"... the most important contribution to Kierkegaard studies to be published in English in recent years.... Not only is it a fascinating, surprising, and perceptive study of Kierkegaard within his time and world, Kirmmse has produced a research resource, a reference work, that is simply without parallel or equal." —Michael Plekon "It is a rare work of philosophy that not only clarifies its subject but also places it within an intellectual and historical context. In his study of 19th-century Danish philosopher (...) Kierkegaard, Kirmmse accomplishes both, setting a standard... " —Library Journal "... an outstanding contribution to Kierkegaard research... The book is intellectual history of the highest calibre." —So[slash]ren Kierkegaard Newsletter "This excellent book is recommended for all collections on Kierkegaard... For all readers." —Choice "This richly researched and readable book supplies an important contribution to the widespread reappropriation of Kierkegaard’s thought currently taking place."—Theology Today "This book is a tour de force in intellectual history." —Review of Metaphysics "Kirmmse's book is a major work of scholarship that confers on Kierkegaard's social and intellectual universe a depth and a richness of detail that will permanently alter the familiar stereotypes about Kierkegaard's isolation from his fellow Danes and his supposedly fanatical campaign against philistine Denmark and its corrupt state church." —American Historical Review Against the background of Denmark’s evolution from a mercantile economy to a broad-based agricultural economy, Kirmmse reinterprets Kierkegaard’s thought as a reaction to the tensions within his society. (shrink)

Politics in Golden Age Denmark was largely an affair of liberal and conservative elites wrestling with the emergent phenomena of the “common man.” Denmark's bloodless revolution of 1848 led to a nationalist civil war and to the creation of a People's Church. The heightened fervor surrounding questions of nation and church forms the context within which Kierkegaard wrote. In particular, Kierkegaard set himself against Grundtvig and Martensen. These churchmen were public figures with a political voice. Kierkegaard's arguments against these (...) and other influential “world historians” reveal how his political imagination is worked out in the related areas of history, the moment, identity, and the common man. Crucial planks in the Kierkegaardian platform such as living in the present, the subjective critique of systematizing objectivity, and the single individual against the crowd, all had—and were seen to have—political implications for the common man in Denmark's Golden Age. (shrink)

This book is a tour de force in intellectual history. Kirmmse has brilliantly unearthed and synthesized the diverse social, political, ethical, and religious background of nineteenth-century Denmark from the onset of agrarian reforms to the shift from absolute monarchy to constitutional government. Kirmmse provides interesting chapters on such Golden Age cultural figures as Oehlenschlager, Mynster, Heiberg, Martensen, Grundtvig, Clausen, and others, and the romantic, Hegelian, elitist, populist themes and tensions elicited from their respective views. My brief review cannot possibly do (...) justice to the elaborate historical detail and interpretation found in Kirmmse's book. (shrink)

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel's philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the (...) poet and critic Johan Ludvig Heiberg, who attended Hegel's lectures in Berlin in 1824 and then launched a campaign to popularize Hegel's philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg's Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg's journal. Through these debates Hegel's philosophy became an important part of Danish cultural life. (shrink)

This is the first volume in a three-volume work that explores the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the tradition of Danish Hegelianism played a profound role in many spheres of the Golden Age culture.

This is the first of three “tomes” of Jon Stewart’s habilitationisskrift in philosophy at the University of Copenhagen; the second concerns The Martensen Period: 1837–1842, and the third Kierkegaard and the Left-Hegelian Period: 1842–1860. Together they make up volume 3 of Stewart’s series Danish Golden Age Studies . Their purpose is “to put forth the basic information about the Danish Hegel reception in a clear and readable fashion” . Such information needs to be put forth because, unlike Hegel’s reception throughout (...) the rest of Europe and beyond, Danish Hegelianism remains largely but unjustly neglected in scholarly circles . Many of the primary texts are available only in Danish, “a small language not widely read outside Scandinavia” , and are not readily accessible even to those who do read it. (shrink)

This is the second volume in a three-volume work that explores the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the tradition of Danish Hegelianism played a profound role in many spheres of the Golden Age culture.

As in other European countries, in Denmark philosophy was an important factor in the cultural life of the nineteenth century. Kierkegaard lived and wrote in Copenhagen, where Hegelianism both flourished and met with serious criticism, and both of these elements can be found in his authorship. This chapter explores possible sources of inspiration for Kierkegaard's rejection of Danish Hegelianism and its follower, speculative theology, and discusses his influence on the fashionable Danish philosopher of the day, Rasmus Nielsen. By way of (...) conclusion, it is emphasized that Kierkegaard's understanding of Christianity and his struggle over it were decisive for a shift in Danish intellectual life around 1870. (shrink)

This chapter contains sections titled: The Philosophical Tale.

