Pharmakon traces the emergence of an ethical discourse in ancient Greece, one centered on states of psychological ecstasy. In the dialogues of Plato, philosophy is itself characterized as a pharmakon, one superior to a large number of rival occupations, each of which laid claim to their powers being derived from, connected with, or likened to, a pharmakon. Accessible yet erudite, Pharmakon is one of the most comprehensive examinations of the place of intoxicants in ancient thought yet (...) written. (shrink)

Pharmakon traces the emergence of an ethical discourse in ancient Greece, one centered on states of psychological ecstasy. In the dialogues of Plato, philosophy is itself characterized as a pharmakon, one superior to a large number of rival occupations, each of which laid claim to their powers being derived from, connected with, or likened to, a pharmakon. Accessible yet erudite, Pharmakon is one of the most comprehensive examinations of the place of intoxicants in ancient thought yet (...) written. (shrink)

Invested with the capacity to reinstate physiological order, medicines are at the centre of contemporary health care. Their purpose and efficacy are generally seen as predictable and concrete: disease = therapy = outcome. These culturally specific understandings shape the practices and meanings of taking medicines. This article, however, queries what actually takes place when human bodies and medical drugs converge. Is it a solely therapeutic affair, a restoration of bodily normality, or one of multiple transformations? The ambivalent meaning of the (...) original Greek word for drug, pharmakon, intimates the potential of medicines to act as ‘remedy’ as well as ‘poison’. Using pharmakon as a conceptual tool, the article explores the complex, and often paradoxical corporeal effects of HIV combination therapy, with particular focus on lipodystrophy, a peculiar change in people‘s body shape. This unintended and frequently distressing iatro-genic phenomenon challenges common notions of therapeutic efficacy and causality and foregrounds the productive dimension of medical drugs - their capacity to reconfigure bodies, diseases and identities in multiple, unpredictable ways. (shrink)

Whilst the ‘local culture’ of experimental natural philosophy in seventeenth-century England drew on ‘resources’ supplied by the gentlemanly identity of men like Robert Boyle, this culture found much of its distinctiveness in a series of exclusions having to do with faith, gender and class. My concern in this essay is less with these exclusions, and the distinctions they enabled, than with their surreptitious returns. Following from this, as a heuristic strategy, I will try to understand how Boyle and Co. used (...) and reacted to, repressed and cathected, that which they sought to exclude. By charting the movements of exile and return across the contested frontiers of class, gender and faith, truth and lies, authenticity and performance, we can, I believe, fruitfully complicate our understandings of both the social history of truth, and the social history of our ‘post-truth’ predicament. (shrink)

Is physical presence an essential aspect of a rich educational experience? Can forms of virtual encounter achieve engaged and sustained education? Technophiles and technophobes might agree that authentic personal engagement is educationally normative. They are more likely to disagree on how authentic engagement is best achieved. This article argues that educational thinking around digital pedagogy unhelpfully reinforces this polarising debate by failing to recognise that digitalisation is, as Stiegler has argued, pharmacological: both a poison and a cure. I suggest that (...) Biesta’s critique of learnification can be applied to online learning, but that any such application does not sufficiently acknowledge the pharmacological nature of modern technology. While Stiegler has something important to contribute on the relation between technology, attention and education, I suggest his account is rather too bound up with critical theories of technology. In the end I turn to philosophers of religion, such as Eliade and Smith to suggest different ways of conceiving the role of attention in education that does set technologies up over/against the formation of attention essential to education. (shrink)

Este artigo analisa o conceito phármakon e suas utilizações nas poesias épica e trágica gregas. A partir da discussão acerca do conceito de magia e de suas utilizações na sociedade grega dos períodos arcaico e clássico, que incluíam a manipulação do phármakon, propomos uma investigação que evidencie os significados, bem como as transformações pelas quais o conceito de magia passou no decorrer dos três séculos que separam a produção dos textos antigos por nós utilizados. A tradição mágica helênica tem no (...) phármakon seu elemento de continuidade nos períodos arcaico e clássico. (shrink)

In the Statesman and Phaedrus Plato addresses the problem inherent to law of how a general rule can be applied appropriately to particular circumstances. Previous scholarship has shown the connection between these dialogues’ critiques of written law and writing, a similarity this paper argues extends to the comparison of writing to a pharmakon (‘drug’) in both dialogues. Furthermore, close textual analysis shows that the Stranger’s discussion of measure in the Statesman parallels Socrates’ concept of ‘logographic necessity’ in the Phaedrus (...) according to which the parts of a perfect writing cohere like limbs within an organism. Logographic necessity and measure raise the possibility of overcoming the weakness of writing and written law respectively. Ultimately, the Laws recapitulates these issues to reveal an insuperable gap between legal and philosophic writing. Envisioning the ideal of perfect law is, however, necessary to see how law falls short of what philosophy as Platonic dialogue achieves. (shrink)

