It is the purpose of this article to present the archaeological, epigraphic and literary evidence on the materials of honorific statues in Late Antiquity with a fresh outlook to delve into their cultural meaning and potential for manipulation and power display. The article questions how material choice and employment fits the conventions of state tradition and social customs, whether certain materials were deemed more prestigious and appropriate for the statues of the imperial family versus other honorands, and whether this prestige (...) depended on the cost of the material or other visual/cultural factors. The results of the inquiry show that the choice of materials depended on a mix of factors and diverse local practices, and of all the available materials, bronze remained as the most widely-manipulated one. (shrink)

L’article exploite l’occasion rare d’étudier ensemble une statue et la construction où elle était présentée et mise en valeur. Les fragments de la statue comme de son baldaquin ont été trouvés ensemble lors de la fouille de 1931. Le baldaquin consiste en un petit édicule corinthien à deux colonnes, ouvert en façade et sur les côtés, accolé au mur Sud de la curie. La légèreté de sa construction comparée à la massivité de la statue exécutée d’un seul (...) bloc, implique qu’il a été construit autour de la statue, après sa mise en place et son achèvement. La statue assise de Fortuna se présentait de face, tournée vers l’espace qui tenait lieu de basilique civile au forum. L’emplacement où elle se trouve lui donne ainsi tout son sens. L’ensemble a été mis en place au moment des grands travaux de la deuxième phase architecturale du forum, dans le troisième quart du iie s. p.C., et détruit par le séisme qui a gravement affecté les bâtiments du forum vers le début du vie s. (shrink)

This paper argues that public statues of persons typically express a positive evaluative attitude towards the subject. It also argues that states have duties to repudiate their own historical wrongdoing, and to condemn other people’s serious wrongdoing. Both duties are incompatible with retaining public statues of people who perpetrated serious rights violations. Hence, a person’s being a serious rights violator is a sufficient condition for a state’s having a duty to remove a public statue of that person. I argue (...) that this applies no less in the case of the ‘morally ambiguous’ wrongdoer, who both accomplishes significant goods and perpetrates serious rights violations. The duty to remove a statue is a defeasible duty: like most duties, it can be defeated by lesser-evil considerations. If removing a statue would, for example, spark a violent riot that would risk unjust harm to lots of people, the duty to remove could be outweighed by the duty not to foreseeably cause unjust harm. This would provide a lesser-evil justification for keeping the statue. But it matters that the duty to remove is outweighed, rather than negated, by these consequences. Unlike when a duty is negated, one still owes something in cases of outweighing. And it especially matters that it is outweighed by the predicted consequences of wrongful behaviour by others. (shrink)

Statues of gods in Greek culture had lives, both metaphorically and literally. The statues of gods had complex ritual lives. They had biographies (bioi); they travelled; they were subject to peripeties (destruction, repairs, re-dedication); and they suffered violence. Although they were not an indispensable element of worship, the images psychologically prepared the worshippers to address the divinity, and this was an important factor in the efforts of worshippers to communicate with the gods. Through the arousal of emotions they provoked actions (...) that were beyond or contrary to human intentions; in this sense, they had agency. Finally, under certain conditions they were perceived as fulfilling vital functions. Since Greek gods could not be in two places at the same time, they could not continually inhabit their statues. But they manifested their power through the statue during an epiphany. A statue was a receptacle (ankeion) of a god and medium of epiphany. (shrink)

The Corinthian Speech (Corinthiaca) in the corpus of Dio Chrysostom (Or. 31) is attributed to Favorinus (c.80–160) based on internal criteria of content and style. This article argues that a reference to an author of a Corinthian speech found in a collection of sayings in codex Vaticanus Graecus 1144 is a unique external reference to Favorinus as author of this speech.

Realism about computation is the view that whether or not a particular physical system is performing a particular computation is at least sometimes a mindindependent feature of reality. The caveat ’at least sometimes’ is necessary here because a realist about computation need not believe that all instances of computation should be realistically construed. The computational theory of mind presupposes realism about computation. If whether or not the human nervous system implements particular computations is not a natural fact about the world (...) that is independent of whether we represent it as doing so, then the computational theory of mind fails to naturalise the mind. Realism about computation is also presupposed by attempts to use computational principles such as Landauer’s Principle to dispel Maxwell’s Demon. Realism about computation has been challenged by Hilary Putnam and John Searle among others. Various arguments have been put forward purporting to show that any physical system of sufficient complexity trivially implements all computations. Ladyman et al. offer a precisification and general proof Landauer’s Principle. In order to do this they present an analysis of what it is for a physical process to implement a logical transformation. In this paper, their analysis is explained and its implications for realism about computation and the use of Landauer’s Principle in foundational debates is assessed. (shrink)

