Le livre presente le probleme de la transcendance de Thomme d'apres les createurs de l'Ecole de Philosophie de Lublin. Cette ecole est nee a Lublin dans le milieu de l'Universite Catholique apres la deuxieme guerre mondiale. Elle est representee par des penseurs comme M. A. Krąpiec OP et le Cardinal K. Wojtyła. Ces deux philosophes ont aborde, dans leurs recherches, des problemes anthropologiques et ils ont presente une theorie interessante de l'homme. Dans leur theorie, la transcendance de l'homme est mise (...) en relief d'une fagon particuliere. C'est la dimension de I'homme qui decide de la priorite de son etre, de sa dignite et de sa valeur parmi les autres etres dans le monde. (shrink)

The current monopoly of psychology in the different facets of human life becomes psychological practice care increasingly suspect. And while it states legitimate targets, they are controversial. This paper highlights the lack of an agreed target between the professionals of psychological practice care. The first part argues that psychological practice care does not provide a clear and agreed target. This dissent is due to a disciplinary problem of psychology and it damages its image of responsible profession. In the second part, (...) we propose a goal that unifies various psychological practices care beyond their differences and through which its professional action is legitimate. The hypothesis presented is that the aim of psychological practice care is what begins it, that is, relief of suffering. However, to understand the nature of suffering, psychological practice care must regain its relationship with philosophy. (shrink)

Recent research suggests that philanthropy’s value to the firm is largely mediated by contextual factors such as managers’ assumed motives for charity. Our article extends this contingency perspective using a “sensegiving” lens, by which external actors’ interpretations of organizational actions may be influenced by the way in which the organization communicates about those actions. We consider how sensegiving features in philanthropy-related press releases affect whether investors value those donation decisions. For the empirical investigation in this study, we analyze abnormal returns (...) to announcements by U.S. Fortune 500 firms documenting their donations to Hurricane Katrina disaster relief in 2005. We expect that in general, donation decisions would be controversial given the uncertainty surrounding the hurricane’s economic effects at the time. However, we also propose that announcements emphasizing employee involvement in the donation send investors positive signals about the firm’s ability to bounce back from the disaster’s adverse effects. We find empirical support for the proposed hypotheses, and discuss the implications for theory and practice. (shrink)

The present study proposes a new reconstruction and a new interpretation of a quite singular piece of sculpture with relief decoration, discovered on Melos at the beginning of the last century. It belongs to the permanent collection of Roman sculpture of the National Archaeological Museum of Athens. After a detailed presentation and iconographical analysis of its relief decoration, we proceed to a new interpretation of its function, always in connection with the social, historical and artistic context of the Cyclades (...) in Late Antiquity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Global Empires and The Roman ImperiumBrent D. ShawP. Fibiger Bang, C. A. Bayly, and W. Scheidel, eds. The Oxford World History of Empire. 2 vols. Oxford: Oxford University Press, 2021; xxviii + 552 pp.; xxxiv + 1,318 pp.The volumes under review are an impressive if unequal diptych. The first, the slimmer of the two, entitled "The Imperial Experience," comprises a series of analytical studies on the creation, management, (...) and ideologies of empires, and forms of resistance to them. The second, "The History of Empires," is a forbidding tome of forty-four specific studies of individual empires and imperial ventures, from Ur III and Middle Kingdom Egypt to the Mongols and the British, ending, naturally, with America's "global imperium." In the analytics, the usual suspects, including Michael Doyle, Frederick Cooper and Jane Burbank, are on display; and the conceptual approaches of Michael Mann and Ernest Gellner are favorite points d'appui. For premodern empires, the ideas of the Maghribi thinker Ibn Khaldūn provide a different focus, so it is heartening to see Bang and others applying them more consistently (e.g., 1:13, 40, 326–9; 2:162, 246–8, 253). Especially for premodern empires, these volumes can be seen as an extension of earlier handbooks devoted to the state, one devoted to the ancient Near Eastern and Mediterranean state and another on ancient empires.1 As an aspect of world history, the endeavor is the culmination of a decades-long project on the history of empires fronted by Peter Bang.2 He has usefully produced detailed historical introductions not only to both volumes, but also to the subsections in each of them. Perhaps not surprisingly, empire turns out to be a virile enterprise. As Ian Morris notes, "the story of empire... is so strongly gendered that it [End Page 505] seems reasonable to call rulers and commanders 'he' throughout" (1:162 n. 14). The muscular subject is mirrored by its principal actors and by its students. All the editors are men. Reflecting the same balance, out of the forty-five authors of individual studies in the large history of empires volume, there are five (lonely) female voices. In both volumes, women as subjects of empire are, for all intents and purposes, absent.3From the perspective of an historian who has actually worked on the history of an empire, it must be plainly stated that almost all of the theories, adequately reviewed by Bang (1:20–48), are worth about as much as the paper or pixilated screens on which they have been written. Obvious and serious exceptions to every one of the definitions and hypotheticals abound. In fact, a fair number of the exemplary histories in the second volume do not obey the strictures of most of the theories advanced in the first. So it is with a sense of relief that one turns from theory to the hard quantities offered by Walter Scheidel (1:chap. 2). To a considerable degree, his analysis depends on the well-known measurements made by Rein Taagepera. Rather alarmingly, Taagepera counted as an empire "any large sovereign political entity whose components are not sovereign," say, like the well-known empires of Algeria, Finland, or Canada.4 What an analysis of these global entities confirms is that size or orders of magnitude mattered, and that the first entities to count as empires emerged in the 7th to 5th centuries bce in southwestern Asia (1:53; 2:161, 245). The neo-Assyrian empire was the first super-large territorial state and its successor, the Achaemenid empire, was the first "hyper-power without rival" (1:172; 2:83, 111, 161). Subsequent premodern empires were able to reach higher levels of millions of square kilometers of territory and larger populations of dozens of millions of subjects nominally under their aegis. The magnitudes reached by a given generation of super-states set base-lines above which a successor might be able to reach greater sophistication of rule, numbers of subjects, and extent of territory. In some cases, being able to piggy-back on existing empires, they were able to skip early developmental stages and to advance quickly to imperial status, as a succession... (shrink)