By considering the position of education as a pharmakon, highlighting its potential positive and negative effects on societies by its technical unfolding, the article proposes to explore the political and pedagogical role that public and collective performances can have within the public sphere as political devices for promoting and enacting radical democracy. To this end, it analyzes a contemporary collaborative artistic practice, the performance ‘Un Violador en Tu Camino’ (‘A rapist in your path’) by the feminist collective LASTESIS from (...) Chile, through two main philosophical perspectives: Bernard Stiegler (1952 – 2020), and his approach to technology, to art, and education in human societies; and Oliver Marchart, coming from his conceptualization of art and activism through the notion of conflictual aesthetics. (shrink)

In the last decade there has been an upsurge in the popularity of electric mountain bikes. However, opinion is divided regarding the implications of this emerging technology. Critics warn of the dangers they pose to landscapes, habitats, and ecological diversity, whilst advocates highlight their potential in increasing the accessibility of the outdoors for riders who would otherwise be socially and/or physically excluded. Drawing on interview data with 30 electric mountain bike users in England, this paper represents one of the first (...) attempts to empirically explore the experiential, ecological and socio-cultural implications of this activity. Utilising Stiegler’s (2013a) account of the pharmakon, in which technology is positioned as both remedy and poison, we suggest that the e-mountain bike’s role in the promotion of social and environmental responsibility is both complex and contradictory. Specifically, findings indicate that while this assistive technology can play a key role in facilitating deeper connections between riders as well as an ethic of care towards others, it can, at the same time, generate more individualised and automated experiences of recreational mobility in outdoor environments. (shrink)

El propósito de este artículo es abordar la concepción de la filosofía en la obra de Wittgenstein desde el sentido ambivalente del término phármakon. Perfilará así un juego de paradojas entre la salud, la cordura, la seguridad adaptativa que proporciona la racionalidad occidental materializada en ciencia, de un lado, y la enfermedad, la locura, el mundo de las perplejidades, del deseo y de la muerte, esencial a la filosofía, de otro. Desde la perspectiva del último Wittgenstein, entenderemos el Tractatusa la (...) vez como crítico de las deficiencias de la Razón occidental y como preso de ellas. Pero el poder "encantador" de la Razón que lleva a identificar en esa obra racionalidad y cientificidad se verá conjurado en el último Wittgenstein con la apertura de plurales ámbitos de racionalidad y de discursos. Quedarán así rescatadas del silencio y del absurdo las cuestiones filosóficas. (shrink)

In this article I argue that Hegel has become analytic philosophy’s “pharmakon”—both its “poison” and its “cure.” Traditionally, Hegel’s philosophy has been attacked by Anglo-American analytical philosophers for its alleged charlatanism and irrelevance. Yet starting from the 1970s there has been a revival of interest in Hegel’s philosophical work, which, I suggest, may be explained by three developments: the revival of interest in Aristotelianism following Saul Kripke’s and Hilary Putnam’s work on natural kinds, and Elizabeth Anscombe’s, Philippa Foot’s, and (...) Putnam’s opposition to the fact-value distinction; the rehabilitation of Hegel’s theories by various philosophers, including Robert Pippin, Terry Pinkard, Fred Beiser, Robert Stern, and Stephen Houlgate; and the Sellars-inspired philosophy of mind of John McDowell and of Robert Brandom. The first and third of these reasons, I argue, have led several analytic theorists to cast Hegel in a more positive light as the “cure” for analyti... (shrink)

The concept of “health”, in Nietzsche’s philosophy, is not opposed to that of disease but incorporates it within itself. The paper aims to show how being in “good health” has, according to Nietzsche, a physiological significance that is intimately connected to aesthetics. Richard Wagner’s music is the iconic example of how rhythm from medicine can become poison and lead a body to décadence. Even in some patients with neurological diseases, musical rhythm can function as medicine, which does not work equally (...) for everyone but according to individual, embodied laws. (shrink)

This paper relates the implications of Derrida’s reading to the historical context of the passage into philosophy and metaphysics as explained in classical works like Havelock’s Preface to Plato (1952). The paper shows the specific ways Derrida used to deconstruct Palto’s text and how this connects with the historical context of the text itself, the inception of philosophy and metaphysics as we know it now. The first step Derrida takes is showing the importance of the myth element in the work’s (...) structure. One is his etymological analysis of the word “pharmakon” and its double meaning. The second mechanism is the structural laws of oppositions, such as speech/writing, good/evil, life/death, first/second, and original/copy. The paper concludes that Derrida’s reading of Plato is different from Havelock’s in being a form of “textual contextualizing.” Derrida is putting Phaedrus in the wider project of the passage into philosophy and into the dawn of Western metaphysics, but unlike Havelock, he is concerned with textual mechanisms rather than historical turns. Derrida’s reading indicates that Plato introduced metaphysics and philosophy not merely by making up terms and expounding notions but, more importantly, by a set of textual mechanisms that will live on with Western philosophy and thought. (shrink)

