50 found
Order:
Disambiguations
Garin Dowd [45]Garin V. Dowd [7]
See also
  1. Abstract Machines: Samuel Beckett and Philosophy After Deleuze and Guattari.Garin Dowd - unknown
    What can philosophy bring to the reading of Beckett? Combining intertextual analysis with a ‘schizoanalytic genealogy’ derived from the authors of L’Anti-Œdipe, Garin Dowd’sMachines: Samuel Beckett and Philosophy after Deleuze and Guattari offers an innovative response to this much debated question. The author focuses on zones of encounter and thresholds of engagement between Beckett’s writing and a range of philosophers and philosophical concepts. Beckett’s writing impacts in a variety of ways on Deleuze and Guattari’s thought, and, in particular, resonates with (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  2.  3
    Objectivity and Immanence in Genre Theory.Paul Cobley & Garin Dowd - 2006 - In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect. pp. 41--53.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  3. .Garin Dowd - 2005
    No categories
     
    Export citation  
     
    Bookmark   4 citations  
  4. Art as Abstract Machine: Aesthetics and Ontology in Deleuze and Guattari. [REVIEW]Garin Dowd - 2006 - Radical Philosophy 140.
  5. "All Out": The Dismantling of the Face in Beckett's Murphy.Garin Dowd - unknown
     
    Export citation  
     
    Bookmark  
  6. "All Out": The Dismantling of the Face in Murphy.Garin Dowd - unknown
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  7.  12
    Apprenticeship, Philosophy, and the 'Secret Pressures of the Work of Art' in Deleuze, Beckett, Proust, and Ruiz or Remaking the Recherche.Garin Dowd - 2009 - In Mary Bryden & Margaret Topping (eds.), Beckett's Proust/Deleuze's Proust. Palgrave-Macmillan.
    If Beckett’s study of Proust has belatedly received the criticisms its author no doubt anticipated, another influential study published a little over thirty years later has, like its predecessor, elicited, among others, the critical response that the author of the Recherche finds himself recruited to the self-serving project of the critic. Gilles Deleuze’s Proust is cast not as the pessimistic Schopenhauerian which Beckett makes of him, but rather, as a force of affirmation in the quasi-Nietzschean register of the ‘powers of (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  8. Apprenticeship, Philosophy, and the 'Secret Pressures of the Work of Art' in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche.Garin Dowd - 2009 - In .
    If Beckett’s study of Proust has belatedly received the criticisms its author no doubt anticipated, another influential study published a little over thirty years later has, like its predecessor, elicited, among others, the critical response that the author of the Recherche finds himself recruited to the self-serving project of the critic. Gilles Deleuze’s Proust is cast not as the pessimistic Schopenhauerian which Beckett makes of him, but rather, as a force of affirmation in the quasi-Nietzschean register of the ‘powers of (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  9.  67
    And the Ship Sails On. [REVIEW]Garin Dowd - 2014 - Radical Philosophy 184 (184):46-49.
    Extract: [...] Badiou himself seems however, by turns, relatively modest and occasionally self-congratulatory as regards any claim to make a major intervention in the field. His entertaining and informative account of his largely solitary cinéphilia of the 1950s and 1960s, as a ‘young provincial’ frequenting the Cinémathèque (a few doors away at that time from the École Normale Supérieure on the rue d’Ulm), through to his work as a ‘heathen’ iniltrating the Catholic journal Vin nouveau, and on to his engagement (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  10. Beckettian Pain, in the Flesh: Singularity, Community and 'the Work'.Garin Dowd - 2012 - In Samuel Beckett and Pain. Amsterdam: Rodopi. pp. 67-92.
    This essay argues that the representation of pain in Beckett’s writing exposes the paradox in his work concerning the relationship of the individual suffering subject and the community. Making reference to studies of pain and literature generally and to salient studies of Beckett, the essay shows how the narration of pain in Beckett’s prose works in particular is closely linked to its more general interrogation of subject-object relations. As the preeminent agent, source as well as repository of pain, writing in (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  11. Beckettian Pain, in the Flesh: Singularity, Community and 'the Work'.Garin Dowd - 2012 - In .
    This essay argues that the representation of pain in Beckett’s writing exposes the paradox in his work concerning the relationship of the individual suffering subject and the community. Making reference to studies of pain and literature generally and to salient studies of Beckett, the essay shows how the narration of pain in Beckett’s prose works in particular is closely linked to its more general interrogation of subject-object relations. As the preeminent agent, source as well as repository of pain, writing in (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  12.  3
    Carax and Deleuze - Shuffling the Decks, a Short Reply to Hainge's Review.Garin Dowd - 2005 - Film-Philosophy 9 (4).
    Greg Hainge 'Carax and the Ambiguities -- A Book That Needs To Fail, Perhaps: On Daly and Dowd's _Leos Carax_' _Film-Philosophy_, vol. 9 no. 41, July 20.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  13. Chaosmosis: An Ethico-Aesthetic Paradigm. [REVIEW]Garin Dowd - 1996 - Radical Philosophy 80.
    No categories
     
