Winner of the 1975 National Book Award, this brilliant and widely acclaimed book is a powerful philosophical challenge to the most widely held political and social positions of our age--liberal, socialist, and conservative.

_“This translation offers a fresh and vital encounter with Thomas More’s _Utopia_ for a twenty-first century audience.”—Elizabeth McCutcheon, _Utopian Studies__ Saint Thomas More’s _Utopia_ is one of the most important works of European humanism and serves as a key text in survey courses on Western intellectual history, the Renaissance, political theory, and many other subjects. In _Utopia_, More introduces the mysterious traveler Raphael Hythloday, who tells of an island nation that he considers the most perfectly organized and harmonious in the (...) world. Preeminent More scholar Clarence H. Miller does justice to the full range of More’s rhetoric in this masterful translation. In an Afterword to this edition, Jerry Harp contextualizes More’s life and _Utopia_ within the wider frames of European humanism and the Renaissance. (shrink)

In this article, I argue for an historical understanding of the relationship between ideology and utopia/utopianism that positions the latter as a specifically modern compensation for the loss of the cosmologically grounded, unitary ideology supplied by the late medieval Christian Church. This claim relies upon but revises Fredric Jameson’s early theorization of the collaboration between ideology and utopia/utopianism, which emphasizes that utopian elements allow ideology to offer subjects a ‘compensatory exchange’ for their complicity. Developing my central argument requires (...) considering the current viability of the ‘secularization thesis’, which classically associated modernization with secularization but which has undergone heavy criticism and revision by social scientists over the past half-century. These theoretical discussions, finally, are couched within a critical appraisal of the status of utopianism in contemporary politics. (shrink)

In this detailed study of the republican tradition in the development of the Enlightenment, the central problem of utopia and reform is crystallized in a discussion of the right to punish. Describing the political situation in Europe in the seventeenth and eighteenth centuries, the author shows how the old republics in Italy, Poland and Holland stagnated and were unable to survive in the age of absolutism. The Philosophes discussed the ideal of republicanism against this background. They were particularly influenced (...) by the political and religious radicalism of John Toland, which had survived the English Restoration and was then reaching Europe. Professor Venturi traces the debate on the penal laws and the attempt to relate utopian ideas of society to the practical problem of dealing with man in society, which culminated in the assertion by many Philosophes that an unjust social system necessitated harsh penal laws, thereby rejecting the possibility of reform. (shrink)

Myth, Utopia, and Political Action Starting from the premise that some form of "reality transcendence", i.e. the ability to imagine a different reality and reach out for the (un)thinkable, is necessary for political action, the aim of this paper is to analyse the concepts of myth and utopia elaborated by Georges Sorel and Karl Mannheim and to examine their possible contributions to a theory of political action and social change. By comparing the role the authors assign to rationality (...) and irrationality in human affairs, methodological and conceptual differences between Sorel's and Mannheim's approaches to the political are illustrated. It turns out that due to its immunity to critique Sorel's concept of the social myth is highly problematic. Mannheim's concept of utopia, on the other hand, culminates in a technocratic understanding of the political. Though both approaches emphasise the collective dimension of political action, they ultimately exhibit elitist understandings of the political. (shrink)

Despite his producing voluminous writings beyond Utopia, scholarly consensus seems to be that if we want to understand the political thought of Thomas More, we must turn to this ‘little book’. This approach, however, has yielded little consensus about how to categorise More as a political thinker, as Utopia is notoriously and intentionally enigmatic. This article attempts to generate a portrait of More as a political thinker by going beyond an investigation of Utopia alone and taking into (...) consideration those texts often overlooked or rejected by scholars, primarily his polemical and religious writings. Doing so provides an outline of More as a thinker concerned with themes of natural and artificial inequality, popular authority and representation and, at the least, justifies the exercise of reading More’s work beyond Utopia. (shrink)

