Aristóteles ha pasado a la historia como el padre de la lógica. Este artículo resalta dos puntos. Primero, analiza los motivos por los cuales Aristóteles rechaza habitualmente la definición metafórica, especialmente en el ámbito de la llamada metafisica; segundo, pone al descubierto algunas inconsistencias metodológicas en el corpus al respecto.

The aim of chis paper s to attend che Aristotelian theory of definition in Topics book VI. The author analyses che property "asápheia" as a defect of a good definition.

This article analyzes the analogy made between Intellectus Agens and light, used by Aristotle in De Anima III, 5, commented by Aquinas. The investigation focuses on St. Thomas commentary, mainly on the limits of such analogy. It is shown how Thomas Aquinas is forced, in order to avoid the divinization of the Intellectus Agens, to bring a neoplatonic element to the discussion, incompatible with the Aristotelian spirit. References to the optic theories of Aristotle and Aquinas are made. It is discussed (...) what it means to say that the Intellectus Agens is an act. Finally, it is shown why does the nature of the Intellectus Agens demand an intervention of the Separate Substances. The discussion focuses on the Sententia super De anima, and recurs to other works, mainly: Quaestiones disputatae De Anima, Summa Contra Gentiles, Summa Theologiae, De unitate intellectus contra Averroistas and De substantiis separatis ad fratrem Reginaldum. /// O presente artigo analisa a analogia entre o Intellectus Agens e a luz, analogia essa utilizada por Aristóteles em De anima iii, 5 e comentada por S. Tomás de Aquino. O estudo centra-se no comentário de S. Tomás, insistindo de modo particular nos limites dessa analogia. Em particular, mostra-se de que modo o Aquinate se vê obrigado, para evitar a divinização do Intellectus Agens, a introduzir um elemento neoplatónico, incompatível com o espírito aristotélico. O artigo refere as teorias ópticas de Aristóteles e de S. Tomás. Depois analisa o que significa o Intellectus Agens como acto. Finalmente, mostra por que razão a natureza do Intellectus Agens exige a intervenção das Substâncias Separadas. A discussão está centrada no Sententiae super De anima, mas recorre também a obras como as Quaestiones disputatae De Anima, a Summa Contra Gentiles, a Summa Theologiae, De unitate intellectus contra Averroistas e De substantiis separatis ad fratrem Reginaldum. (shrink)

¿En qué consiste la aplicación más justa de la ley, en aplicarla al pie de la letra en todos los casos o permitir al juez cierto margen para interpretarla? A lo largo de este texto presentaremos cómo no han sido pocos los partidarios de un “literalismo” a la hora de aplicar la ley, y para ello explicaremos lo sucedido durante la Revolución Francesa. Basados en la opinión de Rousseau, los ilustrados franceses creían que el legislador, en tanto que creador de (...) la ley, era el que mejor conocía el espíritu de la misma, luego la interpretación de la ley por parte del jurista era arbitraria. Dicho de otra manera: la labor del juez se entendía nada más como la inferencia de una conclusión a partir de ciertas premisas (la ley y el caso). Aristóteles, sin embargo, ya había previsto este problema. Entonces, el propósito de este escrito es (1) explicar qué ha llevado a querer aplicar la ley al pie de la letra, (2) cuáles son sus riesgos y (3) la solución que Aristóteles propone a este asunto, en donde hablaremos sobre la prudencia y el juez como «ley dotada de vida». (shrink)

The aim of this article is to emphasize how the intellectual skills of anchínoia, synesis, euphyía are connected with each other. These skills are intuitive knowledge, and they are closely related to noüs as an intellectual virtue. Anchínoia, synesis and euphyía are intended to explain the connection between universals and articulars. As a conclusión,the author contends that Aristotle does not give a satisfactory explanation of the link.

