Prolusione: A servizio dell'uomo, di G. Urbani.--L'uomo nella filosofia, di P. Prini.--L'uomo nella sociologia, di A. Grumelli.--L'uomo nella psicologia, di L. Ancona.--L'uomo nell'arte, di P. Bruzzichelli.--L'uomo nella teologia, di D. Grasso.--L'uomo nella Chiesa, di F. Weber.

The mathematical scenario in Italy during the Late Middle Ages and the Renaissance is mainly dominated by the treatises on the abacus, which developed together with the abacus schools. In that context, between approximately the last thirty years of the fourteenth century and the first twenty years of the sixteenth century, the manuscript and printed tradition tell us of queries and challenges, barely known or totally unknown, in which the protagonists were abacus masters. We report in this work on the (...) most significant examples and draw out interesting cues for thoughts and remarks of a scientific, historical and biographical nature. Five treatises, written in the fifteenth and sixteenth century, have been the main source of inspiration for this article: the Trattato di praticha d’arismetricha and the Tractato di praticha di geometria included in the codices Palat. 573 and Palat. 577 (c. 1460) kept in the Biblioteca Nazionale of Florence and written by an anonymous Florentine disciple of the abacist Domenico di Agostino Vaiaio; another Trattato di praticha d’arismetrica written by Benedetto di Antonio da Firenze in 1463 and included in the codex L.IV.21 kept in the Biblioteca Comunale of Siena; the Tractatus mathematicus ad discipulos perusinos written by Luca Pacioli between 1477 and 1480, manuscript Vat. Lat. 3129 of the Biblioteca Apostolica Vaticana; and Francesco Galigai’s Summa de arithmetica, published in Florence in 1521. (shrink)

Avtor analizira zgodovinske, teoretske in metaforične pomene »mesta«, pri čemer opira svoja stališča na poglede G. Simmla, F. Engelsa, W. Benjamina, L. Mumforda, R. Sennetta in C. Baudelaira. Svojo razpravo osredotoča predvsem na Berlin ter ponudi pragmatistično branje tega mesta.

La città, risultato della storia, della cultura e della civiltà, si presenta a noi, a un primo impatto, come un’esaltazione dell’edificare in un gioco delle forme e dei volumi, o come una glorificazione dell’architettura; in un secondo momento viene percepita anche come un segno delle comunità e dell’appartenenza di cui le forme sono il riflesso. Si profila, a ben ragionare sul suo significato, dall’antichità alla modernità, un composito fare umano, il disegno straordinario dell’azione collettiva e dei singoli, l’effetto di un’arte (...) dello spazio esteso. Esso interagisce con ciò che si chiama l’arte del paesaggio, perché propone elementi della cura, dell’immaginazione e della progettazione, i segni della fantasia e le creazioni della necessità. Allo stesso modo di un’attività dove l’uomo è creatore di coltivazioni, si può dire infatti che esista un’arte della città come prodotto delle comunità e dei singoli, degli architetti e degli artisti, dei progettisti e dei semplici lavoratori, dei cittadini e dei loro rappresentanti politici: risultato di uno sforzo ideale e civile, ma anche di un concreto, sfaccettato manifestarsi delle tecniche nello spazio, modellato anche, volta a volta, da quel certo gruppo sociale o dalle ideologie. (shrink)

Una breve nota in relazione all'articolo recentemente apparso su questa rivista che indica un nuovo manoscritto appartenuto a Teodosio IV Princeps, patriarca di Antiochia ; con l'occasione vengono enumerati anche i codici di cui è nota l'appartenenza al Patriarca. Vorrei aggiungere a questa lista il manoscritto di Genova, Biblioteca Franzoniana, Urbani 17 che appartenne a Teodosio IV Princeps, come si evince dalla sua caratteristica nota di possesso vergata nei fogli finali del manoscritto . Ho indicato il possesso di questo (...) codice da parte del Patriarca nel mio Catalogo dei manoscritti greci della Biblioteca Franzoniana . Urbani 2–20, nella descrizione del codice Urbani 17; lo ripeto qui non tanto per rivendicare una mia scoperta, giacché, come ho notato nel commento al manoscritto, il misterioso ‘Teodosio’ il cui nome avevo trovato nei margini del codice Urbani 17 era stato a suo tempo identificato dal Professor Jean Irigoin a cui avevo mostrato la scritta, ma per la completezza delle informazioni sulla collezione di manoscritti di Teodosio IV Princeps, che è composta ormai di quattordici codici, considerando i dodici elencati dall'autrice del recente articolo, il tredicesimo da lei scoperto e il codice di Genova. (shrink)