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with (...) novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come. (shrink)

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with (...) novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come. (shrink)

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with (...) novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come. (shrink)

We would be wrong to state that Plato’s approach to the Golden Age in the Statesman occurs through nostalgia, even if he stresses the immense distance between our world and that blessed time. After evoking the shepherd-god as a ruler, Plato shows that the completely abandoned disposition of the ruled is only justifiable in presence of an unbridgeable chasm between the two, such as that between gods and men, or men and beasts. The real question in the Statesman is how (...) to single out the peculiar form of knowledge possessed by the few men that are truly capable to rule. (shrink)

Kierkegaard’s life-long interest in the theater is well documented and reflects the deep impact of Golden Age Denmark’s vibrant theatrical culture on his thinking. Kierkegaard has extensive and excellent criticism of performances and dramatic characters both famous and obscure. Additionally, Kierkegaard has the rare distinction among philosophers of having had aspects of his life and work continually put upon the stage. The key areas of his philosophical project that are considered here alongside his theatrical aesthetic are: repetition, reflection and recollection (...) as they bear upon the aesthetics of time, the dialectical relationship between theatrics and religious life, the pseudonymous authorship in theatrical frame, and the ethical imitation of prototype. In text, Kierkegaard works out dramaturgically the limits of the communication of inwardness. Hence by examining the deep engagement between Kierkegaard and the theater, one can entertain the notion that theatricality is aesthetically necessary for his project as a whole. (shrink)

This volume portrays the Polish or Lvov-Warsaw School, one of the most influential schools in analytic philosophy, which, as discussed in the thorough introduction, presented an alternative working picture of the unity of science.

In this paper, I try to outline what I take to be Naming and Necessity’s fundamental legacy to my generation and those that follow, and the new perspectives it has opened up for twenty-first century philosophy. The discussion is subdivided into three sections, concerning respectively philosophy of language, metaphysics, and metaphilosophy. The general unifying theme is that Naming and Necessity is helping philosophy to recover a Golden Age, by freeing it from the strictures coming from the empiricist and Kantian traditions (...) and reconnecting it to the world and the objects that populate it. Because of this, in the concluding paragraph I tentatively suggest that Kripke’s philosophy may be seen as a sui generis form of naturalism. (shrink)