Oliver Cromwells historical reputation underwent significant change during the nineteenth century. Writers such as Thomas Carlyle were prominent in this reassessment, creating a Cromwell that found particular support among Nonconformists in the north of England. Projects to memorialize Cromwell included the raising of public statues. This article traces the history of the Manchester statue, the first major outdoor statue of Cromwell to be unveiled in the country. The project originated among Manchester radical Liberal Nonconformists in the early 1860s (...) but was not realized until 1875. It was the gift of Elizabeth Heywood; the sculptor was Matthew Noble. The project, including its intended site in Manchesters new Town Hall, was contentious, exposing political and religious divisions within the community, reinforcing the view that the reassessment of Cromwells place in the making of modern Britain was far from settled. (shrink)

The aim of this paper is to analyse a literary response to antiquity’s most alluring work of art, the Cnidian Aphrodite. It argues that the ecphrasis of the statue in the Amores develops textual and verbal strategies to provoke in the recipients the desire to see the Cnidia, but eventually frustrates this desire. The ecphrasis thereby creates a discrepancy between the characters’ aesthetic experience of the statue and the visualisation and aesthetic experience of the recipients of the text. (...) The erotic mechanisms of the ecphrasis, simultaneously arousing and frustrating the recipients’ desire, mirror the effect of the statue on its viewers and disclose the erotic programmatics of the whole dialogue. The analysis shows that the Amores surpass the ongoing discourse on love from Plato’s Phaedrus to the ancient novel – and Achilles Tatius and Longus in particular. The Amores, like the nude statue of the Cnidia, threaten to cross all bounds of decency in sexuality. (shrink)

On the most popular account of material constitution, it is common for a material object to coincide precisely with one or more other material objects, ones that are composed of just the same matter but differ from it in sort. I argue that there is nothing that could ground the alleged difference in sort and that the account must be rejected.

This article examines literary, epigraphic and archaeological evidence for the Christian reidentification of statuary and reliefs as biblical scenes and protagonists, saints and angels. It argues that Christian identifications were promulgated, amongst others by local bishops, to make sense of imagery of which the original identity had been lost and/or was no longer meaningful. Three conditions for a new identification are discussed: the absence of an epigraphic label, geographical and/or chronological distance separating the statue from its original context of (...) display, and the presence of a specific attribute or characteristic that could become the prompt for reidentification. In their manipulation and modernization of older statuary, Christians showed a much greater appreciation of the statuary medium than generally assumed. (shrink)

No statue raised in a public place should stand there indefinitely. Any such monument should have a set date when it is due to be replaced. I make three arguments to support this principle of non-permanence for public commemorative art. First, the opportunity cost of permanent statues is too high. States have a duty, grounded in their need for legitimacy, to support and cultivate democratic values. Public art is a powerful tool that is being drastically underemployed because existing statues (...) are already taking up so many prominent sites. Second, permanence undermines stability by unnecessarily raising the stakes of change and so exacerbating predictable tensions between social groups who ought to be able to respect one another as honourable civic partners. My proposal reduces the significance of replacing a monument by making removals a commonplace event. Third, we ought to do away with permanent statues as a means of increasing democratic control for both current and future generations over public spaces. Each generation inherits a more cluttered civic landscape which makes it progressively more difficult to shape it in accordance with their needs, preferences, and cultural vocabulary. Taken together, these arguments tip the balance of reasons decisively against the status quo. (shrink)

In classical writing the description of personal appearance was attempted in various ways. At one extreme the mere ‘passport-identification’ was concernedto enumerate distinguishing characteristics in order to ensure, for example, that a runaway slave or a recalcitrant taxpayer could be identified.

In classical writing the description of personal appearance was attempted in various ways. At one extreme the mere ‘passport-identification’ was concernedto enumerate distinguishing characteristics in order to ensure, for example, that a runaway slave or a recalcitrant taxpayer could be identified.

ABSTRACT This paper questions the current construction of a 54 metres statue of Maitreya against a 108 metres stupa in the steppe south of Ulaanbaatar, that will stand at the edge of a new ‘eco-city,’ Maidar City. The Grand Maitreya Project was initiated in 2009 by H. Battulga, businessman and MP. The project aims to be ‘one of the largest Buddhist complex in the world,’ and now is a ‘National project for reviving traditional Buddhist education and culture.’ I propose (...) to use religious and art-historical approaches in order to document the ‘birth’ of a Buddhist project, with a special interest in the long process of conception, fundraising and promotional programme. Relying on recent studies on the entanglement of Buddhism, politics, culture, consumerization and tourism that gave rise to new cultual modalities, and on studies of colossal statues recently built in Asia, this article asks what the GMP tells us about modern Mongolian politics and public religious culture. What are the sources of inspiration and foreign references of the GMP? Is it a religious monument that will benefit from the tourist economy, a tourist attraction, or a unifying, nationalist symbol of 21st-century Mongolia? (shrink)