This investigation concerns first what Jacques Derrida and Paul Ricœur consider to be «the question of writing» in Plato’s Phaedrus, and then whether their conception of a general philosophical problem of writing finds support in the dialogue. By contrast to their attempts to «determine» the «status» of writing as the general condition of knowledge, my investigation has two objections. (1) To show that Plato’s concern is not to define writing, but to reflect on what is involved in honest and dishonest (...) inquiry. (2) To argue that Derrida’s and Ricœur’s determination of the instrumental (epistemic and moral) «status» of writing, overlooks crucial difficulties of dishonest writing that Plato’s discussion of the pharmakon reveals. The argument proposed is that honest and dishonest inquiry is not tied to the moral status that writing, as an invention or instrument, unconditionally involves, but to the moral quality of what a human being does when inquiring. (shrink)

This essay proposes an interpretation of Don DeLillo’s Falling Man based on a combination of textual analysis and contemporary theoretical approaches to the specific questions of trauma, grief, and...

‘The art of living with ICTs ’ today not only means finding new ways to cope, interact and create new lifestyles on the basis of the new digital technologies individually, as ‘consumer-citizens’. It also means inventing new modes of living, producing and, not in the least place, struggling collectively, as workers and producers. As the so-called digital revolution unfolds in the context of a neoliberal cognitive and consumerist capitalism, its ‘innovations’ are predominantly employed to modulate and control both production processes (...) and consumer behavior in view of the overall goal of extracting surplus value. Today, the digital networks overwhelmingly destroy social autonomy, instead engendering increasing social heteronomy and proletarianization. Yet it is these very networks themselves, as technical pharmaka in the sense of French ‘technophilosopher’ Bernard Stiegler, that can be employed as no other to struggle against this tendency. This paper briefly explores this possibility by reflecting upon current diagnoses of our ‘technological situation’ by some exemplary post-operaist Marxists from a Stieglerian, pharmacological perspective. (shrink)

Resumo: Propõe-se uma leitura de três episódios da Odisseia, nos quais há o uso de um phármakon. São Helena, Circe e Hermes as personagens que administram as phármaka. Trata-se de leitura: 1) vinculada a um projeto: o levantamento e a interpretação de discursos que se distanciem e/ou questionem a perspectiva da “guerra às drogas”, algo como um projeto de extração de elementos textuais que possam servir como ferramentas teóricas, na construção de uma perspectiva menos mortífera em relação às substâncias; 2) (...) guiada por três princípios, os quais podem ser ditos anticoloniais e antirracistas. Leitura centrada no phármakon, mas que o articula à comida floral dos lotófagos e à relação de xenía; dela, apresenta-se a proposta segundo a qual, no texto homérico, há a valorização de algo que pode ser chamado de multivalência.: The aim of this paper is to analyze three episodes of the Odyssey in which a pharmakon is used. Helen, Circe and Hermes are the characters that administer the pharmaka. This analysis is linked to a project - the survey of discourses that distance themselves and/or question the perspective of the “war on drugs”, a project that aims to extract textual elements that can serve as tools of thought in the construction of a less deadly path in relation to substances - and guided by three principles - which can be called anti-colonial and anti-racist. From this focus, centered on the pharmakon, also articulating it to the floral food of the lotophagi and the relationship of xenia, a thesis is put forward according to which, in the Homeric texts, one can find something that can be called multivalence. (shrink)