Il campo di studio della modernitÀ si caratterizza come luogo di evidenza e affermazione storica della questione dell'individuo. Le scienze sociali ne hanno interpretato gli sviluppi in relazione esclusiva alle grandi categorie analitiche del pensiero euro-occidentale, consolidandone la discussione in un contesto culturale ‘bloccato'. Un'analisi sociologica sulla costruzione della giovinezza nella riva sud mediterranea, e in particolare sui giovani adulti dei centri urbani del Marocco, offre l'occasione per ripensare il paradigma interpretativo della modernitÀ e il significato di individuo individualizzato (...) alla luce di nuove traiettorie di mutamento sociale. Una prospettiva di studio che si colloca nell'attualitÀ del dibattito sociologico volto a riconoscere l'esistenza di differenti forme di costruzione moderna del soggetto nel panorama culturale del Sud globale. (shrink)

Basandomi su (Harvey 2012) argomenterò che la struttura architettonica della città deve seguire un determinato modello morale: gli edifici devono adattarsi alla persone e alle loro esigenze, e non il contrario. Definita la città come un particolare tipo di oggetto sociale, difenderò la tesi della possibilità di cambiamento “qui e ora” delle strutture architettoniche delle città sulla base del modello che, come mostra (Sudjic 2011), è attualmente ribaltato in una situazione in cui gli agglomerati urbani seguono sostanzialmente una struttura (...) che sposa le sole esigenze dei costruttori. Una volta argomentato che la città deve tenere conto degli interessi di tutti, modificando di continuo le proprie strutture, mi baserò su (Frau 2009) per sostenere che la città deve anche trasformarsi in un luogo in cui anche i “ diversi” (malati mentali, ecc.) trovano un loro spazio non dissimile da chi è definito “normale”. (shrink)

L'articolo esplora l'evoluzione delle forme del vivere urbano, attraverso l'espansione delle tecnologie di sicurezza privata e la diffusione dellein Brasile, negli Stati Uniti e in Italia. Nell'analisi si procede mettendo in luce dimensioni diverse dei processi di separazione e reclusione su una base spaziale e temporale. Sullo sfondo permane il tema della paura del diverso e della difficoltÀ di confrontarsi con le differenze nei nuovi contesti urbani.

La recente esperienza dei movimenti “Occupy” e di altre proteste di strada evidenzia la domanda globale per una democrazia partecipativa che riconosca il conflitto sociale. L’emergere di un urbanismo insorgente a Tehran si è realizzato anche attraverso associazioni semantiche che dipendono dalla memoria storica presente nell’immaginazione collettiva. Durante la Rivoluzione Islamica del 1978-79, luoghi di Tehran quali Enqelab Street e Azadi Square hanno fornito le principali dimensioni spaziali della protesta rendendo possibile una sua appropriazione basata su nuove interpretazioni ideologiche. Inoltre, (...) le precedenti geografie della protesta a Tehran hanno fornito lo spazio primario per connettere gli attivisti con la gente comune e attivare una memoria collettiva inserita nel contesto urbano. Concentrandosi sulla Tehran moderna, questo articolo mira a elaborare un quadro teorico per comprendere le “piazze della protesta” come forme emergenti di spazio politico. In particolare, l’articolo si focalizza sul movimento “Take the square”, sviluppatosi a Tehran in anni recenti come un utile termine di paragone nel contesto della diffusione generale del fenomeno degli spazi urbani centrali che divengono “spazialita del malcontento”. (shrink)

