What are academic hoaxes, and what should we make of them? This paper argues that academic hoaxes are exercises in pretense, with a complex structure involving both a focal item and a self‐revealing dimension, all governed by attitudes about the relevant sort of academic work, that are derivative yet different from the attitudes found in normal participation in publication. Hoaxes done primarily for humorous purposes are unproblematic. Serious academic hoaxes are both inherently risky and poorly suited (...) to accomplish their ends, making them an undesirable feature of the contemporary academic landscape. (shrink)

Award-winning poet and critic Kevin Young traces the history of the hoax as a peculiarly American phenomenon--the legacy of P.T. Barnum's 'humbug' culminating with the currency of Donald J. Trump's 'fake news'. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, with race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and 'What (...) Is It?', an African American man Barnum professed was a newly discovered missing link in evolution. Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans like Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. This brilliant and timely work asks what it means to live in a post-factual world of 'truthiness' where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art."--Dust jacket flap. (shrink)

As much as many other human enterprises, the art world today is fuelled by pride, greed, and ambition. Artists and art dealers hope for recognition and wealth, while art collectors often acquire works less for their intrinsic aesthetic merit than for their investment potential. In such a climate of values and desires, it is not surprising that poseurs and frauds will flourish. For works of painting and sculpture are material objects that derive their often immense monetary value generally from two (...) factors; (1) their aesthetic qualities their embody, and (2) who made them and when. It is the second of these two factors that comes into play in most art hoaxes, which are cases of forgery. (shrink)

The hoax perpetrated by New York University theoretical physicist Alan Sokal in 1996 on the editors of the journal Social Text quickly became widely known and hotly debated. (See Physics Today January 1997, page 61, and March 1997, page 73.) "Transgressing the Boundaries -- Toward a Transformative Hermeneutics of Quantum Gravity," was the title of the parody he slipped past the unsuspecting editors. [1] Many readers of Sokal's article characterized it as an ingenious exposure of the decline of the intellectual (...) standards in contemporary academia, and as a brilliant parody of the postmodern nonsense rampant among the cultural studies of science. Sokal's paper is variously, so we read, "a hilarious compilation of pomo gibberish", "an imitation of academic babble", and even "a transformative hermeneutics of total bullshit". [2] Many scientists reported having "great fun" and "a great laugh" reading Sokal's article. Yet whom, exactly, are we laughing at? (shrink)

What did Sokal mean by this? In Sokal's own words, "This . . . statement is utterly meaningless, but it sounds good in certain circles." Sokal's intent was to parody the post modernist, relativist views of science that he felt were prevalent in Social Text and other like minded academic venues, and to see if by speaking the language of proponents of these views, he could get his parody published as a serious academic paper. In short, "Transgressing the Boundaries: Toward (...) a Transformative Hermeneutics of Quantum Gravity" was a hoax. Its acceptance and publication reverberated beyond the academic world to the front page of the New York Times. (shrink)

Like many other scientists, I was amused by news of the prank played by the NYU mathematical physicist Alan Sokal. Late in 1994 he submitted a sham article to the cultural studies journal Social Text, in which he reviewed some current topics in physics and mathematics, and with tongue in cheek drew various cultural, philosophical and political morals that he felt would appeal to fashionable academic commentators on science who question the claims of science to objectivity.

The essay explores the meaning and implications of Alan Sokal’s hoax on the editors of Social Text. It examines the role that relativist/postmodernist views about knowledge may have played in that episode, and briefly explores the cogency of such conceptions.

Describes the Sokal hoax and defends it against attacks by postmodernists.

In 1996, Alan Sokal, a Professor of Physics at New York University, wrote a paper for the cultural-studies journal Social Text, entitled: 'Transgressing the Boundaries: Towards a transformative hermeneutics of quantum gravity'. It was reviewed, accepted and published. Sokal immediately confessed that the whole article was a hoax - a cunningly worded paper designed to expose and parody the style of extreme postmodernist criticism of science. The story became front-page news around the world and triggered fierce and wide-ranging controversy. -/- (...) Sokal is one of the most powerful voices in the continuing debate about the status of evidence-based knowledge. In Beyond the Hoax he turns his attention to a new set of targets - pseudo-science, religion, and misinformation in public life. 'Whether my targets are the postmodernists of the left, the fundamentalists of the right, or the muddle-headed of all political and apolitical stripes, the bottom line is that clear thinking, combined with a respect for evidence, are of the utmost importance to the survival of the human race in the twenty-first century.' The book also includes a hugely illuminating annotated text of the Hoax itself, and a reflection on the furore it provoked. (shrink)

