Meaning in literary texts such as poetry and novel etc., is not determined on the basis of a literal understanding of the words in it, but through a total evaluation of the devices such as metaphors and similes. This paper deals with metaphor to show its significance, to make us aware that metaphoric expressions do give a different kind of knowledge, and to pave the way to disclose a different kind of truth which is perhaps, more valuable than what the (...) literal sense provides. Ordinarily metaphorical use is taken for rhetorical purposes. Literalists of the Western and Indian philosophical traditions believe that it is only the literal or primary meaning that can give us a precise account of language. Metaphors are viewed by them as fuzzy, lies, not corresponding to actual states of affairs, non-propositional in character, not having truth-conditions, and thus not providing us with any knowledge or truth. However, this paper tries to work out the fundamentality of metaphor, how metaphor widens our experience of the world, and how it has the power to take us to an alternative world to introduce with some new truth by exploring certain notions of the Indian aestheticians. (shrink)

In this work, we have investigated the validity of the generalized second law of thermodynamics in logamediate and intermediate scenarios of the universe bounded by the Hubble, apparent, particle and event horizons using and without using first law of thermodynamics. We have observed that the GSL is valid for Hubble, apparent, particle and event horizons of the universe in the logamediate scenario of the universe using first law and without using first law. Similarly the GSL is valid for all horizons (...) in the intermediate scenario of the universe using first law. Also in the intermediate scenario of the universe, the GSL is valid for Hubble, apparent and particle horizons but it breaks down whenever we consider the universe enveloped by the event horizon. (shrink)

Initiated almost four decades ago in the form of an 11-bed clinic in Madurai, Aravind Eye Care System with its large network of hospitals, vision centres and community outreach programs is now recognized in India and beyond as a major actor of health care. This paper upholds the view that Aravind’s innovative characteristics call for the creation of a specific category: transformational entrepreneurship. It first clarifies what may be called the ‘Aravind paradox’: Aravind achieves compassion through Taylorism, providing free eye (...) care to poor patients while expanding its robust entrepreneurial model. It then analyses the social, cultural and policy implications of Aravind’s success, notably from the perspective of its contribution to the common good. Finally, the paper identifies the definitional components of transformational entrepreneurship. (shrink)

Today, thanks to Noam Chomsky and his fellow media analysts, it is almost axiomatic for thousands, possibly millions, of us that public opinion in "free market" democracies is manufactured just like any other mass market product — soap, switches, or sliced bread. We know that while, legally and constitutionally, speech may be free, the space in which that freedom can be exercised has been snatched from us and auctioned to the highest bidders. Neoliberal capitalism isn't just about the accumulation of (...) capital (for some). It's also about the accumulation of power (for some), the accumulation of freedom (for some). Conversely, for the rest of the world, the people who are excluded from neoliberalism's governing body, it's about the erosion of capital, the erosion of power, the erosion of freedom. In the "free" market, free speech has become a commodity like everything else — — justice, human rights, drinking water, clean air. It's available only to those who can afford it. And naturally, those who can afford it use free speech to manufacture the kind of product, confect the kind of public opinion, that best suits their purpose. (News they can use.) Exactly how they do this has been the subject of much of Noam Chomsky's political writing. (shrink)

Dans le cadre des luttes pour l’indépendance en Inde et du renouvellement des normes de la mode féminine en Europe, des Anglaises telles Annie Besant, Margaret Noble, Madeleine Slade quittent à leur arrivée en Inde leurs robes traditionnelles pour des habits qui réélaborent des éléments empruntés à la culture indienne. Les pratiques vestimentaires témoignent, particulièrement dans le contexte anticolonial, d’un enjeu crucial tant pour les autorités britanniques que pour les Indiens. Tandis qu’Indiens et Indiennes modifient leurs habits en réponse aux (...) pressions des codes vestimentaires coloniaux, ces « saris européanisés » affirment publiquement à la fois leur sentiment politique anti-impérialiste et un programme national et social pour les Indiens sous-tendu par une forte dimension féminine. Ils fonctionnent comme un lieu de négociation des relations coloniales par la contestation ouverte des notions impérialistes de domesticité et l’introduction de nouvelles formes de sociabilités politiques. (shrink)