Humans encounter and use animals in a stunning number of ways. The nature of these animals and the justifiability or unjustifiabilitly of human uses of them are the subject matter of this volume.Philosophers have long been intrigued by animal minds and vegetarianism, but only around the last quarter of the twentieth century did a significant philosophical literature begin to be developed on both the scientific study of animals and the ethics of human uses of animals. This literature had a primary (...) focus on discussion of animal psychology, the moral status of animals, the nature and significance of species, and a number of practical problems. This Oxford Handbook is designed to capture the nature of the questions as they stand today and to propose solutions to many of the major problems. Several chapters in this volume explore matters that have never previously been examined by philosophers.The authors of the thirty-five chapters come from a diverse set of philosophical interests in the History of Philosophy, the Philosophy of Mind, the Philosophy of Biology, the Philosophy of Cognitive Science, the Philosophy of Language, Ethical Theory, and Practical Ethics. They explore many theoretical issues about animal minds and an array of practical concerns about animal products, farm animals, hunting, circuses, zoos, the entertainment industry, safety-testing on animals, the status and moral significance of species, environmental ethics, the nature and significance of the minds of animals, and so on. They also investigate what the future may be expected to bring in the way of new scientific developments and new moral problems.This book of original essays is the most comprehensive single volume ever published on animal minds and the ethics of our use of animals. (shrink)

Dans cet article est discutée l'hypothèse récente selon laquelle un type de maison attesté jusqu'ici à partir de l'époque hellénistique à Délos pourrait remonter à l'époque classique (Ve s. av. J.-C.) : maison simple, allongée, organisée autour d'une cour sur laquelle s'ouvre, à l'arrière, un ensemble caractéristique de deux ou trois pièces (oecus maior et annexe[s]) et souvent dotée, en façade, d'un vestibule et de pièces de service. On propose un réexamen de la maison Ο dans l'îlot III du Quartier (...) du théâtre, qui sert de preuve à cette hypothèse. À la base des murs visibles, quatre phases sont distinguées : ce n'est que dans la deuxième phase que la maison examinée ici a été construite, intégrant des murs préexistants de l'époque classique (première phase) ; elle fait partie du premier « programme urbanis- tique » attesté dans ce quartier et ne peut remonter avant la construction du théâtre au IIIe siècle av. J.-C. Après une transformation avec embellissement (troisième phase), au cours de laquelle ont été ajoutées des latrines, des pièces additionnelles et une colonnade, une huilerie a été installée dans la maison au début du Ier siècle av. J.-C. (quatrième phase). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS Metaphysics as a Guide to Morals. By IRIS MURDOCH. Harmondsworth: Allen Lane; New York: Viking, 1992. $35.00. Dame Iris Murdoch is familiar to most people as a witty and en· gaging novelist whose twenty-four hooks of fiction can he read on a variety of levels. They are wonderful stories, hut the philosophically acute reader will also enjoy Murdoch's judgments, polemics, and inhouse jokes about philosophers and philosophical (...) views. Comparatively few people are aware of Murdoch's previous scholarly studies: Sartre, Romantic Rationalist, The Sovereignty of the Good, The Fire and the Sun; and Acastos. Even so, those familiar with these hooks will recognize the profound impact she has had on debates within moral philosophy. She has been at the forefront of the move· ment that has rehabilitated the central importance of such notions as goodness, the Good, virtue, and the moral life as a journey. So it is not surprising that Murdoch has returned to the genre of philosophical argument to advance her views on the relationship between metaphysics and morals. But it is surprising that her argument exhibits neither the clarity of thought characteristic of the analytic philosophy in which she was trained nor the dramatic narrative of her novels. Indeed the hook reads like a collage of lecture notes, complete with extensive quotations from other people's thoughts with minimal com· mentary. Further, the chapter titles (e.g., " Fact and Value," " Schopenhauer," " Consciousness and Thought-I," " Derrida and Struc· turalism," " Consciousness and Thought-II," "Notes on Will and Duty," " Axioms, Duties, Eros," " Void ") shed little light on the overall structure or argument of the hook. One cannot help hut have the impression that Murdoch spent less time crafting the argument of this hook than she does in crafting the story line and characters of her novels. This is not to say, of course, that there is not much to he learned from Murdoch's perspective. She is remarkably erudite, and her discussion of various themes, figures, and issues often yields fascinating insights. But the whole is considerably less than the sum of its often interesting parts. I have already suggested that this is partly because of the structure and style in which the hook is written. But the hook 687 688 BOOK REVIEWS is also disappointing, and perhaps more determinatively, because of the overall perspective she seeks to deploy and defend. Readers of Murdoch's work have heretofore often wondered about the relationship between her avowed Platonism and her interest in Christianity. Metaphysics as a Guide to Morals has the virtue of clarifying that relationship, hut the result is unpersuasive. At the heart of Murdoch's Platonism is her recasting of the allegory of the cave from The Republic. The moral life is an arduous struggle to ascend from the cave (represented, as in her earlier works, by " the fat, relentless ego ") by a dispossession of the self so that we can apprehend a little less imperfectly the perfect form of the Good. As Murdoch puts it, Plato assumes the internal relation of value, truth, cogmtion. Virtue (as compassion, humility, courage) involves a desire for and achievement of truth instead of falsehood, reality instead of appearance. Goodness involves truth.seeking knowledge and ipso facto a discipline of desire. ' Getting things right ', as in meticulous grammar or mathematics, is truth-seeking as virtue. Learning anything properly demands (virtuous ) attention. Here the idea of truth plays a crucial role (as it does also in Kant) and reality emerges as the object of truthful vision, and virtuous action as the product of such vision. This is a picture of the omnipresence of morality and evaluation in human life (p. 39). Such a depiction ought to resonate quite deeply with Christians, something not lost on Murdoch when she writes a few pages earlier: "There are innumerable points at which we have to detach ourselves, to change our orientation, to redirect our desire and refresh and purify our energy, to keep on looking in the right direction: to attend upon the grace that comes through faith " (p. 25). But Murdoch's "grace" and her "truth-seeking as virtue," among other themes, involve something quite different from what Christians... (shrink)