This article offers a philosophical account of the so-called journal of Gilleleje. I would like to argue that in this text from 1835 one can trace the early philosophical musings of Kierkegaard on the existential question of the discovery of the self and the development of selfhood, one of the main motifs in the authorship of the Dane. Additionally, I discuss the literary trends of the 1830s in Golden Age Denmark, particularly the boom of the Danish short novel and Heiberg’s (...) admiration of Goethe, analyzing in what way this local context impacted Kierkegaard’s ideas in the journal of Gilleleje. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kierkegaard’s Relations to Hegel ReconsideredStephen N. DunningJon Stewart. Kierkegaard’s Relations to Hegel Reconsidered. New York: Cambridge University Press, 2003. Pp. xix + 695. Cloth, $55.00.It is rare to find a scholarly book that treats its topic exhaustively. But Jon Stewart's 658-page Kierkegaard's Relations to Hegel Reconsidered, despite its author's disclaimers, comes close. It is an impressive attempt to demolish what Stewart calls "the standard view," using a three-part (...) argument: that Hegel exerted a substantial positive influence on the young Kierkegaard; [End Page 500] that Kierkegaard was never the radical critic of Hegel claimed by the "standard view"; and that most Kierkegaard scholars (especially Niels Thulstrup in Kierkegaard's Relation to Hegel [Princeton: Princeton UP, 1980]) have been led astray on these matters by their ignorance of Kierkegaard's philosophical milieu and their ideological bias.Hegel's positive influence on Kierkegaard is presented in chapters devoted respectively to The Concept of Irony, Either/Or, and Sickness Unto Death. Stewart employs a contextual method, limiting himself to passages in Kierkegaard's texts that have clearly been influenced by passages in or characteristics of Hegel's works. He easily shows Hegelian influence on the dialectical structure of the argument in The Concept of Irony, on the contrast between the ancient and "modern" Antigones in Part One of Either/Or, on the concepts of mediation and romantic love presented in Part Two, and on the dialectical structure of the section on "The Forms of This Sickness (Despair)" in The Sickness Unto Death.The claim that Kierkegaard was never a strong critic of Hegel turns on Stewart's careful contextual analysis of the major Danish Hegelians and anti-Hegelians contemporary with Kierkegaard. Thanks to Bruce Kirmmse's Kierkegaard in Golden Age Denmark (Bloomington: Indiana UP, 1990), many scholars will be familiar with Heiberg and Martensen, and also the anti-Hegelian Bishop Mynster, but few will have examined the Hegelianism of Adler and the criticisms of Sibbern and Møller. Stewart argues that the texts of Kierkegaard's "middle period," which appear to attack Hegel directly, are really an attack on the Danish Hegelians—especially Heiberg, Martensen and Adler. He claims that "Hegel" often served as a code name for one of these Hegelians, and that such secret codes were commonly used, just like pseudonyms, to avoid giving offence in the small town of Copenhagen.Stewart's criticism of other scholars is based upon both his analyses of the selected passages in Kierkegaard's works and his discussion of the Danish Hegelians. It is true that many scholars have portrayed Kierkegaard as one-dimensionally anti-Hegelian, and some may have done it for the ideological reasons imputed to them by Stewart. But it is not clear that Thulstrup, for example, deserves to be dismissed as a scholar. He clearly admitted that Kierkegaard had read sections of Hegel's major works "intensively," and he also observed that Kierkegaard was provoked to his anti-Hegelianism by the influence of Hegel on Martensen (whom Thulstrup mentions often, as also Heiberg and Mynster). Stewart implies that Thulstrup had little understanding of Hegel and no interest in the Danish Hegelians, but his discussion of Thulstrup's work is too selective to be persuasive.Stewart also seems to have been a bit hasty in concluding that recent scholarship on the Hegel-Kierkegaard relation blindly follows Thulstrup and the "standard view." In different ways, Robert Perkins, Merold Westphal and I have all written on aspects of Kierkegaard's thought that show Hegelian influences. Stewart lists us in his Bibliography and even cites my book as one of several that investigates Hegelian influences on The Sickness Unto Death, but he never discusses the arguments we present, even though they clearly strengthen his claim about Hegel's positive influence on Kierkegaard. Indeed, the only American book on "Hegel and Kierkegaard" he takes seriously is Mark C. Taylor's Journeys to Selfhood: Hegel & Kierkegaard (Berkeley, 1980), which is a creative philosophical project that does not attempt to be a study of their historical relationship. Stewart writes that much scholarship suffers from using a "text-immanent" (628) method of analysis that ignores the relevant historical... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kierkegaard’s Relations to Hegel ReconsideredStephen N. DunningJon Stewart. Kierkegaard’s Relations to Hegel Reconsidered. New York: Cambridge University Press, 2003. Pp. xix + 695. Cloth, $55.00.It is rare to find a scholarly book that treats its topic exhaustively. But Jon Stewart's 658-page Kierkegaard's Relations to Hegel Reconsidered, despite its author's disclaimers, comes close. It is an impressive attempt to demolish what Stewart calls "the standard view," using a three-part (...) argument: that Hegel exerted a substantial positive influence on the young Kierkegaard; [End Page 500] that Kierkegaard was never the radical critic of Hegel claimed by the "standard view"; and that most Kierkegaard scholars (especially Niels Thulstrup in Kierkegaard's Relation to Hegel [Princeton: Princeton UP, 1980]) have been led astray on these matters by their ignorance of Kierkegaard's philosophical milieu and their ideological bias.Hegel's positive influence on Kierkegaard is presented in chapters devoted respectively to The Concept of Irony, Either/Or, and Sickness Unto Death. Stewart employs a contextual method, limiting himself to passages in Kierkegaard's texts that have clearly been influenced by passages in or characteristics of Hegel's works. He easily shows Hegelian influence on the dialectical structure of the argument in The Concept of Irony, on the contrast between the ancient and "modern" Antigones in Part One of Either/Or, on the concepts of mediation and romantic love presented in Part Two, and on the dialectical structure of the section on "The Forms of This Sickness (Despair)" in The Sickness Unto Death.The claim that Kierkegaard was never a strong critic of Hegel turns on Stewart's careful contextual analysis of the major Danish Hegelians and anti-Hegelians contemporary with Kierkegaard. Thanks to Bruce Kirmmse's Kierkegaard in Golden Age Denmark (Bloomington: Indiana UP, 1990), many scholars will be familiar with Heiberg and Martensen, and also the anti-Hegelian Bishop Mynster, but few will have examined the Hegelianism of Adler and the criticisms of Sibbern and Møller. Stewart argues that the texts of Kierkegaard's "middle period," which appear to attack Hegel directly, are really an attack on the Danish Hegelians—especially Heiberg, Martensen and Adler. He claims that "Hegel" often served as a code name for one of these Hegelians, and that such secret codes were commonly used, just like pseudonyms, to avoid giving offence in the small town of Copenhagen.Stewart's criticism of other scholars is based upon both his analyses of the selected passages in Kierkegaard's works and his discussion of the Danish Hegelians. It is true that many scholars have portrayed Kierkegaard as one-dimensionally anti-Hegelian, and some may have done it for the ideological reasons imputed to them by Stewart. But it is not clear that Thulstrup, for example, deserves to be dismissed as a scholar. He clearly admitted that Kierkegaard had read sections of Hegel's major works "intensively," and he also observed that Kierkegaard was provoked to his anti-Hegelianism by the influence of Hegel on Martensen (whom Thulstrup mentions often, as also Heiberg and Mynster). Stewart implies that Thulstrup had little understanding of Hegel and no interest in the Danish Hegelians, but his discussion of Thulstrup's work is too selective to be persuasive.Stewart also seems to have been a bit hasty in concluding that recent scholarship on the Hegel-Kierkegaard relation blindly follows Thulstrup and the "standard view." In different ways, Robert Perkins, Merold Westphal and I have all written on aspects of Kierkegaard's thought that show Hegelian influences. Stewart lists us in his Bibliography and even cites my book as one of several that investigates Hegelian influences on The Sickness Unto Death, but he never discusses the arguments we present, even though they clearly strengthen his claim about Hegel's positive influence on Kierkegaard. Indeed, the only American book on "Hegel and Kierkegaard" he takes seriously is Mark C. Taylor's Journeys to Selfhood: Hegel & Kierkegaard (Berkeley, 1980), which is a creative philosophical project that does not attempt to be a study of their historical relationship. Stewart writes that much scholarship suffers from using a "text-immanent" (628) method of analysis that ignores the relevant historical... (shrink)