    Export citation  
     
    Bookmark  
  14. Cinephilia Falls to Earth: Thinking the Image After Daney.Garin Dowd - unknown
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  15. Deathly Constructions/Beckett's Thanatographies.Garin Dowd - unknown
    Keynote address to the conference Beckett and Death, University of Northampton, December 3rd 2006.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  16.  10
    Dislocations: Framing and Agency Between Cinema and Architecture.Garin Dowd - unknown
    This paper explores the framing qualities of architecture in conjunction with the framing operations of cinema. In doing so it refers to philosophical inquiry into architecture and to architectural philosophy as well as to attempts to think film and the architectural together. In what sense or senses can architecture be considered 'primary' in relation to cinema? This first question will be explored by considering the inscription or encompassment of the architectural as a foundational gesture in cinema. Even if film does (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  17.  23
    Disconcerting the Fugue: Dissonance in the "Sirens” Episode of Joyce's Ulysses.Garin V. Dowd - 1998 - Angelaki 3 (2):147 – 167.
  18.  29
    “Glisser Dans le Vide”: Blanchot, Thomas l'Obscur and the Space of Literature.Garin V. Dowd - 1999 - Angelaki 4 (3):153 – 169.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  19.  6
    Genre Trajectories: Identifying, Mapping, Projecting.Garin Dowd - unknown
    This book provides a fresh interdisciplinary perspective on genre and identifies developments in genre studies in the early 21st century. Genre approaches are applied to examine a fascinating range of texts including ancient Greek philosophy, Holocaust visual and literary texts, contemporary Hollywood films, selfies, melodrama, and classroom practices.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  20. Introduction.Garin Dowd & Natalia Rulyova - 2015 - In .
    The full text of the introduction can be read on the publisher's website.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  21.  5
    Image and Representation in Bergson.Garin Dowd - 2013 - In .
    This is a pre-publication author's version of a text published in 'Understanding Bergson, understanding modernism'.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  22. Is Critique Et Clinique Schizoanalytic?: Schizoanalysis and Deleuze’s Critical and Clinical Project.Garin Dowd - 2015 - In .
    Deleuze never wrote the book on literature he claimed, in the filmed interviews _L’abécédaire de Gilles Deleuze_, he wanted to write. The closest he came was the volume of essays _Critique et clinique_. This chapter sets out to consider the volume in the light of schizoanalysis. The final solo-authored volume addresses the domain professionally inhabited by Guattari – the clinic. If schizoanalysis as a concept can be traced primarily to Guattari’s influence, is _Critique et clinique_ compatible with the earlier outlines (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  23. Introduction: Genre Matters in Theory and Criticism.Garin Dowd - 2006 - In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect. pp. 11--27.
  24.  7
    Legislations: The Politics of Deconstruction, by Geoffrey Bennington.Garin Dowd - unknown
    Review published in Journal of the British Society for Phenomenology 28:3 1997.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  25.  62
    Ohio Impromptu, Genre and Beckett on Film.Garin Dowd - 2006 - In .
    Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in Beckett’s dramatic works one encounters a meticulous attention to the activity of categorisation, even if the energy is often directed toward the creation of phantom genres for spectral exemplars. This essay concerns itself with Ohio Impromptu in particular because (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  26.  73
    Paris and its Doubles: Deleuze/Rivette.Garin Dowd - 2009 - Deleuze and Guatarri Studies 3 (2):185-206.