A political philosophy classic from one of the foremost political thinkers of the twentieth century After Utopia was Judith Shklar’s first book, a harbinger of her renowned career in political philosophy. Throughout the many changes in political thought during the last half century, this important work has withstood the test of time. In After Utopia, Shklar explores the decline of political philosophy, from Enlightenment optimism to modern cultural despair, and she offers a critical, creative analysis of this downward (...) trend. She looks at Romantic and Christian social thought, and she shows that while the present political fatalism may be unavoidable, the prophets of despair have failed to explain the world they so dislike, leaving the possibility of a new and vigorous political philosophy. With a foreword by Samuel Moyn, examining After Utopia’s continued relevance, this current edition introduces a remarkable synthesis of ideas to a new generation of readers. (shrink)

To measure the life `as it is' by a life `as it might or should be' is a defining, constitutive feature of humanity. The urge to transcend is nearest to a universal, and arguably the least destructible, attribute of human existence. This cannot be said, however, of its articulations into `projects' - that is, of cohesive and comprehensive programmes of change and of visions of life that the change is hoped to bring about - visions that stand out of reality, (...) adumbrating a fully and truly different, alternative world. For the constantly present transgressive urge to be articulated into such projects, some less common conditions must arise. Utopia is one of the forms such uncommon articulations may take. This article explores the conditions that defined that form - those of modernity in its initial `solid' stage, a form that was marked and set apart from other articulations of the transgression urge by two remarkable attributes: territoriality and finality. It is concluded that in the transgressive imagination of `liquid modernity' the `place' (whether physical or social) has been replaced by the unending sequence of new beginnings, inconsequentiality of deeds has been substituted for fixity of order, and the desire for a different today has elbowed out concern with a better tomorrow. (shrink)

Plato's Utopia Recast is an illuminating reappraisal of Plato's later works, which reveals radical changes in his ethical and political theory. Christopher Bobonich examines later dialogues, with a special emphasis upon the Laws, and argues that in these late works, Plato both rethinks and revises the basic ethical and poltical positions that he held in his better-known earlier works, such as the Republic. This book will change our understanding of Plato. His controversial moral and political theory, so influential in (...) Western thought, will henceforth be seen in a new light. (shrink)

ABSTRACTIn this article, I consider Bernard Suits’ Utopia where the denizens supposedly fill their days playing Utopian sports, with regard to the relevance of the thought experiment for understand...

In Utopias, Dolphins and Computers Mary Midgley brings philosophy into the real world by using it to consider environmental, educational and gender issues. From "Freedom, Feminism and War" to "Artificial Intelligence and Creativity," this book searches for what is distorting our judgement and helps us to see more clearly the dramas which are unfolding in the world around us. Utopias, Dolphins and Computers aims to counter today's anti-intellectualism, not to mention philosophy's twentieth-century view of itself as futile. Mary Midgley explains (...) the point of philosophy: how to do it, why it is needed, what difficulties confront it and what topics need its attention. (shrink)

The article deals with the philosophy of Nikolai Berdjaev (1874–1948), which he formulated between The Philosophy of Inequality (written in 1918, but published in 1923) and The New Middle - Ages (1924). Berdjaev’s philosophy is analyzed in the context of the Russian Revolution of 1917 and its aftermath. The other point of reference is the crisis of culture and civilisation, which affected the West in the inter-war period. Berdjaev’s position has been interpreted in view of the archetypal myth of the (...) struggle of the two principles, the principle of order (cosmos) and the forces of destruction (chaos). This myth is tied to the millenialist world view. Berdjaev took an anti-utopian stance. He juxtaposed the utopian-revolutionary principle with the hierarchical-creative one. From this position he criticized among others democracy, liberalism and socialism. In the midst of the crisis of the 1920s he remarked the possibility of spiritual rejuvenation putting forward the concept of the New Middle-Ages. One can say that at that time Berdjaev’s philosophy evolved within the conservative-creative framework, from the utopia of conservatism to the utopia of ‘free creativity’. (shrink)

_Utopia in the Revival of Confucian Education_ investigates the classics-reading movement in contemporary Chinese society by examining how people re-forge lost bonds with tradition in the revival of Confucian education and strive towards their ideal future, while seeking to overcome the problems of the present.