But which weaknesses? Even people who followed the story with some interest and amusement may still be wondering what, exactly, the hoax proved. As one of the editors of Social Text, I freely confess what I think it proved about us: that some scientific ignorance and some absentmindedness could combine with much enthusiasm for a supposed political ally to produce a case of temporary blindness. It remains to be seen, however, whether our editorial failure is really symptomatic of a larger (...) failure in the beliefs we hold or the movements from which we come, and if so, what it might be symptomatic of. (shrink)

In the first section of my paper, I want to consider the “paradoxes of complementarity” between polarised notions such as the quantum concepts of “wave” and “particle.” I will argue that if we treat this topic with all the “gravity” it deserves, we will be able to understand once and for all why this debate can never be completely resolved. In the second section, I want to consider the notion of “parody.” At the end, astute readers must determine forthemselves whether (...) I can be trusted to mean what I say, or whether this is all merely ironic, a post-modern hoax, one that undercuts the very boundaries it installs. (shrink)

In the first section of my paper, I want to consider the “paradoxes of complementarity” between polarised notions such as the quantum concepts of “wave” and “particle.” I will argue that if we treat this topic with all the “gravity” it deserves, we will be able to understand once and for all why this debate (and others like it) can never be completely resolved (paradox intended). In the second section, I want to consider the notion of “parody.” At the end, (...) astute readers must determine forthemselves whether I can be trusted to mean what I say, or whether this is all merely ironic, a post-modern hoax, one that undercuts the very boundaries it installs. (shrink)

The phenomenon of Holocaust denial, once considered a fringe manifestation with very little impact, has, more or less, entered the mainstream of historiographical and academic debate in recent years. The main danger associated with the deniers’ discourse is that of forcing into the public conscience the awareness of the fact that there might be “more sides” to the Holocaust history than previously known based on written documents, testimonies of survivors and other types of proofs. The following paper is a review (...) of the emergence, development and extent of Holocaust denial, especially in the United States, as well as an attempt to summarise the deniers’ arguments, claims and motivations, following the line opened by Deborah Lipstadt and other historians. (shrink)

This research examines published editorials and letters to the editor at the time of one of the first and most bizarre newspaper frauds in this country-the infamous moon hoax of 1835, perpetuated by the New York Sun and reporter Richard Adams Locke. The purpose is to focus on what was written about the practice of journalism before, during, and after the moon hoax-thereby providing a more complete understanding of the journalistic environment that gave birth to the fabrication. This article taps (...) directly into discussion of journalism ethics printed in 4 leading New York City dailies: The Evening Post, The Herald, the combined Morning Courier & New York Enquirer, and the New York Sun. (shrink)

Reprint of "What the Sokal Hoax Ought to Teach Us", Times Literary Supplement (1996) .

Confirmed COVID-19 cases in the United States increased exponentially, quickly leading to a pandemic in 2020, which created a serious public-health emergency. During the period in which the COVID-1...

That afternoon in May I was sitting in front of the computer, half-working, half-listening to "All Things Considered." The kids were in the living room doing a similar combination of homework and TV. Then, all of a sudden, I heard the words "Social Text," followed by laughter. It was the name of the journal I've worked on for over ten years, the last five of them as coeditor. I was thunderstruck. We were on National Public Radio. "Kids! I yelled. "Social (...) Text!". (shrink)

Journal of Mass Media Ethics, Volume 27, Issue 1, Page 62-64, January-March.

For the complex or boundary objects in which I am interested . . . dimensions implode . . . they collapse into each other . . . story telling . . . is a fraught practice . . . In no way is story telling opposed to materiality, [sic] But materiality itself is tropic; it makes us swerve, it trips us; it is a knot of the textual, technical, mythic/oneric [sic], organic, political and economic.

This article reflects upon the state of the philosophical profession vis‐à‐vis a close reading of the hoax perpetrated against the International Journal of Badiou Studies in 2016. This hoax is not a subversive act of disciplinary criticism (as the hoaxers contend). Rather, it is a poorly disguised attempt to enforce a partisan and myopic conception of philosophy and to delegitimize an entire subfield of philosophical production—namely, continental philosophy. The hoax is symptomatic of a deeper problem that plagues the profession today: (...) the willingness exhibited by many philosophers to police the boundaries of the discipline by engaging in what we call “acts of force.” The prevalence of acts of force demonstrates that professional philosophy is shaped not only by the giving and taking of reasons but also by shopworn disciplinary tribalisms (for example, continental versus analytic) and asymmetrical power relations involving agents with unequal amounts of social, professional, and philosophical capital. (shrink)

That afternoon in May I was sitting in front of the computer, half-working, half-listening to "All Things Considered." The kids were in the living room doing a similar combination of homework and TV. Then, all of a sudden, I heard the words "Social Text," followed by laughter. It was the name of the journal I've worked on for over ten years, the last five of them as coeditor. I was thunderstruck. We were on National Public Radio. "Kids! I yelled. "Social (...) Text!". (shrink)

Like many other scientists, I was amused by news of the prank played by the NYU mathematical physicist Alan Sokal. Late in 1994 he submitted a sham article to the cultural studies journal Social Text, in which he reviewed some current topics in physics and mathematics, and with tongue in cheek drew various cultural, philosophical and political morals that he felt would appeal to fashionable academic commentators on science who question the claims of science to objectivity.