La eleuthería tiene una connotación política y cultural para los antiguos griegos. Refiere la condición libre de los ciudadanos griegos frente a los pueblos bárbaros que prefieren el gobierno tiránico. Platón y Aristóteles, además, hablan de la eleuthería en un sentido moral; esto es, como la condición libre del hombre virtuoso. Pero Aristóteles se refiere a una virtud en concreto: la liberalidad. La liberalidad supone el uso prudente de las riquezas, es decir, el justo medio entre la avaricia y la (...) prodigalidad. Pero el ejercicio de esta virtud repercute en el ámbito político. Primero, porque la ciudadanía presupone en sí misma la virtud moral. Segundo, porque en el núcleo de la liberalidad radica la estabilidad de la pólis; la avaricia o la ambición desmedidas son las que ponen en peligro la estabilidad de la pólis. Por lo tanto, eleuthería tiene un sentido unitario, que va del ámbito privado al político. (shrink)

RESUMEN En Acerca de la adivinación, Aristóteles afirma que "la naturaleza es demoniaca". El adjetivo es difícil de traducir y tiene connotación sobrenatural tanto en griego como en español. Pero si Aristóteles no explica lo natural apelando a lo sobrenatural, ¿por qué utiliza este adjetivo? Para resolver la dificultad se propone una lectura mitigada del adjetivo demoniaco. "Maravilloso" es una buena traducción, porque sugiere que la naturaleza es sorprendente y no por ello carente de explicación natural. ABSTRACT In On Divination, (...) Aristotle states that "nature is demonic". The adjective is difficult to translate and it has a supernatural connotation in both Greek and Spanish. But if Arsitotle does not explain the natural by appealing to the supernatural, why does he use this adjective? In order to resolve this difficulty, the article proposes a moderate reading of the adjective demonic. "Marvelous" is a good translation, because it suggests that nature is surprising but that this does not mean it lacks a natural explanation. (shrink)

Die Poesie ist für Hegel die Endform der Kunst, in der die Kunst im Allgemeinen durch die Religion überwunden wird. Die These, dass die Poesie den anderen Künsten, d.h. der Architektur, der Skulptur, der Malerei und der Musik, überlegen ist, spricht von einer besonderen Hierarchisierung und Periodisierung, die Hegel zwischen die verschiedenen Kunstformen einführt. Das Kriterium für diese Hierarchisierung und Periodisierung ist offensichtlich das gleiche, nach dem Hegel die Kunst wiederum als eine der Religion und der Philosophie unterlegene Form betrachtet. (...) Dass die Poesie eine den anderen Künsten überlegene Kunstform ist, ist auf den ersten Blick eine überraschende These; und sie wirkt noch überraschender, wenn man sie durch die These ergänzt, dass die Kunst wiederum durch die Religion und die Philosophie als weitere Phasen eines linearen Prozesses aufgehoben wird. Um was für einen linearen Prozess handelt es sich hier eigentlich? Ein linearer Prozess wohin? Der Prozess, von dem Hegel in diesem Kontext spricht, ist ein Erkenntnisprozess, und zwar ein ziemlich spezifischer Erkenntnisprozess, nämlich Erkenntnis des Absoluten. Die Poesiegattung, die für Hegel die Endphase der Kunst ausmacht, ist das moderne Drama, in dessen Zentrum die Darstellung des Charakters und der Handlungen seiner verschiedenen Gestalten steht. Was hat das alles aber mit dem Absoluten zu tun? Was haben das Drama und seine Subgattungen - der Tragödie, der Komödie, der Satire usw. - mit Religion und Philosophie zu tun? Hegel verbindet außerdem die Kunst mit dem Absoluten als eine Erkenntnisform desselben. Aber in welchem Sinne ist die Kunst Erkenntnis? Ist Kunst nicht eher Darstellung und Ausdruck subjektiver Gefühle und Ideen - und eben nicht ein Erfassen der Realität, eben nicht eine Erkenntnisform der Wirklichkeit? Um den allgemeinen Sinn von Hegels Ästhetik und dadurch die besondere Rolle, die er darin der Poesie zuschreibt, verstehen zu können, ist es unentbehrlich, die oben gestellten Fragen zu beantworten. Ein theoretisches und exegetisches Modell zu liefern, das imstande ist, eine solche Aufgabe zu erfüllen, ist das Ziel dieses Beitrags. (shrink)