The problem of interpreting music’s function or role is scrutinized by grounding music’s significance through a selected reading of Platonic philosophy and a reinterpretation of the concept of “pharmakon” familiar to ancient Greeks, and in particular, the Athenians. Views on both mousike and the artistic practice of music in that era are taken into account. The “pharmakon” is analyzed through a concept of love as a harmonizing force and a variety of contexts are explicated, showing that it concerns (...) any object that gives rise to beneficial and detrimental effects. It also changes mental states or the manner of thinking in such a way that the value of the pharmakon is undecidable a priori and dependent upon an axiology of anticipation. Plato’s metaphysics and philosophy of music can be read to show that music can be both a poison and a remedy in regard to the ways it is used, which is analogous to drugs, medicine, or technological entities such as writing. In this context attention is given to the problem of mania, and how music can be both a force that gives rise to such a condition as well as a technique of alleviating it, since it is a tool for manipulating the intrapsychic dialogue of the embodied soul. -/- Znaczenie muzyki w nawiązaniu do Platona i pojęcia „farmakon" Problematyka interpretacji funkcji lub roli muzyki jest badana poprzez ugruntowanie znaczenia muzyki w wybranych wątkach filozofii Platona i reinterpretacji pojęcia „farmakon” bliskiego starożytnym Grekom, a zwłaszcza Ateńczykom. Uwzględnia się poglądy zarówno odnośnie mousike jak i ówczesnej praktyki artystycznej. „Farmakon” analizowany jest poprzez koncepcję miłości jako harmonizującej siły oraz przez różne konteksty, które są wyeksplikowane, aby wskazać na to, że dotyczy jakiegokolwiek przedmiotu, który powoduje korzystne jak i szkodliwe efekty. Zmienia także stany umysłowe lub sposób myślenia tak, że wartość farmakonu jest nierozstrzygalna a priori i powiązana z aksjologią antycypacji. Metafizyka i filozofia muzyki Platona może być czytana w sposób ukazujący, że muzyka może być zarówno trucizną jak i środkiem zaradczym, w zależności od formy jej użytkowania, co jest analogiczne z narkotykami, medycyną i technicznymi bytami takimi jak pismo. W tym kontekście zwraca się uwagę na problem szału i tego, że muzyka może być zarówno siłą, która wywołuje ów stan, jak i środkiem załagodzenia go, ponieważ jest ona narzędziem manipulacji intrapsychicznego dialogu ucieleśnionej duszy. (shrink)

El artículo se propone indagar en la concepción de la «realidad» que tiene la sofística, como referente fundamental para entender mejor su propuesta crítica ante el avance que en esa época está teniendo la «filosofía dogmática» de tipo metafísica. En particular centrando el análisis en la invectiva que al respecto realiza Gorgias de Leontinos en los fragmentos conservados de dos de sus obras fundamentales: el tratado De lo que no es o de la naturaleza y el discurso Encomio de Helena. (...) Aquí se considera que esta es una posible ruta que permite reconstruir parte de su sediciosa propuesta filosófica. El núcleo fundamental que impulsa la reflexión gorgiana es la infranqueable distancia que separa la concepción de una supuesta «realidad en sí» del pensamiento y lenguaje; ante esta prerrogativa es factible entender el poder que le atribuye al logos para influir en las almas y acciones de los seres humanos, pero también en la capacidad del discurso para «hacer diciendo»; en este sentido perfila su perspectiva extrema de que las palabras estrictamente humanas en su fuerza performativa hacen factible «crear la realidad». (shrink)

Quando Édouard Manet pintou entre 1862 e 1863 a obra Le Déjeuner sur l’herbe e a expôs no Salão dos Recusados em 1863, a sensualidade da mulher nua sentada ao lado de dois homens, vestidos à moda da época, provocou grande escândalo na sociedade francesa daquela época. Entretanto, a fotografia de duas mulheres zulus, publicada na revista britânica Photographic News em 1879 teve um efeito completamente contrário à famosa pintura de Manet. O presente texto investigará a fascinação exercida pelo exótico, (...) sombrio e mítico na construção da sensibilidade de pensadores e artistas da vanguarda e na representação dos povos não ocidentais, bem como a construção de noções como “arte primitiva” ou mesmo “arte africana” que operaram no interior do discurso modernista sobre a arte, mostrando que modernismo e colonialismo se conectam de forma brutal e surpreendente. (shrink)

Man is a "homo theologicus." The dominion of the cyberculture is determining the oblivion of the Sacred in a new fashion, creating fictional transcendences that replace traditional reality with cyberconstructions. We aim to show how man is essentially a theologal being and how the Byzantine notion of ϑέωσις (deification) as expressed in sacred arts can be a way of preserving human essence from its alienation in the fictional transcendences of cyberbeing. We approach cyberculture as a process of ontological desubstantiation via (...) artificial "intelligence" and virtual reproductions. We explain the dual phenomenon of the implanting of a decentered, networked techno-hedonism and the spread of the "avatar syndrome" as a cyber-disease that inhibits in man his responsibility to be real. By contrast, we underscore the importance of the fact that in cyberbeing the "enchantment before beings" as anticipation of radical freedom is especially safeguarded. While the modern aesthetic is mostly deprived of mystic origin and transcendental telos and proves useless against cyberbeing's desubstantiating power, Byzantine aesthetic as an ontological healing way can contribute to the de-oblivion of human essence. This implies that sacred Byzantine arts as aesthetic therapy open the horizon in which man experiences his essence as perpetual bliss in the meaning of Being. (shrink)

