L’histoire économique nous enseigne que si le progrès technique ne profite pas à tous les travailleurs lorsqu’il apparaît, à long terme il est le facteur principal de la hausse extraordinaire des salaires et du niveau de vie que l’économie mondiale a connue depuis la révolution industrielle. Pourtant, les progrès de la robotique pourraient bien remettre en question cet optimisme et donner raison aux Cassandre qui prophétisaient la fin du travail. En effet, le champ de ces technologies ne cesse de progresser, (...) au point où la totalité des tâches effectuées par les humains serait robotisable. Si c’est le cas, l’économie et la société en seraient profondément transformées. On considère six scénarios. Dans trois d’entre eux, une classe humaine quasi-oisive se maintient grâce à des transferts prélevés sur la production effectuée par les robots. Ces transferts peuvent s’effectuer à travers l’État-Providence, le clientélisme d’une oligarchie possédant les robots, ou le maintien néo-fordiste d’emplois tertiaires dont la fonction essentielle serait le versement d’un salaire qui permettrait le maintien du pouvoir d’achat. En l’absence de mécanismes redistributifs, on envisage trois autres scénarios. Selon le scénario des rentiers, une classe de propriétaires de robots émerge, suffisamment nombreuse pour s'opposer politiquement à des transferts redistributifs. Selon le scénario malthusien, le salaire tombe au niveau du salaire de subsistance et la population humaine diminue, ne laissant subsister qu’une classe de rentiers vivant de la possession de robots. Selon le scénario virtuel, le salaire de subsistance lui-même baisse considérablement sous l’effet des nouvelles technologies : la population se maintient en dépit des baisses de salaire. (shrink)

This book looks at why labour market institutions such as those evident in continental Europe - more specifically, employment protection, unemployment benefits, and relative wage rigidities - exist, what role they play in society, why they seem so persistent, where the pressure to reform them comes from, and whether reform can be politically viable or not. It studies the economic conditions under which we expect a given set of institutions to arise and remain stable, and provides theoretical guidelines about the (...) gainers and losers from given institutions. (shrink)

This book is an introduction, entirely by example, to the possibilities of using computer models as tools in phosophical research in general and in philosophical logic in particular. Topics include chaos, fractals, and the semantics of paradox; epistemic dynamics; fractal images of formal systems; the evolution of generosity; real-valued game theory; and computation and undecidability in the spatialized Prisoner's Dilemma.

This article is about a period of technology transfer – the late 1910s and 1920s – when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the ‘photomosaic’: a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form a continuous survey of a territory. Initially developed during the (...) First World War to provide coverage of fronts, photomosaic mapping was widely practiced and celebrated during the postwar years as an aid to urban development. The article traces both the refinements in photomosaic technology after the Armistice and the rhetorical means by which the form’s avant-garde wartime reputation was domesticated into an ‘applied realism’ that often effaced its site-specific perspective, its elaborately rectified optics, and the oppositionality of both its military and civilian uses. The article has a broader theoretical aim as well. Classic statements of both structuralist and post-structuralist spatial theory have produced an ossified geometry wherein the vertical is the axis of paradigm, top-down strategy, and manipulative distance and the horizontal the axis of syntagm, grassroots tactics, and resistant proximities and differences. In its close study of the technology and rhetoric surrounding interwar photogrammetry, the article provides an example of how one might reverse the long-standing misrecognition of high-altitude optics as effacing time, difference, and materiality – and what it might mean to view such optics as, instead, a resource in turning from abstract toward differential conceptions of both aerial photography and our theoretical habits. This turn I call ‘applied modernism’, a term that accesses both the wartime photomosaic’s affiliation with avant-garde painting and its insistence that portraits of the total are always projections from partial, specific vantages. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.4 (2000) 59-82 [Access article in PDF] Bombing and the Symptom Traumatic Earliness and the Nuclear Uncanny Paul K. Saint-Amour Many used the Japanese word bukimi, meaning weird, ghastly, or unearthly, to describe Hiroshima's uneasy combination of continued good fortune and expectation of catastrophe. People remembered saying to one another, "Will it be tomorrow or the day after tomorrow?" One man described how, each night he (...) was on air-raid watch, "I trembled with fear.... I would think, "Tonight it will be Hiroshima." These "premonitions" were partly attempts at psychic preparation, partly a form of "imagining the worst" as a magical way of warding off disaster. —Robert J. Lifton, Death in Life: Survivors of Hiroshima (1967) Robert J. Lifton's pathbreaking work on the survivors of the atomic bombing of Hiroshima focuses on the psychological aftermath of the bomb, but opens with a brief and surprising section called "Anticipation." Given the instantaneous and unprecedented devastation caused by the first atomic bomb, the anticipation of so singular an experience is just as difficult to imagine as its subsequent assimilation. In fact, the unassimilable nature of traumatic violence would seem to depend in some way upon the impossibility of its anticipation, as Lifton implies: "Neither past experience nor immediate perceptions—the two sources of prior imagination—could encompass what was about to occur." Yet Lifton also records an expectant, premonitory atmosphere in Hiroshima during the weeks before the bombing, a compound of past experience and immediate perceptions that, while inadequate to "encompass" the eventual experience of the bomb, cannot simply be dismissed as speculation that found an accidental correlate in the nuclear event. While no one in Hiroshima knew ahead of time what would occur on August 6, 1945, many had noted the city's eerie exemption from conventional bombardment and speculated as to the reasons for it. During the summer of 1945, a series of rumors circulated in Hiroshima, rumors attributing the sparing of the city, variously, to its modest military and industrial significance; to the presence of prominent foreigners there, possibly including President Truman's mother; to important American prisoners-of-war supposedly held in the city; to the number of its citizens who had emigrated to the US; to the presence of large numbers of American spies living among its citizens; to its physical appeal in the eyes of Americans who had saved the city as a site for their postwar occupation villas; and, most wishfully, to the wartime grace of a cartographic error: "We thought that perhaps the city of Hiroshima was not on the American maps" [Lifton 15-17]. 1 Other inhabitants [End Page 59] of the city feared that Hiroshima appeared all too prominently on US maps, but had been set aside for "something unusually big"—perhaps the inundation of the city by floodwaters that could be released by the bombing of a massive upstream dam. Still others spoke of a "special bomb" [PWRS 220-22; Lifton 17]. All these rumors responded to citizens' impression that their city had been in some way singled out, and the term bukimi—also meaning "ominous" or "uncanny"—spoke to the suspended question of whether Hiroshima and its inhabitants had been singled out for preservation or for annihilation.The survivors who recollected their anticipatory bukimi years after the bombing may have retrospectively amplified their memories of weird expectation, perhaps as a way of attempting to master an incommensurable and singular event by installing it within a narrative of causality, continuity, even prophecy. Nonetheless, the bukimi experienced by inhabitants of Hiroshima should not be understood as pure retrospection, nor as groundless hunch, since it arose from a series of empirical observations later revealed to have a single and coherent origin in US military strategy. By the summer of 1945, most Japanese cities whose size and military-industrial importance were similar to Hiroshima's had already been bombed with incendiaries: those who lived in Hiroshima had watched waves of American bombers fly past on their way to other targets, while the dozen or so bombs that had fallen accidentally on... (shrink)

This chapter investigates the problem of knowledge production on economic poverty in Africa as, largely, an instance of epistemic injustice. It applies Karl Popper’s critical rationalism to the issue of knowledge production on poverty. Methodologies of researches on poverty in Africa subtly promotes intended epistemic injustices against the subjects as the poor are underrepresented in knowledge about them; the experiences of the poor are often ignored, and their epistemic capacity for unearthing the push and pull factors of poverty are greeted (...) with much inferiority, skepticism and contempt. In severing the intersection between researching and reporting poverty in Africa and epistemic injustice, this chapter argues that Popper’s critical rationalism is philosophically indispensable. Popper’s scientific and political thoughts are potent theoretical interventions in addressing the epistemic, methodological, social, moral and political problems of poverty in Africa. The elements of scientific method inquiry, rationality, piecemeal social engineering, liberalism and intellectual openness explicit in Popper’s philosophy are explored, applied and found relevant to promoting poverty research ideals and policy development in Africa and beyond. The chapter concludes on the importance of Popper’s works, which span beyond his time and space, to knowledge about Africa. (shrink)

Le proslogion de saint Anselme n'est pas une oeuvre tres connue, bien que les commentaires de ses chapitres 2 a 4 sur l'argument appele par Kant ontologique soient en nombre infini.

In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels of his conclusion that freedom of choice neither is nor entails the power to sin. In addition to an Introduction, notes, and a (...) glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's _Proslogion_ and _Monologion_, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear. (shrink)

We examine a distinctive kind of problem for decision theory, involving what we call discontinuity at infinity. Roughly, it arises when an infinite sequence of choices, each apparently sanctioned by plausible principles, converges to a ‘limit choice’ whose utility is much lower than the limit approached by the utilities of the choices in the sequence. We give examples of this phenomenon, focusing on Arntzenius et al.’s Satan’s apple, and give a general characterization of it. In these examples, repeated dominance reasoning (...) (a paradigm of rationality) apparently gives rise to a situation closely analogous to having intransitive preferences (a paradigm of irrationality). Indeed, the agents in these examples are vulnerable to a money pump set-up despite having preferences that exhibit no obvious defect of rationality. We explore several putative solutions to such problems, particularly those that appeal to binding and to deliberative dynamics. We consider the prospects for these solutions, concluding that if they fail, the examples show that money pump arguments are invalid. (shrink)

Nous étudions ici l’une des figures les plus originales et les plus complexes de l’univers du dernier Merleau-Ponty, l’une des moins bien comprises aussi : la « promiscuité ». Aussi polymorphe que la célèbre figure de l’«empiétement », la «promiscuité » appartient en propre au complexe de la psychanalyse ontologique de Merleau-Ponty. Elle décrit d’abord la logique des rapports archaïques avec autrui, et se situe en cela dans la ligne du travail sur l’intercorporéité. Elle désigne aussi la modalité connaissante de (...) la chair, tout en indiquant notre résistance à celle-ci, notre ignorance naturelle de la chair comme être de promiscuité. Elle habite bientôt le cœur de la conception merleau-pontienne de l’inconscient, dans le prolongement des travaux de Paul Schilder sur l’image du corps. Enfin, elle vient renouveler dans les derniers manuscrits l’idée même de mystère ontologique. La chair, être de promiscuité, vit dans la promiscuité de l’être. Et la philosophie, d’après Merleau-Ponty, devrait être le savoir cohérent des visages apparemment si divers de cette ultime figure du lien. (shrink)

Hugh of Saint Victor was an incredibly influential philosopher and theologian in 10th century France-his eloquence and writing earning him fame exceeding even that of St. Bernard. Yet despite his medieval celebrity, Hugh remains incredibly understudied in contemporary academica. Paul Rorem offers a basic introduction to Hugh's theology, through a comprehensive survey of his works. Drawing his evidence not only from Hugh's own descriptions of his work but from the earliest manuscript traditions of his writings, Rorem organizes and (...) presents his corpus within a tri-part framework, treating each of Hugh's major works in its appropriate place, and orienting the reader to its contents, as well as its location in Hugh's overarching program of theological pedagogy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Overtones:A CollagePaul Youngquist (bio)Mom leans against the keyboard of the old upright piano in the den. She puckers her lips and gently fingers the valves. A couple of times a month, she frees her trumpet from the purple velveteen lining its case—out of love or frustration I can never tell. She stares hard at the bell, pointed somewhere near my feet. She inhales deeply, pressing the silver mouthpiece to (...) her crumpled lips. A silent moment passes—torn by a noise pitched past the sun, a shrieking flare sound. Another follows and another, bright glissandos blinking out somewhere below middle C. They shatter everything I know about her. Everything I thought I knew. What sound was that, what cry? What aspiration to be free? After those initial stabs, she falls into familiar melodies: "Bugler's Holiday" by Leroy Anderson, maybe, or "When the Saints Go Marching In." I'm unsettled for the rest of the day.Trumpeter Don Cherry's sound unsettled me too. I was much older when I first encountered it on Ornette Coleman's The Shape of Jazz to Come. It took me back to Mom's cries. I heard her sound in his: bright, high, and transient: less pitch than smudge, transmitting unknowable overtones. On "Lonely Woman," for instance. Cherry states the plaintive melody in hazy unison with Coleman, blurs the third note, wavers and plays his peculiar temper, untimely and free to move beyond the platitudes of harmony until, after Coleman's baffled cry, he parts company to play a sixth above (if such language matters, and it doesn't), descending in half steps to resolve (not happily) on a minor third, Cherry now pitched below. Their unison breaks apart to reconverge, and the brief bridge feels like a heaving between sobs. This isn't music. It's too raw for the repartee of bebop or the sociability of swing. But everybody can feel it, which explains the scandal of Coleman and company's extended appearance in late 1959 at the Five Spot in New York's East Village. Writing in the New York Times Magazine years later, Joseph Hooper likened it to the furor erupting after Stravinsky's Paris premier of "The Rite of Spring" in 1913. In an interview with Terry Gross, Cherry remembers everyone who was musically anyone being there—from Leonard Bernstein to Thelonious Monk—to witness the sacrilege. The implacable trickster Charles Mingus appeared one [End Page 133] night with Phineas Newborn, a keyboard virtuoso famous for his perfect pitch. Newborn sat and stared at his cufflinks. He never played a note. After the set, Mingus barreled onto the stage and, with his long arms and big hands, crashed all the keys. "That's where it is," he bellowed. "It's all there." Everywhere and nowhere. Cherry and Ornette decentered intonation. They distempered tradition's scales. Afflicted with perfect pitch, Newborn couldn't follow their cries and whispers. They flew free from the comforting staff. Still you feel them, hear their immeasurable sound.Don Cherry: "I've always been on the outside, and that's a good quality for the music to have, like the wind in your face."Cherry's mother Daisy gave him his first horn when he was fourteen. It breathed life into him, offering a way to express sounds his body harbored. Born in Oklahoma City in 1936 to "Negro-Choctaw Indian parents" (his words—his mother's mother was half native), Cherry heard gospel, blues, and Indian songs from the start. The family's move to the Watts neighborhood of Los Angeles in 1940 only multiplied the sounds of diverse ethnicities mixed with the rumble of jazz from the Cherry Blossom, his father's club, where Don and his sister sometimes danced for dimes. His horn funneled all this sound—all the music he'd ever make—through a peculiarly powerful feeling: "that feeling to me, through as much music as I've learned, I still remember just that feeling when I first got that horn." What feeling exactly? "Infant happiness" (in-fant, not speaking). The feeling of life before language: "infant happiness, infant happiness, beautiful! That's what music is really... (shrink)

Interwoven with natural structurations and personal history, the flesh , in Merleau-Ponty's gradually-forged conception, is nourished by the combined influences of neurology, Gestalt psychology and psychoanalysis. This triple influence undergirds a recurring theme in his later writings: the mirror . "The flesh is a mirror phenomenon," Merleau-Ponty tells us. The unpublished manuscripts reveal that this famous clause refers neither directly to Husserl, nor to Wallon and Lacan, but is driven by contemporary readings of Paul Schilder and Wolfgang Metzger, who (...) study the phenomena of distanciated migrations of the body-image in vision. The mirror mingles objective body with phenomenal body, in an effective community between my lived body and its external image. It shows how the flesh lives both within and outside of itself, animated by an essential incompleteness that engages perception in a process of incorporation and, thus, hints at intercorporeity. (shrink)

In ‘Religion within the Boundaries of Mere Reason’ Kant presents his thesis that human nature is ‘radically evil’. To be radically evil is to have a propensity toward moral frailty, impurity and even perversity. Kant claims that all humans are ‘by nature’ radically evil. By presenting counter-examples of moral saints, I argue that not all humans are morally corrupt, even if most are. Even so, the possibility of moral failure is central to what makes us human.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.3 (2000) 473-492 [Access article in PDF] Sainte-Beuve between Renaissance and Enlightenment Paul Nelles For a period of eight years in the 1840s Charles-Augustin de Sainte-Beuve held a post of conservateur at the Bibliothèque Mazarine. 1 Each day he traversed the gallery of hommes illustres which decorated the reading room. This held busts of major figures from history and literature. In one (...) of his portraits littéraires from these years Sainte-Beuve pretended to derive inspiration from this legion of intellectual heroes. Among the busts stood one of Gabriel Naudé, Mazarin's first librarian in the 1640s. Sainte-Beuve dreamt, he wrote at the time, of placing Naudé's bust beside that of Charron, or even better, between those of Montaigne and Bayle. Through Naudé, Sainte-Beuve avowed to discover the genius loci of the Bibliothèque Mazarine. Yet whatever local reasons there were for the presence of Naudé's bust at the Mazarine, Sainte-Beuve set out in this essay to find a place for Naudé among the pantheon of French thinkers on his own merits. Such playfulness with a biographical conceit of both the literary and visual arts belied serious purpose. If it fuelled Sainte-Beuve's claim to have found in the seventeenth-century thinker "un sceptique moraliste sous masque d'érudit," 2 it was also expressive of a critical campaign devoted to the revision of a received tradition of French thought and learning. Sainte-Beuve [End Page 473] juxtaposed a seventeenth-century tradition of "literary" skepticism independent of formal philosophy with an Enlightenment inheritance he was eager to disown. Central to this task was a disciplinary turn away from philosophical inquiry and the history of philosophy to literary history. This in turn entailed a full embrace of the shadowy inhabitants of the margins of pre-Enlightenment thought from the late Renaissance to Bayle.Sainte-Beuve's discovery of seventeenth-century precursors, as he clearly regarded them, was first sketched in a series of articles in the Revue des Deux Mondes in the 1830s and 1840s. Naudé was thus somewhat more than a random sighting in Sainte-Beuve's critical galaxy. Together with Bayle and a handful of other figures Naudé occupied a key position within the constellation of thinkers Sainte-Beuve charted in plotting a course for the practice of literary history and criticism in the middle years of the nineteenth century. The context of the development of Sainte-Beuve's enterprise illuminates an intriguing aspect of the historiography of skepticism in modern intellectual history. While functioning in part to legitimize literary history as a discipline, the circumstances of Sainte-Beuve's undertaking are rooted in wider contemporary currents of historiography and the philosophy of history. There is, then, a crucial disjuncture between the tradition Sainte-Beuve set out to describe and that established in the twentieth century under the rubric of libertinage. Sainte-Beuve did not seek to establish seventeenth-century origins for Enlightenment free thought. Rather, he turned to the seventeenth century in an effort to exhume a tradition of criticism and literary skepticism with which, on his account, the Enlightenment had openly broken. 3Sainte-Beuve's interest in Naudé, Bayle, and other figures derived from a need to differentiate the orientation and method of literary history from contemporary mechanisms for assessing the significance of France's intellectual and cultural heritage. For all concerned this was a heritage unquestioningly viewed through the prism of the political events of 1789 and their aftermath. According to Sainte-Beuve, la critique emerged in the seventeenth century with thinkers such as Charron, Naudé, and Bayle. From his standpoint, the significance of such figures inhered entirely in their pre-Enlightenment status. They vividly illustrate how the Enlightenment had deviated from a well-established tradition of la critique. The degree to which they served as a foil to the Enlightenment becomes evident when contrasted with Sainte-Beuve's characterization of mainstream Enlightenment figures. [End Page 474]For Sainte-Beuve and his contemporaries literature was not yet restricted to a narrow canon... (shrink)

L'oeuvre du philosophe Paul Gilbert, jésuite belge professeur de métaphysique depuis vingt-cinq ans à l'Université Grégorienne, est considérable et mérite d'être mieux connue. Après avoir étudié les écrits de saint Anselme (Dire l'ineffable, 1984), Paul Gilbert a questionné la métaphysique classique, sous l'influence de la philosophie réflexive (La Simplicité du principe, 1994). Il a ensuite souligné les chances offertes à la réflexion fondamentale par l'analogie, thème classique mais oublié (La Patience d'être, 1996, et Sapere e sperare, 2003). (...) Plus récemment, il a abordé la question de la violence, ce mal- être si commun (Violence et compassion, 2009). En 1997 déjà, son travail a été récompensé du prix Cardinal Mercier de l'U.C.Louvain-la-Neuve. Durant de nombreuses années, Paul Gilbert a été professeur invité à l'Institut catholique de Paris. A l'occasion de son éméritat dans cette institution, un colloque y a été organisé. Dans leurs communications, S. Bonanni, Ph. Capelle-Dumont, S. D'Agostino, E. Gabellieri, J. de Gramont, 1. Malaguti, R. Repole et E. Tourpe reprennent et développent l'élaboration de la pensée de Paul Gilbert. Ce dernier fait écho à chacune d'elles et, dans un exposé final, retrace son propre itinéraire intellectuel. (shrink)