Bloch's The Spirit of Utopia, here presented for the first time in English translation, is one of the great historic books from the beginning of the twentieth-century. A peculiar amalgam of biblical, Marxist, and Expressionist turns, drawing on both Hegel and Schopenhauer for the groundwork of its metaphysics of music, but consistently interpreting the cultural legacy in the light of a certain Marxism, The Spirit of Utopia is a unique attempt to rethink the history of Western civilizations as (...) a process of revolutionary disruptions and to reread the artworks, religions, and philosophies of this tradition as incentives to continue disrupting. The first part concerns a mode of 'self-encounter' which presents itself in the history of music from Mozart through Mahler as an encounter with the problem of a community to come. The second part is entitled 'Karl Marx, Death and the Apocalypse'. (shrink)

In this major new work by one of the leading writers on Utopian Studies, Ruth Levitas argues that a prospective future of ecological and economic crises poses a challenge to the utopian imaginary, to conceive a better world and alternative future. Utopia as Method does not construe utopia as goal or blueprint, but as a holistic, reflexive method for developing what those possible futures might be. It begins by treating utopia as the quest for grace, through a (...) hermeneutics that recovers the utopian meaning in our culture, explored through colour and music. Moving from the existential to the social, it draws on H.G. Wells's claim that the creation of utopias is the distinctive and proper method of sociology, and on the tentative reappearance of utopia in contemporary social theory. It proposes a constructive method, the Imaginary Reconstitution of Society. This fusion of explicitly normative social theory and analytic critique rehabilitates utopia as an integral part of sociology, and offers a means of collective engagement in shaping a better tomorrow."--Publisher's description. (shrink)

Utopia is nominally a ‘nowhere’ that is also, as Thomas More tells us, a ‘good’ place. Although there are competing cognate notions, the Greek description looms large in most accounts of utopia. The details of this ideal are so specified that utopic literature consists in a catalogue (and critique) of specifications. This essay draws attention to the fragrance attributed to Lucian’s ‘Isles of the Blest’ together with Ivan Illich’s attention to ‘atmosphere’ and to the aura and the nose (...) along with Nietzsche’s emphasis on the sense of smell. Utopic suspicion is discussed as parallels are drawn with pragmatic critiques of utopia as inherently totalitarian along with the ‘good life’ in political theory and the programmatic default of techno-utopic fantasy. In the historical context of ‘conspiracy’ and the politics of living and breathing together in community, I conclude with Illich on pax and breath. (shrink)

Num tempo em que os média, assoalhados pelas novas tecnologias, começam a deixar de cumprir a sua função mediadora e de teatro das operações sociais, tem lógica falar do esgotamento da utopia em favor da distopia. Não tem mais sentido abordar a utopia democrática, quando o poder apenas pretende garantir o lealismo do cidadão, a fidelidade acéfala no altar do politicamente correcto. O sistema categorial que caracterizava o espaço público em parte do século XX, espaço simbólico de democracia (...) em acção, perdeu toda a significação. Consumismo, fidelidade do cidadão, desempenho são as noções que agora fazem sentido e ganham significância, num mundo que caminha para a insignificância. (shrink)

A publicação de De optimo Reipublicae Statu, deque nova insula Utopia, de Thomas More, no final de 1516, está na origem de uma nova modalidade de discurso político. Ao unir a represen­tação racional e a descrição imaginária da comunidade desejável de forma indissociável, a cons­trução utópica releva tanto do foro filosófico quando do âmbito da elaboração sensível. Pretende-se, em primeiro lugar, caracterizar o conceito de utopia, tal como resulta da narrativa fundadora do género, lida à luz dos seus (...) principais pressupostos. Visa-se, de seguida, captar o olhar sobre a reflexão antiga acerca da cidade racional que More desenvolve. Tenta-se, por fim, confrontar o conceito moderno de utopia com o discurso utópico contemporâneo, tal como surge na segunda metade do século XVIII. (shrink)

Neste capítulo, vamos tratar do discurso-corpo demarcado pelas utopias em justaposição com as heterotopias em duas produções cinematográficas do horror francês contemporâneo. Dessa forma, o corpo que operamos é feito de discurso, ou seja, todo seu tecido, seus órgãos, seus sistemas, seus ossos são discursos sobrepostos pelo visível e pelo dizível, da mesma forma, como demonstrou Foucault na obra O Nascimento da Clínica em 1963.