The ritual tympanum of the god Mithra has no clear interpretation to date. In particular, the animals under the bull remain mysterious. If they have been considered as representations of certain constellations, this esoteric hypothesis remains disputed. Could the god Mithra, symbol of the Roman army, be attracted by the stars? Another hypothesis is to consider this religion as pragmatic. These small animals would be familiar to the Romans. They would symbolise trust. To understand Mithra, don't we have to (...) change our way of seeing the Roman mentality? (shrink)

“Lambeth Palace is my Washpot. Over Fulham have I cast my breeches.” So declared the novelist and secularist H. G. Wells in a letter to his mistress, Rebecca West, in May 1917. His claim was that, because of him, Britain was “full of theological discussion” and theological books were “selling like hot cakes”. He was lunching with liberal churchmen and dining with bishops. Certainly, the first of the books published during Wells’s short “religious period”, the novel Mr. Britling Sees It (...) Through, had sold very well on both sides of the Atlantic and made Wells financially secure. Geoffrey Studdert Kennedy (“Woodbine Willie”) wrote that, “Everyone ought to read Mr. H. G. Wells’s great novel, Mr. Britling Sees It Through. It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Yet, Wells’s God was explicitly a finite God, and his theology was far from orthodox. How can we account for his boast and for the clerical affirmation which he certainly did receive? This article examines and re-evaluates previous accounts of the responses of clergy to Wells’s writing, correcting some narratives. It discusses the way in which many clergy used Mr. Britling as a means by which to engage in a populist way with the question of theodicy, and examines the letters which Wells received from several prominent clerics, locating their responses in the context of their own theological writings. This is shown to be key to understanding the reaction of writers such as Studdert Kennedy to Mr. Britling Sees It Through. Finally, an assessment is made of the veracity of Wells’s boasting to his mistress, concluding that his claims were somewhat exaggerated. “Lambeth Palace is my Washpot, Over Fulham have I cast my breeches.” Mit diesen Worten erklärte der literarisch außergewöhnlich erfolgreiche und entschieden säkular denkende, kirchenkritische Schriftsteller und Science-Fiction-Pionier Herbert George Wells seiner Geliebten, dass seinetwegen Großbritannien “full of theological discussion” sei. Nicht ohne Eitelkeit schrieb er es seinem im September 1916 mit Blick auf den Krieg geschriebenen und stark autobiographisch gefärbten Roman Mr. Britling Sees it Through von knapp 450 Seiten zu, dass theologische Bücher reißenden Absatz fänden. Auch war er stolz darauf, liberale Kleriker zum Lunch zu treffen und von Bischöfen zum abendlichen Dinner eingeladen zu werden. In einer kurzen Phase seines Lebens war – oder inszenierte sich – Wells als ein frommer, gläubiger Mensch. Sein damals veröffentlichter Roman Mr. Britling Sees It Through verkaufte sich sowohl in Nordamerika als auch im Heimatland so gut, dass der Autor nun definitiv finanziell gesichert war. Der anglikanische Priester und Dichter Geoffrey Studdert Kennedy, der im Ersten Weltkrieg Woodbine Willie genannt wurde, weil er verletzten und sterbenden Soldaten in den Phasen der Vorbereitung auf den Tod Woodbine-Zigaretten anbot, empfahl die Lektüre von Wells’ “great novel” Mr. Britling mit den Worten: “It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Allerdings war H. G. Wells’ Gott ein durchaus endlicher Gott, und seine Theologie war alles andere als orthodox. Wie lassen sich dennoch seine evidente Prahlerei und die emphatische Zustimmung zu seinem Roman in den britischen Klerikereliten erklären? Im Aufsatz werden zunächst einige ältere Deutungen der Zustimmung führender Kleriker zu Wells’ Roman untersucht und einige der dabei leitenden Deutungsmuster kritisch infrage gestellt. Deutlich wird, dass nicht wenige anglikanische Geistliche Mr. Britling dazu nutzten, um höchst populistisch das umstrittene Theodizeeproblem anzusprechen. Auch werden die Briefe prominenter Geistlicher an Wells analysiert, mit Blick auf ihre eigenen Publikationen. Diese Reaktionen haben stark Studdert Kennedys Haltung zu Mr. Britling Sees It Through beeinflusst. Besonders aufrichtig war Wells mit Blick auf sich selbst allerdings nicht. Die Selbstinszenierung gegenüber seiner Geliebten war einfach nur peinliche Übertreibung. (shrink)

The termTabulae Iliacaeis conventionally applied to twenty low reliefs scattered through museums from Warsaw to New York. The common name conceals a bewildering artistic farrago: the earliestTabula, theTabula Iliaca Capitolina, is mid-Augustan, the latest late Antonine. Five of theTabulaebear the name Theodorus and I shall argue that he is the craftsman responsible for their execution. Where provenance is known, it is always Rome or the Roman Campagna. The materials of theTabulaevary widely: most, but not all, are of some sort (...) of marble, white, yellow, and Giallo Antico. Little can be said of their size, for not one survives complete. It would appear, however, that the largest rectangularTabula, the calcite 1 A, was originallyc.25 cm by 42 cm. Two, portraying the Shield of Achilles, were circular and 5O may have had a radius of 20 cm. The nameIliacaeis appropriate only in as much as eleven out of twentyTabulaeportray episodes from theIliad and six the Sack of Ilium; others, however, represent Alexander's victory at Arbela and the apotheosis of Hercules. What theTabulaedo display in common is a combination of low reliefs in miniature and inscriptions, often extensive and not always on the same topic as the reliefs. In ancient art, only the Megarian bowls stand comparison, and their ratio of text to illustration is substantially lower. (shrink)

Il s’agit ici de mettre en relief les thématiques portées par des écritures de femmes algériennes, publiées dans les années 90. Thématiques en relation directe avec le réel algérien. Il ne sera pas tenu compte des genres – romans, journaux « de bord », essai… – en tant que tels dans lesquels ces expressions paraissent (ou prétendent paraître), ni de leur qualité littéraire… Le propos est de porter l’attention sur ces écrits en tant que documents forts témoignant de leur temps, (...) de la société qui les a impulsés. Société où se joue, violemment, passionnément, des enjeux essentiels. (shrink)

Il s’agit ici de mettre en relief les thématiques portées par des écritures de femmes algériennes, publiées dans les années 90. Thématiques en relation directe avec le réel algérien. Il ne sera pas tenu compte des genres – romans, journaux « de bord », essai… – en tant que tels dans lesquels ces expressions paraissent (ou prétendent paraître), ni de leur qualité littéraire… Le propos est de porter l’attention sur ces écrits en tant que documents forts témoignant de leur temps, (...) de la société qui les a impulsés. Société où se joue, violemment, passionnément, des enjeux essentiels. (shrink)