Boehm's interesting hypothesis concerning the origins of human morality within egalitarian hunter-gatherer society relies on a one-sided view of the genetic inheritance of proto-humans, and on an over-optimistic view of the egalitarian effects of evolving human consciousness. The four papers as a whole would benefit from a richer conception of evolved human nature, involving the interaction of normative, affective, and rational elements.

There are many passages in ancient literature which depict an imaginary existence different from the hardships of real life-an existence blessed with Nature's bounty, untroubled by strife or want. Naturally this happy state is always placed somewhere or sometime outside normal human experience, whether ‘off the map’ in some remote quarter of the world, or in Elysium after death, or in the dim future or the distant past. Such an imaginary time of bliss in the past or the future has (...) become known as the ‘golden age’. This is the name which modern scholars generally give to the ancient belief. The phrase is often echoed by modern poets. The same language has been transferred from the unknown to the known, and it has become a commonplace to describe an outstanding period of history or literature as a ‘golden age’. (shrink)

As James Chapman has famously put it in National Identity and the British Historical Film, historical films are “as much about the present in which they are made as they are about [the] past in which they are set.” This article discusses Shekhar Kapur’s aesthetically ground-breaking Elizabeth and its sequel Elizabeth: The Golden Age focusing on two main aspects, namely national identity issues and the representation of the enemy. Kapur’s Elizabeth films will first be placed within the larger context of (...) Elizabeth’s film and television appearances. Informed by Giroux’s critical methodology guidelines, in an attempt to “historize” the films under scrutiny and so foster “sane historical sense,” a se­miotic analysis will then be offered. Largely inspired by the tenets of Fairclough’s critical discourse analysis and Kress and Leeuwen’s visual grammar, this will draw a parallel between the verbal and visual discourses in both films. Data will finally be discussed and the contention will be made that England’s religious heritage has left indelible traces which remain latent in the English imagination, for which historical evi­dence will be presented. The article’s ultimate aim will be to provide evidence suggesting that, in the English case, religious and national discourses merged from the late 16th century onwards, clearly influ­en­cing not only the perception that the English had of themselves but also and crucially the image they may still have of “Other” nations. (shrink)

The University of Warsaw has a splendid modern library with 60,000 m 2 of floor space. It resembles a shopping centre. The long and elegant modern building on ulica Dobra, on the low ground between the old University and the Vistula, was opened in 1998 replacing the previous hopelessly inadequate facilities. It has an imposing sequence of copper-green “great texts” on its front side in Greek, Arabic, Sanskrit, Hebrew, Latin, Polish, music, and mathematics. These are international symbols, posting Warsaw’s claim (...) to international status. But inside, once one has passed the mall -like coffee-shop. (shrink)

This paper examines Cicero’s engagement with the golden age tradition of utopian thinking, which is prominent not only in Greek literature but also in Plato and the Peripatetic and Stoic philosophical traditions. It makes the case that in De re publica and later philosophical works such as the Tusculan Disputations Cicero draws on philosophical accounts of the golden age—most significantly that of the Peripatetic Dicaearchus of Messana (c.350–c.285 BC)—in his analysis of the Roman res publica and the nature of Roman (...) political virtue. In particular, Cicero identifies the characteristics of Dicaearchus’ golden race with the native qualities of the Romans themselves. By emphasising the intrinsic virtues of the Roman people, and the need to ensure the conditions that allow them to find proper expression in political life, he offers an achievable means for the Roman res publica to attain its best state, exemplified by its glorious past: rather than advocate an unworkable and problematic top-down imposition of a utopian model of an ideal state, Cicero has faith that the best state will come to be from the bottom-up, if the superior nature of the Roman people is simply allowed its full natural expression. (shrink)

Part I. The golden age and primitivism -- The savages -- Prometheus and Orpheus -- Atlantis -- Part II. The blossoming and decline of culture -- The age of blossoming in Athens -- Alexandria -- Part III. The problem of a national golden age -- The Roman model: golden age as a modern disease -- From classicism to romanticism -- Part IV. Kingdom of God -- German tradition of chiliasm -- From eschatology to kairology -- The gospel of nature -- (...) Medievalism as the externalisation of the golden age -- Conclusion. (shrink)

In his book The Ethical Project Philip Kitcher presents an ‘analytical history’ of the development of human ethical practice. According to this history the first ethical norms were launched in the ancient world of the hunters and gatherers and their initial function was to remedy altruism failures. Kitcher wants to show that the emergence of ethical norms can in this case and in general be explained without referring to supernatural causes or philosophical revelation. Furthermore, he claims that the first manifestation (...) of the ethical project still serves as an ideal. In my comment I will contest the plausibility of Kitcher’s analytical history and question whether the presumed characteristics of ethics in prehistoric times could still be binding for us today. (shrink)

During the 1940s in America, as medicine became more research-focused, medical researcher heroes were described as devotedly pursuing miraculous medicine. At the same time, Hollywood thrived, and films were an effective means to help build the myth of the physician hero. Cinematic techniques, rather than only the narrative, of four films, Dr. Arrowsmith, The Story of Louis Pasteur, Dr. Ehrlich’s Magic Bullet, and Dr. Jekyll and Mr. Hyde, are discussed to understand how they helped construct the image of the physician (...) hero, both in terms of what they were and what they were not. (shrink)

In his book The Ethical Project Philip Kitcher presents an ‘analytical history’ of the development of human ethical practice. According to this history the first ethical norms were launched in the ancient world of the hunters and gatherers and their initial function was to remedy altruism failures. Kitcher wants to show that the emergence of ethical norms can in this case and in general be explained without referring to supernatural causes or philosophical revelation. Furthermore, he claims that the first manifestation (...) of the ethical project still serves as an ideal. In my comment I will contest the plausibility of Kitcher’s analytical history and question whether the presumed characteristics of ethics in prehistoric times could still be binding for us today. (shrink)

A general history of technology -- Technology in golden age Denmark -- Kierkegaard on the rise of technological culture -- Kierkegaard's analysis of information technology -- From Hegel to Google: Kierkegaard and the perils of the system -- Kierkegaard and the question concerning technology.

Introduction 1 -- Ancient Greece -- Reason and the irrational : Sophocles' Oedipus tyrannus -- Psuchê : literature and moral psychology from Homer to Sophocles -- Aristotle's poetics : Oedipus and the problem of tragedy -- Psuchê redux : philosophy and the new psychology -- Psychologizing Oedipus : reason and unreason in Aristotle's ethics -- Golden age denmark -- Kierkegaard's retrieval of Greek tragedy -- Tragedy as historical idea : either/or ancient drama reflected in the modern -- Stages on life's (...) way : Hamartia in the wake of modernity -- Fear and trembling : tragedy, comedy, and the heroism of Abraham -- The concept of anxiety : fate and the tragic logos of a second ethics -- Beyond eudaimonism : tragic virtue and the practice of eternity -- Moral psychology in the pseudonyms, search for a method ethicscontra ethics : Climacus on eternal happiness and tragic virtue -- Kierkegaard and the tragedy of authorship. (shrink)