Excerpt from La Logique de Hegel S'il n'en est pas de meme chez nous on peut du moins remar quer que le nom de Hegel, qui naguere encore semblait tout a fait oublie, se rencontre assez frequemment sous la plume de nos philosophes les plus autorises. M. Fouillee, en particulier, le cite a maintes reprises'dans ses deux derniers livres Le Mouvement posuiviste et Le Mouvement idealiste. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find (...) more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

La quête de repères identificatoires est probablement l'une des plus vieilles entreprises que l'humanité s'est donnée pour asseoir son histoire et construire sa mémoire. Toutes les sociétés, toutes les civilisations, fussent les pires totalitarismes, ont besoin d'une genèse héroïque — et donc exemplaire — pour fonder leurs origines. Une geste destinée à justifier leur présent ; un point de départ qui fixe un "avant" et un "après" et qui fait qu'à partir d'un événement créateur, selon la formule maintes fois annoncée, (...) toujours contredite : "rien ne sera plus jamais comme avant". On a tous besoin d'un père, tous besoin d'un géniteur, individuel ou collectif. Cette qualité peut naturellement se décliner sous différentes formes : le "père fondateur" est, selon les cas, un homme, une femme, un événement, un discours, un livre... Cet ouvrage se propose donc d'explorer ce concept, en croisant différentes approches : la linguistique, l'histoire, la philosophie, la littérature et le droit. (shrink)

In this essay I explore the encounter between religion and music via ideas taken from Olivier Messiaen. I first present his categorization of music and the concepts of sound-colour and dazzlement as the 'directional meaning' of music. I then show how Messiaen relates this to the phenomena of natural resonance and afterimages, and based on this, I present-via Goethe and Rudolf Steiner-the notion of an etheric, evanescent or incorporeal matter. This understanding and experience of matter is then brought to bear (...) on music. In this context the notion of a 'religious experience' can be understood as both referring to content and sentiment related to a religious belief, and, in a more general sense of 'religare' (to bind), as a deeper bond with the material-temporal flow of nature. This gives way to a Johannine vision of Messiaen's musical thinking where the creative-sounding Logos or 'word' is both spirit and matter, and where music may represent a potential awakening to this reality. (shrink)