    This essay sets out from the premise that the films of Jacques Rivette merit sustained reconsideration in the framework provided by Deleuze's Cinema 2: The Time-Image. In particular it explores the concepts of ‘the powers of the false’ and ‘fabulation’ as ways of engaging with Rivette's cinematic oeuvre, with a particular focus on his Paris-set films. On this basis the article seeks to add to the readings undertaken by Deleuze himself and, in the light of Rivette's cine-thinking, to examine in (...)
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  27.  22
    Philosophy's Broken Mirror: Genre Theory and the Strange Place of Poetry and the Poem From Plato to Badiou.Garin Dowd - 2015 - In Genre Trajectories: Identifying, Mapping, Projecting. Basingstoke: Palgrave Macmillan. pp. 11-28.
    This chapter explores the rather striking manner in which at key moments in the history of philosophy, in the discipline’s attempts at self-definition, the genre or literary form of poetry plays a key role. Philosophy, at these moments, has been defined, inter alia, as the enemy of poetry, the guiding light for the philosopher who can only try and inevitably fail to emulate its brilliance, or as the anomalous guest at the philosophical table with whom the host discipline has relations (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  28. Philosophy's Broken Mirror: Genre Theory and the Strange Place of Poetry and the Poem From Plato to Badiou.Garin Dowd - 2015 - In .
    This chapter explores the rather striking manner in which at key moments in the history of philosophy, in the discipline’s attempts at self-definition, the genre or literary form of poetry plays a key role. Philosophy, at these moments, has been defined, inter alia, as the enemy of poetry, the guiding light for the philosopher who can only try and inevitably fail to emulate its brilliance, or as the anomalous guest at the philosophical table with whom the host discipline has relations (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  29. Pedagogies of the Image Between Daney and Deleuze.Garin Dowd - 2010 - New Review of Film and Television Studies 8 (1):41-56.
    This essay examines Gilles Deleuze’s employment of the concept of the ‘pedagogy of the image’ which was first developed by the film critic Serge Daney in two seminal essays in the mid 1970s in Cahiers du cinéma. It will seek to foreground the ‘Daney effect’ (Bellour 2004) in the second half of Cinema 2: The Time-Image where the influence of Daney, along with Bonitzer, Bergala and other film theorists is most pronounced. It will examine the ‘traffic’ of the image and (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  30.  2
    Prolegomena to a Critique of Excavatory Reason: Reply to Matthew Feldman.Garin Dowd - unknown
    This essay is a reply to Matthew Feldman's identification and advocacy of a methodological "partition" in Beckett studies. It argues that the 'critical tribunal' set up by his article may be contested on the grounds that: the advocated paradigm for research makes a contentious journey from science to literature; it dogmatically imposes restrictions on the range of literary critical interventions deemed to be of value; it employs a 'black box' approach to its own argument.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  31.  1
    Re-Play: Conducts of Time X 4.Garin Dowd - unknown
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  32. Regimes of Language and Light in Joseph Sheridan Le Fanu's 'Green Tea'.Garin Dowd - unknown
    While positioning and contextualising the short story ‘Green Tea’ by Joseph Sheridan Le Fanu in relation to existing Le Fanu scholarship, this article seeks to explore further the textual reflexivity for which it is renowned. Drawing on Foucault’s notion of regimes in the audio and the visual, in particular, through an attention to the interrelationship of the scopic, auditory and textual regimes of ‘Green Tea’, and to the manner in which writing is explicitly figured as both the source of disjunction (...)
    No categories
     