There has recently been a focus on the question of statue removalism. This concerns what to do with public history statues that honour or otherwise celebrate ethically bad historical figures. The specific wrongs of these statues have been understood in terms of derogatory speech, inapt honours, or supporting bad ideologies. In this paper I understand these bad public history statues as history, and identify a distinctive class of public history-specific wrongs. Specifically, public history plays an important identity-shaping role, and (...) bad public history can commit specifically ontic injustice. Understanding bad public history in terms of ontic injustice helps understand not just to address bad public history statues, but also understand the value of public history more broadly. (shrink)

This book is a collection from the articles of 'The Skeptic' and brings together the best from the magazine's archive in one myth-busting volume. It includes mystery articles on the weeping statue at a Dublin suburban home, Turin Shroud, Britain's Roswell, Nostradamus's predictions and UFOs.

Jeff Bernard was a distinguished semiotician, always au courant with the main accomplishments in the field. Although Jeff himself had specialized in socio-semiotics, his architectural training and his artistic youth had lent him a really open mind, able to comprehend almost everything.Jeff Bernard was also an excellent administrator. He and Gloria organized countless international conferences, most of them based in Vienna (at the Institute for Socio-Semiotic Studies Jeff was the director of ), but also in other places in Austria, Germany, (...) Italy. All of them were a success. Jeff ran the ISSS almost single-handed. He edited books (he published three of mine, among many, many others), anthologies, semiotic journals. He knew how to raise funding, of which the whole semiotic community benefitted. In 2003, he acted as my “impresario”, as he jokingly said, and organized a lecturing tour through Central Europe for me.Jeff was also a wonderful host; he considered his guests as part of the family and treated them accordingly. Many were the times when he picked me up from one Viennese railway station or the other, or when he drove me there, when I stopped in Vienna, to or from other places. It was owing to Jeff and Gloria that I discovered Grinzig, Baden, and various other cozy places in and around Vienna. Last but not least, it was also due to Jeff and Gloria that I discovered the charm of many Viennese restaurants.Jeff was kind and generous, elegant and discreet. He helped quite a lot of semioticians to forward their careers, and more important still, he did it unobtrusively. Jeff was also a likeable person, with an entertaining conversation and a fine sense of humor.“I am a Feminist”, Jeff once said. (For the sake of historical accuracy, it was in September 1997, round a dinner table at the Early-Fall School of Semiotics, thenheld in Bankya, Bulgaria). And he further expanded: “Otherwise, we couldn’t be living with Gloria. And my life would be pretty difficult, virtually surrounded as I am by so many professional women. But they all think I am a Feminist, and they are happy to work for my benefit. So I sit at my desk in Vienna, and my women colleagues from all over the world send me contributions for this and that, come over to participate in conferences, etc. It pays being a Feminist”.“Ich bin ein Berliner”, said Jeff on another occasion. For historical accuracy, it was in September 2003, during the conference celebrating his 60th birthday, in answer to a remark made by Roland Posner. It seemed a humorous statement, and everybody smiled. But I think this was true in spirit. These few lines, as well as (I suppose) those written by other colleagues who have contributed to the present issue, are meant to illustrate this self-definition. Jeff had always sympathized with the less privileged people everywhere. (shrink)

The article is authored by the Dean of Faculty of Theology at the University of Pretoria, celebrating the Faculty’s centenary in 2017. The exposition of the argument is unfolded on the basis of Ricoeur’s threefold mimesis of prefiguration, configuration and reconfiguration. The earliest decisive statement with regard to the nature of the Faculty, and which is eagerly pursued, was made by the Rev. M.J. Goddefroy in 1888, epitomising theological training as of academic deference, that is as a Faculty at a (...) university and not a seminary. This has been the fibre of Theology at the University of Pretoria and intellectual inquiry is an uncompromised value. The article is a critical reflection on the past century and an orientation towards the next hundred years, identifying the essence of what a real Pretoria Model could and should be and looking ahead to the next century. ‘History is not a destination, but an orientation’, sounds like a refrain in the article. The enterprise is contextual with regard to time and space. The assessment is subsequently done in terms of this continent and this century, that is Africa and the 21st century. The conclusion of the article is that the Pretoria Model fills a unique niche in theological inquiry at public universities competing for a position among the top 500 on the ranking of world universities. (shrink)