Genomic interventions ex utero and in utero are already a reality in medicine. It is plausible to believe that this reality will lead to therapies at the preimplantation level, especially where such interventions are the only safe and effective way to truly prevent human suffering and disease in offspring. The plausibility of this type of genomic therapy is of particular interest for prospective parents who are Roman Catholic, since in vitro fertilization provides the only means by which an offspring’s (...) genome may be accessed prior to implantation. The goal of this essay is to provide a review of two traditional methodologies in Roman Catholic moral thought and the potential moral quandary they present Roman Catholic parents: adherence to moral teaching prohibiting IVF or relief of gene-based disease in their child. After finding little resolution of this quandary through these two methodologies, the essay proposes as an alternative a third approach that leans heavily on John Henry Cardinal Newman’s understanding of doctrinal development. National Catholic Bioethics Quarterly 11.4 (Winter 2011): 735–756. (shrink)

The very founding of the town Neuwied-am-Rhein was closely linked to policies and practices of religious toleration. It was the hope and intent of Count Friedrich of Wied (1618-1698) that a town, well planned and advantageously located, would bring economic relief and eventually prosperity to his small land, which had suffered particularly in the last years of the Thirty Years’ War. From the outset he saw that the best means of attracting residents would be to guarantee as large a degree (...) of religious freedom as possible.The Treaty of Westphalia provided a viable legal framework within which Protestants, adherents to the Augsburg Confession be they Lutherans or Reformed, and Roman Catholics could exercise their religion within the German Empire. The treaty basically defined three types of religious practice: the exercitium religionis publicum, which gave the members of the minority religion in any territorial unit full freedom to worship openly; the exercitium privatum, restricting the worship of the congregation to specific places; and finally the devotio domestica, which allowed the “individual exercise of religion by the common subject, practiced by him alone, without further ecclesiastical ceremony,... within the walls of his own living quarters.” The treaty further offered the beneficium emigrandi, and specified the conditions under which forced or voluntary emigration was to take place. (shrink)

Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and ...