If a book title were comparable to the name of a restaurant, the table of contents would be their menu. Jason Wirth's Nietzsche and Other Buddhas initially reminded me of a fusion restaurant with a strong "Asian" flavor, an ambiguous genre that we would see anywhere in continental Europe. As one could easily imagine, this is not necessarily a compliment to the chef. By integrating various ingredients and different techniques from diverse culinary traditions, a fusion restaurant might claim to create (...) a new dish or a unique course that transcends the conventional categories of our dietary practice. Like what Kant says about the uniqueness of nonsense, however, their end product could fail to be... (shrink)

Drawing on Adorno and Horkheimer's oft-quoted 1944 essay, “The Culture Industry: Enlightenment as Mass Deception,” Bernard Stiegler’s The Age of Disruption affirms that the Frankfurt School duo scrupulously envisaged a “new kind of barbarism,” or an inversion of modernity’s Enlightenment project illustrated by our contemporary political semblance. Surveying the critical social fissures that index contemporary Western civil society—from 9/11 to the 2002 Nanterre massacre and the 2015 Charlie Hebdo shooting—Stiegler diagnoses that our epoch is plagued by the “absence of epoch,” (...) whereby computational capitalism and algorithmic governmentality have extirpated the “transcendental imagination” underlying vital primordial narcissism. In short, these are symptoms a world increasingly “going mad,” in a thousand ways, possible because we are the bearers of “a negative protention of a becoming without future,” yet “we prefer not to say so: we do not want to know about it.”. (shrink)

In its original Greek conception, philosophy was intended to promote both wisdom and virtue among society; in this sense, the teaching, or presenting, of philosophy is central to its essence. Socrates and Plato famously grappled with the question of how to impart wisdom and virtue to the learner, with mixed results. One of the standard methods—reading and writing—was argued to be misleading and even deceptive, because it deals with static, ‘dead’ words and ideas rather than with the “living discourse” of (...) one person speaking directly to another. This general critique of certain ‘technologies’ of learning is even more relevant today, in our technological age, where the presenting of philosophy often involves computers, laptops, and the Internet. Such things come to function as addictive drugs—much like the pharmakon that Plato warned of. Philosophy would thus be better served by less use of mediating technologies and by a return to live, interactive, living dialogue between student and teacher. (shrink)

There has been an excellent series of formative articles centring on Bernard Stiegler (1952-2020) as an inspiration to pedagogical thought; this is a summative article written from the perspective of after his death. Stiegler argued that education is ontologically crucial to human development, wherein technics or the ‘not-experienced-condition(s)-necessary-for-experience’ are crucial to humanity’s ability to create its own existence. Technics make possible the technologies underpinning contemporary Anthropocentric existence. While entropy poses the cosmological threat of death to life, technics supports negentropy or (...) the collecting and marshalling of energy opposed to entropy. Education is a crucial means of social negentropy, however all human agency is characterized by the pharmakon of more entropy or increased negentropy. The tension is inevitable in the pharmakon between on the one side, care and cure; and on the other, poison and death. In this article, we ask: ‘Given his suicide, what sort of pharmakon was Stiegler for himself and for us?’1 The authorial “I,” ‘Bernard Stiegler’ is no longer a living critic of social entropy or of proletarization and ‘technoscience’; what do we now make of his oeuvre for education? We will point to his inversions and purposeful mis-interpretations of Heidegger and Derrida as crucial to his oeuvre. Stiegler’s phenomenal being has ended; what technics have been strengthened and specifically: ‘What now of education?’. (shrink)

Building from the works of Jacques Derrida, this article explores health anxiety’s aporetic relationship with medicine through a deconstructive approach. I argue that attention to Derrida’s writings (and in particular, his readings of pharmakon and autoimmunity) may prove useful in explaining the cyclical character of health anxiety and its ambivalent response to medical reassurance. What’s more, I demonstrate how structuralist interpretations of health anxiety as a signifier without referent prove insufficient within a Derridean account. Such a reading emphasizes the (...) need for interdisciplinary medical humanities as well as critical reflections on the possible limitations of Western medical semiotics. (shrink)

A leading critic of the disruptive force of technology in education, Bernard Stiegler saw the counter-effects of artificial intelligence in undermining human agency, autonomy and individuality, rendering the role of education ever more critical. Stiegler believes that our goal is not to abandon technology but to focus our attention on its power and direction in a hypercapitalist economy. While he did not foresee the emergence of generative artificial intelligence (GAI), its rapid acceleration raises important issues for his notion of digital (...) writing as a pharmakon. In this essay, we examine Stiegler’s view on intelligence, digital writing, technological memory, and neuropower, focusing specifically on his Shanghai lecture and Nanjing Lectures. We compare Stiegler with Catherine Malabou, who examines the nature of intelligence primarily through the lens of neuroscience. We argue that Malabou’s view of neuroplasticity in human and artificial brains, and her critique of techno-narcissism in the control over technology, add an important dimension to Stiegler’s political critique of education. Finally, we examine how best to construe AI as part of a hyper-materialist epistemology that Stiegler espouses in the conclusion of his Nanjing Lectures, to bring about neganthropic knowledge through a therapeutics of care. (shrink)