This article examines the relationship between utopian production and reception via a reading of the work of the great utopian author and theorist William Morris. This relationship has invariably been defined by an inequality: utopian producers have claimed unlimited freedom in their attempts to imagine new worlds, while utopian recipients have been asked to adopt such visions as their own without question. Morris’s work suggests two possible responses to this inequality. One response, associated with theorist Miguel Abensour, is to liberate (...) reception, with Morris’s utopianism containing an invitation to readers to reformulate the vision proffered. However, this response, despite its dominance in contemporary utopian theory, not only misreads Morris but also undermines the political efficacy of utopianism. Consequently, I suggest that Morris responds to the problem of utopian inequality by constraining production, proposing a historical control on utopianising; new utopias are directed by an archive of visions articulated in past struggles. (shrink)

Black Utopias posits a concept of utopia made possible by black people's exclusion from the human and expressed through the ecstatic practices, community creation, speculative fiction and music. Jayna Brown explores the practices and works of 19th century black women mystics as well as 20th century musicians and speculative fiction writers including mystics Sojourner Truth and Rebecca Cox Jackson, musicians Alice Coltrane and Sun Ra, and writers Samuel Delany and Octavia Butler.

Tematem tekstu jest wizja społeczeństwa postkapitalistycznego brytyjskiego ekonomisty i badacza zrównoważonego rozwoju, Tima Jacksona. Jest to utopia unikatowa, możliwa do zrealizowania, budowana w oparciu o najnowsze ekonomiczne ustalenia empiryczne i raporty przyrodoznawców dotyczące powagi współczesnych zagrożeń środowiskowych. Artykuł systematycznie rekonstruuje jej najważniejsze założenia. Argumentacje Jacksona wymierzone są przeciwko „wzrościzmowi” (ang. growthism), to znaczy bezrefleksyjnej akceptacji samej logiki nie kończącego się wzrostu gospodarczego za wszelką cenę. Utopia budowana przez tego ekonomistę opiera się na filarach równowagi, dobrobytu (prosperity), psychologicznego przepływu (...) (flow) i wytwarzania (work). Artykuł wykorzystuje idee zawarte w pracach Jacksona (Dobrobyt bez wzrostu. Ekonomia dla planety o ograniczonych zasobach z 2009 roku oraz Post Growth. Life after Capitalism z roku 2021), a także wybrane tezy i ustalenia nurtu ekonomii ekologicznej dewzrostu. (shrink)

Biopolitics and Utopia explores the intersection of biopolitics and utopian thought. As an interdisciplinary work, it addresses many salient biopolitical issues (state and medical interventions in the body, fears over scientific progress, resistance to state biopower, and ethical concerns), while also engaging in the utopian drive behind biopolitical efforts. The book is structured into four main sections: Actions, Speculations, Reactions, and Reflections. The chapters in Actions examine the practices of direct, medical intervention to 'normalize' citizens' bodies. The next section, (...) Speculations, approaches the intersection of utopia and biopolitics through a literary lens, reviewing science fiction texts as expressions of cultural and social fears about scientific progress. Reactions outlines potential acts of resistance in the face of biopower. Finally, Reflections offers a more philosophical essay, which engages the reader in the potential for creating an ethics for scientific standards. (shrink)

Everyday Utopias explores a topic that is vital but is too often overlooked by utopian scholars. It is best read in tandem with its 2013 predecessor, Weak Messianism: Essays in Everyday Utopianism, by Michael Gardiner. In a nutshell, Cooper, like Gardiner, argues that although utopian visions may be born in the brains of utopian thinkers, progress toward utopia is what counts, and it must be rooted in present patterns and possibilities. Lest my qualms with the book’s execution overwhelm its (...) value for readers, let me emphasize my enthusiastic support of its basic purpose and its promotion of the growing field of practical utopianism, using a strikingly diverse array of cases to stake... (shrink)

ABSTRACTThe role of Concrete Utopias in the works of Roy Bhaskar are contrasted with the ‘Real Utopias’ of Erik Olin Wright. Critical Realism treats them as ‘possibilities’ that are real because re...