Over three centuries after the 1711 discovery in the choir of Notre-Dame in Paris of a square-section stone bas-relief with depictions of several deities, both Gaulish and Roman, the blocks comprising it were analyzed as a symbol of Parisian power, if not autonomy, vis-à-vis the Roman Empire. Variously considered as local, national, or imperial representations, the blocks were a constant object of admiration, interrogation, and speculation among antiquarians of the Republic of Letters. They were also boundary objects – (...) products of the emergence of a Parisian archeology dated from 1711. If this science reflected the tensions and ambiguities of a local regime of knowledge situated in a national context, it also helped to coordinate archeological work between different institutions and actors. This paper would like to assess the specific role played by the Pillar of the Boatmen as a fetish object in this process. To what extent could an archeological artifact influence this reshaping of urban representation, this change of scales? By following the three-century career of the pillar’s blocks as composite objects, which some have identified as merely stones or a column, it is possible to understand the multiple dimensions that defined the object as archeological – as an artifact that contributed to the relocating of the historical city center – and the multiple approaches that transform existing remains into knowledgeable objects. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:PostfacePhilippe-Joseph Salazar, Guest Editor"France: Current Writing in Philosophy and Rhetoric" could be a subtitle for this volume. As guest editor I have chosen the genre of the postface rather than that of the preface. I wanted to let writings speak for themselves, unhindered by the added filter of an introduction. Prefaces are either congratulatory or a contribution in disguise—or, worse, a puerile attempt to overshadow the rest. However, by (...) way of a summation, a few, brief remarks are in order.Some thirty years ago it would have been impossible to seek out and secure authors to write on this subject. Since then a sea change has taken place, attracting into the circles of the "rhetorical turn" many a willing partaker. In this new game, two circles gyrate and now and then rotate in unison or collide.One circle, let us call it belletristic, was set in motion by Marc Fumaroli when he released, in 1980, his epoch-making Âge de l'éloquence. It was as if a new chord had been struck, catching most by surprise, heralding the sudden irruption of new thinking about the mainstay of French culture, the "classical age," that is, the seventeenth century, the sacrosanct age of Racine, Descartes, Louis XIV, and Nicolas Poussin. Fumaroli's work in rhetoric, aesthetics, and social commentary went to the heart of French literature and culture: it offered an hermeneutic opportunity to run against the grain of structuralism and Bourdieusian analyses, while it simultaneously brought to [End Page 424] light "rhetorical" layers, both religious and civil, of French culture that militant secularism and social positivism had long cast aside as pernicious or preposterous. It also served as a powerful antidote to "cultural studies." His influence is deep and wide and long lasting. Nancy Struever, who alongside Fumaroli founded the International Society for the History of Rhetoric, draws on her intimate knowledge of the French school to provide here a profound and critical account of his work in which she underscores how Fumaroli transformed, from the standpoint of the history of rhetoric, the study of Western European culture and social life forms—the award of the Balzan Prize to Fumaroli came on the heels of his Histoire de la rhétorique dans l'Europe moderne. He has, for all intents and purposes, created the French school of rhetoric studies, which has nurtured an ever-growing circle of scholars, now in its second generation, with a relief cohort at the ready (Salazar 2007).The other circle took a while longer to gain balance and establish momentum. It concerns itself with the complex relation between philology and philosophy. Indeed, French classical philology had long been resistant to the presence of philosophy and so too philosophy to philology. This uneasy and reciprocal indifference or even distrust can be traced back to the Discourse on Method, in which Descartes invented French philosophical prose, as Pierre Cahné puts it, a situation later aggravated by the spell German metaphysics cast over French philosophy in the nineteenth century. However, it was the enduring presence of Hegel in the 1930s, together with the material and intellectual rescue French philosophers offered Heidegger after 1945, and a sustained interest in Nietzsche and Husserl, that created the conditions for a new dalliance between philology and philosophy. It has been a multifaceted game: some Hellenists, like Nicole Loraux and Marcel Detienne, chose to develop an anthropological meditation on ancient Greece, bringing forth, in the process, rhetorical categories that before them were mere indicators (mètis, epitaphios). On the periphery stood Émile Benveniste with his philological enquiry into Indo European words as mental structures—his Vocabulaire remains a constant source of inspiration. Latinists had a problem of their own: their commonly shared notion that Latin was not a philosophical language, together with their vociferous prejudice against non-Ciceronian Latin, had consigned medieval and Renaissance thinkers and modes of thinking to the bogs of impure language. However, Latin scholars such as Alain Michel sought to unravel the Roman aesthetics inherent in a rhetorical way of life; this school of new Latinists propelled a remarkable revival of Neo-Latinity, which has [End Page 425] had a long-lasting influence on Renaissance studies... (shrink)