As is made clear by the exergue by Carlo Ginzburg at the beginning of the introduction to the volume, the topic of fakes, forgeries, deceptions, and hoaxes in early modern science touches upon several crucial issues for historians of science, such as the possibilities of disentangling the true from the false in writing history, and to assess criteria of demarcations of truth and falsity in knowledge. Moreover, dealing with fakes also means going beyond rigid disciplinary boundaries. Indeed, the editors (...) Marco Beretta and Maria Conforti underline that the inspirational sources for this book—which has its origins from the Second Watson Seminar in the History of Material and Visual Science held at the Museo Galileo in Florence in June 2013—range from Orson Welles to Trevor Roper’s famous The Hermit of Peking. Consequently, starting from the “rather naïve question” of why, since fakes, forgeries, and deception techniques proliferate in early modern sciences and culture, we still have v .. (shrink)

Deceptive communication and misinformation are crucial issues that are currently having a significant impact on social life. Parallel to the important work of identifying misinformation on digital platforms is understanding why such material proliferates. One approach to answering this question is to attempt to understand the values that are being targeted by misinformation as a means of interpreting the underlying social bonds that are at stake. This study examines the kinds of social bonds that are communed around and contested in (...) a corpus of YouTube video comments about the viral internet hoax ‘The Momo Challenge’. A social semiotic approach to ‘ambient affiliation’ is used to investigate how these bonds are negotiated in this digital discourse. This approach involves establishing the types of personae who were negotiating meaning in the comments on the basis of the values that they recurrently shared, deferred or disputed. The analysis suggests that, in addition to concern over whether Momo was real and dangerous, there was a deeper moral panic about parenting in the digital age and the legitimacy of institutions such as schools and media as brokers of knowledge. (shrink)

Journal of Mass Media Ethics, Volume 27, Issue 1, Page 57-59, January-March.

Though popular in the nineteenth century and widespread since, the elements of the hoax form can be traced to the origins of rhetorical theorizing, principally in the strategies of probability and counterprobability developed by the early orators and sophists. This article begins by defining features of the hoax as a textual event and then describes how hoaxes use traditional rhetorical techniques of both probability and improbability to transport viewers from credulity and acceptance to doubt and disbelief, demonstrating technical mastery (...) over rhetorical conventions of the genre to mock their targets and to entertain and instruct their audience. (shrink)

Volume 51, Issue 14, December 2019, Page 1408-1412.

Every author has to expect that some reviewers will dislike his book, perhaps intensely. That is par for the course. But one might hope that even a scathingly negative review would be accurate in its summary of the book’s contents and principal arguments. Alas, Peter Saulson’s review1 of my book Beyond the Hoax: Science, Philosophy and Culture 2 fails to meet this minimum standard.

George M. Searle (1839-1918) and Charles S. Peirce worked together in the Coast Survey and the Harvard Observatory during the decade of 1860: both scientists were assistants of Joseph Winlock, the director of the Observatory. When in 1868 George, a convert to Catholicism, left to enter the Paulist Fathers, he was replaced by his brother Arthur Searle. George was ordained as a priest in 1871, was a lecturer of Mathematics and Astronomy at the Catholic University of America, and became the (...) fourth superior general of his congregation from 1904 to 1909. Among the books he wrote for non-Catholic audiences was Plain Facts for Fair Minds (1895). On the 8th of August of 1895, Peirce found that book in a bookstore and the following day wrote a letter to George Searle developing his strong reservations about the question of the infallibility of the Pope. This letter (L 397) is almost unknown amongst Peirce's scholars. -/- After describing these historical circumstances as a framework, the aim of my paper is to describe Peirce's arguments against papal infallibility presented by George Searle in his book, and the contrast between the genuine scientific attitude and the putative metaphysical notion of absolute truth that is —according to Peirce— behind Searle's defense of infallibility. In this sense, Peirce's fallibilism will be explained with some detail, giving an account also of his practical infallibilism: "The assertion that every assertion but this is fallible, is the only one that is absolutely infallible. But though nothing else is absolutely infallible, many propositions are practically infallible; such as the dicta of conscience" (Minute Logic, CP 2.75, c. 1902). -/- Finally, having in mind the present interest in Peirce's religious ideas it will be suggested that some of Peirce's ideas on infallibility are nearer to contemporary understanding of that issue than Searle's defense. "I would with all my heart join the ancient church of Rome if I could. But your book," —Peirce writes to Searle— "is an awful warning against doing so." -/- . (shrink)