    Export citation  
     
    Bookmark  
  33.  7
    Regimes of Language and Light in J. S. Le Fanu's 'Green Tea'.Garin Dowd - unknown
    While positioning and contextualising the short story 'Green Tea' by Joseph Sheridan Le Fanu in relation to existing Le Fanu scholarship, this article seeks to explore further the textual reflexivity for which it is renowned. Drawing on Foucault’s notion of regimes in the audio and the visual, in particular, through an attention to the interrelationship of the scopic, auditory and textual regimes of ‘Green Tea’, and to the manner in which writing is explicitly figured as both the source of disjunction (...)
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  34.  16
    Serge Daney: Film, Theory and Philosophy.Garin Dowd - 2009 - In .
    Serge Daney is widely recognised in his homeland as the most important French film critic after André Bazin. In a career devoted to criticism for Cahiers du cinéma and later Libération, including a key period as editor during the transition from the journal’s PCF and then Maoist phase beginning in 1973, Daney also held a lecturing position for a spell at the University of Paris, Paris III, La Censure. He was a significant public intellectual and featured in several documentaries, including (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  35. Space, Geometry and Aesthetics: Through Kant and Towards Deleuze. [REVIEW]Garin Dowd - 2008 - Radical Philosophy 152.
     
    Export citation  
     
    Bookmark  
  36. Species of Spaces in the Cinema of Philippe Garrel.Garin Dowd - unknown
    Paper presented at Philippe Garrel, le temps incorporé/Embodied Time Université Paris 8 Nanterre 29 & 30 novembre 2018 This paper proposes a loose typology of space and place in Garrel’s cinema. Its point of departure is the 1969 round table organised by Jacques Rivette which was a supplement to a series of film screenings chosen to illustrate the theme of space in cinema. Among the films chosen was Garrel’s Le lit de la vierge, which, for Rivette, is of interest in (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  37. Shot/Reverse Shot.Garin Dowd - unknown
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  38.  11
    'Stellar Separation' or 'Abstract Machine': Badiou and Deleuze on Beckett.Garin Dowd - 2012 - In .
    This is a version of a paper delivered at the Beckett centenary conference held at University College Cork, May 26-27, 2006. It was subsequently published under the title ‘Stellar Separation orMachine? Badiou and Deleuze and Guattari on Beckett’ in Beckett Re-Membered: After the Centenary, edited by James Carney,Mi chael O’Sullivan, Leonard Madden and Karl White, pp. 92-107, ISBN 1443835005. This is a pre-publication version of the paper as it appeared in the latter publication. OPENING PARAGRAPH: In the most important study (...)
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  39. Steven Shaviro, Without Criteria: Kant, Whitehead, Deleuze and Aesthetics.Garin Dowd - 2009 - Radical Philosophy 158:63.
     
    Export citation  
     
    Bookmark  
  40. The Captive.Garin Dowd - unknown
    Text of a response to a paper by Linda Lai - ‘Presencing the past, a montage experience: walking through a series of temporal nodes’ - at Urban Encounters 2017: Cartographies, Clore Auditorium, Tate Britain, November 11 2017.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  41.  24
    Tools of Thought.Garin Dowd - unknown
    A review of Peg Rawes "Space, Geometry and Aesthetics: Through Kant and towards Deleuze".
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  42. The Movement-Image, the Time-Image and the Paradoxes of Literary and Other Modernisms.Garin Dowd - 2014 - In Understanding Deleuze, Understanding Modernism. New York, USA: Bloomsbury. pp. 90-109.
    Which modernism or modernisms circulate in Deleuze’s two-volume work on cinema? Can one meaningfully claim that both or either The Movement-Image and The Time-Image maintain connections with literary modernism? What relationship if any may be forged between theoretical debates in the areas of literary and film studies as these have been influenced by engagement with Deleuze’s work on cinema? The first obstacle to any successful negotiation of these questions lies in the absence in the books of any reference to the (...)
    Direct download  
     
