The reconciliation between Juno and Jupiter at the end of the Aeneid forms the cap to the divine action of the poem. The scene is conventionally regarded as the resolution of the heavenly discord that has prevailed since the first book; in particular, it is normal to see here a definitive transformation of Juno, as she abandons, her enmity once and for all, committing herself wholeheartedly to the Roman cause. So G. Lieberg, for example: ‘I due emisferi di Giove e (...) di Giunone alia fine del poema si ricongiungono nella totalita del mondo divino, garante del glorioso futuro di Roma’ or W. Kiihn: ‘In einem strahlenden, vollen Schlussakkord endet das Gottergesprach.’. (shrink)

The role of the gods in the classical world's epic tradition has long been the subject of controversy. In the first book to discuss the problem of the gods across the entire classical literary tradition, rather than in a few individual works, Professor Feeney draws upon the writings of the ancient critics, and looks in detail at the work of the poets themselves.

At the age of twenty-five, Gn. Pompeius acquired the spectacular cognomen of Magnus. According to Plutarch , the name came either from the acclamation of his army in Africa, or at the instigation of Sulla. According to Livy, the practice began from the toadying of Pompeius' circle . The cognomen invited play. At the Ludi Apollinares of July 59, Cicero tells us, the actor Diphilus won ‘a dozen encores’ when he pronounced, from a lost tragedy, the line ‘nostra miseria tu (...) es magnus’. Four or five years later Catullus scored a fine hit, filching Pompeius' cognomen and giving it to his zealously competitive father-in-law: ‘Caesaris uisens monimenta magni’ . In Lucan's Bellum Civile such plays on the cognomen are elevated into something of considerable power, testifying to a consistent controlling design, of the sort which many still deny the poem. When Pompeius first appears he is compared with Caesar, to his detriment: ‘nec coiere pares’ . So much for Pompeius' vaunted intolerance of an equal, of which we have just been reminded: ‘nec quemquam iam ferre potest Caesarue priorem | Pompeiusue parem’ . Many of the images in this introductory section have a programmatic power, and will recur. With ‘nec coiere pares’ Lucan presents the two as an ill-matched pair of gladiators. The metaphor is ubiquitous. Note, in particular, 5.1–3, and 6.3, ‘parque suum uidere dei’. We are further told that Pompeius seeks ‘fama’, is a ‘popularis’, indulges the people, basks in the applause he receives from the mob in his theatre: ‘famaeque petitor | multa dare in uolgus, totus popularibus auris | impelli plausuque sui gaudere theatri’ . We will return later to this complex of ideas. (shrink)

At the age of twenty-five, Gn. Pompeius acquired the spectacular cognomen of Magnus. According to Plutarch, the name came either from the acclamation of his army in Africa, or at the instigation of Sulla. According to Livy, the practice began from the toadying of Pompeius' circle. The cognomen invited play. At the Ludi Apollinares of July 59, Cicero tells us, the actor Diphilus won ‘a dozen encores’ when he pronounced, from a lost tragedy, the line ‘nostra miseria tu es magnus’. (...) Four or five years later Catullus scored a fine hit, filching Pompeius' cognomen and giving it to his zealously competitive father-in-law: ‘Caesaris uisens monimenta magni’. In Lucan's Bellum Civile such plays on the cognomen are elevated into something of considerable power, testifying to a consistent controlling design, of the sort which many still deny the poem.When Pompeius first appears he is compared with Caesar, to his detriment: ‘nec coiere pares’. So much for Pompeius' vaunted intolerance of an equal, of which we have just been reminded: ‘nec quemquam iam ferre potest Caesarue priorem | Pompeiusue parem’. Many of the images in this introductory section have a programmatic power, and will recur. With ‘nec coiere pares’ Lucan presents the two as an ill-matched pair of gladiators. The metaphor is ubiquitous. Note, in particular, 5.1–3, and 6.3, ‘parque suum uidere dei’. We are further told that Pompeius seeks ‘fama’, is a ‘popularis’, indulges the people, basks in the applause he receives from the mob in his theatre: ‘famaeque petitor | multa dare in uolgus, totus popularibus auris | impelli plausuque sui gaudere theatri’. We will return later to this complex of ideas. (shrink)