Philosophy is the search for the large patterns of the world and of the large patterns of experience, perceptual, theoretical, . . . , aesthetic, and practical - the patterns that, regardless of specific contents, characterize the main types of experience. In this book I carry out my search for the large patterns of practical experience: the experience of deliberation, of recognition of duties and their conflicts, of attempts to guide other person's conduct, of deciding to act, of influencing the (...) physical world with one's doings, and the like. This is the experience that makes possible our social life, the formulation of plans for teamwork, the building of institutions, the development of nations, and the adoption of the ideal of morality. Here I develop a network of theories about the most fundamental aspects of practical thinking: what is thought in such thinking; what makes that thinking correct; what makes it practical; and the structure of the doings that accrue to the world when such thinking is effective. I have attempted to build each theory in sufficient detail, so that it il luminates its subject matter with a certain degree of fullness. But I have also aimed at producing an harmonious system of theories, so that the grand pattern of practical thinking can be admired, not only for the beauty of the separate structures of its parts, but also for its architectonic unity. Chapter 1 gives the details of the many facets of this project and discusses some methodological techniques. (shrink)

La exterioridad de una cosa o de un estado de cosas configurados por el ser humano no implica para Hegel que esa cosa o ese estado de cosas deban ya por ello ser considerados como formas del espíritu objetivo, mientras que en contrapartida las formas del espíritu absoluto estarían entonces conformadas por contenidos ideales del pensamiento. La diferencia entre espíritu objetivo y espíritu absoluto no radica en la diferencia entre lo que el espíritu humano “hace” y lo que “conoce”. En (...) efecto, las obras de arte, es decir, configuraciones exteriores hechas por el ser humano utilizando, por ejemplo, piedras, metales, colores o sonidos, son para Hegel instancias del espíritu absoluto, mientras que, por su parte, realidades que en cuanto tales no son intuibles, como, por ejemplo, los contratos o la organización estatal, son instancias del espíritu objetivo. Que Hegel considere al arte como una forma del espíritu absoluto pone de manifiesto que, a sus ojos, las cosas que intuimos en el universo son, en rigor, productos del propio sujeto que las conoce. Espontáneamente el sujeto cognoscente piensa que lo que intuye es algo que recibe desde un mundo externo; sostener que el arte es una forma de conocimiento es justamente el modo como Hegel está expresando que lo intuido es en todos los casos un contenido producido por el propio espíritu, que es, por así decirlo, una obra de arte humano. En el arte mismo, sin embargo, la producción de la cosa intuible es insuficiente, dado que el material que el espíritu utiliza para sus configuraciones conserva en mayor o menor medida, según el caso, una determinidad propia que resiste a la determinidad que el espíritu busca conferirle. Por esta razón, las obras de arte se presentan inicialmente como productos arbitrarios. Recién cuando integra sus intuiciones en la actividad de comprensión -actividad cognitiva con la que opera la filosofía- y media con ello completamente la determinidad de los contenidos intuidos, el espíritu configura finalmente un universo que le es propio y específico. El objetivo de mi ponencia es reconstruir desde el marco teórico recién expuesto el sentido y función que Hegel le atribuye al arte en su teoría del conocimiento. (shrink)

This article explores the comparison between Derrida and Zhuangzi and their approaches to the question of metaphor and analogy, examining the deconstruction of essentialist and culturalist forms of philosophical comparativism. The author contends that the notion of ‘Western metaphysics’ relies on an implicit comparison between the West and its others, shaped not only by philosophical factors but also by historical, sociological and strategic considerations, as exemplified in Aristotle’s exclusion and subjection of metaphor. Derrida’s approach in ‘White Mythology’, with its ‘internal (...) reading’ and ‘quasi-transcendental’ perspective, challenges the unity and identity of the conventional representation of philosophy as a Western achievement. However, the article also advocates for an ‘external’ and ‘quasi-empiricist’ viewpoint that recognises the erratic character of comparisons, resisting the appropriation of philosophical differences into general categories such as ‘Western’ or ‘Chinese philosophy’. (shrink)