    Export citation  
     
    Bookmark  
  43. The Movement-Image, the Time-Image and the Paradoxes of Literary and Other Modernisms.Garin Dowd - 2014 - In .
    Which modernism or modernisms circulate in Deleuze’s two-volume work on cinema? Can one meaningfully claim that both or either The Movement-Image and The Time-Image maintain connections with literary modernism? What relationship if any may be forged between theoretical debates in the areas of literary and film studies as these have been influenced by engagement with Deleuze’s work on cinema? The first obstacle to any successful negotiation of these questions lies in the absence in the books of any reference to the (...)
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  44.  10
    The Problem of the Any-Space-Whatever Between Deleuze's Cinema and Beckett's Prose.Garin Dowd - 2015 - In .
    There are many points of contact between Deleuze’s spatial concepts, in their variegated forms, and the prose work of Samuel Beckett. With particular emphasis on the concept of any-space-whatever, it is shown that Beckett’s interrogation of spatiality in the work immediately following the Second World War can be seen to anticipate the very qualities of his late work which would lead Deleuze to make such extensive use of the concept in ‘The Exhausted’. For the purposes of this chapter Beckett’s novella (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  45.  35
    The Proxemics of 'Neither'.Garin Dowd - unknown
    This chapter takes as its point of departure the frequent injunction in Beckett’s late prose works to build or construct an environment for a character to inhabit. It is proposed that this instruction is central to the textual operations of the late prose. Making use of the work of Philippe Hamon on text and architecture, and through a close reading of Beckett’s short prose piece, it is argued that, despite its sparse nature, ‘Neither’ can, in large part, still be read (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  46. Without Criteria: Kant, Whitehead, Deleuze and Aesthetics. [REVIEW]Garin Dowd - 2009 - Radical Philosophy 158.
    No categories
     
    Export citation  
     
    Bookmark  
  47.  7
    Watt's Ways: Addenda, Borders and Courses.Garin Dowd - unknown
    While the theme of loss of spatio-temporal coordinates is pervasive in the late prose of Beckett, Watt is already notable for the emphasis it places on dislocation. In particular, there is already evidence of what will later become a more distilled attention to the unstable threshold between interior and exterior that can be said to define the architectural itself.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  48.  7
    "CONNECT-I-CUT": George Oppen's Discrete Series and a Parenthesis by Jacques Derrida.Garin V. Dowd - 2000 - Angelaki 5 (1):123-128.
  49.  14
    Books Briefly Noted.Mark Haugaard, Garin V. Dowd & Maurice Larkin - 1997 - International Journal of Philosophical Studies 5 (3):493 – 497.
    The Panopticon Writings By Jeremy Bentham (Edited by Miran Bo ovic, Verso, 1995. ISBN 1-85984-958-X (hbk) 34.95. The Other Side of Language: A Philosophy of Listening By Gemma Corradi Fiumara, Routledge, 1995, Pp. 231. ISBN 0-415-04927-X. 12.99. Foreign Bodies By Alphonso Lingis, Routledge, 1994, Pp. vii + 236. ISBN 0-415-90990-2. 45.00 (hbk), 15.99 (pbk).
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  50.  12
    Books Briefly Noted.Sadhbh O' Neill, Louis Caruana, Gayle Kenny & Garin V. Dowd - 1997 - International Journal of Philosophical Studies 5 (2):341 – 346.
    This Sacred Earth: Religion, Nature, Environment Edited by Roger S. Gottlieb Routledge, 1996. Pp. 673. ISBN 0-415-91233-4. 45.00 (hbk) 16.99 (pbk) Moderate Realism and its Logic By D.W. Mertz Yale University Press, 1996. Pp. xvi + 310. ISBN 0-300-06561-2. 27.50 (hbk) William James Remembered Edited by Linda Simon University of Nebraska Press, 1996. Pp. 275. ISBN 0-8032-4248-4. 28.50 (hbk). Cybermonde: La politique du pire. Entretien avec Philippe Petit. By Paul Virilio Les ditions Textuel, 1996.pp. 110. ISBN 2-909317-21-8. FF 79 (pbk).
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark