This article describes a rhetorical characteristic of Kierkegaard’s thirteen Discourses “at the Communion” on Fridays, namely, their way of expressing religious truths, theological distinctions, and homiletic statements by a certain concept of space, place and movement, thus making them existentially accessible. It illustrates the fundamental meaning of this series of discourses and especially the last discourse for Kierkegaard’s entire work as an author. By focussing on the topological categories and correlations in the last discourse, the article demonstrates the constitutive role (...) of spatial terms and meanings and so discovers the theological topology of the series as a whole with its coincidences of soteriological, anthropological, liturgical, rhetorical, and existential movements—leading the listener/reader to the “place of rest at the foot of the altar.”. (shrink)

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

Explores the theories of democratic individualism articulated in the works of the American transcendentalist writer Ralph Waldo Emerson, pragmatic philosophers William James and John Dewey, and African-American novelist and essayist Ralph Ellison.

A revision of the author's thesis, Stuttgart, 1972.

Name der Zeitschrift: Byzantinische Zeitschrift Jahrgang: 110 Heft: 2 Seiten: 233-623.

G. Vespignani hat mit diesem Buch über den Hippodrom von Konstantinopel eine reich dokumentierte Studie vorgelegt, die sich vor allem mit der ideologischen und politischen Bedeutung des Bauwerks beschäftigt.