More’s Utopia has been translated a number of times into Turkish and continues to be translated as a classical, significant text. It is taught academically in disciplines such as political science, philosophy, history, sociology, and literature as part of the curriculum for both undergraduate and graduate university levels. In addition to responding to academic demand, different publishing houses continue publishing the novel in the interest of the general reader. Most of the translations are based on English editions such as (...) Ralph Robinson’s translation, Gilbert Burnet’s translation, Paul Turner’s translation, and the Everyman’s Library version. The Turkish translations... (shrink)

This paper reexamines Adorno’s conception of utopia within the context of his critique of the concept of progress. It contests the standard interpretation which conveys Adorno’s conception of utopia to be imbued with an essentially extra-historical idea of redemption. I argue, contrary to this view, that the motif of redemption surfacing in Adorno’s conception of utopia negates a specific type of historical life – life under which historical consciousness sinks into oblivion – rather than history per se. (...) In order to reveal the historicality of Adorno’s conception of utopia, I examine his fragmentary yet consistent critique of the concept of progress, which, far from calling for total abandonment, aims to access and unearth its truth-content. Last but not least, I visit Adorno’s suggestion regarding the consonance of utopia with genuine progress, assessing its implications vis-à-vis a characteristic feature of mythological life, the ratio of self-preservation. (shrink)

Over five hundred years since it was named, utopia remains a vital concept for understanding and challenging the world we inhabit, even in or rather because of the condition of post-utopianism that supposedly permeates them. In Rethinking Utopia David M. Bell offers a diagnosis of the present through the lens of utopia and then, by rethinking the concept through engagement with utopian studies, a variety of radical theories and the need for decolonizing praxis, shows how utopianism might (...) work within, against and beyond that which exists in order to provide us with hope for a better future. He proposes paying a subversive fidelity to utopia, in which its three constituent terms: good, place, and no are rethought to assert the importance of immanent, affective relations. The volume engages with a variety of practices and forms to articulate such a utopianism, including popular education/critical pedagogy; musical improvisation; and utopian literature. The problems as well as the possibilities of this utopianism are explored, although the problems are often revealed to be possibilities, provided they are subject to material challenge. Rethinking Utopia offers a way of thinking about utopia that helps overcome some of the binary oppositions structuring much thinking about the topic. It allows utopia to be thought in terms of place and process; affirmation and negation; and the real and the not-yet. It engages with the spatial and affective turns in the social sciences without ever uncritically being subsumed by them; and seeks to make connections to indigenous cosmologies. It is a cautious, careful, critical work punctuated by both pessimism and hope; and a refusal to accept the finality of this or any world. ". (shrink)

Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible. In Black Utopia, Alex Zamalin offers (...) a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Utopia and the Contemporary British Novel by Caroline EdwardsMark SchmittCaroline Edwards. Utopia and the Contemporary British Novel. Cambridge: Cambridge University Press, 2021. 277 pp. Paperback, ISBN 9781108712392.The development of the novel as a literary form is closely linked to the representational mode of realism and how it can convey the human experience of time. That the novel distinguishes itself substantially from earlier forms of literature in (...) how it attempts to capture temporality through means of literary realism has been acknowledged ever since Ian Watt’s The Rise of the Novel (1957). As such, the novel form underwent dramatic changes throughout the periods of modernity and postmodernity, with modernist and postmodernist techniques of representation mirroring shifts in the temporal experience. But how can the contemporary novel—a category itself loaded with implication and definitional problems—of the twenty-first century confront the particular representational challenges of its time? This is the question that Caroline Edwards addresses in her study Utopia and the Contemporary British Novel. Edwards is concerned with the wider repercussions of the post-postmodernist notion of the Fukuyaman thesis of the “end of history” and the profound challenges to this thesis in the face of the post-9/11 unfolding of the twenty-first century. The temporal experience of this century is marked by what Edwards calls “non-contemporaneity,” that is, a “political, and even ontological uncertainty” (9). In the context of contemporary literature, the resulting “temporal disjointedness that marks our experience in the twenty-first century” has “given rise to different expressions of the unevenness of the contemporary, at the level of novelistic structure, prose style, generic sampling and non-mimetic interventions into otherwise realist narratives and juxtaposed timescales” (9). The notion of non-contemporaneity is drawn from Ernst Bloch’s concept of Ungleichzeitigkeit, which Edwards considers to be “productive to thinking about the complexity of [End Page 595] utopian times and the different kinds of pasts and futures that circulate within our own present moment of contemporaneity, which is inescapably non-contemporaneous with itself ” (30). Edwards considers this noncontemporaneity as a prevalent temporal register in contemporary British fiction that speak to the crises of temporality associated with a range of political, social, and economic events and processes that have marked the first decades of the twenty-first century. The seemingly natural unfolding of the “the linear progressive time of neoliberalism” (8), what Mark Fisher has called “capitalist realism,” has increasingly been put into question, not least due to the 2008 Global Financial Crisis (158). Similarly, Edwards identifies the 2016 Brexit referendum as symptomatic of a nationalism that must, following Michael Gardiner, always appear to be “out of time” (8). Such crises are thus indicative of anachronistic unevenness and conflicting temporalities. Consequently, a literary fiction that wants to adequately represent these struggles with temporality cannot confine itself to the pitfalls of literary realism, but it would be equally ill-suited by resorting to postmodernist metafiction and irony. Rather, as Edwards contends, the twenty-first-century fictions that she discusses attempt to complicate realist modes by using disruptive and experimental narrative techniques that amount to “non-mimetic experiments with narrative voice and structure” and “delinearised” temporalities (4). With this approach, Edwards argues, these texts interrogate the present as unstable.The four main chapters of Edwards’s book proceed by first establishing the dominant philosophical and theoretical concepts underlying her hypothesis. Chapter 2 (“Reading Fictions of the Not Yet”) is a theoretical and methodological chapter and offers an in-depth engagement with theories of temporality and narratology. Edwards’s aim here is to advocate for an updating of conventional narratology to account for the multilayered narrative experiments with time since modernism and especially in contemporary fiction. Her approach to theorization and analysis is inspired by Elizabeth Freeman’s Time Binds: Queer Temporalities, Queer Histories (2010) in the decision to focus on close readings of a small number of primary texts and read them as texts or aesthetic artifacts that develop “theories of their own” (29). The chapter offers an in-depth engagement with Bloch’s philosophy of utopianism and his concept of Ungleichzeitigkeit.Another cornerstone for Edwards’s theory and method is the work of... (shrink)

When we make public policy choices, is it helpful to know how utopia would look? Amartya Sen argues that it is neither necessary, nor sufficient, nor even contributory. He claims that before making a policy choice one should compare several feasible institutional designs to see which promotes justice most, and that it is misleading to use the perfect design as a standard in those comparisons. Principles of justice are the proper standard. The present article contends that the perfect design (...) has nevertheless an important role to play in the prior task of identifying and refining our principles of justice. It also shows that the perfect design—in at least one sense of this term—may be a legitimate long-term goal for present policy choices. (shrink)

Il saggio propone un'ipotesi in controtendenza rispetto alla convinzione ormai diffusa che utopia e democrazia siano divenute, storicamente, antinomiche: nella modernitÀ utopia e democrazia sarebbero invece due forze e due impulsi indissociabili del movimento di emancipazione. Se, dunque, č ingiusto e sbagliato considerare la democrazia come essenzialmente borghese, č iniquo appiattire le molteplici forme e tradizioni utopiche sull'attribuzione di uno spirito e di un gesto totalitario all'utopia. Interrogando e ascoltando voci che in tempi e con intonazioni differenti (...) ci parlano dell'una e dell'altra, si delinea piuttosto un'affinitÀ profonda tra utopia e democrazia, entrambe rapporti con l'irriducibilitÀ dell'elemento umano, entrambe figure del non-luogo che si misurano con l'enigma della storia. (shrink)