Dans le cadre des luttes pour l’indépendance en Inde (1890-1940) et du renouvellement des normes de la mode féminine en Europe, des Anglaises telles Annie Besant, Margaret Noble, Madeleine Slade quittent à leur arrivée en Inde leurs robes traditionnelles pour des habits qui réélaborent des éléments empruntés à la culture indienne. Les pratiques vestimentaires témoignent, particulièrement dans le contexte anticolonial, d’un enjeu crucial tant pour les autorités britanniques que pour les Indiens. Tandis qu’Indiens et Indiennes modifient leurs habits en réponse (...) aux pressions des codes vestimentaires coloniaux, ces « saris européanisés » affirment publiquement à la fois leur sentiment politique anti-impérialiste et un programme national et social pour les Indiens sous-tendu par une forte dimension féminine. Ils fonctionnent comme un lieu de négociation des relations coloniales par la contestation ouverte des notions impérialistes de domesticité et l’introduction de nouvelles formes de sociabilités politiques. (shrink)

This work seeks to highlight that an understanding of aesthetic practices is essential to the analysis of politics and political processes. If today, aesthetics has become a rather overused term, referring to a variety of historical periods and groups, even states of being (love, melancholy...), nonetheless its relevance as a connecting agent between individual, state and society remains strong. Placing it as a central theme for understanding processes of domination, contestation and transversal links highlights the mobilization of spaces, bodies and (...) objects in a struggle for the exercise of power and the challenges to it. It is impossible to study historical shifts or systems of power without examining the mobilisation of aesthetic languages: of splendour and display, austerity, asceticism, minimalism or restraint. In this book the concern is with the dynamics between the custodians of aesthetics and the dissenters, with the moment, and with change over time. This book approaches contemporary politics through the aesthetics of power and its practices: from the more formal and regulated presence of state power in the public space in the form of official buildings, commemorative monuments, to the aestheticisation of sacrifice in politics and judicial spectacles. The studies presented here promise to lead us further to deepening our understanding of the dynamics of political spaces and the politics of the aesthetic in contemporary politics. (shrink)

In Anti-Oedipus and A Thousand Plateaus, Gilles Deleuze and Félix Guattari emphasise the difficulty of confronting ‘micro-fascisms’. Such fascisms occur at the micropolitical level as they permeate and modulate across social collectivities and networks. Arundhati Roy’s novel, The God of Small Things, reflects upon overt and violent modes of social division and classifications that determine ‘who should be loved and how. And how much’. Such a system ‘restrains or limits the individual’s power’, diminishing the ‘capacity to be affected’, as (...) Deleuze wrote in Spinoza, thereby nourishing and sustaining the fascists inside of them. This article will examine micro-fascisms within Roy’s novel, demonstrating how they function at the individual and interpersonal level. (shrink)

Presented as a “speculative manual on pedagogy,” this article seeks to provide praxis to Spivak’s Aesthetic Education in the Era of Globalization using Arundhati Roy’s The God of Small Things as a reading in Philippine schools. Its aim is to envision pedagogical ways in which a foreign literary text is introduced into a culturally distant setting, thereby prompting educators – the “supposed trainers of the mind” – to resolve: How does one educate aesthetically? How do we imagine the performance (...) of aesthetic education in local classrooms? In demonstrating a theory and its form, the paper first explores Spivak’s conception of aesthetic education and then adapts it in a specific case: in Philippine classrooms where learners are confronted by a literary work of the Other – particularly, Arundhati Roy’s The God of Small Things. Aesthetic education, as a theoretic idea, is visualized and imaginatively performed through its capacity to realize an “epistemic revolution” happening in local classrooms worldwide. (shrink)

In this essay, Fred Dallmayr considers the writings and activism of Arundhati Roy, author of The God of Small Things and Power Politics. First, Dallmayr examines the proper role of the writer-activist, comparing Roy to Edward Said. For each, writing and politicsare neither separate nor are they independent of the writer’s distinctive being-in-the-world. He then examines her critique of corporate business and the war machine, especially in relation to the construction of destructive “mega-dams” in India. The privatization of public (...) services in India has done little to provide safe drinking water and electricity to some eighty percent of India’s rural population. Dallmayr finds in Roy an unmatched voice of hope and commitment to a more just, more humane future, sustained by a love that will not quit. (shrink)

This book discusses the work of four different kinds of artists from four different countries to examine how they create a space for politics in their work.

This book discusses the work of four different kinds of artists from four different countries to examine how they create a space for politics in their work.

This article takes up the appearance in the club circuits of Europe of cultural matter derived from radical peasant insurgency in West Bengal. It asks why the political content of cultural performance is so often glossed as exotica, and writes back some of the history of transnational, or internationalist, politics into this forum. Linking this to the celebrated Booker Prizewinning text of Arundhati Roy, and Gayatri Spivak's translations of Mahasweta Devi's writing, the contradictions of cultural politics are foregrounded.