In this paper we will offer a few examples to illustrate the orientation of contemporary research in data analysis and we will investigate the corresponding role of mathematics. We argue that the modus operandi of data analysis is implicitly based on the belief that if we have collected enough and sufficiently diverse data, we will be able to answer most relevant questions concerning the phenomenon itself. This is a methodological paradigm strongly related, but not limited to, biology, and we label (...) it the microarray paradigm. In this new framework, mathematics provides powerful techniques and general ideas which generate new computational tools. But it is missing any explicit isomorphism between a mathematical structure and the phenomenon under consideration. This methodology used in data analysis suggests the possibility of forecasting and analyzing without a structured and general understanding. This is the perspective we propose to call agnostic science, and we argue that, rather than diminishing or flattening the role of mathematics in science, the lack of isomorphisms with phenomena liberates mathematics, paradoxically making more likely the practical use of some of its most sophisticated ideas. (shrink)

In part ix of "dialogues concerning natural religion", Demea advances an "a priori" argument for the existence of god: an argument of which cleanthes and philo then make a number of trenchant criticisms. These criticisms are acknowledged by all commentators to be hume's own, And they are regarded by almost all commentators as being fatal to demea's argument. I show that, On the contrary, Hume's main criticisms are all worthless, And that they even include an inconsistency of the most glaring (...) kind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:64. ON HUME'S IS-OUGHT THESIS The famous thesis of Hume about "is" and "ought" I take to be, as I believe it has generally been taken to be: (1) For any factual statement e and any ethical statement h, h is not deducible from e. My object in these brief notes is neither to defend nor to attack (1), but just to point out certain mistakes which have been (...) made, or are apt to be made, about (1), or about what Hume's thesis is. A. Max Black has taken Hume's thesis to be that "only statements of fact can follow- from statements of facti* ¡ a thesis, Black thinks, which Popper and "many other philos c be ; osophers" believe. That is. Black took Hume's thesis to (2)For any factual e and any non-factual h, h is not deducible. from e. It is certain, however, that Popper does not believe (2), and I hope it is untrue that many other philosophers believe it. For (2) is obviously false, and on the contrary, every factual statement has at least one nonfactual consequence; since from any factual statement 'f, the statement *f or not-f, which is not factual, is deducible. But this leaves Hume's thesis (1) untouched, since there is no excuse for confusing it with the foolish thesis (2). B. If a statement h is not deducible from a statement e, then given e, the falsity of h is possible; or in other words, h has less than maximum probability in relation to e. So part at least of the content of Hume's thesis (1) is: (3)For any factual e and ethical h, P(h/e). (shrink)

A reprint of Popper and After: Four Modern Irrationalists.

David Stove reviews Selwyn Grave's History of Philosophy in Australia, and praises philosophers for thinking harder about the bases of science, mathematics and medicine than the practitioners in the field. The review is reprinted as an appendix to James Franklin's Corrupting the Youth: A History of Philosophy in Australia.

Discusses whether Watkins, following Popper, holds a "labour theory of confirmation" (of scientific hypotheses, that is, holds that there is some logical connection between there being evidence for a hypothesis and efforts having been made to test it.

Mencius, who lived in the 4th century B.C., is second only to Confucius in importance in the Confucian tradition. The _Mencius_ consists of sayings of Mencius and conversations he had with his contemporaries. When read side by side with the _Analects_, the _Mencius_ throws a great deal of light on the teachings of ConfuciusMencius developed many of the ideas of Confucius and at the same time discussed problems not touched upon by Confucius. He drew out the implications of Confucius' moral (...) principles and reinterpreted them for the conditions of his time. As the fullest of the four great Confucian texts, the _Mencius_ has been the required reading amongst Chinese scholars for two thousand years, and it still throws considerable light on the character of the Chinese people. (shrink)

THE FACULTY OF Arts at the University of Sydney is a disaster-area, and not of the merely passive kind, like a bombed building, or an area that has been flooded. It is the active kind, like a badly-leaking nuclear reactor, or an outbreak of foot-and-mouth disease in cattle.