World food production is facing exorbitant challenges like climate change, use of resources, population growth, and dietary changes. These, in turn, raise major ethical and political questions, such as how to uphold the right to adequate nutrition, or the right to enact a gastronomic culture and to preserve the conditions to do so. Proposals for utopic solutions vary from vertical farming and lab meat to diets filled with the most fanciful insects and seaweeds. Common to all proposals is a polarized (...) understanding of food and diets, famously captured by Warren Belasco in the contraposition between technological fixes and anthropological fixes. According to the first, technology will deliver clean, just, pleasurable, affordable food; future generations will not need to adjust much of their dietary cultures. According to the second, future generations should dramatically change their dietary habits (what they eat and how they eat it) to achieve a sustainable diet. The two fixes found remarkably distinct perspectives over dietary politics and the ethics of food production and consumption. In this paper we argue that such polarized thinking rests on a misrepresentation of the ontological status of food, which in turn affects the underlying ethical and political issues. Food is a socially constructed object that draws in specific ways on habits, norms, traditions, geographical, and climatic conditions. Although this thesis seems somewhat obvious, its consequences on the ethical and political perspectives on the future of food have not been derived properly. After introducing the issue at stake (¤1), we point out the polarities that characterize food utopias (¤2) and their ontological faults (¤3). We hence suggest that a socio-ontological analysis of food can better deliver the principles for a foundation of food utopias (¤4). (shrink)

In his book Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2007), Fredric Jameson analyzes the multiple components of utopia and the possibility of achieving utopia in the near future. As this book argues, however, human civilization will never achieve utopia unless humans reach a state of pure consciousness in which they will use their full mental potential and avoid making blunders in life that would undermine the possibility of a utopia. (...) This book develops a non-teleological, comparative poetics between Western and Sanskrit literary traditions by analyzing their opposing theories of language, consciousness and meaning. This comparison seeks to demonstrate the complementary nature of their two perspectives: the objective, conceptual emphasis of contemporary Western theory; and the subjective experiential emphasis of Sanskrit poetics. The potential contribution to the West of Indian culture in general, and Sanskrit poetics in particular, centers on the phenomenon of direct experience. Without the direct experience of pure consciousness, humans will not achieve a state of utopia because they will remain entangled in materialism without access to idealism or spiritualism available only through the direct experience of the unity of pure consciousness or the void of conceptions. (shrink)

Displaying an impressive command of complex materials, Seyla Benhabib reconstructs the history of theories from a systematic point of view and examines the origins and transformations of the concept of critique from the works of Hegel to Habermas. Through investigating the model of the philosophy of the subject, she pursues the question of how Hegel´s critiques might be useful for reforumulating the foundations of critical social theory.

After the many meetings held in 2016 to commemorate the five hundredth anniversary of the publication of Thomas More's Utopia, it seems fitting that we should consider the relevance of its central themes to the idea of what Europe has come to represent in the past sixty years or so. This article will proceed by recalling More's leading ideas and then indicating how later thinkers, especially after 1800, moved some of these in a specifically European direction. After touching on (...) some key moments in the European utopian narrative, this article will briefly consider some discordant dystopian episodes in this story. Then it will turn to the present and to our prospects for the longer-term future, or, at any rate, the rest of the twenty-first century. (shrink)

ABSTRACT This article explores Rabindranath Tagore’s vision of the future, continuously engaged with and drawing from the past, in relation to my own creative practice as theatre and film director, curator, and singer-performer, a practice that continuously engages with the resonances of Tagorean utopia. Through three case studies from the author’s creative engagement with Tagore’s utopia, the article explores the building of transcultural utopias in which Tagore and Leonard Elmhirst participated and how Dartington Hall rapidly became a magnet (...) for artists, writers, philosophers, and musicians; Tagore’s opera Tasher Desh, a powerful political satire on fascism/free will; and the author’s feature film Life Goes On and the Tagorean construct of the absent-present mother figure. (shrink)

The recovery of politics as the art of what is possible, implies an adequate relationship with utopia, which is a condition of political realism. This supposes the affirmation of reality as the condition of possibility in human life, in contrast with its displacement by the hegemonic fetishist per..

The weathered stone, collapsed lintels and hollow roofs of the ruin have long evoked a sense of pathos, standing as monuments to the disastrous contours of history and the possibility of alternative futures. In this article, I ask: What is the meaning of the ruin in the postcolonial context of the Caribbean? There are few physical ruins in the Caribbean, resulting in a feeling of lack: the architectural landscape fails to speak to the catastrophes of slavery and colonialism. Dub, a (...) subgenre of Jamaican reggae, responds to this sense of deprivation. The dub producers of the 1970s decomposed reggae songs, creating ruinous constructions where crucial elements of the original version are missing. Fragmented dub compositions act as icons of the traumatic history of the Caribbean and a utopian pique to the imagination, forcing the listener to fill in the gaps and imagine the world remade. (shrink)