This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, (...) Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies. (shrink)

Small wonder: finitude and its horizons -- The underside of modernity: Adorno, Heidegger, and Dussel -- Empire or cosmopolis: civilization at the crossroads -- Confronting empire: a tribute to Arundhati Roy -- Speaking truth to power: in memory of Edward Said -- Critical intellectuals in a global age: toward a global public sphere -- Social identity and creative praxis: hommage á Merleau-Ponty -- Nature and artifact: Gadamer on human health -- Borders or horizons?: an older debate revisited -- Empire (...) and faith: sacred non-sovereignty -- Appendix: A. The dignity of difference: a salute to Jonathan Sacks -- B. Religion and rationality: Habermas and the early Frankfurt school -- Nomolatry and fidelity: a response to Charles Taylor. (shrink)

What are we to make of the "Parecon" phenomenon? Michael Albert 's book made it to number thirteen on Amazon.com a few days after some on-line promotion.1 Eight of the twelve Amazon.com reviewers had given the book five stars. It has been, or is being, translated into Arabic, Bengali, Telagu, Croatian, Czech, Finnish, French, German, Greek, Italian, Japanese, Korean, Spanish, Swedish and Turkish.2 The book has been endorsed by Noam Chomsky, who says it "merits close attention, debate and action," by (...) Arundhati Roy, who calls it "a brave argument for a much needed alternative economic vision," by Ben Bagdikian, who finds it "a compelling book for our times," and by Howard Zinn, who sees it as "a thoughtful, profound meditation on what a good society can be like."3 Yet it is a terrible book. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:How was Haiti?Sadath Sayeed"She smelled of milk and urine. Chacko marveled at how someone so small and undefined, so vague in her resemblances, could so completely command the attention, the love, the sanity of a grown man."—Arundhati Roy from The God of Small ThingsFather and SonTwenty minutes before I was to be taxied to the airport in Port-au-Prince, the baby boy handed to me did not breathe continuously. (...) He didn't breathe at all. Born a few hours earlier at home—probably in one of the hundreds of make-shift tent cities. I did ask if the baby cried after he came out of mom. Yes. He didn't suckle well and stopped crying. Dad decided to get help. Climbed onto a moped with his baby wrapped in a blanket. Must have tucked him under one arm and rode between piles of rubble to the closest health care facility.People at this other place tried to help his baby boy breathe. They pushed air into his mouth like you are doing. After a few minutes, they said that they couldn't help anymore."Go to the University hospital."From a shirt sleeve pocket, he pulled a crumpled white piece of paper with some writing scribbled on it. I gathered it documented this last visit. They took the time to hand him a note before they sent him on his way.What did Dad think? Thanks for the note. Okay, now what? Swaddle my baby. Tuck him under one arm. Hop on my moped.Strained ResourcesL'Université d'État d'Haïti has been the main teaching hospital for all of the country for decades. Many, if not most, formally trained Haitian health care providers have spent some time in Port-au-Prince at this institution. As important as it is, it has suffered from neglect over many, many years. The earthquake made matters exponentially worse. [End Page 98]Dad must have been directed to the pediatric service when he arrived. There, a few Haitian pediatric residents and nurses were doing what they did every morning. Tending to an overcrowded patient population of babies, children, and parents. The pediatrics building was left uninhabitable. All inpatient and outpatient care took place on a street where the tents had been erected.In the ICU, tent twenty beds filled a space probably meant for ten military style cots. Metal cribs and full adult hospital beds were jammed next to one another to fill every possible nook. Parents slept on the adult beds with their sick children or underneath the cribs. Siblings too. Outside, hundreds of parents would line up starting at six a.m. and stand in line for hours so that they could get their children seen in a couple of smaller tents that were used to run the outpatient clinics. Moms would fan their kids under the shade of trees on the side of the road. Feed them some milk or juice while they waited. Smile at us passers-by. They seemed to possess a bottomless well of patience.Power cords with extension wires littered the street-hospital floor under the canopy.When it rained, we were only modestly concerned about electrocution. A single 1950's style metal desk with two worn out chairs greeted visitors to the entry way and was usually occupied by some of the medical staff. A single, large metal fan that had collected enough dust and soot in its circular cage to look bearded hummed a breeze toward the desk.A bottomless well of patience and resiliency. In the popular media, this last word has been thrown around a lot to describe the character of the Haitian people. It is insufficient. Their adversity is truly absurd. Sense cannot be made of the scene in the pediatrics tents months after the earthquake struck, nor elsewhere on that campus, let alone outside its walls.The local medical staff hadn't been paid a dime in many months even prior to the earthquake. They suffered unimaginable losses during the earthquake. They still came to work."We love our children. They love us too."What so many of us think of as charity... (shrink)