Stove defends his book, Probability and Hume's Inductive Scepticism, and claims his critics have "irished", or changed the question.

A record of the words and teachings of Confucius, _The Analects_ is considered the most reliable expression of Confucian thought. However, the original meaning of Confucius's teachings have been filtered and interpreted by the commentaries of Confucianists of later ages, particularly the Neo-Confucianists of the Song dynasty, not altogether without distortion.In this monumental translation by Professor D. C. Lau, an attempt has been made to interpret the sayings as they stand. The corpus of the sayings is taken as an organic (...) whole and the final test of the interpretation rests on the internal consistency it exhibits. In other words, _The Analects_ is read in the light of _The Analects._This results in a truer understanding of Confucius' thought than the traditional interpretation and paves the way for a re-assessment of its importance in the history of Chinese thought and its relevance to the present day world.This volume also contains an introduction to the life and teachings of Confucius, and three appendices on the events in the life of Confucius, on his disciples, and on the composition of _The Analects._. (shrink)

Collection of essays by the conservative Australian philosopher David Stove, author of Popper and After: Four Modern Irrationalists and The Rationality of Induction. Some are on philosophy and some not. They include his controversial essays "The intellectual capacity of women" and "Racial and other antagonism", his "Judge's report on the competition to find the worst argument in the world", and an attack on the anti-conservative "Columbus argument" (that "they said Columbus was mad", so let's approve change in general).

A tribute, originally given at David Armstrong's retirement in 1991 as Challis Professor of Philosophy at Sydney University. Stove recalls Armstrong's role in the "Sydney disturbances" of the 1970s when under attack from Marxists.

The author claims to prove by example that, Contrary to what is generally maintained, A singular preposition of an observational kind is in some cases deducible from a natural law alone. On this basis he raises the question whether the universe might not be deterministic in a 'hyper-Laplacean' sense: that is, Whether the laws of nature might not be logically sufficient on their own to determine every actual state of the universe.

Bing Crosby and Louis Armstrong, at a time when they were both millionaires many times over, recorded a song called "Gone Fishin'". Its theme was as familiar as it was implausible: how they would much rather sit by "some shady, wady pool", etc., than be enmeshed, as they were, in the feverish pursuit of money and fame. The record was a huge success, making the singers even richer and more famous than they had been before: which was, after all, their (...) intention in making it. It will hardly need saying that neither singer ever did in fact renounce show business and "go fishin'" instead; or that this experiment, if it had been tried, would have been an ignominious failure. It has been tried often enough. (shrink)

Mencius, who lived in the 4th century B.C., is second only to Confucius in importance in the Confucian tradition. The _Mencius_ consists of sayings of Mencius and conversations he had with his contemporaries. When read side by side with the _Analects_, the _Mencius_ throws a great deal of light on the teachings of ConfuciusMencius developed many of the ideas of Confucius and at the same time discussed problems not touched upon by Confucius. He drew out the implications of Confucius' moral (...) principles and reinterpreted them for the conditions of his time. As the fullest of the four great Confucian texts, the _Mencius_ has been the required reading amongst Chinese scholars for two thousand years, and it still throws considerable light on the character of the Chinese people. (shrink)

This book examines the history of the concept of irony from the first appearance of?eironeia? in Plato to the modern era. It isolates and discusses the basic features of irony and the variable features that determine the kind and in part the effect or quality. It distinguishes carefully between the two main types : instrumental irony (of which verbal irony is the most common form) and observable irony (which includes dramatic irony, irony of events, general irony and other situational ironies). (...) A distinction is also drawn between open and closed irony. (shrink)