“Lambeth Palace is my Washpot. Over Fulham have I cast my breeches.” So declared the novelist and secularist H. G. Wells in a letter to his mistress, Rebecca West, in May 1917. His claim was that, because of him, Britain was “full of theological discussion” and theological books were “selling like hot cakes”. He was lunching with liberal churchmen and dining with bishops. Certainly, the first of the books published during Wells’s short “religious period”, the novel Mr. Britling Sees It (...) Through, had sold very well on both sides of the Atlantic and made Wells financially secure. Geoffrey Studdert Kennedy (“Woodbine Willie”) wrote that, “Everyone ought to read Mr. H. G. Wells’s great novel, Mr. Britling Sees It Through. It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Yet, Wells’s God was explicitly a finite God, and his theology was far from orthodox. How can we account for his boast and for the clerical affirmation which he certainly did receive? This article examines and re-evaluates previous accounts of the responses of clergy to Wells’s writing, correcting some narratives. It discusses the way in which many clergy used Mr. Britling as a means by which to engage in a populist way with the question of theodicy, and examines the letters which Wells received from several prominent clerics, locating their responses in the context of their own theological writings. This is shown to be key to understanding the reaction of writers such as Studdert Kennedy to Mr. Britling Sees It Through. Finally, an assessment is made of the veracity of Wells’s boasting to his mistress, concluding that his claims were somewhat exaggerated. “Lambeth Palace is my Washpot, Over Fulham have I cast my breeches.” Mit diesen Worten erklärte der literarisch außergewöhnlich erfolgreiche und entschieden säkular denkende, kirchenkritische Schriftsteller und Science-Fiction-Pionier Herbert George Wells seiner Geliebten, dass seinetwegen Großbritannien “full of theological discussion” sei. Nicht ohne Eitelkeit schrieb er es seinem im September 1916 mit Blick auf den Krieg geschriebenen und stark autobiographisch gefärbten Roman Mr. Britling Sees it Through von knapp 450 Seiten zu, dass theologische Bücher reißenden Absatz fänden. Auch war er stolz darauf, liberale Kleriker zum Lunch zu treffen und von Bischöfen zum abendlichen Dinner eingeladen zu werden. In einer kurzen Phase seines Lebens war – oder inszenierte sich – Wells als ein frommer, gläubiger Mensch. Sein damals veröffentlichter Roman Mr. Britling Sees It Through verkaufte sich sowohl in Nordamerika als auch im Heimatland so gut, dass der Autor nun definitiv finanziell gesichert war. Der anglikanische Priester und Dichter Geoffrey Studdert Kennedy, der im Ersten Weltkrieg Woodbine Willie genannt wurde, weil er verletzten und sterbenden Soldaten in den Phasen der Vorbereitung auf den Tod Woodbine-Zigaretten anbot, empfahl die Lektüre von Wells’ “great novel” Mr. Britling mit den Worten: “It is a gallant and illuminating attempt to state the question, and to answer it. His thought has brought him to a very real and living faith in God revealed in Jesus Christ, and has also brought relief to many troubled minds among the officers of the British Army.” Allerdings war H. G. Wells’ Gott ein durchaus endlicher Gott, und seine Theologie war alles andere als orthodox. Wie lassen sich dennoch seine evidente Prahlerei und die emphatische Zustimmung zu seinem Roman in den britischen Klerikereliten erklären? Im Aufsatz werden zunächst einige ältere Deutungen der Zustimmung führender Kleriker zu Wells’ Roman untersucht und einige der dabei leitenden Deutungsmuster kritisch infrage gestellt. Deutlich wird, dass nicht wenige anglikanische Geistliche Mr. Britling dazu nutzten, um höchst populistisch das umstrittene Theodizeeproblem anzusprechen. Auch werden die Briefe prominenter Geistlicher an Wells analysiert, mit Blick auf ihre eigenen Publikationen. Diese Reaktionen haben stark Studdert Kennedys Haltung zu Mr. Britling Sees It Through beeinflusst. Besonders aufrichtig war Wells mit Blick auf sich selbst allerdings nicht. Die Selbstinszenierung gegenüber seiner Geliebten war einfach nur peinliche Übertreibung. (shrink)

This first part, compiled from a catalogue of documents whose chronology has been reconsidered, is devoted to roofs of marble and limestone. The second part, on terra-cotta roofs, will appear in the Actes du Colloque "Constructions publiques et programmes édilitaires du II s. av. au Ier s. ap. J.-C. "Athènes, EFA, mai 1995. The principal traditions survive until the beginning of the empire, and the tendencies that had already begun to appear in the 3rd c. (disappearance of the cyma reversa (...) and vegetal acroteria with multiple stems) are confirmed. The innovations, revivals (relief anthemia on sloping simas) or creations (antefixes) are common enough, but sporadic. In general, uniformity is allied to restraint, and roof decoration undergoes fewer transformations than do other parts of the buildings. The reign of Augustus is marked by some manifestations of classicism, either strict (Gate of Athena Archegetis) or eclectic (cyma scrolls), and by the restrained accession of Roman influences and models, more visible in the colony of Corinth (Captives' Façade, Babbius Monument) than at Athens. The iconographie symbols are distinct (Lycosoura and Babbius Monument acroteria); the decorative programmes are diluted in the tradition which they reinforce (Athens), or derive from an imported repertoire, but are not numerous (Corinth). (shrink)