The purpose of this article is to explore the concept of Philosophy within the works written by Wittgenstein if we take into account the ambivalent sense of the term phármakon. Thus, it will be outlined a contest of paradoxes between, on the one hand, healthiness, sanity, and the adaptable confidence produced by western rationality materialized into objective science, and, on the other hand, sickness, insanity, the world of perplexities, and the realm of desire and death, essential to philosophical thought. Bearing (...) in mind last Wittgenstein’s approaches, we will understand the Tractatus both critical to the deficiencies of western Reason and imprisoned within them. But the “enchanting” power of western Reason, conducting to identify rationality and scientificity in that work, will be conjured in the last Wittgenstein through the opening of plural realms of rationality and of discourses. In this way, philosophical questions will be rescued from silence and absurdity. (shrink)

In this essay, one of Derrida’s early texts, Plato’s pharmacy, is analysed in detail, more specifically in relation to its reflections on writing and its relation to law. This analysis takes place with reference to a number of Derrida’s other texts, in particular those on Freud. It is especially Freud’s texts on dream interpretation and on the dream-work which are of assistance in understanding the background to Derrida’s analysis of writing in Plato’s pharmacy. The essay shows the close relation between (...) Derrida’s analysis of Plato’s texts and Freud’s study of the dream-work. The forces at work in dreams, it appears, are at play in all texts, which in turn explains Derrida’s contentions in relation to the pharmakon as providing the condition of possibility of Plato’s texts. The essay furthermore points to the continuity between this ‘early’ text of Derrida and his ‘later’, seemingly more politico-legal texts of the 1990s. A close reading of Plato’s pharmacy, with its investigation via ‘writing’ of the foundations of metaphysics, and thus also of the Western concept of law, is obligatory should one wish to comprehend how Derrida attempts to exceed the restricted economy of metaphysics through his analysis of concepts such as justice and hospitality. (shrink)

The Greek words `pharmakon' and `pharmakos' allude to the complex relations between political violence and the health or disorder of the body politic. This article explores analogies of war as disease and contagion, and contrasts these with metaphors of war as politically healthy and medicinal - as in Randolph Bourne's notion of war as `the health of the state'. It then applies these to the unfolding US `War on Terrorism' through the concept of `pharmacotic war', by way of examining (...) the disturbing political implications of both unfolding US military actions abroad and the scapegoating of internal `enemies' within the United States. The article then critiques various strategies for interrupting the momentum towards a catastrophic `clash of civilizations' between the US and the Islamic world, and proposes a strategy of broadly based, grassroots political mobilization for opposing this trend. (shrink)

In this entertaining and provocative introduction, Royle offers lucid explanations of various key ideas, including deconstruction, undecidability, iterability, differance, aporia, the pharmakon, the supplement, a new enlightenment, and the democracy to come. He also gives attention, however, to a range of less obvious key ideas of Derrida, such as earthquakes, animals and animality, ghosts, monstrosity, the poematic, drugs, gifts, secrets, war, and mourning. Derrida is seen as an extraordinarily inventive thinker, as well as a brilliantly imaginative and often very (...) funny writer. Other critical introductions tend to highlight the specifically philosophical nature and genealogy of his work. Royle's book proceeds in a new and different way, in particular by focusing on the crucial but strange place of literature in Derrida's writings. He thus provides an appreciation and understanding based on detailed reference to Derrida's texts, interwoven with close readings of such writers as Shakespeare, Coleridge, P.B. Shelley, Poe, Emily Brontë, Franz Kafka and Elizabeth Bowen. In doing so, he explores Derrida's consistent view that deconstruction is "a coming-to-terms with literature". He emphasizes the ways in which "literature", for Derrida, is indissociably bound up with other concerns, such as philosophy and psychoanalysis, politics and ethics, responsibility and justice, law and democracy. (shrink)

