, ‘duty’, ‘right’, ‘just’, ‘requirement’. ‘Sucks’ and ‘awesome’ (and their ilk) capture a special mode of interpersonal (...)
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  27. added 2017-09-21
    Nietzsche and The Birth of Tragedy by Paul Raimond Daniels.Vinod Acharya - 2017 - Journal of Nietzsche Studies 48 (2):294-300.
    Paul Raimond Daniels’s Nietzsche and The Birth of Tragedy is an engaging, instructive, and clearly written study of Nietzsche’s first book. It is a particularly fine achievement given the difficulties, in terms of both style and content, that Nietzsche’s text presents to the reader. Daniels’s aim is to present BT as an ideal introduction to Nietzsche’s philosophy, and, in light of its problematizing of the relation between art and truth, to argue that BT is crucial for evaluating the aims, successes, (...)
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  28. added 2017-08-29
    An Art Lawful as Eating: Cavell, King Lear und das Theater der Konvention.Katrin Trüstedt - 2009 - In Kathrin Thiele & Katrin Trüstedt (eds.), Happy Days. Lebenswissen nach Cavell. München: Fink Verlag. pp. 107-130.
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  29. added 2017-08-29
    Happy Days. Lebenswissen nach Cavell.Katrin Trüstedt & Kathrin Thiele (eds.) - 2009 - München: Fink Verlag.
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  30. added 2017-08-10
    Feminism and Tradition in Aesthetics.Peg Zeglin Brand Weiser & Carolyn Korsmeyer (eds.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
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  31. added 2017-08-08
    Parody.Peg Zeglin Brand Weiser - 2014 - In Michael Kelly (ed.), Encyclopedia of Aesthetics, 2nd Ed. Oxford University Press. pp. 69-72.
    The term "parody" derives from the ancient Greek word parodia and has come to include a variety of meanings connected with correlative terms such as "pastiche," "quotation," "satire," and "allusion." At the present time, more than a few commentators are eager to discuss contemporary parody as an art form particularly relevant to our era. Most approaches share a basic foundation that treats parody as a complex multilayered type of imitation (sometimes referred to as intertextuality). Only some theorists, however, include a (...)
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  32. added 2017-08-08
    The Beauty of the Game.Peg Zeglin Brand Weiser & Myles Brand - 2007 - In Jerry Walls (ed.), Basketball and Philosophy. Lexington: The University Press of Kentucky. pp. 94-103.
    Imagine a deep philosophical conversation about a beautiful shot by a college player in a Final Four basketball game!
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  33. added 2017-08-08
    Reivew of Sally Banes' Dancing Women: Female Bodies on Stage. [REVIEW]Peg Zeglin Brand Weiser - 1999 - Dance Research Journal 31 (2):114-117.
    Sally Banes' analysis, Dancing Women: Female Bodies on Stage, is an exemplary model for future feminist criticism of all the arts. The reason is that Banes deliberately avoids judgments about dancing bodies that are overwhelmingly negative or positive, that is, inflexible indicators of either victimization or celebration. What she teaches us instead is the practice of looking.
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  34. added 2017-08-07
    How Beauty Matters.Peg Zeglin Brand Weiser - forthcoming - In Lee B. Brown David Goldblatt (ed.), Aesthetics: A Reader in Philosophy of the Arts. Routledge.
    How do we view, understand and appreciate a complex and challenging work of visual art such as Leon Mostovoy's Transfigure and how, in our encounter with it, does beauty matter? Transfigure Project--a 2013 book, film and photographic installation that is now also an interactive website (http://transfigureproject.com/)--is "a project of corporal self-expression, presented as an experimental, visual feast" by which 'transfigure' means "to transform into something more beautiful or elevated." Photographs of fifty nude trans-identified figures can be playfully arranged in numerous (...)
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  35. added 2017-08-07
    The Aesthetics of Childbirth.Peg Brand & Paula Granger - 2012 - In Sheila Lintott & Maureen Sander-Staudt (eds.), Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects. Routledge. pp. 215-236.
    Images abound of women throughout the ages engaging in various activities. But why are there so few representations of childbirth in visual art? Feminist artist Judy Chicago once suggested that depictions of women giving birth do not commonly occur in Western culture but can be found in other contexts such as pre-Columbian art or societies previously considered "primitive." Chicago's own exploration of the theme resulted in the creation of The Birth Project (1980-85): an unprecedented series of eighty handcrafted works of (...)
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  36. added 2017-08-07
    Introduction: Feminism and Aesthetics.Peg Zeglin Brand Weiser & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.
    This special issue of HYPATIA: A Journal of Feminist Philosophy we co-edited highlights the expanded range of topics at center stage in feminist philosophical inquiry to date (2003): recontextualizing women artists (essays by Patricia Locke, Eleanor Heartney, and Michelle Meagher), bodies and beauty (Ann J. Cahill, Sheila Lintott, Janell Hobson, Richard Shusterman, Joanna Frueh), art, ethics, politics, law (A. W. Eaton, Amy Mullin, L. Ryan Musgrave, Teresa Winterhalter, Joshua Shaw), and review essays by Estella Lauter and Flo Leibowitz.