Utopias are embedded in contexts from which they derive meaning and significance. As a vehicle for speculation, intervention, and creativity, narrative utopia reflects the circumstances of its times, including its culture's relationship to the past. This article offers a survey of ways in which utopias engage with the problematics of historical memory both by looking to the past in the “real” world or in a mythical world and by positing fictional peoples with their own historical memory/ies, as instanced in (...) legends, libraries, works of art, and so on. The erasure or falsification of memory, on the other hand, appears as an important leitmotif of the dystopian imagination. By pointing out a variety of examples and issues, the article will attempt to bridge the existing gap between utopian studies and cultural memory studies. (shrink)

Environmentalism has relentlessly warned about the dire consequences of abusing and exploiting the planet's natural resources, imagining future wastelands of ecological depletion and social chaos. But it has also generated rich new ideas about how humans might live better with nature. Green Utopias explores these ideas of environmental hope in the post-war period, from the environmental crisis to the end of nature. Using a broad definition of Utopia as it exists in Western policy, theory and literature, Lisa Garforth explains (...) how its developing entanglement with popular culture and mainstream politics has shaped successive green future visions and initiatives. In the face of apocalyptic, despairing or indifferent responses to contemporary ecological dilemmas, utopias and the utopian method seem more necessary than ever. This distinctive reading of green political thought and culture will appeal across the social sciences and humanities to all interested in why green utopias continue to matter in the cultivation of ecological values and the emergence of new forms of human and non-human well-being. (shrink)

In this essay, I explore Cassirer’s brief discussion of utopia in An Essay on Man, as likely built upon Kant’s theory of genius as from the Critique of Judgment. This exploration of Cassirer’s theory of utopia lays the groundwork to argue that a utopia is the dynamic product of the “ethical genius,” a work that advances culture by luring it, via ideal imaginaries, to new realms of possibility for ethical advancement. Utopias have their dangers and limits, but (...) nevertheless have a critical role to play in improving our ethical life. (shrink)

Avec l’essor et le succès croissant de la littérature de voyages, nourrie par les grandes explorations et découvertes, les utopistes de l’Âge classique ont commencé à s’intéresser plus au sujet épique qu’à l’encadrement rhétorique de la relation utopique. Avec comme résultat des utopies réalistes dans lesquelles les narrateurs, en imitant le schéma de la littérature de voyages et d’exploration, prétendent avoir découvert des civilisations exotiques idéales, crédibles et applicables, qu’ils offrent en modèle à leurs contemporains. Les principaux procédés de construction (...) des « utopies réalistes » sont la sélection et l’extrapolation utopique. Travaillant sur l’image de son monde historique, l’utopiste fait un choix des traits négatifs et positifs et les regroupe dans deux espaces complémentaires. Les caractéristiques jugées mauvaises sont rassemblées et isolées dans la description de « notre » civilisation, celles bénéfiques sont regroupées et extrapolées dans la configuration de la civilisation exotique. L’exclusion des éléments désagréables, nuisibles et funestes soumet la fiction utopique à une « réduction au positif », ce qui fait d’elle un univers fictionnel eudémonique, capable de susciter l’adhésion rationnelle, morale et affective des personnages, ainsi que des lecteurs. Nurtured by the great explorations of the period, the emergence of voyage literature in early modern Europe led classical utopian writers to shift from the dialogical form of Renaissance utopias to voyage narratives. A great many of the classical utopias worked in a realistic code, mimicking the voyage epic, in which fictional voyagers discovered exotic ideal civilizations that were offered as a contrastive example to the European countries. The main construction procedures of these “realistic utopias” were utopian selection and extrapolation. The utopian writer started from the “neutral” image of his contemporary world and operated a separation between its positive and negative features. He regrouped the negative features into the image of “our” civilization and the positive features into the image of the antipodal civilization. By excluding the bad and harmful elements, the utopian writer submitted his ideal society to a “reduction to the positive” and transformed it into a eudemonic fictional world, meant to prompt a rational, moral and emotional adhesion response in the characters, as well as in the readers. (shrink)