Although we are fairly well informed about the general organization and important events of the dramatic competitions in Athens, there remain significant gaps in our knowledge on many points of detail. In no place is this more true than with regard to the epinikian celebration honouring members of the victorious performance, about which scarcely any unambiguous testimony has come down to us. This study aims to provide new insights into the problem by demonstrating a connection between the iconography preserved in (...) several sculpted reliefs of the Roman period commonly referred to as Dionysos¿ visit to Ikarios and the representation of a celebration for poetic victory in Plato¿s Symposium. Central to the combined testimony of these sources is the ideal of Dionysos¿ epiphany to the poet in order to acknowledge and honour his victory in person. So identified as an element of victory celebration, related articulations of this imagined moment can then be detected in several additional representations on vases and in Aristophanic comedy, in both of which other independent elements likewise suggest the activation of an epinikian syntax. Practical matters about the celebration still elude us; what we gain, however, is a clearer sense of the religious ideals that were conveyed through these celebrations in connection with the worship of Dionysos, which formed a nucleus for the dramatic festivals. (shrink)

A primary issue in the field of business and society over the past 25 years has been the relationship between corporate social performance and corporate financial performance. Recently, Griffin and Mahon (1997) presented a table categorizing studies that have investigated this relationship. Motivated by concerns with this table, as well as a desire to account for progress in research in this area, the authors reconstructed it. The authors present a portrait of this relationship that is (a) substantially different from that (...) shown in the Griffin and Mahon table and (b) more consistent with the latest research on the topic. (shrink)

The Origin of Scientific Notions in the Circle of the Roman Accademia della Virtù around 1550. Between c. 1537 and 1555 a group of humanists, clerics, architects and philologists known as the so‐called Accademia della Virtù got together in Rome to work on a program which was formulated in a letter by the Sienese humanist Claudio Tolomei in 1542 and published in 1547. Starting out with the intention to understand the only surviving antique book on architecture and architectural theory (...) – Vitruvius’ De architectura libri decem – the program describes a series of 24 books, eleven containing the classical text and its translation with commentaries, 13 books systematically illustrating and documenting all known and available material remains from Roman antiquity. This program for a scientific classical archaeology in a modern sense was not only intended to serve the intellectual curiosity of some humanist antiquarians but to help architects and their patrons to develop a new architecture of the same high quality as the idealized Roman examples. To achieve this practical as well as theoretical goal it was obviously necessary to re‐create the antique vocabulary of architecture and its rules as well as to unify the contemporary usage of notions and norms in a canon. The first results of this project seem to be the In decem Libros M. Vitruvii Pollionis de Architectura Annotationes by Guillaume Philandrier (Rome, 1544) – up to this day a very valuable explanation of ambiguous parts in the Vitruvian text. Until the 1980s, it was believed that this book was the only outcome of the ambitious project; but then two codices of drawings after antique reliefs were identified as preparations for one of the other 23 volumes – and, because of their systematic approach, regarded as the ‘first systematic archaeological book’. Now it seems that there are some other corpora of manuscripts and drawings documenting antique artifacts that should be regarded as results of the Accademia’s work, too, showing antique buildings, inscriptions and coins. Other results of the unfinished project may be the theoretical and practical works of the two most influencial architects of the sixteenth century: Jacopo Barozzi da Vignola and Andrea Palladio. (shrink)

Immunity was an institution of Roman and Frankish public law that conferred exemption from various kinds of state obligations. In Roman law, immunity might be granted to an individual, group, or community by the public authority, whether the Roman state itself or one of its constituent self-regulating bodies. It was not an institution with a fixed content; terms varied according to the discretion and powers of the grantor and the system of obligations from which relief was sought. (...) Exemption might be for a limited duration and was always liable to be revoked, especially by imperial authorities, a circumstance that makes it difficult to evaluate the role and extent of immunities in the late empire. Immunities conferred by the emperors are mentioned quite frequently in the legal sources of the fourth and fifth centuries in reference to exemptions from taxation and other public burdens. These imperial grants are generally regarded as the forerunners of Merovingian concessions. (shrink)

Spanning the course of three millennia, the art of ancient Egypt stands out for its unique continuity. The fundamental rules of Pharaonic art were established around 3000 bc. The proportions of the human body, the style of cubist representation in relief and painting, the division of a tomb or temple wall into strips, and the adaptation of diverse forms into simple hieroglyphic images remained the principle elements of Egyptian art until the Imperial Roman era.

INTRODUCTION I have often asked myself why Husserl, really, headed in the direction of transcendental idealism from the time of his ...