Inter-organizational models are both a well-documented phenomena and a well-established domain in management and business ethics. Those models rest on collaborative capabilities. However, mainstream theories and practices aimed at developing these capabilities are based on a narrow set of assumptions and ethical principles about human nature and relationships, which constrain the very development of capabilities sought by them. This article presents an Aristotelic–Thomistic approach to collaborative entrepreneurship within and across communities of firms operating in complementary markets. Adopting a scholarship of (...) integration approach and evaluating the six studies of communities of organizations, we contribute an inter-organizational network model based on the assumptions about human motives and choice offered by Aristotle. We argue that the sustainability of inter-organizational communities depends on how rich is the set of assumptions about human nature upon which they are based. In order to develop and sustain collaborative capabilities in inter-organizational communities, a set of assumptions that takes both self-regarding and others’-regarding preferences as ends is required to avoid any kind of instrumentalization of collaboration, which is an end in itself. Implications for theory and practice are discussed. (shrink)

This study explores the efficacy of a specific tool – the articulation of the ideal self – in job engagement, psychological well-being, and organizational citizenship behavior. We hypothesized that employees who can visualize their jobs as part of their ideal self – in particular how it helps in its development and realization – would feel higher levels of engagement and fulfillment in their lives, as well as engage in greater amounts of helping and voice OCB. A total of 239 full (...) time employees from five companies in Costa Rica filled out the ideal self questionnaire, the job engagement, and psychological well-being surveys, and were evaluated by their peers on task behavior and helping and voice OCB. Results of the SEM model showed that the ideal self was positively related to job engagement, psychological well-being and helping and voice. These findings contribute to the research on the impact and importance for organizations to help employees find meaningfulness in their work. (shrink)

A Computable Universe is a collection of papers discussing computation in nature and the nature of computation, a compilation of the views of the pioneers in the contemporary area of intellectual inquiry focused on computational and informational theories of the world. This volume is the definitive source of informational/computational views of the world, and of cutting-edge models of the universe, both digital and quantum, discussed from a philosophical perspective as well as in the greatest technical detail. The book discusses the (...) foundations of computation in relation to nature. It focuses on two main questions: What is computation? How does nature compute? The contributors are world-renowned experts who have helped shape a cutting-edge computational understanding of the universe. They discuss computation in the world from a variety of perspectives, ranging from foundational concepts to pragmatic models to ontological conceptions and their philosophical implications. The volume provides a state-of-the-art collection of technical papers and non-technical essays representing a field that takes information and computation to be key to understanding and explaining the basic structure underpinning physical reality. It also includes a new edition of Konrad Zuse's "Calculating Space", and a panel discussion transcription on the topic, featuring worldwide experts (including a Nobel prize) in quantum mechanics, physics, cognition, computation and algorithmic complexity.A Computable Universe is a collection of papers discussing computation in nature and the nature of computation, a compilation of the views of the pioneers in the contemporary area of intellectual inquiry focused on computational and informational theories of the world. This volume is the definitive source of informational/computational views of the world, and of cutting-edge models of the universe, both digital and quantum, discussed from a philosophical perspective as well as in the greatest technical detail. The book discusses the foundations of computation in relation to nature. It focuses on two main questions: What is computation? How does nature compute? The contributors are world-renowned experts who have helped shape a cutting-edge computational understanding of the universe. They discuss computation in the world from a variety of perspectives, ranging from foundational concepts to pragmatic models to ontological conceptions and their philosophical implications. The volume provides a state-of-the-art collection of technical papers and non-technical essays representing a field that takes information and computation to be key to understanding and explaining the basic structure underpinning physical reality. It also includes a new edition of Konrad Zuse's "Calculating Space", and a panel discussion transcription on the topic, featuring worldwide experts (including a Nobel prize) in quantum mechanics, physics, cognition, computation and algorithmic complexity. (shrink)