Viral modernity is a concept based upon the nature of viruses, the ancient and critical role they play in evolution and culture, and the basic application to understanding the role of information and forms of bioinformation in the social world. The concept draws a close association between viral biology on the one hand, and information science on the other – it is an illustration and prime example of bioinformationalism that brings together two of the most powerful forces that now drive (...) cultural evolution. The concept of viral modernity applies to viral technologies, codes and ecosystems in information, publishing, education and emerging knowledge systems. This paper traces the relationship between epidemics, quarantine, and public health management and outlines elements of viral-digital philosophy based on the fusion of living and technological systems. We discuss Covid-19 as a ‘bioinformationalist’ response that represents historically unprecedented level of sharing information from the sequencing of the genome to testing for a vaccination. Finally, we look at the US response to Covid-19 through the lens of infodemics and post-truth. The paper is followed by three open reviews, which further refine its conclusions as they relate to philosophy and the notion of the virus as Pharmakon. (shrink)

Existing research demonstrates a positive connection between psychedelics and increased nature relatedness. Enhanced affective ties toward nature are widely framed as being built into the pharmakon itself, and the relevance of experiences remains little understood. This paper turns to neoshamanic ayahuasca ceremonies in Europe, exploring the way specialists and attendants refer to nature in speech and performance. I argue that ritual framings performed during these ceremonies provide fertile ground for affective ties to emerge through substance‐induced experiences. I trace such (...) framings by exploring how medicine and healers are being coded; how specific materialities are rendered meaningful; and how individual experiences are discussed at such retreats. I argue that even while participants prioritize individual healing, personal development, or the satisfaction of psychonautical curiosity, environmentalism appears to be anchored by the proceedings themselves. Thus, this paper opens up for analysis ceremonial substance use as a contact zone where coherence is produced intersubjectively. (shrink)

In Posthumanism: A Guide for the Perplexed, Peter Mahon goes beyond recent theoretical approaches to 'the posthuman' to argue for a concrete posthumanism, which arises as humans, animals and technology become entangled, in science, society and culture. Concrete posthumanism is rooted in cutting-edge advances in techno-science, and this book offers readers an exciting, fresh and innovative exploration of this undulating, and often unstable, terrain. With wide-ranging coverage, of cybernetics, information theory, medicine, genetics, machine learning, politics, science fiction, philosophy and futurology, (...) Mahon examines how posthumanism played-and continues to play-a crucial role in shaping how we understand our world. This analysis of posthumanism centers on human interactions with tools and technology, the centrality of science, as well as an understanding of techno-science as a pharmakon-an ancient Greek word for a substance that is both poison and cure. Mahon argues that posthumanism must be approached with an interdisciplinary attitude: a concrete posthumanism is only graspable through knowledge derived from science and the humanities. He concludes by sketching a 'post-humanities' to help us meet the challenges of posthumanism, challenges to which we all must rise.Posthumanism: A Guide for the Perplexed provides a concise, detailed and coherent exploration of posthumanism, introducing key approaches, concepts and themes. It is ideal for readers of all stripes who are interested in a concrete posthumanism and require more than just a simple introduction. (shrink)

In Stieglerian fashion, this paper is concerned with both the loss and the re-creation of knowledge in the field of architecture. The student of architecture must be the one who learns new tools and new forms of knowledge and this has profound implications and applicability for the philosophy of education as it is a question of the recuperation of architecture with negentropic tools. Why? In the realm of the digital, it is the case that architectural student is at risk of (...) dis-individuation, the loss of knowledge of such. Therefore, the paper concerns itself with questions of maturity, critical intelligence, trans-individuation, the crisis of noetic being, the artisanal mode of learning and finally the proletarianization of the faculties. It is concerned with the reclamation of noetic space and the search for negentropic tools. This paper is thus pertinent to the philosophy of education because it pertains to the act of creation, the question of imagination and to the loss of thinking as such. Focusing on the history of architecture it demonstrates the loss of knowledge in the history of architecture and shows this has clear implications for the philosophy of education, which is precisely concerned with the nurturing and maturing of the thinking subject. The crisis in the proletarianization of the faculties in architecture pinpoints the role of the artisan’s mode of learning and its crisis brought by the digitisation of architecture. The conclusion shows that Stiegler’s philosophy of the pharmakon is appropriate to understand this movement as it points to new and embraces new modes of learning in the present. (shrink)

This article begins by examining the concept of the pharmakon that is developed in Derrida’s essay ‘Plato’s Pharmacy’, as it is here that the idea of a medium that is simultaneously poisonous and therapeutic is developed in relation to the discursive effects of writing. The author then goes on to look at Stiegler’s attempt to reconfigure the ‘orthographic economy’ of deconstruction, particularly his account of how the ‘tertiary supports’ of virtual and information technologies have transformed the experience of the (...) real in the regime of global capitalisation. Finally, he argues that the appearance of the pharmakon as a matrix idea in his work, sharpens his account of the aporia of technological society: for the impossibility of human culture being reduced to either the disorientated life industrial populism, or to idealist notions of reflexivity, is what, for Stiegler, offers the chance of a new politics of spirit. (shrink)