The paper is devoted to the discussion of some philosophical and historical problems connected with the theorem on the undefinability of the notion of truth. In particular the problem of the priority of proving this theorem will be considered. It is claimed that Tarski obtained this theorem independently though he made clear his indebtedness to Gödel’s methods. On the other hand, Gödel was aware of the formal undefinability of truth in 1931, but he did not publish this result. Reasons for (...) that are also considered. (shrink)

Introduction The starting point for our reflections upon the musical work will be the unsystematized convictions that we encounter in daily life in our communion with musical works before we succumb to one particular theory or another.

The purpose here is to give a thorough phenomenological account of the aesthetic experience. The difference between cognitive perception of a real object and the aesthetic experience of an esthetic object is discussed at length. Elements and phases of an esthetic experience are delineated; illustrations of a preliminary emotion of esthetic experience are given, All of which suggest a fundamental change of attitude. From normal perceiving to esthetic perceiving there is a change from categorical structures to qualitative harmony structures, Producing (...) pleasure in the presence of an esthetic object. (staff). (shrink)

”Rotu” mielletään usein pelkästään biologiseksi käsitteeksi. Niinpä rasismista syytetyt toisinaan puolustautuvat julkisuudessa sanomalla, että he eivät ole biologisten rotuoppien kannattajia, vaan esimerkiksi vain kannattavat kulttuurien oikeutta olla erilaisia. Historiallisissa yhteyksissä menneiden aikojen ajattelijoita saatetaan puolustaa sillä, että he eivät olleet ainakaan biologisia rasisteja. Erottelun taustalla on olettamus, että biologiaa koskevat ja kulttuuria koskevat käsitykset voidaan ongelmattomasti erottaa toisistaan. Tämän esityksen yhtenä pyrkimyksenä on pohtia biologia vs. kulttuuri -erottelun merkitystä rotua koskevissa käsityksissä, ja problematisoida sitä. Tarkastelun aineistona käytetään 1800-luvun lopun ja (...) 1900-luvun alun vaikutusvaltaisimpia ”klassisia” rotuteorioita. Näitä näkemyksiä luonnehditaan yleensä ”biologisiksi”. Vaikka rotuteorioiden juuria on etsitty antiikista saakka, ja vaikka eri vuosisatojen ajattelijoilta on helppo poimia rotuennakkoluuloja heijastavia kommentteja, tarkasteltuna ajanjaksona laskettiin se teoreettinen perusta, joille esimerkiksi 1930- ja 1940-lukujen rasistiset käytännöt rakennettiin. Harva enää vaivautuu lukemaan tuon aikakauden rotuteoreetikkoja tai edes tunnistaa heidän nimensä: rotuteoriat ovat tyypillistä pseudotiedettä, vailla itsenäistä älyllistä arvoa. Kuitenkin johtavien rotuteoreetikkojen kirjoitukset käännettiin aikanaan useimmille eurooppalaisille kielille, ja niitä myytiin satoja tuhansia kappaleita. Rotuajattelusta tuli liberalismin, sosialismin ja kommunismin kaltainen vaikuttava yhteiskunnallinen virtaus. Sen historiallisesti tunnetuin ilmaus oli Saksan kansallissosialismi, mutta lähes kaikissa Euroopan maissa – ja monissa Euroopan ulkopuolisissa maissa – syntyi paikallisesti värittyneitä versioita rotuopeista. Useimmissa maissa nämä opit syntyivät jo ennen kuin kansallissosialismista tuli Saksan hallitseva ideologia. Yhtäältä rotuopit sekoittuivat vanhempiin, kielellisesti ja kulttuurisesti muotoiltuihin nationalismin versioihin. Toisaalta ne kytkeytyivät usein biologisin käsittein muotoiltuihin ideoihin rodun parantelusta. Silti rotuopit erottuvat käsitteellisesti ja teoreettisesti sekä ”pelkästä” nationalismista että ”pelkästä” rotuhygieniasta. Tämän esityksen muina tavoitteina on pyrkiä muodostamaan historiallisesti ja filosofisesti täsmällisempi käsitys rasismia tukevasta ajattelusta. Samalla rotuopit toimivat kiinnostavana ja varoittavana esimerkkinä politiikan käyttöön valjastetun pseudotieteen argumentaatiotavoista. (shrink)