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  37. added 2017-08-07
    Glaring Omissions in Traditional Theories of Art.Peg Zeglin Brand Weiser - 2003 - In Steven Cahn (ed.), Philosophy for the 21st Century: A Comprehensive Reader. Oxford University Press. pp. 779-813.
    I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything goes,” (...)
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  38. added 2017-08-07
    Beauty Matters.Peg Zeglin Brand (ed.) - 2000 - Indiana University Press.
    Beauty has captured human interest since before Plato, but how, why, and to whom does beauty matter in today's world? Whose standard of beauty motivates African Americans to straighten their hair? What inspires beauty queens to measure up as flawless objects for the male gaze? Why does a French performance artist use cosmetic surgery to remake her face into a composite of the master painters' version of beauty? How does beauty culture perceive the disabled body? Is the constant effort to (...)
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  39. added 2017-08-07
    Symposium: Beauty Matters.Peg Zeglin Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (1):1-10.
    The point of this symposium is to locate one trajectory of the new wave of discussions about beauty beyond the customary confines of analytic aesthetics and to situate it at the intersection of aesthetics, ethics, social-political philosophy, and cultural criticism. Three essays follow this introduction authored by Marica Muelder Eaton, Paul C. Taylor, and Susan Bordo. They represent a conjoined effort to move 'beauty' beyond the traditional parameters of past contextual theories of art. This introductory essay offers some guidance as (...)
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  40. added 2017-08-07
    Feminism and Tradition in Aesthetics "Introduction".Carolyn Korsmeyer (ed.) - 1995 - Pennsylvania State University Press.
    Feminism and Tradition in Aesthetics takes a fresh look at the history of aesthetics and at current debates within the philosophy of art by exploring the ways in which gender informs notions of art and creativity, evaluation and interpretation, and concepts of aesthetic value. Multiple intellectual traditions have formed this field, and the discussions herein range from consideration of eighteenth century legacies of ideas about taste, beauty, and sublimity to debates about the relevance of postmodern analyses for feminist aesthetics. Forward (...)
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  41. added 2017-08-04
    Vom Gott Zum Schriftsteller. Thomas Carlyles Helden-Panorama.Johannes Steizinger - 2017 - In Franziska Thun-Hohenstein & Matthias Schwartz (eds.), Kulturheros Genealogien. Konstellationen. Praktiken. Berlin, Germany: Kulturverlag Kadmos. pp. 77‒97.
  42. added 2017-08-04
    Revolte, Eros Und Sprache. Walter Benjamins Metaphysik der Jugend.Johannes Steizinger - 2013 - Berlin, Germany: Kulturverlag Kadmos.
  43. added 2017-08-04
    Der Spieler als paradigmatische Figur der Moderne. Peripetien zur kulturellen Funktion des Glücksspiels.Johannes Steizinger - 2010 - In Mathias Fuchs & Ernst Strouhal (eds.), as Spiel und seine Grenzen. Passagen des Spiels II. Vienna/New York: Springer. pp. 31-46.
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  44. added 2017-07-02
    Traditional Literary Interpretation Versus Subversive Interpretation.Terence Rajivan Edward - manuscript
    I present some objections to traditional literary interpretation and consider subversive interpretation as a solution to these problems. Subversive interpretation may be considered more scientific and more democratic than traditional interpretation, but it is open to doubt that it is more democratic.
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  45. added 2017-07-01
    Die Kunst der zweiten Natur. Zu einem modernen Kulturbegriff nach Kant und Hegel.Thomas Khurana - 2016 - WestEnd. Neue Zeitschrift für Sozialforschung 13 (1):35–55.
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  46. added 2017-07-01
    Reflexives Leben: Biologie und Ästhetik um 1800. [REVIEW]Thomas Khurana - 2010 - Texte Zur Kunst 20:177-182.
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  47. added 2017-07-01
    Latenz. 40 Annäherungen an einen Begriff.Thomas Khurana & Stefanie Diekmann (eds.) - 2007 - Berlin: Kadmos.
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  48. added 2017-06-30
    Autonomie der Kunst?: Zur Aktualität eines gesellschaftlichen Leitbildes.Uta Karstein & Nina Tessa Zahner (eds.) - 2017 - Wiesbaden: Springer.
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  49. added 2017-06-30
    Ereigniszeit und Eigenzeit: Zur literarischen Ästhetik operativer Zeitlichkeit.Metin Genç - 2016 - Bielefeld: Transcript.
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  50. added 2017-06-30
    Engagement: Konzepte von Gegenwart und Gegenwartsliteratur.Jürgen Brokhoff, Ursula Geitner & Kerstin Stüssel (eds.) - 2016 - Göttingen: Vandenhoeck und Ruprecht.
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1 — 50 / 141