Monuments and statues are forms of commemoration. They typically pay tribute to people or events and aim to serve as a permanent marker, a link between present and past generations, committing them to memory and assigning them with importance and meaning. While commemorations can be beneficial in terms of recognising a legacy of the past and helping foster relationships between opposing groups, they can also be divisive and painful, failing to acknowledge other dimensions of historical fact and further hardening the (...) boundaries between groups in conflict. Essentially, what we choose to commemorate reflects what we as a society actually value. This paper focuses on the unsettled fates of the Captain Cook statue that stands with prominence in Hyde Park, Warrane, and other colonial monuments in Australia. It also discusses the emotionality surrounding such commemorations. We question whether Cook’s actual achievements constitute the notoriety that has been bestowed upon him. A range of commentators have put forward ideas around what to do about the Cook statue which we discuss while also considering what the future might look like if the truth of colonial history is known and open conversations can be had. (shrink)

Some philosophers think that two distinct things can occupy exactly the same region of space, as with a statue and a piece of clay. Others think that the statue and the piece of clay are identical, but not necessarily so. I argue that Alan Gibbard’s well-known story of Goliath and Lumpl does not support either of these claims. Not the first, as there is independent reason to think that it cannot be true. Not the second, because there is (...) no need to invoke the dubiously intelligible notion of contingent identity to account for the facts of the story. (shrink)

Why do people in South Africa fight over statues – even to the extent of tying themselves to a mere bust? Using insights, especially from Jan Assmann, the study develops the argument that material culture (such as images and statues) provides the social energy that drives the manner in which history is told, that is, historiography; they provide the ‘silent objects’ with the power to control the public discourse and collective identity. Statues encapsulate all we need to know, inversely, concerning (...) public discourse, particularly, concerning issues pertaining to control, power and class. From this perspective, those who vandalise them may be regarded as contesting public discourse identity and historiography. Insights from this discussion provide parallel discussions, especially, in Galatians where Paul contrasts the image of Abraham with that of Moses – choosing Abraham as the public image that best represents the identity complexity, cosmopolitan and heterogeneous nature that characterises the Hellenistic context. (shrink)

We apply a familiar distinction from philosophy of language to a class of material artifacts that are sometimes said to “speak”: statues. By distinguishing how statues speak at the locutionary level versus at the illocutionary level, or what they say versus what they do, we obtain the resource for addressing two topics. First, we can explain what makes statues distinct from street art. Second, we can explain why it is mistaken to criticize—or to defend—the continuing presence of statues based only (...) on what they represent. Both explanations are driven by the same core idea: the significance of statues arises primarily from what they do, and not what they say. (shrink)

The killing of George Floyd by Minneapolis police officers and the subsequent Black Lives Matter protests have been accompanied by calls for the removal of statues of racists from public space. This has generated debate about the role of statues in the public sphere. I argue that statues are erected to represent a chosen narrative about history. The debate about the removal of statues is a controversy about history and how we relate to it. From this perspective, the Black Lives (...) Matter movement is not a drive to remove or topple statues, but a call for an honest examination of systemic racism and the residual effects of slavery. This call can be a kairos to engage in a constructive dialogue about the societies we aspire to live in. The result of this dialogue, which includes a re-examination of dominant narratives, will decide which statues and monuments can occupy public space and represent our societies. (shrink)

This paper is both an essay and a critique. It questions whether the ancient Greeks responded to heroic or devotional sculpture in any significantly different way than people in later ages, including our own, do. Questioned, too, is whether ancient sculpture or sculpture at any time as to its coming into being can be explained by linguistics, such as, in this case, by Roman Jakobson's notion that all linguistic models are based on one of two models: either on similarity (metaphoric) (...) or on contiguity (metonymic: the name of one thing used in place of another associated with or suggested by it). (shrink)

In what way might public statues wrong people? In recent years, philosophers have drawn on speech act theory to answer this question by arguing that statues constitute harmful or disrespectful forms of speech. My aim in this paper will be add a different theoretical perspective to this discussion. I will argue that while the speech act approach provides a useful starting point for thinking about what is wrong with public statues, we can get a fuller understanding of these wrongs by (...) drawing on resources from recent work in situated affectivity. I will argue that public statues can be understood as affective artifacts and that this can both help us understand both the deep affective wrongs caused by public statues and offer a possible explanation as to why some people are so strongly opposed to their removal. (shrink)

This paper discusses the metaphysical status of artefacts and their forms in the ancient commentators on Aristotle’s Metaphysics. Specifically, it examines the Peripatetic tradition and Alexander of Aphrodisias to then turn to the commentaries of the late Neoplatonist Asclepius of Tralles, and the Byzantine commentator Michael of Ephesus. It argues that Alexander is the pioneer of the interpretation of artefactual forms as qualities and artefacts as accidental beings. The fortune of this solution goes through Asclepius and Michael to influence Thomas (...) Aquinas. (shrink)