The philosophy of history of 1804 and 1805 enables Fichte to place his natural right, developed previously at Jena, against a diachronic background. This means that Fichte does not reason merely synchronically from a timeless conception of society and state. From a synchronic viewpoint, Fichte cannot solve the problem of the control of political power because he has to draw on the assumption of a virtuous ephorate. This assumption is not consistent with the Fichtean ideal of a philosophy of right (...) completely independent from moral considerations. Thus, the control of government is possible only if at least a group of citizens can go beyond the mere rational egoism. This new temporal conception of the state leads Fichte to think that the problems of consistency of his theory of Jena are unavoidable, given that a society integrated by egoist individuals cannot be sustained. However, his later philosophy of history enables Fichte to state the inexorable annihilation of this type of community and gives place to an ensuing epoch, when citizens are not self-interested anymore. (shrink)

Detecting intrusions in large networks is a highly demanding task. In order to reduce the computation demand of analysing every single packet travelling along one of such networks, some years ago flows were proposed as a way of summarizing traffic information. Very few research works have addressed intrusion detection in flows from a visualizations perspective. In order to bridge this gap, the present paper proposes the application of a novel projection method (Beta Hebbian Learning) under this framework. With the aim (...) to validate this method, 8 traffic segments, containing many flows, have been analysed by means of this projection method. The promising results obtained for these segments, extracted from the University of Twente dataset, validate the proposed application. (shrink)

The aim of this article is to shed light on Kant’s anthropological theory of memory. I shall contrast physiological studies of memory against Kant’s own study. I suggest some ideas about the relation between memory and time, as long as memory has the power to store and reproduce the temporal configuration of our representations. Moreover, I deal with the problem of personal identity and I suggest that memory contributes to the possibility of this identity from a pragmatic point of view. (...) Finally, I hold that Kant’s pragmatic anthropology does not only provide a description of memory for the human being’s self-knowledge but also for the human being’s self-perfection. Thus, such description discloses not only what the human being is but also what this can become, insofar as it is capable of perfecting itself. (shrink)

La resistencia de la memoria. Un recorrido por el proyecto: Se rebelan, se revelan, de Estudio Biopus.

Ensayos de Metafísica, Ética y Poética. Los argumentos de Aristóteles contiene una colección de ensayos que pasan revista a cuestiones como la argumentación de los principios, la naturaleza del conocimiento moral y el valor de otras formas de conocimiento o racionalidades alternas.En la primera parte del libro se intenta mostrar que el sentido común es el modus operandi de Aristóteles. Los ensayos recogidos en la segunda parte tratan con la argumentación en una ciencia en particular: la ética. Finalmente, el largo (...) artículo Metáfora, definición y obscuridad en Aristóteles conforma toda la tercera parte. El texto es un escrutinio de la función de la metáfora analógica dentro de la metafísica y ciencia aristotélica, para determinar si es un tipo de conocimiento válido y analizable. (shrink)

In Aristotelian logic, categorical propositions are divided in Universal Affirmative, Universal Negative, Particular Affirmative and Particular Negative. Possible relations between two of the mentioned type of propositions are encoded in the square of opposition. The square expresses the essential properties of monadic first order quantification which, in an algebraic approach, may be represented taking into account monadic Boolean algebras. More precisely, quantifiers are considered as modal operators acting on a Boolean algebra and the square of opposition is represented by relations (...) between certain terms of the language in which the algebraic structure is formulated. This representation is sometimes called the modal square of opposition. Several generalizations of the monadic first order logic can be obtained by changing the underlying Boolean structure by another one giving rise to new possible interpretations of the square. (shrink)