Do you see now why it feels so good to be a critical mind? Why critique, this most ambiguous pharmakon, has become such a potent euphoric drug? You are always right! When naïve believers are clinging forcefully to their objects... you can turn all of those attachments into so many fetishes and humiliate all the believers by showing that it is nothing but their own projection, that you, yes you alone, can see. But as soon as naïve believers are (...) thus inflated by some belief in their own importance, in their own projective capacity, you strike them by a second uppercut and humiliate them again, this time by showing that, whatever they think, their behavior is entirely determined by the action of powerful causalities coming from objective reality they don't see, but that you, yes you, the never sleeping critic, alone can see. Isn't this fabulous? Isn't it really worth going to graduate school to study critique? (shrink)

In the aftermath of the First World War, the poet Paul Valéry wrote of a "crisis of spirit", brought about by the instrumentalization of knowledge and the destructive subordination of culture to profit. Recent events demonstrate all too clearly that the stock of mind, or spirit, continues to fall. The economy is toxically organized around the pursuit of short-term gain, supported by an infantilizing, dumbed-down media. Advertising technologies make relentless demands on our attention, reducing us to idiotic beasts, no longer (...) capable of living. Spiralling rates of mental illness show that the fragile life of the mind is at breaking point. Underlying these multiple symptoms is consumer capitalism, which systematically immiserates those whom it purports to liberate. Returning to Marxʹs theory, Stiegler argues that consumerism marks a new stage in the history of proletarianization. It is no longer just labour that is exploited, pushed below the limits of subsistence, but the desire that is characteristic of human spirit. The cure to this malaise is to be found in what Stiegler calls a "pharmacology of the spirit". Here, pharmacology has nothing to do with the chemical supplements developed by the pharmaceutical industry. The pharmakon, defined as both cure and poison, refers to the technical objects through which we open ourselves to new futures, and thereby create the spirit that makes us human. By reference to a range of figures, from Socrates, Simondon and Derrida to the child psychoanalyst Donald Winnicott, Stiegler shows that technics are both the cause of our suffering and also what makes life worth living. -- Publisher description. (shrink)

Este trabajo apunta a realizar un análisis a partir de la lectura de Derrida del Fedro platónico en su ensayo La pharmacie de Platon. En tres apartados, Derrida trabaja los conceptos de phármakon, pharmakeus y pharmakós. No obstante, pareciera que el concepto de phármakon se presenta como un fenómeno jerárquico frente a los otros dos términos. La riqueza de este concepto radica en su ambigüedad e imposibilidad para ser traducido, ya que cuenta con una doble ‘naturaleza’: la de veneno y (...) la de remedio. Nos interesa mostrar que, a pesar de la indecibilidad, polisemia e intraducibilidad del concepto de phármakon, existen razones para pensar al pharmakós, concepto que Platón no utiliza en su obra, pero que no por eso se encuentra ausente, como la otra cara del phármakon. El pharmakós es conocido como el ‘chivo expiatorio’, aquel sujeto que, como parte de un ritual de purificación comunitaria propio de la religión griega, se expulsa de la ciudad para extirpar los males que la aquejan. Se busca, entonces, rescatar la importancia del pharmakós, encarnada en la figura de Sócrates, entendida como una existencia parasitaria que, por medio del phármakon, se elimina de la ciudad. (shrink)

What do people mean when they use the word “democracy”? From a survey of usage, we discover that democracy is a highly contestable notion. It is spoken of simultaneously as a moral principle, a state of being, and a system of government. But if democracy is a vigorously contested notion, it is not a hopelessly contested notion. Certain regular distinctions begin to emerge, with the most important being that between “liberal democracy” and “popular democracy.” Democracy today exists as a concept (...) at war with itself. The resultant crisis for democrats is that they are forced to defend liberal values against popular reform. My own view is that democracy is best understood as pharmakon—as both poison and cure. My overall ambition in this paper, however, is not necessarily to defend one definition against another, but only to ask how we might proceed. In this sense, I want to address Jacques Derrida’s question of : “can one and/or must one speak democratically of democracy?”. (shrink)

El artículo se propone una reflexión crítica sobre el fenómeno del holograma en concierto, a través del “Callas in Concert”, del _Rose Theater at Lincoln Center_. Para ello, se diserta sobre la imagen, la reproducción y la condición de imitación del holograma con relación al original, y la calidad de esa experiencia estética. Asimismo, se analiza su función de _pharmakon_ para la memoria humana, las profundas diferencias que guarda con el recuerdo, y lo que puede afectar nuestras relaciones con el (...) pasado. Finalmente, si fenómenos como el holograma en concierto, son muestras de la condición ‹‹irreemplazable›› –como sostiene Gadamer- de la experiencia en directo. (shrink)