The paradox of knowability poses real difficulities to our understanding of truth. It does so by claiming that if we assume a truth is knowable, we can demonstrate that it is known. This demonstration threatens our understanding of truth in two quite different ways, only one of which has been recognized to this point in the literature on the paradox. Jonathan Kvanvig first unearths the ways in which the paradox is threatening, and then delineates an approach to the paradox that (...) solves both of the problems raised by the paradox for our understanding of truth. His book will be of interest throughout philosophy, but especially to logicians and epistemologists. (shrink)

What is the constituent nature of God? Most scholars project the idea that God is an absolute, pure spirit devoid of matter. In this paper, I engage this position from the African philosophical place. First, I contend that the postulation that God is pure spirit stems from an ontological system known as dualism. This system bifurcates reality into spirit and matter and sees spirit as good, and matter as evil. Therefore, scholars who subscribe to this theory of dualism, posit that (...) God, the Supreme Being is the ultimate good that is, and is pure spirit. Secondly, I disagree with this position. Using the African theory of duality, I argue that everything that is has both spirit and matter, and that spirit and matter are good. Thus, God as an existent reality consists of spirit and matter. I will support my argument using Asouzu’s Ibuanyidanda ontology and Ijiomah’s Harmonious Monism, two African culture-inspired philosophical systems. In this paper, I employ conversationalism as my philosophical method. (shrink)

Despite tributes paid to Fuller as an intellectual father of ADR, little attention has been paid within the ADR field to the broader interactionist vision that underlies Fuller’s discussion about process. A closer reading of Fuller’s study of mediation, however, reveals that he intended that study to substantiate his interactionist thesis about the nature of social ordering. He understood ordering to be generated by and to reflect a particular experience of social interaction. Fuller’s interactionist vision recognizes the creative, choice-making and (...) purposive dimensions of human reality, emphasizes participation as a normative criterion for institutional design, and gives rise to a pluralistic notion of power arrangements. It appears in Fuller’s thinking about process as a kind of dialectic and integrative mindset that pervades his means-ends analysis, functional analytical approach and his emphasis on institutional design. This interactionist vision has particular relevance for the practice and research of ADR, for example, in helping to develop a more integrative approach to process pluralism. (shrink)

How did the human brain evolve so that consciousness of art could develop? In The Psychology of Art and the Evolution of the Conscious Brain, Robert Solso describes how a consciousness that evolved for other purposes perceives and creates art.Drawing on his earlier book Cognition and the Visual Arts and ten years of new findings in cognitive research, Solso shows that consciousness developed gradually, with distinct components that evolved over time. One of these components is an adaptive consciousness that includes (...) the ability to imagine objects that are not present--an ability that allows us to create visual art.Solso describes the neurological, perceptual, and cognitive sequence that occurs when we view art, and the often inexpressible effect that a work of art has on us. He shows that there are two aspects to viewing art: nativistic perception--the synchronicity of eye and brain that transforms electromagnetic energy into neuro-chemical codes--which is "hard-wired" into the sensory-cognitive system; and directed perception, which incorporates personal history and knowledge--the entire set of our expectations and past experiences. Both forms of perception are part of the appreciation of art, and both are products of the evolution of the conscious brain over hundreds of thousands of years.Solso also investigates the related issues of neurological and artistic perception of the human face, the effects of visual illusions, and the use of perspective. The many works of art used as examples are drawn from a wide range of artistic traditions, from ancient Egypt to Africa and India and the European Renaissance. (shrink)

This work develops an understanding of hell that is common to a broad variety of religious perspectives, and argues that the usual understandings of hell are incapable of solving the problem of hell. Kvanvig develops a philosophical account of hell which does not depend on a retributive model and argues that it is adequate on both philosophical and theological grounds.

The upstream framework presented in public health and medicine considers health problems from a preventive perspective, seeking to understand and address the root causes of poor health. Medical-legal partnerships (MLPs) have demonstrated the value of this upstream framework in the practice of law and engage in upstream lawyering by utilizing systemic advocacy to address root causes of injustices and health inequities. This article explores upstreaming and its use by MLPs in reframing legal practice.